Iranian artist Kamrooz Aram is currently experiencing a significant institutional and commercial moment, with his work appearing in three major exhibitions across two continents simultaneously. Critic Aruna D’Souza highlights Aram’s ability to synthesize Islamic visual idioms with Western abstraction, creating a painterly language that transcends cultural hierarchies and treats historical narratives with a unique lightness.
Schoelkopf Gallery in New York has opened "Mary Abbott: To Draw Imagination," the first comprehensive survey exhibition dedicated to Abstract Expressionist painter Mary Abbott, who died in 2019. The show follows the gallery's announcement that it now represents Abbott's estate. Abbott, born in 1921 into a prominent New York family with presidential lineage, studied at the Art Students League and Subjects of the Artists, and showed alongside Jackson Pollock, Willem de Kooning, and others in the landmark 1951 Ninth Street Show, yet her legacy has remained largely overlooked.
Katherine El-Salahi, an anti-apartheid activist, anthropologist, and publisher, has died at age 81. Born Katherine Levine, she studied at Cambridge and SOAS before joining the clandestine group London Recruits in 1970, carrying out leaflet bomb propaganda and running guns into South Africa. She later became instrumental in the career of her husband, Sudanese painter Ibrahim El-Salahi, organizing his landmark 2013 retrospective at Tate Modern, building his archive, and securing gallery representation with Vigo Gallery.
Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.
Cultured magazine's critics roundup highlights several notable New York art exhibitions. Cameron Rowland's "Properties" at Dia Beacon is examined as a landmark Land art installation that uses contractual relations to address racial capitalism, with works available only for rent or loan. Other shows include Feliciano Centurión's "Sol naciente" at Ortuzar, Joshua Caleb Weibley's "Game Transfer Phenomena" at Chart, Ian Miyamura's debut at Bureau, and Laura Owens's new show at Matthew Marks Gallery, each reviewed for their conceptual and aesthetic innovations.
Cowley Abbott is staging its major spring sale, 'Select Masterworks of Indigenous and International Art,' at the Globe and Mail Centre in Toronto on May 27. The auction features a diverse range of works, including Pierre-Auguste Renoir's 'Paysage du Midi' (ca. 1900), Vincent van Gogh's 'Homme à la Pipe: Portrait du Docteur Gachet' (1890), Philip Russell Goodwin's 'Camping – Canadian Club' (1916), Emily Carr's 'Wind' (1936), and Lawren Stewart Harris's 'Above Coldwell Bay, North Shore, Lake Superior (Lake Superior Sketch XV)' (1925), with estimates ranging from CA$150,000 to CA$700,000.
This week's entertainment guide from The Guardian includes a major outdoor sculpture exhibition of Henry Moore's monumental works at Kew Gardens, running from May 9, 2026 to January 31, 2027. The show features 30 of Moore's sculptures in the largest-ever presentation of outdoor works by the English modernist. Additionally, Parham Ghalamdar presents a solo exhibition of post-apocalyptic ceramic and glass works at Blenheim Walk Gallery in Leeds, and Photo London, the UK's leading photography fair, returns for its 11th year, moving to Kensington Olympia after a decade at Somerset House.
London’s Lightroom venue has announced a major new immersive multimedia experience titled “David Bowie: You’re Not Alone,” scheduled to open in April 2026. Developed in partnership with the Bowie estate and designed by 59 Studio, the hour-long spectacle utilizes 36-foot walls to project rare performance footage, interviews, and never-before-seen archival material. The production is led by Mark Grimmer, who previously co-curated the Victoria & Albert Museum’s landmark 2013 retrospective of the artist.
The Hirshhorn Museum and Sculpture Garden has launched the "50 for 50" loan program, a landmark initiative to disperse over 200 artworks from its collection to museums in all 50 U.S. states and Puerto Rico. Major works by artists like Jackson Pollock, Georgia O'Keeffe, and Willem de Kooning will be loaned for up to five years, with a focus on reaching underserved and rural communities.
The Philadelphia Art Museum is organizing a 2026 exhibition titled “Rising Up: Rocky and the Making of Monuments,” centered on the famous Rocky Balboa statue that sits atop the museum's steps. Curated by Paul Farber, co-founder of Monument Lab, the show will feature over 150 works by more than 50 artists, spanning 2,000 years of artifacts, and explore the role of monuments in fine art, sports, and popular culture. The exhibition coincides with the 50th anniversary of the original Rocky film and includes works by Keith Haring, Rashid Johnson, Kara Walker, and Andy Warhol, among others.
Sotheby's has relocated its New York headquarters to Marcel Breuer's iconic Brutalist building on Madison Avenue, formerly home to the Whitney Museum, the Met Breuer, and a Frick Collection outpost. After a renovation by Herzog & de Meuron that restored original gallery proportions and upgraded infrastructure, the auction house is inaugurating the space with a series of exhibitions featuring three major single-owner collections—Leonard A. Lauder, Cindy and Jay Pritzker, and Exquisite Corpus—estimated at over a billion dollars. Highlights include Gustav Klimts from the Lauder trove, a Van Gogh still life from the Pritzker collection, a Frida Kahlo painting expected to set a record for a woman artist, and a Basquiat work in the contemporary evening sale.
Spring 2025 auction results at Christie’s and Sotheby’s in New York showed a mixed market. Major lots like Alberto Giacometti’s *Grande tête mince* failed to sell, and Andy Warhol’s *Electric Chair* was withdrawn. However, top sales included Piet Mondrian’s *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* for $47.56 million, Claude Monet’s *Peupliers au bord de l’Epte, crépuscule* for $42.96 million, and Mark Rothko’s *No. 4 (Two Dominants)* for $37.78 million. Works by Basquiat, Magritte, Picasso, and Richter also sold well.
American Pop artist Robert Rauschenberg created his controversial work *Erased de Kooning Drawing* (1953) by taking a drawing from Abstract Expressionist legend Willem de Kooning and erasing almost all of its marks. Rauschenberg, then 28, had recently returned to New York after studies at Black Mountain College and the Art Students League. He convinced de Kooning to donate a drawing for the project with a bottle of Jack Daniels, and de Kooning insisted it be a work he would miss. The erasing took about a month and wore down roughly 40 erasers. The finished piece, framed in a traditional gilded frame and inscribed by Jasper Johns, is now held by the San Francisco Museum of Modern Art (SFMOMA), which used infrared technology in 2010 to reveal traces of de Kooning's original charcoal-and-pencil figures.
The San Francisco Museum of Modern Art (SFMOMA) has unveiled a massive reinstallation of the Doris and Donald Fisher Collection, featuring approximately 250 works. This presentation is part of a landmark 100-year partnership established in 2009, which requires the museum to dedicate significant gallery space to the Fishers' holdings every decade. The current exhibition showcases blue-chip staples of postwar and contemporary art, including major works by Ellsworth Kelly, Gerhard Richter, and Agnes Martin.
George Herms, a pioneering figure in the West Coast Assemblage movement, died on April 24 at age 90. Known for transforming found materials, rusted metal, and debris into poetic sculptures and collages, Herms emerged from the Beat scene in Topanga Canyon and was influenced by artist Wallace Berman. His first assemblage show, Secret Exhibition (1957), was held in a vacant lot, and he was later included in MoMA's landmark 1961 exhibition The Art of Assemblage. Over seven decades, he exhibited widely, including at the Museum of Contemporary Art, Los Angeles, and Morán Morán, and created public artworks in LA such as 'Portals to Poetry' and 'Clocktower: Monument to the Unknown.'
À Paris, des galeristes très mobiles
The Parisian art scene is experiencing a significant wave of gallery expansions and relocations across both the Right and Left Banks. Major developments include Kamel Mennour acquiring the former Malingue gallery space on Avenue Matignon for secondary market masterpieces, and Christophe Person moving from the Marais to a redesigned space on Rue du Bac with the backing of collector Jean Claude Gandur. Other notable moves include London-based Waddington Custot opening a Parisian branch, Singapore's Cuturi Gallery settling in the Palais-Royal, and Vincent Sator inaugurating a new space in the David Chipperfield-designed Morland Mixité Capitale complex.
The Musée d'Orsay in Paris is undertaking a full public restoration of Gustave Courbet's monumental painting "A Burial at Ornans" (1849–50), 175 years after its scandalous debut at the Paris Salon. The 20-foot canvas will be cleaned, its poorly applied varnish layers thinned, and structural issues addressed—including cracks, tears, and deformations caused by the coarse fabric and heavy impasto. The restoration will also reveal previously hidden border portions of the canvas folded in the late 1800s, potentially adding new details to the composition.
Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.
Tate Britain will stage "The 90s: Art and Fashion" in autumn 2026, guest curated by Edward Enninful, featuring nearly 70 artists, designers, and photographers including Steve McQueen, Damien Hirst, Alexander McQueen, and Vivienne Westwood. The exhibition explores how the decade reshaped British cultural identity through art, fashion, and social commentary, highlighting DIY anti-fashion aesthetics and themes of identity, race, class, and representation. Separately, Gagosian opened a new ground-floor flagship at 980 Madison Avenue in New York, replacing its longtime sixth-floor space after 37 years. A rare 17th-century Mughal astrolabe is heading to Sotheby's London with a £1.5–2.5 million estimate. Fondazione Sozzani launched an award for emerging creative talent. A Manhattan federal jury ordered art publisher Michael McKenzie to pay $102.2 million in damages to the Morgan Art Foundation for producing unauthorized works by Robert Indiana.
D Lan Galleries is returning to TEFAF Maastricht in 2026 following a landmark debut that generated nearly $1.4 million in sales. The Melbourne and New York-based gallery will showcase 13 masterworks by prominent First Nations Australian artists, including Emily Kam Kngwarray, Sally Gabori, Johnny Warangkula Tjupurrula, and Gordon Bennett. The presentation spans works from the 1970s to the present, highlighting the evolution of Indigenous Australian art on the global stage.
Tony Albert, a 45-year-old artist of Girramay, Yidinji, and Kuku-Yalanji heritage, has spent decades collecting thousands of objects he terms 'Aboriginalia'—kitsch, caricatured, and often racist depictions of Aboriginal people created by non-Indigenous Australians. His solo exhibition 'Not a Souvenir' opens at the Museum of Contemporary Art (MCA) in Sydney on 21 May, showcasing over 3,000 items from his collection alongside transformed artworks. The MCA is inviting the public to donate additional Aboriginalia items to Albert's collection, which is housed in his Brisbane studio.
Claes Oldenburg's 1969 sculpture *Lipstick (Ascending) on Caterpillar Tracks* was vandalized in October when the letters "ATB" were etched into its metal base. Yale University is relocating the 24-foot-tall work from the Morse College courtyard to the Yale University Art Gallery for conservation and care, following the discovery of the defacement. The sculpture, a beloved campus landmark originally installed in Beinecke Plaza, has a history of being removed and restored due to weather damage and graffiti.
Abstract Expressionist painter Mary Abbott has died at age 98 due to heart failure, as confirmed by McCormick Gallery in Chicago, which represented her for nearly 20 years. Known for her colorful canvases and sweeping brushstrokes, Abbott was praised by the New York Times in 2008 as one of the last great Abstract Expressionist painters of her generation. Despite her early modeling career on Vogue covers and her immersion in the downtown New York art scene alongside figures like Mark Rothko and Willem de Kooning, her work received little scholarly recognition until the 2016 Denver Art Museum exhibition "Women of Abstract Expressionism," which traveled to the Mint Museum and Palm Springs Art Museum.
The Broad in Los Angeles offers visitors a polished yet intimate contemporary art experience, housed in a distinctive honeycomb-like building on Grand Avenue designed by Diller Scofidio + Renfro with Gensler. Opened in 2015, the museum displays the postwar and contemporary art collection assembled by philanthropists Eli and Edythe Broad, featuring free general admission and a tightly edited selection of works that makes it approachable for first-time museumgoers. The museum is a key anchor in downtown LA's Grand Avenue arts corridor, alongside Walt Disney Concert Hall.
Gagosian is set to expand its footprint at 980 Madison Avenue by opening a new ground-floor gallery space on April 25, 2026. The inaugural exhibition features a landmark presentation of Marcel Duchamp’s iconic readymades, including "Fountain" and "Bicycle Wheel." This selection specifically highlights the 1964 editions produced with Arturo Schwarz, returning these works to the exact building where they made their American debut at the Cordier & Ekstrom Gallery over sixty years ago.
Frieze Los Angeles 2026 has sparked a city-wide surge of artistic activity, characterized by large-scale artist-led group shows and the creative reclamation of non-traditional spaces. Key highlights include the transformation of a massive abandoned 99 Cents Only store into a chaotic exhibition featuring over 120 artists, a sprawling video art installation across six floors of a historic vaudeville theater, and major collection surveys focusing on influential women and artists of color.
City Gallery Wellington Te Whare Toi has announced a major retrospective of British artist Cornelia Parker, set to open on 10 October 2026 and run through 7 March 2027. The exhibition, which director Charlotte Davy describes as a lifelong ambition, will feature Parker's large-scale immersive installations known for themes of destruction, reconstruction, and transformation—including works that involve exploded and suspended objects. The show follows the gallery's history of presenting landmark exhibitions by female artists such as Yayoi Kusama, Cindy Sherman, and Hilma af Klint. The exhibition is curated by City Gallery Wellington's Senior Curator Aaron Lister and UK-based Andrea Schlieker, former Director of Exhibitions and Displays at Tate Britain and Director at White Cube London.
The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," a landmark exhibition featuring new, large-scale paintings and sculptures by the renowned German artist. The works, including 30-foot-tall paintings like "Missouri, Mississippi" (2024) and "Lumpeguin, Cigwe, Animiki" (2025), were created specifically for SLAM's soaring Sculpture Hall after Kiefer revisited St. Louis in 2023. The exhibition draws on Kiefer's 1991 visit to the city, where he was deeply impressed by the Mississippi and Missouri rivers, and brings together themes of rivers, borders, memory, and cultural metaphor.
Art Basel Paris 2025, now in its fourth edition, took place from October 22–26 at the restored 1900 Paris Exposition venue, a Beaux-Arts landmark with Art Nouveau iron and glasswork. The fair hosted 206 international galleries and introduced a new 'Avant-Première' V.V.I.P. day on October 21, where each gallery could allocate six guest passes. Blue-chip sales were swift, led by Hauser & Wirth selling Gerhard Richter's *Abstraktes Bild* (1987) for $23 million to a European collector. Other notable sales included Bruce Nauman's neon sculpture *Masturbating Man* for over $4.7 million and Amedeo Modigliani's *Jeune fille aux macarons* (1918) for $10 million at Pace Gallery. The fair also featured curatorial sectors Emergence (16 solo presentations by emerging artists) and Premise (ten historical projects with works predating 1900).
Evelyn Lin is returning to Sotheby’s as chairman of Modern and contemporary art, Asia, starting November 3, after a one-year stint at Pace gallery. She will help lead the inaugural marquee sale at Sotheby’s new global headquarters in New York’s Breuer Building. The appointment follows the departure of Elaine Holt and the closure of Pace’s Hong Kong space, which will not renew its lease at H Queen’s after its current exhibition closes on October 18.