Alma Allen Speaks Out on Backlash Over U.S. Pavilion Commission: ‘A Little Stressful’

Sculptor Alma Allen has spoken out for the first time about the backlash he faced after accepting the commission to represent the United States at the Venice Biennale. In a rare interview on the podcast *Time Sensitive*, recorded at his home in Tepotzlán, Mexico, Allen described the response as “a little stressful” but said he never hesitated when curator Jeffrey Uslip invited him last fall. His selection sparked controversy because the State Department’s requirement that proposals “reflect and promote American values” while not promoting DEI initiatives led higher-profile artists like William Eggleston and Barbara Chase-Riboud to refuse. Allen’s former galleries, Mendes Wood and Olney Gleason, dropped him after he accepted, though he has since joined Perrotin. He also hinted that his exhibition, “Call Me the Breeze,” will include work about conflict and surveillance.

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The gallery Anthony Meier in San Francisco is hosting "Barbara Stauffacher Solomon: Garden = Grid = City," the first exhibition of the late artist’s work since her estate began being co-represented by the gallery and von Bartha. The show highlights Solomon’s diverse eight-decade career, moving beyond her famous "supergraphics" to showcase rarely seen paintings and drawings from the 1980s that explore the intersection of city grids and landscape architecture.

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Praise Shadows Art Gallery, a respected contemporary art gallery, is relocating from Brookline to a 2,000-square-foot downtown Boston storefront in the Leather District. The move was facilitated by Boston Mayor Michelle Wu and the city's Space for Creative Enterprise Downtown initiative, which helped founder Yng-Ru Chen secure a 10-year lease. The gallery opens on March 13 with a group show titled "Summoning" and has a slate of solo shows planned for Boston-based artists in 2026.

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Austrian-born, Netherlands-based performance artist Florentina Holzinger has joined the roster of blue-chip gallery Thaddaeus Ropac. This move comes just months before she is set to unveil her project "Seaworld Venice" for the Austrian Pavilion at the 2024 Venice Biennale, marking a significant shift of her boundary-pushing, interdisciplinary practice from the theater and dance worlds into the commercial art gallery system.

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Two concurrent exhibitions in New York explore the intersection of art and UFOs, paranormal phenomena, and extraterrestrial life. "Voice of Space: UFOs and Paranormal Phenomena" at the Drawing Center (through February 1, 2026) features some three dozen works from artists including René Magritte and Isa Genzken, with Magritte's 1931 painting "Voice of Space" as the conceptual centerpiece. Meanwhile, "Paintings Made for Aliens Above" at P.P.O.W (through December 20, 2025) presents new works by Romanian artist Hortensia Mi Kafchin, probing technofuturism's promises and failures. The shows include historical pieces like Paulina Peavy's multimedia works co-credited to her personal UFO, and contemporary works by Char Jeré that interrogate technology and consumerism.

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Aspen Art Museum will launch its new flagship initiative AIR on July 29, 2025, a program combining a public festival and private retreat focused on the intersections of art and technology. The inaugural edition features filmmaker Werner Herzog as a keynote speaker, alongside architect Francis Kéré and artist Maya Lin. Other participants include artist Matthew Barney, who will debut a new performance piece titled "TACTICAL parallax," as well as Paul Chan, Mimi Park, Jota Mombaça, Cannupa Hanska Luger, and the duo of Apichatpong Weerasethakul and Rafiq Bhatia. The program includes site-specific art, dialogues, and conversations exploring themes such as ecstatic truth, artificial intelligence, and the origin of life.

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On the 100th anniversary of Surrealism, the article highlights the belated recognition of Leonor Fini (1907–1996), a self-taught artist who rejected labels such as 'Surrealist' or 'woman artist.' Despite her insistence on being seen simply as an artist, her sensual, mythological paintings are gaining renewed attention. Fini debuted in 1929, was featured in the 2022 Venice Biennale, and had a solo exhibition at Kasmin gallery in New York. Her market high came in 2021 when a self-portrait sold for $2.3 million at Sotheby's, and her work is now included in the centennial surrealist show 'Imagine!' at the Royal Museum of Fine Arts in Belgium.

ArtReview Podcast | Episode 5: Rene Matić

Artist Rene Matić discusses their multidisciplinary practice and cultural influences in the latest episode of the ArtReview Podcast. The conversation explores Matić’s background as a second-generation skinhead of St Lucian heritage, their status as the youngest-ever Turner Prize nominee, and the upcoming commission for the grand opening of the V&A East Museum in April 2026.

Trevor Paglen Wins 2026 LG Guggenheim Award

Multidisciplinary artist Trevor Paglen has been awarded the 2026 LG Guggenheim Award. The honor, established by the Solomon R. Guggenheim Museum and LG, includes an unrestricted $100,000 grant and recognizes artists working at the intersection of art and technology.

Inside LACMA’s 2026 Reopening: What to Know About the New David Geffen Galleries

The Los Angeles County Museum of Art (LACMA) has announced that its highly anticipated David Geffen Galleries will officially open to the public on April 19, 2026. Designed by Pritzker Prize–winning architect Peter Zumthor in collaboration with director Michael Govan, the new facility features a horizontal, elevated design that spans Wilshire Boulevard. The structure will house 26 galleries on a single level, representing the culmination of a nearly two-decade redevelopment project.

Artist and Filmmaker Steve McQueen Wins $172,000 Erasmus Prize

British artist and filmmaker Steve McQueen has been awarded the 2024 Erasmus Prize by the Dutch Praemium Erasmianum Foundation. The prize includes a cash award of 150,000 euros (approximately $172,000) and a specially designed booklet featuring the script of the 16th-century scholar Desiderius Erasmus.

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Artist Tarek Atoui has been selected for the next Hyundai Commission in Tate Modern's Turbine Hall, opening October 13 and running into April 2027. The Beirut-born, Paris-based artist is known for complex installations with specially designed instruments incorporating glass, water, or ceramics, activated by touch, breath, or motors. Curators Nabila Abdel Nabi and Dina Akhmadeeva will oversee the exhibition. Atoui has previously shown at S.M.A.K., Luma Westbau, and the Museum of Contemporary Art Australia, and won the Suzanne Deal Booth/FLAG Art Foundation Prize in 2022.

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Maggie Harrison, head winemaker at Antica Terra in Oregon's Willamette Valley, has collaborated with artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin to create a limited-edition box set of wines. Each set includes wines blended collaboratively and individual artworks packaged with the bottles, described as a “Museum in a Box.” Proceeds from the 150 sets benefit Denniston Hill, the artist residency founded by Mehretu and Pfeiffer. Harrison also opened an Art Meadow at Antica Terra this past summer, featuring a site-specific installation by Lily Clark, with plans for another exhibition next year.

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American artist Llyn Foulkes has died at age 91, as confirmed by Kent Fine Art. Known for defying stylistic categorization, Foulkes was an early pioneer of Pop art, showing at Fergus Gallery in the mid-1960s ahead of Andy Warhol. He won the painting prize at the Paris Biennale in 1967 and represented the United States at the IX São Paulo Art Biennial that same year. His work incorporated collaged elements and explored themes of photography, Americana, and commercial pop culture. Foulkes was also a jazz musician, performing with R. Crumb and forming the Rubber Band, which appeared on Johnny Carson's Tonight Show. He invented a one-man-band instrument called the Machine and participated in Documenta 13 in 2012, with a retrospective at the Hammer Museum in 2013.

Alma Allen Flops in Venice

Hyperallergic reports on the 2026 Venice Biennale, with Editor-in-Chief Hakim Bishara criticizing the U.S. pavilion's exhibition of Alma Allen's work as a disappointing departure from the previous editions' profound explorations of Indigenous life and Black sovereignty. Editor-at-Large Hrag Vartanian offers a positive review of the main exhibition "In Minor Keys," while Greta Rainbow covers a poetry procession honoring the late artistic director Koyo Kouoh. Additional stories include a review of the film "The Christophers" about an artist and forger, and news of workers at the American Folk Art Museum picketing for higher wages.

The Paradoxical Delights of South America’s Biggest Art Fair

The 22nd edition of SP-Arte has opened at the Oscar Niemeyer Pavilion in São Paulo, featuring 180 exhibitors. As Latin America’s largest art fair, the event continues to serve as a critical bridge for 'South-South' artistic relationships, drawing international curators like the Met’s Brinda Kumar. Despite a slightly smaller footprint than previous years, the fair showcases a robust selection of Brazilian talent alongside international galleries navigating the country's complex market.

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French artist Jean Dufy (1888–1964), brother of Raoul Dufy and a contemporary of Picasso and Braque, is the subject of a major new catalogue raisonné. Galerie Jacques Bailly in Paris has released Volume III of the catalogue, a 495-page volume with 801 reproductions and essays by Vanessa Schmitz-Grucker and Chantal Meslin-Perrier. The book explores Dufy's use of color, his depictions of post-war Parisian life, and his lesser-known work in porcelain design for Haviland Limoges.

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Estonian rapper and provocateur Tommy Cash sparked controversy at the 2025 Eurovision Song Contest in Basel, Switzerland, with lyrics that parodied Italian stereotypes, leading Italy to call for his disqualification. Despite finishing third, the incident has drawn renewed global attention to Cash, who has long been a boundary-pushing figure in European art and music. Artnet News resurfaced a 2022 interview with Cash, born Tomas Tammemets in 1991, who describes himself as an artist working across music, fashion, and installation projects, blending post-Soviet visual language with high and low culture references.

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The Museum of Modern Art (MoMA) has launched a new exclusive ice cream flavor called "Van Dough" in its second-floor cafe and sculpture garden food stand. Created in collaboration between Union Square Hospitality Group (USHG) and Caffè Panna, the flavor features vanilla ice cream mixed with MoMA chocolate chip cookie dough chunks and chocolate chips. The article traces MoMA's long history with ice cream, including its ownership of Claes Oldenburg's *Pastry Case, I* (1961–62) and *Floor Cone* (1962), a 1935 Zeroll ice cream scoop by Sherman L. Kelly in its design collection, and a 2013 ice cream social with Milk Not Jails as part of artist Caroline Woolard's project.

Who is Yto Barrada, France's representative at the Venice Biennale with a world-spanning work?

Qui est Yto Barrada, représentante de la France à la Biennale de Venise avec une œuvre-monde ?

Yto Barrada, the artist representing France at the 2026 Venice Biennale, has created a multidisciplinary installation titled "Saturne" for the French Pavilion. The work centers on textiles and natural dyeing, weaving together themes of postcolonial history, migration, craft transmission, and the symbolism of Saturn—from its astronomical mystery to its mythological role as the devourer of children. The installation features wool curtains, Aubusson tapestry, goat skins, wasp-nest sculptures, masks, muzzles, a color chart, and video, all housed in a renovated pavilion designed with the help of numerous artisans. Barrada, born in Paris in 1971 and raised in Tangier, founded the Cinémathèque de Tanger and later The Mothership, a research center focused on textiles and natural dyes. The exhibition is curated by Myriam Ben Salah.

Au musée Picasso, l’artiste africain-américain Henry Taylor dévoile sa peinture d’un quotidien troublé par la violence

The Musée Picasso in Paris is hosting a retrospective of African American artist Henry Taylor, running until September 6. The exhibition centers on Taylor's 2007 painting *From Congo to the Capital, and Black Again*, a bold reimagining of Picasso's *Les Demoiselles d'Avignon* that replaces the original figures with darker-skinned women and introduces Josephine Baker and a white man's arm. The show follows the museum's series on African American painting, after Faith Ringgold in 2023 and ahead of a Harlem Renaissance exhibition in 2027.

Dóra Maurer, Hungarian Conceptual Artist, Dies at 88

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Dóra Maurer, a preeminent figure of Hungarian conceptual art, has died at the age of 88. Known for her multidisciplinary approach spanning film, photography, and painting, Maurer rose to prominence for her experimental work created under Soviet rule in Hungary. Her practice frequently explored themes of displacement, perception, and the mathematical shifting of forms, ranging from her 1970s performance-based photography to her later vibrant, geometric "Overlappings" paintings.

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P.P.O.W. gallery has taken on representation of artist Owen Fu, while Nicola Vassell Gallery now represents Na Kim, known for her book covers and paintings. Jessie Washburne-Harris has been named Global Director at White Cube, overseeing the gallery's U.S. growth. Chris Sharp Gallery added Mark A. Rodriguez to its roster, and Berry Campbell took on the estate of Louisa Chase. Mexico City dealers Misa Yamaoka and Yuna Cabon launched an artist residency program at Third Born gallery. The article also reports that combined evening sales at Christie's, Phillips, and Sotheby's in Hong Kong totaled $136 million, a significant drop from $208.6 million last fall, and highlights the rising market interest in 17th-century artist Michaelina Wautier.

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NADA Miami 2025 opened at Ice Palace Studios with strong early sales and a buoyant mood, as crowds streamed through the aisles on Tuesday morning. Dealers reported brisk business, with Polina Berlin selling multiple works by artists including Tamo Jugeli, Parmen Daushvili, and Casey Bolding, while Charles Moffett sold ten paintings by Kenny Rivero. The fair, hosting around 140 exhibitors, saw participation from galleries like Deanna Evans Projects, Alice Amati, and Gladwell Projects, with many dealers expressing relief and confidence after a multi-year contraction in the art market.

Time Magazine’s 100 Most Influential List Includes Artist Cao Fei and Photojournalist Lynsey Addario

Time magazine has named artist Cao Fei and photojournalist Lynsey Addario to its 2026 list of the 100 most influential people in the world. Cao Fei is recognized for her multidisciplinary work exploring digital technology and modernity, while Addario is honored for her decades of courageous reporting from global conflict zones, including her Pulitzer Prize-winning coverage of the war in Ukraine. The list also acknowledges prominent art patrons Susan and Michael Dell.

Collaborations: Robert Rauschenberg, Laurie Anderson, Trisha Brown, and Merce Cunningham at BAM

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The Brooklyn Academy of Music (BAM) is hosting "Dancing with Bob," an international tour celebrating the centennial of Robert Rauschenberg’s birth. The program features restagings of seminal avant-garde dance collaborations, most notably the 1983 masterpiece "Set and Reset," which combined the choreography of Trisha Brown, the music of Laurie Anderson, and the visual design of Rauschenberg. The tour also includes a rare professional restaging of the 1977 piece "Travelogue," a collaboration between Rauschenberg and Merce Cunningham.

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The British Museum has allocated £1.2 million to facilitate the transport of the 11th-century Bayeux Tapestry from Normandy to London for a high-profile exhibition scheduled for 2026. This funding covers the logistical complexities of moving the 230-foot-long masterpiece, which is further protected by a £800 million UK Treasury guarantee. Despite the museum's rigorous planning and expert oversight, the loan has faced significant pushback from conservationists and public figures.

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David Hockney will create a monumental 22-by-32-foot window installation for the Sunley Gallery at Turner Contemporary in Margate, UK. The work, based on a 2020 iPad painting of a Normandy sunrise, will be illuminated at night and is scheduled to be on view from April 1 to November 1 as part of the gallery's 15th-anniversary celebrations.

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The Columbia Museum of Art in Columbia, South Carolina, is unveiling newly reconfigured collection galleries to cap its 75th anniversary and culminate a yearlong renovation. The museum will reopen its collection galleries following a gala on January 16, presenting a newly conceived display across 20 galleries. The reinstalled galleries draw from the museum’s American, Asian, European, and modern and contemporary holdings, including Italian Renaissance works from the Kress Collection, an Asian gallery anchored by Chinese art from the Tang dynasty, and thematic galleries focused on landscape, still life, and art and architecture. The renovation, which began in January 2025, included new lighting and ceilings, reinforced walls, and conservation work on pieces by Sam Gilliam, Teiji Takai, and Benjamin Wilson.

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The Smithsonian Institution, a government-funded museum network in Washington, D.C., was forced to close this weekend due to the ongoing government shutdown, marking another blow after repeated attacks by the Trump administration. The National Gallery of Art had already closed the previous weekend, while the Smithsonian had used its own funds to stay open until now. Separately, a traveling Ruth Asawa retrospective opening at New York's Museum of Modern Art on October 19 is reportedly the museum's largest show ever dedicated to a woman artist, featuring 376 works across 16,000 square feet, though MoMA has not officially confirmed this record. Other news includes a forgotten Paul Gauguin painting heading to auction at Artcurial, Sotheby's seeking third-party guarantees for three Klimt paintings from the Leonard Lauder collection, a reattributed Liotard portrait, and Chilean artist Cecilia Vicuña winning the 2025 Roswitha Haftmann Prize.