Revisiting One of Fauvism’s Wildest Painters

The Parisian gallery Helene Bailly Marcilhac is hosting a comprehensive monographic exhibition dedicated to the Dutch-French painter Kees van Dongen. The show traces the artist's career from his early days as a leading figure of the Fauvist movement through his later developments in portraiture, still life, and genre painting. Spanning several decades, the exhibition highlights Van Dongen's evolution from the "terrifying" bold colors of his youth to the more nuanced, expressive works of his later years, such as his 1950s floral studies and racing scenes.

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

HOSOO to Present “Glorious Robe,” a Collaborative Exhibition with Theaster Gates

Kyoto-based textile house HOSOO has announced a collaborative exhibition with American artist Theaster Gates titled “Glorious Robe,” scheduled to run from April 11 to August 30, 2026. The showcase centers on the “Dashikimono,” a hybrid garment merging the West African dashiki with the Japanese kimono, alongside ceramic vessels and traditional obi sashes. These works incorporate motifs from the American Civil Rights Movement, including tributes to Martin Luther King Jr. and Malcolm X, woven directly into the fabric using HOSOO’s centuries-old Nishijin techniques.

Schloss Bellevue wird temporär Ausstellungshaus

Schloss Bellevue, the official residence of German President Frank-Walter Steinmeier in Berlin, will be transformed into a temporary pop-up gallery for two weeks from June 13 to 28, before undergoing a major renovation expected to last around eight years. The exhibition, organized in cooperation with the Akademie der Künste, will feature works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini, taking advantage of the emptied rooms ahead of the president's move-out before the summer break. Free timed-entry tickets will be available from May 18 via the Akademie's website.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.

Sebastiaan Bremer: Super Modern Things

Edwynn Houk Gallery presents "Super Modern Things," an exhibition of new works by Sebastiaan Bremer. The artworks blend photography and painting, starting from historical source images such as 17th-century Dutch botanical catalogues and Golden Age still life paintings. Bremer photographs these reproductions and adds ink and acrylic marks—dots, lines, stains, and washes—creating rhythms that evoke language, music, emotion, and constellations. The exhibition continues his long-standing exploration of flowers and the layered histories of still life, addressing themes of beauty, mortality, value, ecology, and global exchange. An accompanying monograph of his flower series is scheduled for Fall 2026.

Korean Art Masters Ha Chonghyun and RM's Collection Highlight San Francisco Exhibitions

San Francisco's Asian Art Museum and San Francisco Museum of Modern Art will host major exhibitions of Korean art this fall. The Asian Art Museum will present the first North American museum retrospective of monochrome master Ha Chonghyun, featuring over 50 works spanning six decades. SFMOMA will debut a special exhibition showcasing the personal art collection of BTS leader RM, juxtaposing over 150 pieces from his holdings with works from the museum's own collection.

Master of Dansaekhwa Ha Chong-Hyun to Showcase Korean Art in the U.S.

Ha Chong-Hyun, a leading figure of the Korean Dansaekhwa (monochrome painting) movement, will receive his first North American museum retrospective at the Asian Art Museum of San Francisco. The exhibition, titled 'Ha Chong-Hyun: Retrospective,' opens on September 25 and will feature approximately 50 paintings spanning over 60 years of his career, including new works and pieces showcasing his signature 'Back Pressure Technique.'

Monochrome Painting Master Ha Chong-Hyun to Hold Major Retrospective in the U.S.

Monochrome painting master Ha Chong-Hyun will have his first North American museum retrospective at the Asian Art Museum of San Francisco (AAM) from September 25, 2026, to January 25, 2027. The exhibition, titled "Ha Chong-Hyun: Retrospective," will feature about 50 works spanning over 60 years, including his early Art Informel experiments, his politically charged works, and his iconic "Conjunction" series created with his signature Back Pressure Technique.

Barkley L. Hendricks | Biography, Paintings, Photography & Legacy

Barkley L. Hendricks was a transformative American portrait artist known for depicting ordinary Black men and women with the scale and technical mastery typically reserved for European Old Masters. After a pivotal trip to Europe in the 1960s where he noted the absence of Black subjects in museum collections, Hendricks dedicated his career to elevating Black identity through bold, life-sized oil paintings and photography. His work often featured vibrant monochromatic backgrounds and subjects drawn from his personal life, popular music, and urban culture.

Foreign Office Reprimands Goethe-Institut for Exhibition

Auswärtiges Amt rügt Goethe-Institut für Ausstellung

The German Foreign Office has formally reprimanded the Goethe-Institut for its involvement in an exhibition in Vilnius, Lithuania, featuring Palestinian-American artist Basma al-Sharif. The ministry stated that events organized by German cultural intermediaries must leave no doubt about the government's firm rejection of antisemitism and hatred of Israel, and demanded greater care in planning and conceptualizing such events with partners. The exhibition, "Bells and Cannons - Contemporary Art in Times of Militarization," was a collaboration between the Goethe-Institut Vilnius, the Contemporary Art Centre Vilnius, and the Berlin Academy of Arts.

Michaelina Wautier Finally Known by Her Name

The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.

‘Barbara Windsor smacked our bottoms!’ Pet Shop Boys on showstopping visuals, horrified bosses – and snubbing the queen

The Pet Shop Boys have released a comprehensive 600-page visual monograph titled 'Pet Shop Boys: Volume,' documenting over 40 years of their aesthetic evolution. The book explores the duo's collaboration with high-profile artists, photographers, and directors including Wolfgang Tillmans, Alasdair McLellan, Derek Jarman, and long-time designer Mark Farrow. It highlights how Neil Tennant and Chris Lowe utilized the music industry's 1980s boom to treat pop music as a 'Gesamtkunstwerk' (total work of art), merging avant-garde fashion, minimalist graphic design, and cinematic music videos.

Master of Madonnas and the Market

Meister der Madonnen und des Marktes

A major exhibition titled "Raphael: Sublime Poetry" has opened at the Metropolitan Museum of Art in New York, exploring how the Renaissance master Raphael's work was deeply intertwined with money, prestige, and patronage. The show traces his career from early mentorship under his father and influences from Leonardo da Vinci to his rivalry with Michelangelo, highlighting commissions from wealthy supporters like the aristocrat Elena Duglioli and Pope Leo X, who commissioned Raphael's extravagant tapestries for the Sistine Chapel.

Fondation Beyeler: Freier Eintritt im Bikini

The Fondation Beyeler in Riehen, Switzerland, invited visitors to enter the museum for free if they came wearing swimwear, as part of a "Bathing Day" promotion. The event was inspired by Paul Cézanne, whose famous paintings of bathers are the subject of a current exhibition at the museum. The museum reported strong attendance and stated that the unusual setting brings art and visitors closer together, changing perception and reducing distance.

Gropius Bau öffnet abends länger

The Gropius Bau in Berlin has extended its evening opening hours by one hour, now open until 8 PM (closed Tuesdays), due to high demand for its exhibition of performance artist Marina Abramović. The show, titled "Balkan Erotic Epic," opened two weeks ago and drew long queues from the start. It features both new and older works, including performances where Abramović carved a star into her abdomen or lay in a burning installation until losing consciousness. The exhibition explores eroticism, politics, Balkan folklore, sexual energy, death, the political dimension of the body, and the Yugoslav wars.

Monopol gives away 5 × 2 tickets for Peter Hujar and Liz Deschenes at the Gropius Bau

Monopol verlost 5 × 2 Tickets für Peter Hujar und Liz Deschenes im Gropius Bau

Monopol magazine is giving away 5 × 2 tickets to the exhibition "Peter Hujar / Liz Deschenes: Persistence of Vision" at the Gropius Bau in Berlin. The show pairs Hujar's iconic black-and-white photographs of New York's downtown scene—featuring figures like Susan Sontag, Divine, and David Wojnarowicz—with Liz Deschenes' abstract, material-focused works on glass and photosensitive paper. To enter, readers must email their name with the subject line "Hujar" by May 30.

How much Berlin fits on 230 square meters?

Wie viel Berlin passt auf 230 Quadratmeter?

The Neue Nationalgalerie in Berlin has opened a compact exhibition titled "Ruin und Rausch: Berlin 1910–1930," featuring 35 works across just 230 square meters in a side cabinet of the lower floor. The show uses paintings, sculptures, film clips, and audio poems to tell the story of Berlin between World War I and the Nazi takeover, contrasting themes of excess and poverty, emancipation and extremism. It is structured in three chapters: "Berlin im Taumel" (Berlin in Frenzy), "Schatten der Großstadt" (Shadows of the Big City), and "Die Urbane Frau" (The Urban Woman), with works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Otto Nagel.

Big Crisis, Small Gestures

Große Krise, kleine Gesten

The article reviews the second edition of the Klima Biennale Wien, which opened in early April in Vienna. It notes that while the biennale aims to address the urgent triple crisis of climate change, biodiversity loss, and pollution, its execution falls short. The exhibition features symbolic works such as a beached whale, a broken boat, and a compostable SUV sculpture, but these motifs feel repetitive and lack the necessary impact. The author contrasts these with historical precedents like Menashe Kadishman's 1978 Venice Biennale installation and Joseph Beuys' "7000 Eichen" (1982), arguing that the themes of nature and sustainability are not new, only the urgency has intensified.

"Du bist nun in die ewigen Jagdgründe der Kunst entschwunden"

This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'

Salon des Refusés 2.0

Salon des Refusés 2.0

A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.

How Alexander Calder Set Sculpture in Motion

Wie Alexander Calder die Skulptur in Bewegung setzte

The Fondation Louis Vuitton in Paris has launched a major retrospective titled "Rêver en Équilibre," dedicated to the American sculptor Alexander Calder. Featuring over 300 works, the exhibition traces Calder’s journey from his 1926 arrival in Paris to his invention of the "mobile," a term coined by Marcel Duchamp. The show includes iconic large-scale hanging sculptures like "Rouge triomphant," wire figures from his famous "Cirque Calder," and rarely seen private loans, alongside paintings and jewelry that highlight his engineering background and poetic approach to abstraction.

Imitations of a Mediocre Teenager on Tranquilizers

"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"

The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.

Phallus, Vagina, Universe

Phallus, Vagina, Universum

Marina Abramović is presenting a major retrospective at the Neue Nationalgalerie in Berlin, shifting focus from her well-known explorations of physical pain to the erotic energy of the human body. The exhibition draws heavily on Slavic folklore and pagan traditions from her Balkan heritage, exploring how ancient rituals used sexuality and the body as tools for spiritual and cosmic connection.

Is the Mallorca Edition of Art Cologne Any Good?

Was taugt die Mallorca-Ausgabe der Art Cologne?

The Art Cologne has launched a new satellite edition in Palma de Mallorca, returning to the island 19 years after a previous attempt failed. Held at the modern Palau de Congressos, the fair adopts a 'boutique' format designed to tap into the local market of wealthy European expatriates and second-home owners. Unlike the high-stakes environment of major fairs like Art Basel, this iteration features an innovative pricing model that allows smaller, younger galleries to showcase curated, riskier presentations at more affordable entry points.

Contemporary US Art is Sick with Problems

"Die zeitgenössische US-Kunst ist von Problemen krank"

Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.

The Narrow Corridor of Normality

Der schmale Korridor der Normalität

Artist Beate Gütschow reflects on Pieter Bruegel the Elder’s 16th-century engraving "Spes" (Hope), which she encountered during a visit to the Kunstmuseum Basel. The artwork depicts a personified figure of Hope standing amidst a chaotic scene of shipwrecks and flooding, symbolizing the necessity of maintaining focus and action even in the face of overwhelming disaster.

Behind All Beautiful Things Lies Suffering

"Hinter allen schönen Dingen liegt ein Leiden"

The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.

Where Does "Guernica" Belong?

Wohin gehört "Guernica"?

Basque Prime Minister Imanol Pradales has formally requested the temporary transfer of Pablo Picasso’s masterpiece "Guernica" from Madrid to the Basque Country. The proposal seeks to exhibit the monumental 1937 anti-war painting at the Guggenheim Museum Bilbao for nine months starting in late 2026 to coincide with the 90th anniversary of the town's bombing. While the work depicts the destruction of the Basque town of Gernika by Nazi and Italian fascist forces, it has resided at the Museo Reina Sofía in Madrid since 1992.

Christine Ruiz-Picasso Dies at 97

Christine Ruiz-Picasso mit 97 gestorben

Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in the establishment of the Museo Picasso Málaga, has passed away at the age of 97 in her home in Provence. As the widow of Picasso’s eldest son, Paul, she was instrumental in fulfilling the artist's wish to have a dedicated museum in his birthplace. Alongside her son Bernard, she donated over 230 works to form the core of the institution's permanent collection.