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Artnet News has published a list of the ten most expensive female artists at auction, based on data from the Artnet Price Database. The article highlights recent record-breaking sales, including Frida Kahlo's *El Sueño (La Cama)* (1940), which sold for $54.7 million at Sotheby's, and Marlene Dumas's *Miss January* (1997), which realized $13.6 million at Christie's, making Dumas the most expensive living woman artist. The list features artists such as Rosemarie Trockel, Bridget Riley, Cindy Sherman, Vija Celmins, and Cady Noland, with auction records ranging from $4.9 million to $9.7 million.

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Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."

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The Van Gogh Museum has acquired Henri Matisse's 1905 painting *Olive Grove in Collioure* to illustrate Vincent van Gogh's influence on modern art. The work, painted 15 years after Van Gogh's death, shows Matisse's adoption of van Gogh's expressive, anti-naturalistic color and brushwork. The museum pairs it with van Gogh's *Trees in the Garden of the Asylum* (1889) to highlight how Matisse transformed van Gogh's reed-pen drawing techniques into his own Fauvist style. Matisse first encountered van Gogh's work in 1897 through Australian painter John Russell, who gave him a van Gogh drawing that Matisse hung in his Paris apartment alongside works by Cézanne and Gauguin.

Art Movements: Dozens Laid Off at Artnet and Artsy

Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.

Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

In Paris, Highly Mobile Gallerists

À Paris, des galeristes très mobiles

The Parisian art scene is experiencing a significant wave of gallery expansions and relocations across both the Right and Left Banks. Major developments include Kamel Mennour acquiring the former Malingue gallery space on Avenue Matignon for secondary market masterpieces, and Christophe Person moving from the Marais to a redesigned space on Rue du Bac with the backing of collector Jean Claude Gandur. Other notable moves include London-based Waddington Custot opening a Parisian branch, Singapore's Cuturi Gallery settling in the Palais-Royal, and Vincent Sator inaugurating a new space in the David Chipperfield-designed Morland Mixité Capitale complex.

At the Centre Pompidou-Metz, 100 Works to Understand the Double Face of François Morellet

Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet

The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.

From Agnès Varda to Giuseppe Penone, the strange passion of artists for potatoes deciphered in Aubenas

D’Agnès Varda à Giuseppe Penone, l’étrange passion des artistes pour les patates décryptée à Aubenas

The article explores the exhibition "Des patates" at Le Château – Centre d'Art Contemporain et du Patrimoine in Aubenas, France, which celebrates the humble potato as an artistic subject. It highlights how filmmaker and visual artist Agnès Varda turned potatoes into art with her 2003 Venice Biennale project "Patatutopia," dressing as a potato and scattering 700 kilos of tubers, inspired by her documentary *Les Glaneurs et la glaneuse*. The show also features works by Giuseppe Penone, Michel Blazy, Valérie Geissbühler Pacheco, and Lucas Chanoine, all using potatoes to explore themes of consumption, waste, colonialism, and the cycle of life.

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More than 100 artists and scholars, including Emily Jacir, Hans Haacke, and Michael Rakowitz, have signed an open letter defending Dr. Sara Nadal-Melsió, the former associate director of the Whitney Museum of American Art's Independent Study Program (ISP), whose position was eliminated in June 2025. The termination followed the cancellation of a pro-Palestine performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, scheduled for May 12, 2025. The museum canceled the event after viewing a recording where a performer asked attendees who "believe in Israel in any incarnation" to leave. Nadal-Melsió had published a protest letter against the cancellation, leading to her dismissal. The open letter also demands the reopening of the ISP, which was suspended for the 2025-2026 program.

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President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

Elsa Schiaparelli Gets Her UK Museum Debut at the V&A, in a Show Featuring Dalí, Man Ray, and Picasso

The Victoria and Albert Museum in London is presenting the first UK exhibition dedicated to Italian fashion designer Elsa Schiaparelli. Titled 'Schiaparelli: Fashion Becomes Art,' the show features over 400 objects, including 100 ensembles, and traces her work from the 1920s to the present under current creative director Daniel Roseberry. It highlights her collaborations with major 20th-century artists.

On Curating Carnage

On Curating Carnage

The Berlin-based art journal *OnCurating* published a September 2025 issue titled "Let’s Talk About… Anti-Democratic, Anti-Queer, Misogynist, Antisemitic, Right-Wing Spaces and Their Counter-Movements." The article critiques this publication, arguing it uses the language of feminism, anti-racism, and anti-Semitism as a political tool to unconditionally support Israel and demonize the Palestinian cause, thereby aligning with German state policy and a specific strain of leftist thought known as Antideutsch.

7 Essential Museum Exhibitions to Visit in Paris

Paris is hosting a major art week with Art Basel Paris returning to the renovated Grand Palais, alongside numerous other fairs like Paris Internationale, Design Miami.Paris, and Asia NOW. To complement the fair circuit, Galerie has curated a list of seven essential museum exhibitions across the city, including shows on Pontus Hulten with Niki de Saint Phalle and Jean Tinguely at the Grand Palais, a Gerhard Richter retrospective at the Fondation Louis Vuitton featuring over 270 works, and a survey of Melvin Edwards at the Palais de Tokyo, among others.

What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

Art Workers Plan Venice Biennale Strike

Cultural workers, labor unions, and grassroots groups are planning a strike at the Venice Biennale on Friday, May 8, organized by the Art Not Genocide Alliance and others. The action, described as the first organized strike within the Biennale, aims to protest Israel's inclusion in the event, with participants withholding their labor and calling to "shut down the genocide pavilion." The article also covers other art news, including exhibitions in Los Angeles, a profile of nonagenarian artist Mohammad Omer Khalil, and memes about the Met Gala.

Remembering Raghu Rai, Jack Thornell, and Jarvis Rockwell

Hyperallergic's weekly 'In Memoriam' column honors eight recently deceased figures from the art world, including Indian photojournalist Raghu Rai (1942–2026), Argentine abstract painter Ides Kihlen (1917–2026), Israeli painter and activist Yair Garbuz (1945–2026), British photographer Mark Gerson (1921–2026), Japanese art collector Kurt Gitter (1937–2026), Danish antiquities dealer Ittai Gradel (1965–2026), indigo textile artist Leigh Magar (1968–2026), and Kenyan muralist Patrick Mukabi (1967–2026). Each entry summarizes their life, career highlights, and contributions to visual art and photography.

Pedro Friedeberg, key figure in Mexican art renowned for hand-shaped chair, has died at age 90

Pedro Friedeberg, the Mexico-based artist and designer famed for his iconic Mano Silla (Hand Chair) created in 1962, has died at age 90. A key figure in 20th-century Mexican art, his singular work blended intricate, fantastical architecture with ornament and irony, creating a unique visual universe that defied easy categorization within movements like Surrealism or geometric abstraction.

Our 5 Favorite Gallery Exhibitions to See This Spring in Paris

Nos 5 expos coups de cœur à voir en galeries ce printemps à Paris

Paris is experiencing a vibrant gallery season this spring, marked by the arrival of major international players and the rediscovery of overlooked artists. Highlights include the opening of Singapore’s Cuturi Gallery at the Palais-Royal with a cross-disciplinary show on decadence, and the London-based Waddington Custot establishing a new space in Saint-Germain-des-Prés with an exhibition bridging Nabis masters and contemporary painters. Other notable shows include a first-ever public look at the surrealist collages of Roland Sig and a dialogue between neo-impressionism and contemporary art at Galerie Pavec.

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The Palais de Tokyo in Paris removed Cameron Rowland's artwork "Replacement" (2025) just one day after it went on view in the exhibition "ECHO DELAY REVERB." The piece replaced the French flag above the museum with the flag of Martinique, adopted in 2023, and included a wall text criticizing French colonial rule and quoting the Martinican independence movement. The museum appended a new label stating the work "could be considered illegal" and was no longer included. Neither the Palais de Tokyo nor Rowland's representative commented.

Ripple: Furniture Sculpture and Painting after 1982

David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.

11 Must-See Museum Shows This Fall

Maxwell Rabb's article for Google News highlights 11 must-see museum exhibitions opening worldwide in fall 2025. Among the featured shows are Ayoung Kim's "Delivery Dancer" video trilogy at MoMA PS1 in New York, the largest UK survey of Kerry James Marshall's work titled "The Histories" at the Royal Academy of Arts in London, and "Strange Realities: The Symbolist Imagination" at the Art Institute of Chicago, which explores the Symbolist movement across Europe. The article also mentions other major retrospectives and thematic exhibitions spanning Symbolism to Nigerian modernism.

What does a so-called ‘buyer’s market’ look like at Art Basel?

At Art Basel 2025, a consensus has emerged among dealers and advisers that the fair represents a 'buyer's market,' characterized by slow sales, modest expectations, and increased negotiating power for collectors. Galleries are offering discounts of 20-30% below asking prices, particularly for works under $1 million, though open discussion of discounts remains taboo in Switzerland. Some dealers, like Tim Blum of Blum gallery, acknowledge a paradigmatic shift, with galleries adapting by focusing on established artists and estates, while still seeing demand for reasonably priced younger artists.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

V&A exhibition honours designer Elsa Schiaparelli's unique synthesis of fine art and fashion

The Victoria and Albert Museum (V&A) has launched a major exhibition dedicated to the Italian designer Elsa Schiaparelli, focusing on her revolutionary integration of Surrealist art and haute couture. The show highlights her early career in Paris, specifically her 1927 breakthrough with a trompe-l’oeil knitted sweater, and explores her collaborations with avant-garde artists like Salvador Dalí. By examining her unique ability to translate Dadaist and Surrealist concepts into wearable garments, the exhibition positions her as a pivotal figure who challenged the traditional boundaries of fashion and art.

The New Museum’s ‘New Humans’ Reckons With Human-Machine Relations in the Workplace

The New Museum has inaugurated its recently renovated space with 'New Humans: Memories of the Future,' a sprawling exhibition featuring over 700 works across four floors. The show explores the historical and evolving relationship between humanity and labor, tracing the narrative from ancient Mesopotamian myths to the industrial age and the rise of robotics. Key sections like 'Mechanical Ballets' highlight how artists have historically responded to the dehumanization of the workforce through the lens of early 20th-century avant-garde movements.

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A replica of a Christopher Columbus statue was installed on the White House grounds under the direction of the Trump administration. The sculpture is a reproduction of a monument that was toppled and thrown into Baltimore’s Inner Harbor by protesters during the 2020 racial justice movements. Created by artist Will Hemsley using scans of the original fragments, the project was previously funded by the National Endowment for the Humanities and has now been placed near the West Wing as part of preparations for the 250th anniversary of American independence.

Remembering Axel Burrough, Kazumasa Nagai, and Éliane Radigue

This week's obituary column honors the recent passing of twelve significant figures from the global art and culture world. The list includes French experimental composer Éliane Radigue, Japanese graphic designer Kazumasa Nagai, British architect Axel Burrough, Indigenous Australian muralist Elizabeth Close, and Upper East Side gallerist Gertrude Stein, among other artists, patrons, and illustrators.

Van Gogh Museum Explores the Artist's Obsession with Yellow

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The Van Gogh Museum in Amsterdam has launched a major exhibition centered on Vincent van Gogh’s profound obsession with the color yellow. The show explores how the artist utilized the hue—from the 'pale sulfur' of his Arles landscapes to his iconic sunflowers and the famous Yellow House—as a symbol of life-giving sunshine and modernity. Beyond Van Gogh’s own masterpieces, the exhibition features works by 19th- and 20th-century masters like Wassily Kandinsky and Hilma af Klint, as well as a contemporary light installation by Olafur Eliasson.

Tino Sehgal at Museo de Arte de Zapopan

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Renowned performance artist Tino Sehgal has launched a major self-titled exhibition at the Museo de Arte de Zapopan (MAZ) in Guadalajara, Mexico. The show’s centerpiece is 'Andador 20 de Noviembre,' a site-specific adaptation of his acclaimed 2012 work 'These Associations.' Staged on a historic pedestrian thoroughfare, the performance involves a 'hive mind' of participants who transition from slow-motion movements to jogging and engaging the public with intimate personal vignettes, creating an immersive experience that blurs the line between audience and performer.

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The Museum of Modern Art in New York is presenting the exhibition "Wifredo Lam: When I Don't Sleep, I Dream," featuring the iconic Cuban Surrealist painter. The show includes his seminal work *The Jungle*, acquired by MoMA in 1946, and explores his complex artistic identity.