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10 Art Books for Your Spring Reading List

Hyperallergic has published a curated list of ten art books recommended for spring reading. The selection emphasizes historical retellings through an artistic lens, featuring works such as a memoir by activist-artist Susan Simensky Bietila, a chronicle of the Jewish Bund by Molly Crabapple, and the first major catalog on artist Theresa Hak Kyung Cha in 25 years. The list also includes exhibition catalogs like "Chicano Camera Culture" and a monograph on painter Ewa Juszkiewicz.

What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

The Black American Artists Who Dazzled Post-War Paris

An exhibition titled "Paris in Black: Internationalism and the Black Renaissance" at the DuSable Black History Museum and Education Center in Chicago celebrates the Black American artists, writers, and performers who moved to Paris after World War II to escape American racism. Curated by Danny Dunson, the show features over 100 artworks from the museum's permanent collection, including paintings by Archibald J. Motley Jr., sculptures by Richmond Barthé, Augusta Savage, and William Artis, and ephemera related to Josephine Baker. It traces the global influence of the Harlem Renaissance and the cross-pollination between Paris and U.S. cities like Chicago.

Read the Room: Dallas Museum of Art’s “International Surrealism” Misses the Mark

The Dallas Museum of Art's exhibition "International Surrealism" is critiqued as a missed opportunity during the centennial of the surrealist movement. The author argues that while the show presents a broad survey of mixed-media works from around the world, divided into six thematic subgroups, it lacks the political urgency and revolutionary context that defined surrealism's origins in 1925. The exhibition, initially curated by Matthew Gale from the Tate Modern collection and presented locally by Sue Canterbury, is described as whimsical and decorous, reducing the movement's subversive power to quirky categories and gift-shop fodder.

The Anti-Pop Art of Domenico Gnoli

The article reviews "The Adventure of Domenico Gnoli," a retrospective at Lévy Gorvy Dayan in New York, focusing on the Italian artist's 1967 painting *L'inverno (Couple au lit)* and other works featuring intimate, fabric-rich domestic scenes. Gnoli (1933–1970), born into an art-world family, is often associated with Pop Art, but the author argues his work depicts a private, almost childlike world of memory and longing, contrasting with Pop's mass-produced commodities.

WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

Exhibit Review: Revolution! 250 Years of Art and Activism in Boston – Museum Studies Blog at Tufts University

The Boston Public Library in Copley Square has opened "Revolution! 250 Years of Art and Activism in Boston," its first major exhibition in nearly a decade. The show uses a deliberately unfinished design of plywood and scaffolding to symbolize democracy as a work in progress, moving chronologically from the American Revolution through the 21st century. It features engravings by Paul Revere, portraits of George Washington and Benjamin Franklin, works addressing Toussaint L’Ouverture and Haitian revolution, Boston abolitionists, the Civil War, civil rights leaders Martin Luther King Jr. and Malcolm X, and contemporary activism including Indigenous, LGBTQ+, climate, and anti-police brutality movements.

Book offers fresh perspectives on why Cubism came into being

Christopher Green, a leading scholar of Cubism, has published a new book titled *Cubism and Reality*, which reexamines the origins and intentions of early Cubism through the works of Georges Braque, Pablo Picasso, and Juan Gris. The book focuses on the years immediately before World War I, arguing that Cubism was not a step toward abstraction but a deliberate reinvention of reality based on lived visual experience. Green draws on decades of research, including his own earlier works and the foundational 1959 study by John Golding, and contrasts the movement with mass-produced imagery in chapters on Roy Lichtenstein and Francis Picabia.

Bay Area Then

Yerba Buena Center for the Arts in San Francisco presents 'Bay Area Then,' an exhibition running from August 1, 2025, to January 25, 2026, that surveys the Northern California art scene between 1990 and 2005. Guest curated by Eungie Joo, the show features works by nineteen artists or collaborations, including Manuel Ocampo, Margaret Kilgallen, Bill Daniel, Ruby Neri, and Carolyn Castaño, mixing historical pieces with recent productions by artists who emerged during that era.

Review | Johns Hopkins exhibit elevates the artists of its city

Kriston Capps reviews a Johns Hopkins exhibition that highlights Baltimore-based artists, focusing on Derrick Adams's 2019 series "Deconstruction Worker." The series features portraits with skewed geometric forms and rich fabrics, referencing Dada, cubism, and contemporary Black artists like Mickalene Thomas and Lorna Simpson. The review positions Adams as a leading figure in contemporary painting.

Comrades in Art: Artists Against Fascism review — eye-opening show sets the record straight

The article reviews the exhibition "Comrades in Art: Artists Against Fascism," which presents a historical survey of artists who actively resisted fascist regimes through their work. The show features a range of pieces from the early 20th century to the present, highlighting lesser-known figures and movements that opposed authoritarianism. It aims to correct oversimplified narratives about art and politics during periods of fascist rule.

‘Roaring: Art, Fashion, and the Automobile in France, 1918-1939’ Review: An Exhibition in Forward Motion

The article reviews the exhibition 'Roaring: Art, Fashion, and the Automobile in France, 1918-1939,' which explores the intersection of art, fashion, and automotive design during the interwar period in France. The show features a range of works including paintings, sculptures, fashion designs, and vintage automobiles, highlighting how the automobile became a symbol of modernity, speed, and luxury in French culture between the two world wars.