Exhibition | Maureen Gallace, 'April 2026' at Gladstone Gallery, Samseong-ro, Seoul, South Korea

Maureen Gallace is making her South Korean debut with 'April 2026,' an exhibition of new paintings at Gladstone Gallery’s Seoul location. The presentation features the artist’s signature small-scale works, which depict the rural and coastal landscapes of the American Northeast through a minimalist, distilled visual language. These paintings continue Gallace's exploration of the tension between architectural geometry and natural environments, blending direct observation with the hazy quality of memory.

The Phillies Owner’s Other Superstars

John Middleton, the billionaire owner of the Philadelphia Phillies, is channeling his competitive drive into the acquisition of 19th-century American masterpieces. His private collection, which features prominent works by Andrew Wyeth, Winslow Homer, and Thomas Eakins, has quietly become one of the most significant of its kind in the United States. Middleton’s approach to collecting mirrors his sports management style, focusing on "blue-chip" historical significance and technical mastery.

Picasso and Africa in dialogue at Beijing museum - China Daily

The National Art Museum of China in Beijing has launched "Wood and World," an exhibition that juxtaposes Pablo Picasso’s 1970 painting "Man and Woman with a Vase of Flowers" with dozens of traditional African wooden sculptures. By placing these works side-by-side, the show highlights how the exaggerated and deconstructed forms of African art served as a foundational influence for Picasso’s African period and the eventual birth of Cubism.

A Sneak Peak Inside “Costume Art” at the Metropolitan Museum of Art

The Metropolitan Museum of Art is set to open the Condé M. Nast Galleries, a new permanent home for the Costume Institute located in prime real estate adjacent to the Great Hall. The inaugural exhibition, "Costume Art," will integrate fashion with artworks from 19 of the museum’s collecting areas, featuring pieces by designers like Tory Burch and Michael Kors alongside works by artists such as Jean Arp. This move transitions the Costume Institute from its traditional basement location to the center of the museum's physical and narrative layout.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

The evolution of agriculture tells the story of the world in an unmissable exhibition at Fondazione Prada

L’evoluzione dell’agricoltura racconta il mondo in un’imperdibile mostra alla Fondazione Prada

The Fondazione Prada in Milan is hosting "Dash," a comprehensive solo exhibition by Chinese artist Cao Fei that explores the intersection of ancient agricultural rituals and cutting-edge technology. The exhibition features installations like 'Land Ceremony,' where an agricultural drone is treated as a ritualistic rice dragon, alongside VR experiences and documentary films that investigate the automation of farming in China and Southeast Asia.

Boman Irani: Art can calm you, excite you, and make you do better things in life

Actor Boman Irani inaugurated the group exhibition 'To Be Continued…' at the prestigious Jehangir Art Gallery in Mumbai. Featuring nearly 70 works ranging from scrap metal sculptures to 3D canvases, the show brings together a diverse group of emerging and established artists. During the event, Irani engaged personally with the participants, emphasizing the role of galleries as essential spaces for creative inspiration and human development.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

250-Year-Old Kiln Discovered on Thomas Jefferson’s Monticello Estate

Archaeologists at Thomas Jefferson’s Monticello estate have unearthed a 250-year-old kiln used to fire bricks for the plantation’s original construction. Located on the East Lawn just feet from the main house, the site was identified through the discovery of specialized curved bricks, including cyma-shaped and ovolo-molded specimens. These architectural details confirm the kiln dates back to the "Monticello I" period (1768–1782), as these specific water table features were omitted during Jefferson’s later 18th-century renovations.

Berlin exhibition focuses in on women photographers of the Bauhaus

The Museum für Fotografie in Berlin is hosting a major exhibition titled "New Woman, New Vision," featuring approximately 300 photographs by 29 women associated with the Bauhaus. The show aims to dismantle the persistent myth that female students at the influential German school were restricted to the weaving workshop. By showcasing works from figures like Lucia Moholy, Ise Gropius, and Marianne Brandt, the exhibition highlights how women were integral to the school’s photographic documentation and its development as a standalone artistic medium.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

Elizabeth Blackadder exhibition to showcase 'meaningful' 50 year collaboration with Scottish studio

Edinburgh’s Dovecot Studios is launching a major exhibition titled "Elizabeth Blackadder: Her Life in Colour" to celebrate the late artist’s 50-year collaboration with the tapestry studio. The show features over 30 tapestries and hand-tufted rugs, headlined by the debut of a newly created rug based on Blackadder’s 1975 painting, "The Red Bouquet." The exhibition also incorporates works from the Royal Scottish Academy’s collection to provide a comprehensive look at her legacy.

Ruins of ‘unique’, circular water temple discovered in Egypt

Archaeologists in northern Sinai have unearthed the ruins of a unique circular water temple at the site of ancient Pelusium, dating back to the second century. Initially mistaken for a political senate building, the structure features a 35-meter wide basin and brick walls characteristic of Roman construction, suggesting it was used for religious rituals linked to the local fertility god Pelusius.

V&A Pulls Catalog Materials Due to Chinese Censorship Laws

The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.

Walker Art Center Restaurant Cuts Front-of-House Staff as QR Codes Take Over

Cardamom, the in-house restaurant at the Walker Art Center in Minneapolis, is laying off sixteen front-of-house staff members as it transitions to a QR-code-based ordering system. The restaurant’s operator, DDP Restaurant Group, cited fluctuating museum traffic and rising operational costs as the primary drivers for the shift to a counter-service model. While kitchen staff and bartenders will remain, the move effectively replaces traditional table service with digital automation.

Is Chinese Censorship Reaching Inside Britain’s Museums?

London’s Victoria and Albert Museum (V&A) has come under fire following reports that it altered exhibition catalogues to comply with Chinese government censorship. To reduce production costs, the museum utilized printers in China, which are subject to Beijing’s General Administration of Press and Publication (GAPP) regulations. Consequently, the museum removed historical maps and an image of Vladimir Lenin from publications for the "Music is Black" and "Fabergé: Romance to Revolution" exhibitions after they were flagged by Chinese authorities.

untitled 2026 (a gathering of remarkable people)

The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.

Digital Art Exhibit Showcases Tech's Creative Potential in Austin

The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.

Exhibit traces 250 years of American history at Greenville County Museum of Art

The Greenville County Museum of Art has launched "American Stories," a comprehensive exhibition drawn from its permanent collection to commemorate the 250th anniversary of the United States. Featuring pivotal works such as Thomas Sully’s "Passage of the Delaware," the show spans two centuries of artistic production to explore the complexities of the American experience, from the Revolutionary War to the modern era.

In Its ‘Greater New York’ Show, MoMA PS1 Focuses on the Here and Now

MoMA PS1 has announced the artist list for the upcoming edition of 'Greater New York,' its signature survey of artists living and working in the New York City area. This iteration features 53 artists and collectives, maintaining the exhibition's long-standing tradition of serving as a critical launchpad for emerging talent while reflecting the current creative pulse of the city.

The international gallery bridging contemporary artists and art history masters reopens in Milan: The Interview

Riapre a Milano la galleria internazionale che mette in dialogo artisti contemporanei e maestri della storia dell’arte. L’intervista

The artist-run space Octagon is set to establish a permanent home in Milan at Via Maroncelli 12, officially opening on April 15, 2026, during the city's Art Week. Founded by artist Jacopo Mazzetti in 2018, the gallery is transitioning from a nomadic model that saw recent collaborations in Paris and Athens to a fixed physical presence. The inaugural exhibition will feature works by the French Symbolist master Odilon Redon, maintaining the space's signature curatorial approach of bridging historical art with contemporary perspectives.

JoEllen Brydon explores her late mother’s work as an advice columnist in Art Gallery of Peterborough exhibition

The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.

"36 Clicks of Mount Fuji": Photographer Julien Rocheblave Reinvents Hokusai's Legendary Prints

« 36 Clics du mont Fuji » : le photographe Julien Rocheblave réinvente les mythiques estampes d’Hokusai

French photographer Julien Rocheblave has completed a contemporary photographic reimagining of Katsushika Hokusai’s iconic print series, "Thirty-six Views of Mount Fuji." By locating the exact geographical vantage points used by the ukiyo-e master in the 1830s, Rocheblave captures the sacred mountain through a modern lens, juxtaposing Hokusai's original compositions with the realities of 21st-century Japan. The project, titled "36 Clics du mont Fuji," has been compiled into a book and will be showcased at the Rencontres d’Arles via Fisheye Gallery.

Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes

Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes

The La Lison Gallery in Paris is hosting "Avant les cendres" (Before the Ashes), a solo exhibition by the artist Fantôme running from April 9 to May 16, 2026. The showcase features a series of abstract works that utilize black ink, oils, fabric, and ash to explore texture and light, drawing comparisons to the monochromatic depth of Pierre Soulages. The exhibition serves as a prequel to the artist's upcoming show, "Cercles," in Nancy.

New Exhibition Offers Portals Into the Past, Present, and Future of Blackness

Artist Todd Gray’s solo exhibition, "Portals," at Perrotin Los Angeles features a series of complex photographic assemblages that challenge the historical relationship between Blackness and European colonialism. By stacking framed images of West African landscapes, slave forts, and Renaissance interiors, Gray creates textured collages that collapse geographic and temporal boundaries. Notable works like "Paradox of Liberty" confront the hypocrisy of Enlightenment figures like Thomas Jefferson by physically obscuring his image with the architecture of the slave trade.

Protection and Constraint are Two Sides of the Same Coin: An Exhibition in Rome Proves It

Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra

The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.

What makes love political, Wynnie Mynerva?

Was macht Liebe politisch, Wynnie Mynerva?

Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

Riyadh continues to bet big on public art: over 100 new works to be installed in the Saudi capital in the coming years

Riyadh continua a scommettere forte sull’arte pubblica: nei prossimi anni oltre 100 nuove opere installate nella capitale saudita

Saudi Arabia is significantly expanding its Riyadh Art public art initiative, with plans to install over 100 new monumental works across the capital city in the coming years. Following the recent Tuwaiq Sculpture 2026 event, which added 25 stone and metal sculptures to the permanent collection, the city has announced 12 new site-specific installations by high-profile international artists including Anselm Kiefer, El Anatsui, and Manal AlDowayan. The project aims to reach a total of 115 new commissions, building upon a collection that already features masters like Anish Kapoor, Jeff Koons, and Giuseppe Penone.

10 Must-See Museum Exhibitions This Spring

Major museums worldwide are launching a series of high-profile exhibitions this spring that challenge traditional art historical narratives. Highlights include a Marcel Duchamp retrospective at MoMA, a deep dive into Pop art's legacy at the Guggenheim, and significant surveys of icons like Frida Kahlo and Agnes Martin. Meanwhile, UCCA Beijing is presenting a major exhibition of Duan Jianyu, highlighting the evolution of Chinese painting in relation to Western influence.

The Fruitful Dialogue Between AI, Knowledge, and Creation in a Free Festival at the BnF

Le dialogue fécond entre IA, savoir et création dans un festival gratuit à la BnF

The Bibliothèque nationale de France (BnF) is hosting the inaugural edition of "Noûs," a free festival exploring the intersection of artificial intelligence, archival knowledge, and artistic creation. Located in the hall of the François-Mitterrand site, the event features eight artistic projects that utilize the library's vast catalog to reveal hidden histories rather than generate falsehoods. Highlights include Audrey Large’s 3D-printed sculptures exploring suppressed female knowledge, Justine Emard’s immersive digital cave of AI-generated sirens, and the collective Obvious’s speculative botanical frescoes based on historical scientific plates.