What We Miss When We Talk About Giacometti

This article explores a critical reevaluation of Alberto Giacometti’s career, specifically focusing on the decade between 1935 and 1945. While Giacometti is globally recognized for his spindly, post-war 'Existentialist' figures, art historian Joanna Fiduccia’s new book, *Figures of Crisis*, argues that his mid-career departure from Surrealism to study human likeness was not a mere transition but a profound response to the political crises and nationalism of interwar France.

Giacometti Meets the Gods in the Met’s Temple of Dendur Show

The Metropolitan Museum of Art has announced a landmark exhibition titled "Giacometti in the Temple of Dendur," which will place the Swiss sculptor’s slender, modernist figures within the museum’s iconic 1st-century B.C.E. Egyptian temple. Opening in June, the show features fourteen loans from the Fondation Giacometti alongside works from the Met’s permanent collection, including the placement of "Walking Woman (I)" inside the temple’s offering hall to mimic ancient cult statuary.

Marcel Duchamp at MoMA: Five Revelations From the Artist’s First North American Survey in Over 50 Years

The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."

Our Critics Disagree on MoMA PS1’s Greater New York, a Wide-Ranging Survey Defined by a Fascination with Fragility

MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.

A Thomas J Price Bronze Opens Door to London’s V&A East

British artist Thomas J Price has unveiled a monumental bronze sculpture at the entrance of the Victoria and Albert Museum’s new outpost, V&A East, in Stratford, East London. The large-scale work depicts an anonymous Black figure, continuing Price's practice of utilizing the traditional language of monumental sculpture to celebrate everyday individuals who are often marginalized in public spaces.

MoMA PS1’s “Greater New York” Is Gritty, Stunning, and Gutting

MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.

The Phillies Owner’s Other Superstars

John Middleton, the billionaire owner of the Philadelphia Phillies, is channeling his competitive drive into the acquisition of 19th-century American masterpieces. His private collection, which features prominent works by Andrew Wyeth, Winslow Homer, and Thomas Eakins, has quietly become one of the most significant of its kind in the United States. Middleton’s approach to collecting mirrors his sports management style, focusing on "blue-chip" historical significance and technical mastery.

Picasso and Africa in dialogue at Beijing museum - China Daily

The National Art Museum of China in Beijing has launched "Wood and World," an exhibition that juxtaposes Pablo Picasso’s 1970 painting "Man and Woman with a Vase of Flowers" with dozens of traditional African wooden sculptures. By placing these works side-by-side, the show highlights how the exaggerated and deconstructed forms of African art served as a foundational influence for Picasso’s African period and the eventual birth of Cubism.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

The evolution of agriculture tells the story of the world in an unmissable exhibition at Fondazione Prada

L’evoluzione dell’agricoltura racconta il mondo in un’imperdibile mostra alla Fondazione Prada

The Fondazione Prada in Milan is hosting "Dash," a comprehensive solo exhibition by Chinese artist Cao Fei that explores the intersection of ancient agricultural rituals and cutting-edge technology. The exhibition features installations like 'Land Ceremony,' where an agricultural drone is treated as a ritualistic rice dragon, alongside VR experiences and documentary films that investigate the automation of farming in China and Southeast Asia.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

Elizabeth Blackadder exhibition to showcase 'meaningful' 50 year collaboration with Scottish studio

Edinburgh’s Dovecot Studios is launching a major exhibition titled "Elizabeth Blackadder: Her Life in Colour" to celebrate the late artist’s 50-year collaboration with the tapestry studio. The show features over 30 tapestries and hand-tufted rugs, headlined by the debut of a newly created rug based on Blackadder’s 1975 painting, "The Red Bouquet." The exhibition also incorporates works from the Royal Scottish Academy’s collection to provide a comprehensive look at her legacy.

Ruins of ‘unique’, circular water temple discovered in Egypt

Archaeologists in northern Sinai have unearthed the ruins of a unique circular water temple at the site of ancient Pelusium, dating back to the second century. Initially mistaken for a political senate building, the structure features a 35-meter wide basin and brick walls characteristic of Roman construction, suggesting it was used for religious rituals linked to the local fertility god Pelusius.

untitled 2026 (a gathering of remarkable people)

The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.

In Its ‘Greater New York’ Show, MoMA PS1 Focuses on the Here and Now

MoMA PS1 has announced the artist list for the upcoming edition of 'Greater New York,' its signature survey of artists living and working in the New York City area. This iteration features 53 artists and collectives, maintaining the exhibition's long-standing tradition of serving as a critical launchpad for emerging talent while reflecting the current creative pulse of the city.

Walker Art Center Severs Ties with Restaurant for Laying Off Workers in Favor of QR Codes

The Walker Art Center in Minneapolis has announced it is severing ties with its on-site restaurant, Cardamom, following the establishment's sudden decision to lay off its front-of-house staff. The restaurant, operated by chef Daniel del Prado, intended to replace 16 servers and hosts with a QR code ordering system to combat financial losses. Museum director Mary Ceruti stated that the move caught the institution by surprise and does not align with the museum's commitment to providing a welcoming, full-service environment for its visitors.

‘Greater New York’ Brings the Noisy, Messy Vitality of 53 Artists

MoMA PS1 has unveiled the latest iteration of 'Greater New York,' its signature quinquennial survey showcasing the diverse output of artists living and working across the five boroughs. This year’s edition features 53 artists and collectives, emphasizing those who operate outside the mainstream spotlight or whose contributions have been historically overlooked. The selection leans into a gritty, experimental aesthetic that captures the complex social and physical realities of contemporary life in the city.

Barcelona museum refuses to return Sijena murals to monastery

The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.

Art exhibition opening reception for "Stow Wengenroth The Flacks: The Greenport Group"

The Floyd Memorial Library in Greenport, New York, is hosting an opening reception for the exhibition "Stow Wengenroth The Flacks: The Greenport Group." The show features nearly fifty rarely seen lithographs by Stow Wengenroth, a prominent 20th-century printmaker whose work is held in major institutions like the Met and MoMA. The exhibition also highlights Wengenroth’s creative circle, including doll-maker Edith Flack Ackley and children’s author Marjorie Flack, alongside contemporary commissions by puppet-maker Carmen Campos.

Mexico faces sales of pre-Columbian art

Le Mexique face aux ventes d’art précolombien

The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.

Philanthropist and Patron Emmanuele Emanuele Dies; Creator of Rome's Palazzo Sciarra and Palazzo Cipolla Museum Spaces

È morto il filantropo e mecenate Emmanuele Emanuele. Fautore a Roma degli spazi museali di Palazzo Sciarra e Palazzo Cipolla

Emmanuele Francesco Maria Emanuele, a prominent Italian philanthropist, jurist, and patron of the arts, has passed away in Rome at the age of 86. Born in Palermo, Emanuele dedicated the latter half of his life to cultural promotion, most notably serving as the President of Fondazione Roma and the Fondazione Terzo Pilastro – Internazionale. His leadership was instrumental in transforming Rome's Palazzo Sciarra and Palazzo Cipolla into significant museum spaces, hosting both permanent collections and major temporary exhibitions.

A Painting by the Master of the Blue Jeans Joins a Museum in Ticino

Un tableau du Maître de la toile de jean rejoint un musée dans le Tessin

The Pinacoteca cantonale Giovanni Züst in Rancate, Switzerland, has acquired 'Woman Begging with Two Children,' a significant work by the anonymous 17th-century artist known as the Master of the Blue Jeans. The painting was notably featured in a landmark 2010 exhibition at Galerie Canesso that helped define the identity of this Lombard artist, famous for depicting lower-class subjects wearing indigo-dyed denim-like fabric.