Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

Maxwell Mustardo Sculpts Ancient Ornamentation in Brilliant Glazed Forms

Maxwell Mustardo creates ceramic vessels that blend ancient Greek forms like amphorae, kraters, and kylix with organic, fungal-like surface textures in fluorescent oranges, pinks, and greens. Based in New Jersey, he works as studio manager at the former residence of artist Toshiko Takaezu, and his practice focuses on pushing classical ornamentation—such as gadrooning—back into its natural origins, blurring the line between cultural artifact and living growth.

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

Urban Art Biennale: Rust, dust and decay revamps Germany's Völklingen ironworks

Dozens of urban artists from 17 countries have gathered at Germany's Völklinger Hütte (Völklingen Ironworks), a UNESCO World Heritage site, for the Urban Art Biennale 2026 opening this Saturday. The exhibition features 50 artists including Tomas Lacque, Boris Tellegen (Delta), Vortex-X, Ampparito, Remi Rough, and Anders Reventlov, who have created site-specific installations that engage with the industrial landmark's sprawling spaces, rust, dust, and sense of decay. Works range from a van covered in ash-like paint to a massive wooden sculpture and a rooftop text piece visible from 45 meters high.

Philadelphia Museum of Art Opens Rocky Exhibition Exploring Boxing, Celebrity, and the Meaning of Monuments

The Philadelphia Museum of Art has opened a new exhibition centered on the Rocky statue, exploring themes of boxing, celebrity, and the meaning of monuments. The show investigates why millions of visitors from around the world flock to the iconic statue, which sits at the museum's steps, and examines its cultural significance beyond its cinematic origins.

Brush to canvas: News from the art community

The Dalí Museum in St. Petersburg, Florida, will open two exhibitions in May 2025: "Architecture of the Dalí" on May 2, tracing the museum's history from its 1980s origins to its current bayfront structure, and "Dalí in America" on May 9, featuring over 70 works exploring Salvador Dalí's vision of the United States. Other notable openings include "Wolves: Photography by Ronan Donovan" at the James Museum of Western & Wildlife Art (May 9), multidisciplinary artist Babs Reingold's solo show "After Venus" at the Museum of Fine Arts St. Petersburg (May 15), and "Cigars! Photography, Industry, and Identity" at the Florida Museum of Photographic Arts, commemorating Ybor City's cigar-rolling history. Additional events include Florida NOW at Florida CraftArt, Charles Morrison's "Head in the Sky, Feet on the Ground" at the Morean Center for Clay, and a photography contest sponsored by FloridaRAMA and St. Petersburg Month of Photography.

New exhibition explores the evolution of St. Pete’s Dalí Museum

A new exhibition titled “The Architecture of the Dalí” will open on May 2 at The Dalí Museum in St. Petersburg, Florida. The show traces the museum's architectural evolution from its origins in a Cleveland factory to its iconic waterfront building, culminating in a preview of expansion concepts including an immersive flyover video. It features three-dimensional models, archival photographs, and newspaper clippings, and pays tribute to founding collectors A. Reynolds and Eleanor R. Morse.

Berlin Museum to Return Almost 600 Skulls

Berliner Museum will fast 600 Schädel zurückgeben

The Prussian Cultural Heritage Foundation in Berlin has announced plans to repatriate hundreds of human skulls to West African nations following a multi-year provenance investigation. The research identified the origins of 574 skulls, with 336 linked to present-day Cameroon, 151 to Togo, 23 to Ghana, and one to Nigeria, while 63 could not be precisely located. The skulls were part of a historical anthropological collection transferred from Berlin's Charité university hospital in 2011.

Playable exhibition ‘The Art of Mini Golf’ at Battersea Arts Centre announces ninth hole artist - Danielle Brathwaite-Shirley

Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.

Mennello Museum’s 'Our Orlando' group show returns, featuring three innovative local artists

The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.

A Genova riapre dopo un lungo restauro la Torre Grimaldina. La visita al belvedere di Palazzo Ducale

The Torre Grimaldina, a medieval tower in Genoa's Palazzo Ducale, has reopened after extensive restoration and safety upgrades funded by Italy's PNRR (National Recovery and Resilience Plan). Built in the late 13th century as a symbol of municipal power, the tower later served as a prison for political dissidents, including Risorgimento patriots and anti-fascist activists, as well as the violinist Niccolò Paganini. The restoration has preserved historic graffiti and inscriptions left by inmates, while reopening the tower's belvedere offering panoramic views of the city.

A Different Germany

Ein anderes Deutschland

The German Pavilion at the Venice Biennale, historically burdened by its Nazi-era origins, presents a new exhibition titled "Ruin." For the first time, the pavilion explicitly adopts an East German perspective, confronting its fraught past from a fresh angle. The show features massive pillars and a prominent "Germania" inscription above the entrance, directly engaging with the building's controversial history.

“La preistoria non è stata solo violenza, ma anche cura”. Intervista all’archeologa femminista Marga Sánchez Romero

Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.