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Art Institute of Chicago’s first Norman Rockwell acquisition is a home run

The Art Institute of Chicago has acquired its first work by the iconic American illustrator Norman Rockwell. The painting, titled "The Dugout" (1948), is a significant oil study for a Saturday Evening Post cover depicting dejected Chicago Cubs players. Donated by former Illinois Governor Bruce Rauner and his wife Diana, the work has been immediately placed on view alongside other masterpieces of American art like "American Gothic."

art criticism cameron rowland anne imhof

The article reviews several notable art events and exhibitions from 2025, beginning with Cameron Rowland's controversial work "Replacement" at the Palais de Tokyo in Paris, where the French flag was replaced with the flag of Martinique, leading to the artwork being deemed potentially illegal. It also covers Johanna Fateman's review of Rowland's "Properties" at Dia Beacon, Ross Simonini's reflection on Joseph Beuys and the Eaton fire in Los Angeles, John Vincler's critiques of Cady Noland at Gagosian and Nicole Eisenman at 52 Walker, and Fateman's year-end roundup including figures like Anne Imhof, Laura Owens, and Jack Whitten.

art florence bonnefous air de paris

Florence Bonnefous, co-founder of Air de Paris gallery, is profiled in a feature that traces the gallery's 35-year history from its founding in Nice with poet Edouard Merino to its current industrial space in Romainville, a northern Paris suburb. The gallery, named after Marcel Duchamp's readymade, launched with a legendary 1990 exhibition featuring Philippe Parreno, Pierre Joseph, and Philippe Perrin, and has since become known for championing underground conceptual and challenging art. Bonnefous is described as a preeminent gallerist-curator who prioritizes artistic integrity over profit, representing estates of avant-garde female artists like Sturtevant and Dorothy Iannone, and maintaining close bonds with artists such as Liam Gillick and Flint Jamison. The gallery is exhibiting at Art Basel Paris but recently withdrew from Art Basel in Basel over a booth placement dispute.

art charlie marder east hampton

Cultured magazine's Hamptons issue features an interview between designer Robin Standefer and Charlie Marder, the East End horticulturalist known as the 'tree whisperer.' Marder, who co-founded an eponymous Bridgehampton nursery with his wife Kathleen—dubbed 'a horticultural MoMA' by the New York Times—has assembled a sprawling field of massive geological specimens across from the nursery. The rocks, some weighing 10 tons, are salvaged from development sites and quarries. Standefer, who purchased one of Marder's boulders for her birthday, discusses with Marder the ethics of placement, the personalities of stones, and the human urge to give new life to ancient matter.

Giacometti Meets the Gods in the Met’s Temple of Dendur Show

The Metropolitan Museum of Art has announced a landmark exhibition titled "Giacometti in the Temple of Dendur," which will place the Swiss sculptor’s slender, modernist figures within the museum’s iconic 1st-century B.C.E. Egyptian temple. Opening in June, the show features fourteen loans from the Fondation Giacometti alongside works from the Met’s permanent collection, including the placement of "Walking Woman (I)" inside the temple’s offering hall to mimic ancient cult statuary.

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A time capsule designed by British architect Norman Foster has been buried in Washington D.C. to mark the 250th anniversary of American independence. The titanium box features 13 facets and stars representing the original colonies, and contains letters from King Charles III and President Donald Trump, along with soil from George Washington's ancestral home. It was presented by Virginia governor Glenn Youngkin and U.K. officials to the U.S. Department of Interior, and is not to be opened until July 4, 2276.

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Elizabeth Browning Jackson, a pioneering artist in the art-furniture movement, was rediscovered in 2021 after a phone call from Stephen Markos, founder of Superhouse Gallery, who had long admired her 1982 sculptural couch "Gloria." Markos urged Jackson to open a barn on her Rhode Island property, where she found her early works—hand-tufted rugs, cut-aluminum furniture, drawings, and prototypes—sealed away for 35 years. This rediscovery culminates at Design Miami 2025, where Superhouse presents Jackson as a foundational voice in the art-furniture movement, alongside contemporaries like Dan Friedman and Wendy Maruyama. Jackson's new exhibition "Re/construct" is also on view at Superhouse's Tribeca space through December 20, featuring reconstructed rugs based on her original 1980s designs.

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Artist Maja Ruznic has created a suite of large, luminous canvases responding to early 20th-century paintings glorifying Spanish colonization at the St. Francis Auditorium in the New Mexico Museum of Art, as part of the 12th Site Santa Fe International. The exhibition, curated by Cecelia Alemani and titled "Once Within a Time," opened last week. Ruznic, a Bosnian war refugee living in Placitas, New Mexico, confronts the problematic history depicted by artist Donald Beauregard, who died at 29 before completing the commission, which was later finished by uncredited artists Carlos Vierra and Kenneth Chapman.

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Leonardo da Vinci and Michelangelo, two of history's most celebrated artists, had a well-documented rivalry rooted in competition for commissions, class differences, and artistic disagreements. Their first known encounter occurred when Leonardo served on a committee deciding the placement of Michelangelo's *David* (1501), where Leonardo reportedly mocked the sculpture by sketching it as the sea god Neptune. Their rivalry escalated when both were commissioned to paint opposing murals in Florence's Salone dei Cinquecento—Leonardo's *Battle of Anghiari* and Michelangelo's *Battle of Cascina*—neither of which was completed. The artists traded insults over the years, with Michelangelo criticizing Leonardo's view of sculpture as inferior to painting, and Leonardo deriding Michelangelo's muscular figures as resembling "a bag of walnuts."

Getty Center in Los Angeles Is Closing for Year of Renovations

The Getty Center in Los Angeles has announced it will close to the public for a full year starting in March 2027. This significant hiatus is required to facilitate a major infrastructure overhaul, primarily focusing on the replacement of its aging computer-operated tram system and the modernization of several gallery spaces within the Richard Meier-designed campus.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

Getty Center to Close in Los Angeles as Major Renovation Looms

The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.

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Jackie Amézquita, a Los Angeles-based artist originally from Guatemala, has developed a unique brick-making process using soil and masa de maíz (corn dough) mixed with organic materials like blue pea flower, cocoa, cochineal, and charcoal to create vibrant, colorful bricks. Her work, including the 2023 installation *El suelo que nos alimenta* commissioned by the Hammer Museum for the Made in L.A. biennial, uses soil from each of LA's neighborhoods to explore themes of migration, memory, and colonial legacies. Amézquita's practice is deeply personal, drawing on her family's migration history—her mother moved from Guatemala in 1987, and her grandmother fled Mexico during the Cristero War—and her own eight-day walk from Tijuana to LA, during which she collected soil samples as an archive of memory.

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

José Dávila Makes Space the Subject in His New York Show

José Dávila's solo exhibition "The Simple Act of Positioning" opens at Sean Kelly gallery in New York, featuring sculptures that explore the relational placement of objects in space. The show includes totemic pillars of steel, concrete, volcanic rock, and automotive paint, framed by large black structures, inviting viewers to move through the gallery to fully experience the visual conversations between works. Dávila, originally from Guadalajara and trained in architecture, draws on Modernist precedents from artists like Marcel Duchamp and architects like Luis Barragán.

The Best Art Exhibitions to See in Miami in May

The article lists the best art exhibitions opening in Miami in May, including group shows at Voloshyn Gallery featuring musicians Brian Eno and Malibu, solo debuts at ICA Miami for Manoucher Yektai and Manuel Chavajay, a survey of Afro-Cuban art at Lowe Art Museum, a photography show at Dale Zine by Juanita Richards, and a landscape exhibition at NSU Art Museum Fort Lauderdale. Other highlights include a World Cup-themed video installation at The Bass and Japanese woodblock prints at the Morikami.

One Fine Show: “Michael Rakowitz, Proxies for Poets and Palaces” at the Stavanger Art Museum

Iraqi-American artist Michael Rakowitz has opened his first major survey exhibition in Norway, titled "Proxies for Poets and Palaces," at the Stavanger Art Museum. The show features eight new reliefs from his long-running series *The Invisible Enemy Should Not Exist*, which recreates artifacts looted from Baghdad's Iraq Museum using cardboard, Arabic newspapers, and food packaging, alongside older works like the 2017 film *The Ballad of Special Ops Cody*.

To help preserve her works, Cindy Sherman is offering to destroy and reprint old photographs

Photographer Cindy Sherman has launched the Cindy Sherman Legacy Project (CSLP), a formal initiative to preserve her photographic works by offering to destroy and replace damaged prints with new, artist-approved reprints. The project, announced on June 16, includes condition assessments, a controlled replacement process, and an online catalogue raisonné. Collectors can submit works for evaluation at a New York facility; eligible prints are destroyed and replaced with mint-condition reprints signed by Sherman, with a $10,000 administrative fee plus production costs. The fee is waived for non-profit institutions.

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

Inside Mirna Bamieh’s Edible Meditations on Borders and Belonging

The article profiles artist Mirna Bamieh and her unique artistic practice that uses food as a medium to explore themes of borders, displacement, and belonging. Bamieh creates edible installations and participatory performances that engage audiences in sensory experiences tied to Palestinian identity and the politics of land.

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The Art Institute of Chicago has partnered with the Tuscany-based sculpting studio Ten X to create two marble reimaginations of a rare 8th-century Tang dynasty Bodhisattva. The original limestone sculpture, a centerpiece of the museum’s Asian art collection, has been missing its left arm since it was acquired in 1930, leaving its meditative gesture a mystery. Rather than attempting a traditional restoration, curator Dr. Tao Wang commissioned two distinct versions that explore different historical possibilities for the figure's hand placement based on extensive cross-cultural research.

Exhibition | Daniel Arsham, 'Eroded Horizon' at Baró Galeria, Palma, Spain

Baró Galeria presents 'Eroded Horizon', Daniel Arsham's fifth collaboration with the gallery and his second exhibition at its Mallorca location, as part of Art Palma Summer 2026. The show features recent and previously unseen works across sculpture, drawing, and painting, exploring themes of time, decay, and the intersection of body and landscape. Arsham employs materials like marble, sand, bronze, and charcoal to create forms that blend ancient and futuristic aesthetics, continuing his signature fictional archaeology.

Serpentine to stage major solo exhibition by Amar Kanwar

Serpentine has announced a major solo exhibition by Amar Kanwar, opening at Serpentine North on 23 September 2026 and running until 31 January 2027. The show will feature landmark works from Kanwar's career, including the feature-length film *Such a Morning* (2017), the seven-screen installation *The Peacock's Graveyard* (2023), and the world premiere of a new multi-screen work, *The Charcoal Man* (2026), commissioned by Serpentine. Kanwar, based in New Delhi, is known for poetic, politically charged moving-image works that explore decolonisation, the Partition of India and Pakistan, displacement, violence, justice, ecology, and memory.

Pao Houa Her Captivates Midway Contemporary Art with New Exhibition Through May 2026

Hmong-American artist Pao Houa Her is currently presenting a solo exhibition at Midway Contemporary Art in Chicago, running through May 2, 2026. The show explores themes of displacement, identity, and cultural memory through Her's photographs and installations, which blend personal narrative with broader social commentary on the Hmong diaspora experience post-Vietnam War. Born in Laos and raised in Minnesota, Her's work challenges viewers to confront the complexities of migration and belonging, using staged portraits and intimate compositions to subvert expectations of representation.

Ancient Gaza artefacts meet contemporary Palestinian stories in Turin exhibition

A new exhibition in Turin, Italy, titled "Gaza, The Future Has an Ancient Heart," brings together over 80 ancient artefacts from Palestine with contemporary works by Levantine artists. Organized by Fondazione Merz in collaboration with the Egizio archaeology museum and the MAH – Museum of Art and History Geneva, the show features objects dating from the Bronze Age to the Ottoman period, originally intended for a museum in Palestine but held in Geneva since 2007 due to conflict. Contemporary artists including Mirna Bamieh, Samaa Emad, Khalil Rabah, Vivien Sansour, Wael Shawky, Dima Srouji, and Akram Zaatari contribute works that explore archaeology, history, and memory, with Emad's "Genocide Kitchen" documenting recipes created amid war and shortages in Gaza.

6 Black-owned Galleries Placing Artists in Major Museum Collections

Six Black-owned galleries—Mariane Ibrahim Gallery, Gallery Guichard, Galerie Myrtis, Richard Beavers Gallery, and Jenkins Johnson Gallery—are profiled for their success in placing artists into major museum collections. Each gallery has built institutional relationships that lead to acquisitions by museums such as the Baltimore Museum of Art, the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Bronx Museum, often retaining artists through the placement stage to capture long-term market value.

Sundaram Tagore Gallery Expands to London with New St James’s Space

Sundaram Tagore Gallery is expanding its international footprint with the opening of a new 310-square-meter flagship space in London’s St James’s district this May. Located in a renovated Edwardian building on Pall Mall, the multi-level gallery will feature exhibition areas, a private viewing room, and dedicated spaces for live performances and screenings. The inaugural exhibition, titled "Hybridity and Belonging in Contemporary Art," will showcase a diverse roster of artists including Hiroshi Senju, Tayeba Lipi, and Sohan Qadri, focusing on themes of displacement and cross-cultural identity.

10 Art Shows to See in Los Angeles This March

Los Angeles enters the month of March with a diverse array of exhibitions following the intensity of its major art fair week. Highlights include Hayv Kahraman’s mystical paintings at Vielmetter, which process the trauma of displacement and environmental loss, and a survey of the late muralist Noni Olabisi at Loyola Marymount University’s Laband Art Gallery. Other notable shows feature Jesse Wiedel’s expressionistic Americana at Serious Topics and Lauren Quin’s formalist abstractions at Pace Los Angeles.

Rose Art Museum Presents Yinka Shonibare: Sanctuary Opening February 11, 2026

The Rose Art Museum at Brandeis University will present 'Yinka Shonibare: Sanctuary,' a major exhibition opening in February 2026. The show centers on the U.S. debut of Shonibare's monumental installation, *Sanctuary City* (2024), which features 18 illuminated, scaled-down replicas of historical and contemporary refuge buildings, each lined with the artist's signature Dutch wax textiles.

New exhibits at Rose Art Museum delve into photorealism, notions of refuge

Two new winter exhibitions open February 11, 2026 at the Rose Art Museum at Brandeis University: “Photorealism in Focus” and “Yinka Shonibare: Sanctuary.” The first brings together pioneering Photorealists like Richard Estes, Charles S. Bell, Audrey Flack, and Ralph Goings alongside contemporary artists, exploring the blurred line between painting and photography. The second features the U.S. debut of Yinka Shonibare’s installation “Sanctuary City” (2024), comprising 18 illuminated miniature buildings that served as historical refuges, lined with the artist’s signature Dutch wax textiles. Both shows are curated by Gannit Akori, the museum’s director and chief curator.