A community-led exhibition titled 'We Are Rutherglen' is being held at the Number 18 Venue in Rutherglen, Scotland. The show features work from 14 local artists across various media, including painting, drawing, and sculpture, and is part of the town's 900th-anniversary celebrations. Entry is free, with several viewing dates remaining in April.
Amsterdam-based artist Cathalijn Wouters has joined the roster of SmithDavidson Gallery. Her practice, which blends painting and drawing through fields of color and linework, is informed by her graphic design training and a pivotal encounter with modern art at the Stedelijk Museum. She describes her process as beginning with drawings and sketches on linen treated like paper, and cites influences ranging from Marcel Proust to Egon Schiele and postwar painting.
The Royal Scottish Academy (RSA) has launched RSA200, a nationwide initiative involving over 100 partners to celebrate its 200th anniversary. The program highlights Scotland's art history and contemporary practice, kicking off with the New Scottish Contemporaries exhibition featuring recent graduates like Daye Allan, Malachy McCrimmon, and Poppy Gannon.
Vitraux de Notre-Dame : le combat continue !
The French government has authorized the removal and replacement of the 19th-century stained-glass windows designed by Eugène Viollet-le-Duc in Notre-Dame Cathedral with new windows by contemporary artist Claire Tabouret. This decision, posted as a work permit on the cathedral, is being challenged in court by the heritage association Sites & Monuments, which argues the replacement is not a legitimate act of conservation or restoration.
E se la Polaroid fosse esistita ai tempi della Bibbia? Se lo chiede il fotografo Mishka Henner in mostra a Modena
Belgian photographer Mishka Henner has opened his first solo exhibition in Italy, titled 'Seeing Is Believing,' at Palazzo Santa Margherita in Modena, presented by the Fondazione Ago. The show features 25 new works that explore the nature of photography in the age of artificial intelligence, including AI-generated images of biblical scenes presented as if they were historical Polaroids.
Thomas Bangalter, formerly of the electronic music duo Daft Punk, is scheduled to co-headline an immersive experience called 'WAREHOUSE ARTEFACTS' at the Art Basel fair in Basel, Switzerland. The event, produced by Nordstern Basel nightclub in cooperation with Art Basel and Fondation Beyeler, will also feature house music producer Rampa and conceptual artist Julian Charrière.
Art Basel has announced the thirty-three winners of its 2026 Art Basel Awards, recognizing individuals and institutions across nine categories. The winners include prominent artists like Arthur Jafa, Julie Mehretu, and Barbara Kruger, as well as institutions such as The Brick in Los Angeles and the Diriyah Biennale Foundation. A new jury member, Prof. Dr. Bonaventure Soh Bejeng Ndikung, was also added for this edition.
Gemalte Screenshots aus Träumen
The Staatliche Kunsthalle Baden-Baden is presenting a comprehensive retrospective of Berlin-based painter Katharina Wulff, titled 'Arabesken in Arabesken'. Curated by Christina Lehnert, the exhibition features around 40 works that explore dreamlike, enigmatic spaces blending reality, memory, and the unconscious, with paintings like 'Landschaft für glückliche Hexen' (2008) and 'Der Waldspaziergang' (2002) exemplifying her unique style.
North Carolina Central University's Art Museum hosted the "New Horizons" Exhibition, a juried showcase of student work across disciplines like fashion, studio art, graphic design, and animation. The event, which ran from March 22 to April 26, featured nearly 50 student artists and community members, with participants explaining their creative processes and the meanings behind pieces like Natna Kesete's "This Can't Be America."
Galeries condamnées, ossements qui explosent… Le Muséum national d’Histoire naturelle est dans un grave état de vétusté, alerte son président
The president of the Muséum national d’Histoire naturelle in Paris, Gilles Bloch, has issued a public alarm about the institution's severe state of disrepair. He warns that 74% of the museum complex is in grave danger, with urgent repairs costing an estimated €500 million needed to prevent collapse and reopen closed galleries. The deterioration includes mold-infested herbariums, flooded archives, and mineralized bones exploding due to heat and humidity, threatening the museum's world-class collection of over 70 million specimens.
Artist Marcos Kueh presents his solo exhibition 'Smooth Sailing' at ESEA Contemporary in Manchester. The show features new sculptures, tapestries, and a large-scale installation that reflect on the histories of Chinese labour and migration, particularly to northwest England, drawing inspiration from 19th-century trade union banners found in Manchester's People's History Museum.
Lavorare nell’arte: opportunità da Roma Capitale, Fondazione Cariplo, Comune di Milano e Fucine Vulcano
This article lists five current job and funding opportunities in Italy's cultural sector. These include a call for live performance projects for Rome's Museum Night at the Civic Museums, the "Luoghi Plurali" grant from Fondazione Cariplo for urban regeneration through cultural reuse of disused spaces, a public art commission for a new library in Milan, a call for artists to access the workshops at Fucine Vulcano in Milan, and a search for cultural mediators by the Provincial Museums of South Tyrol.
Artist Kate Ferris is presenting her solo exhibition "Flow & Form" from April 16 to May 3 at Tea Amantes – Tearoom & Gallery in Fleetwood. The show features her fluid art paintings, created using acrylic pour techniques that embrace unpredictability and spontaneity, alongside a selection of handmade jewelry.
The Orillia Museum of Art & History (OMAH) has opened a new exhibition titled 'From Hand to Heirloom: The Art of Craft.' The show features historical and contemporary craft objects like quilts, embroidery, and beadwork, highlighting their personal, cultural, and intergenerational significance. It includes works by local and Indigenous makers and aims to reframe craft as a vital form of artistic expression.
A major retrospective exhibition of photographer Martin Parr's work, titled 'Global Warning,' has opened at the Jeu de Paume museum in Paris. The show, which Parr helped plan before his death in December 2023, is on track to become the museum's most visited exhibition, showcasing his signature saturated, ironic, and unflinching observations of global tourism and consumerism.
The Radvila Palace Museum of Art in Vilnius, Lithuania, has opened a major exhibition titled 'Ukrainian Dreamers: The Kharkiv School of Photography.' The show, created in collaboration with the Museum of Kharkiv School of Photography, presents the work of 33 artists and groups across four generations, featuring hundreds of photographs, videos, and archival objects. It traces the school's evolution from its rebellious origins in the 1970s under Soviet censorship through Ukraine's independence and up to the present day of ongoing Russian military aggression.
Gallery Dotwalk in New Delhi has opened its second exhibition, 'The Architecture of the Void: Lines on a Postcolonial Skeleton,' featuring works on paper by leading modern Indian artists. The show, which runs until May 30, 2026, highlights drawings, watercolors, and etchings from a generation of artists processing India's post-Independence and Partition era.
The Fine Arts Museums of San Francisco (FAMSF) held its 2026 gala, a major fundraising event attended by prominent figures from the city's art, philanthropy, and social circles. The event featured notable attendees including artist Andy Goldsworthy, museum director Thomas Campbell, and major donors like Dede Wilsey and Mayor Daniel Lurie.
« Un changement radical » : Art Brussels se réinvente pour ses collectionneurs
Art Brussels, the Belgian art fair, is implementing a significant strategic overhaul for its 42nd edition. The fair is reducing its size by 18%, featuring 136 galleries, and consolidating into a more compact layout to prioritize visitor experience and quality over quantity. It is introducing a new artistic advisory desk to guide collectors and launching a curated section for monumental works.
The Mead Art Museum at Amherst College is currently hosting two concurrent exhibitions celebrating Black art. The first is 'Kwame Brathwaite: Revolutionary Movements,' a photography exhibition showcasing the work of the late photographer Kwame Brathwaite, curated in partnership with his family. The second is the ninth annual Black Art Matters exhibition, featuring works by current Amherst students, organized in collaboration with several campus cultural organizations.
Five UK museums have been shortlisted for the 2026 Art Fund Museum of the Year prize. Norwich Castle Museum & Art Gallery, recently restored through a £27.5 million redevelopment, is nominated alongside the National Gallery in London, The Fitzwilliam Museum in Cambridge, The Box in Plymouth, and the V&A East Storehouse in London. The winner, to be announced on 25 June, will receive £120,000.
The Los Angeles County Museum of Art (LACMA) has opened a new café operated by the upscale organic grocery chain Erewhon on its W.M. Keck plaza. The café, located in the plaza's northeast pavilion with a view of Alexander Calder's 1964 sculpture, opened for member previews on April 19th and will be accessible to the general public starting May 4th, running through the summer season.
Litavie Art Gallery in Glendale presented a solo exhibition titled 'Where Motion Becomes Memory' by artist Zareh from April 2 to 11. The opening night featured remarks from artist Seta Injeyan, who analyzed Zareh's work, and the event was documented with photos of Zareh alongside Injeyan and art critic Peter Frank.
Paula Cooper opened her pioneering gallery in Soho in 1968, betting on the then-desolate industrial neighborhood as artists began moving into its lofts. She cultivated deep, personal relationships with the artists she represented, such as Lynda Benglis and Joel Shapiro, as well as with other major figures like Jasper Johns, fostering a slower, more humane art world pace. Her success helped transform Soho into a major gallery district, attracting institutions like Sonnabend and Castelli.
Artist Gina O'Connor has opened a new exhibition titled 'Into the Wild' in Kilkee, Ireland. The exhibition features her latest collection of works, which are inspired by the Atlantic landscape of the west coast, focusing on its colour, movement, and energy.
Gruppe "Neue Generation" plant "Kunstprotest" am Mittwoch
The activist group "Neue Generation" has announced a week of protests in Berlin under the theme "Revolution Days," promising creative and artistically designed actions. Their activities began with a "protest dance" on the steps of the Reichstag building, leading to three participants being investigated for trespassing. The group has scheduled a "Kunstprotest" (art protest) for Wednesday and a "revolutions attempt in the government district" for Thursday.
The V&A East Museum has opened in London, marking a major expansion of the Victoria and Albert Museum into the Queen Elizabeth Olympic Park in Stratford. The new institution comprises two sites: a museum at Stratford Waterfront and a collections and research centre at Here East. The project, led by Director Gus Casely-Hayford and a dedicated team, aims to democratize access to the V&A's vast collections and engage new, diverse audiences in East London.
Artist Matisse Mesnil has opened a solo exhibition titled "Sutura" at the Romero Paprocki gallery in Milan. The show marks a new phase in his practice, characterized by technical and methodological experimentation focused on metal as his primary material.
Calligraphy artist Gema Martínez has opened a new solo exhibition titled 'Evocâre' at the tourist information office in Torre del Mar on Spain's Costa del Sol. The exhibition presents a series of works that use distorted, superimposed, and invented calligraphic signs to explore the mechanisms of memory, transforming personal recollections into visual, often illegible, writing.
Che cosa resta della democrazia? Le risposte dell’arte contemporanea
The article is a cultural essay examining how contemporary art reflects and responds to the perceived global crisis of democracy. It argues that recent socio-political accelerations—including rising nationalism, wars, and unchecked capitalism—have eroded the substantive content of democracy, reducing public space to an extension of individual, screen-mediated identity.