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The Essential Works of Yin Xiuzhen

ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.

A Contemporary Art Haven Just a PATH Ride Away

Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.

Getting Messy in the Archive at LA’s Art Book Fair

Printed Matter's Los Angeles Art Book Fair returned to the Art Center College of Design in Pasadena for its 13th edition, featuring over 250 exhibitors—slightly fewer than last year—with about a fifth participating for the first time. A common thread across the fair was the archive: publications that excavate, remix, and repurpose historical media, from a book chronicling a 1960s hoax about animal nudity to a compendium of vintage photographs that subvert male subjectivity, and a collection of found photos from abandoned houses in rural Maine. The fair also highlighted diasporic and personal archives, including a Palestinian-American artist's cassette mixtape tracing music from the Middle East and an artist-run press focusing on translation as cultural resistance.

How Will the Venice Biennale Impact Alma Allen’s Market?

Artist Alma Allen has been selected as America's representative at the Venice Biennale, sparking controversy due to the unusual selection process under President Trump. The pavilion is commissioned by the newly formed American Arts Conservancy, led by Jenni Parido, who previously ran a pet food lifestyle shop and entered Trump's orbit through Mar-a-Lago pet charity events. Following the announcement, Allen's galleries Olney Gleason and Mendes Wood DM dropped him, but he was quickly picked up by high-profile gallery Perrotin. The article examines how the Biennale and its attendant drama might affect Allen's market, noting his longtime collectors include Beth Rudin DeWoody, Peter Morton, Jack Pierson, and others, while his auction prices have remained modest.

Hoffnung auf Rekorde bei Auktionen in New York

New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.

Adelaide Biennial of Australian Art 2026 Review: Up Close and Personal

The 2026 Adelaide Biennial of Australian Art, titled 'Yield Strength,' features 24 artists across three venues, curated by Ellie Buttrose. The exhibition explores resilience under political and social pressures, with works like Erika Scott's fused assemblages from discarded domestic items, Jennifer Matthew's steel construction that manipulates visitor movement, and Nathan Beard's silicone arms critiquing exoticization of Thai culture. The title borrows an engineering term for the point at which materials transform under stress, reflecting the show's focus on art that strains formal boundaries without breaking.

Artist Nathaniel Mary Quinn, Who Grew Up in the Robert Taylor Homes, Returns to Chicago for New Exhibit

Chicago-born artist Nathaniel Mary Quinn, now based in Brooklyn, is opening his first museum show in his hometown at the National Public Housing Museum. Titled “Nathaniel Mary Quinn: A Love Letter to My Mother,” the exhibition runs from May 21 to August 23, 2026, and features 10 artworks alongside a recreation of his childhood living room in the Robert Taylor Homes. The show is dedicated to his late mother, who encouraged his early drawing on the apartment walls. Quinn, known for his collage-like portraits, recently created the album cover for the Rolling Stones’ upcoming album “Foreign Tongues.” The museum will also host community conversations about the history of the Robert Taylor Homes.

The 61st Venice Biennale: 'artists who confront difficult realities in unusual ways' at Palazzo Grassi and the Punta della Dogana

Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.

Derrick Adams’ maximalist exhibition at the ICA delights, critiques

Derrick Adams has opened a maximalist exhibition at the Institute of Contemporary Art (ICA), featuring vibrant, densely layered works that blend pop culture references with social commentary. The show presents a bold visual experience, combining painting, sculpture, and mixed-media installations that celebrate Black joy and resilience while critiquing systemic inequities.

Must-See National Pavilions at the 61st Venice Biennale

The 61st Venice Biennale features standout national pavilions from Japan, the Philippines, Timor-Leste, Singapore, and India. Japan presents Ei Arakawa-Nash's 'Grass Babies, Moon Babies,' an interactive exhibition with hand-sewn baby dolls and sound pieces exploring queer parenthood and collective care. The Philippines showcases Jon Cuyson's 'Sea of Love / Dagat ng Pag-ibig,' a solo show using 'mussel thinking' to highlight Filipino seafarers. Timor-Leste's 'Across Words' brings together three artists addressing ethnolinguistic diversity and cultural memory, while Singapore presents Amanda Heng's 'A Pause,' a feminist performance on vulnerability and resilience. India's pavilion features Ranjani Shettar's work, supported by Talwar Gallery.

Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

New York art world spared worst of logistics woes

New York's spring art fairs—including Frieze, Tefaf, Independent, and Nada—are proceeding largely on schedule despite ongoing disruptions from the war in Iran. Airspace closures, reduced flights, rising fuel costs, and the closure of the Strait of Hormuz have strained global art logistics, forcing rerouting, last-minute cancellations, and cost increases of up to 2,500%. Logistics firms like Hasenkamp and Gander & White report that while shipments are still arriving, the system has become fragile, with clients prioritizing safety and resilience over speed.

The 10 Best Museum and Gallery Shows to See in the Bay Area This Summer

The article highlights ten notable museum and gallery exhibitions opening in the Bay Area during summer 2026, including Ranu Mukherjee's solo show 'The Long Middle' at Gallery Wendi Norris, a group survey 'Slice of the Pie' at Fraenkel Gallery featuring 14 Bay Area galleries, and 'Giant Steps' at Personal Space in Vallejo focusing on innovative ceramic works. Other featured shows include Will Yackulic's 'A Certain Slant of Light' at pt.2 in Oakland and several other exhibitions across San Francisco and Oakland.

May Things to Do: Visual Art

This article from a Seattle arts publication rounds up May visual art events, including the Seattle Art Book Fair (May 9–10) at Washington Hall featuring over 85 artists and free admission; Timothy White Eagle's exhibition "Once Wild River" (May 9–June 21) at Mini Mart City Park, culminating his EPA artist-in-residency; "Monochrome: Calder and Tara Donovan" (May 13–Jan 17, 2027) at the Seattle Art Museum, where Donovan responds to Alexander Calder's black works; "Rebels + Icons: The Photography of Janette Beckman" opening May 15 at MoPOP, the largest collection of her iconic musician portraits; and Drie Chapek's "Then Is Now" (May 21–June 27).

After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.

War-time exhibition: Yaacov Dorchin’s iron angels and sculptural language

Renowned Israeli sculptor Yaacov Dorchin, recipient of the 2004 Emet Prize and the 2011 Israel Prize for Visual Arts, opened his latest exhibition "Decapitated Fish and Additional Sculptures" at the Gordon Gallery in Tel Aviv on March 12, 2026—his 80th birthday and two weeks into the war with Iran. The exhibition, held without a large opening night due to the conflict, features about 15 sculptures spanning from 1993 to the present, including works in iron, steel, basalt, and other industrial materials. In an interview interrupted by an air raid siren, Dorchin discussed his approach to sculpting, the lyrical names of his heavy works, and how he reorganized the exhibition to create dialogues between older and newer pieces.

Exhibition | Bùi Thanh Tâm, 'Here on and after' at Eli Klein Gallery, New York, United States

Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.

How the South Side Community Art Center Grew from an Icon of the Black Renaissance to a Vital and Expanding Force

The South Side Community Art Center (SSCAC) in Chicago, the first Black art institution in the United States, is undergoing a major rehabilitation and expansion campaign. Founded in 1940 during the Chicago Black Renaissance, the center was established by community members including Dr. Margaret Taylor-Burroughs, Eldzier Cortor, Charles White, and Archibald Motley Jr., who raised funds through initiatives like the 'Mile of Dimes' campaign and the Annual Artists' and Models' Ball. Housed in a historic Bronzeville brownstone, the center has served as a vital hub for Black artists, hosting landmark exhibitions and creative programs.

“Gaza Love” Monument Unveiled in Paterson, NJ

Artist and activist Kyle Goen's sculpture "Gaza Love" (2014) was permanently installed outside the South Paterson Library Community Center in Paterson, New Jersey, as part of the city's newly dedicated Gaza Square on Main Street. The unveiling took place on Palestine Day, May 17, and commemorates Paterson's large diasporic Palestinian community. The sculpture, which borrows the typography of Robert Indiana's LOVE series and the colors of the Palestinian flag, originated during protests against the 2014 Gaza War and has been used in organizing spaces for over a decade, including during the 2021 Strike MoMA movement.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

15 Artists Share the Best Advice They Got From Their Mother

Hyperallergic asked 15 artists to share the best advice they received from their mother or a maternal figure, in honor of Mother's Day. The article features reflections from artists including Pat Oleszko, Maddy Inez, Nathaniel Mary Quinn, and Shahzia Sikander, who recount maternal wisdom ranging from encouragement to pursue art to life lessons about empathy and resilience. Each anecdote is accompanied by images of the artists' works or personal photos.

Inside Burger Collection: Tadanori Yokoo: A Visionary Renegade

The article profiles Tadanori Yokoo, the 89-year-old Japanese artist and graphic designer, who remains active despite a recent bout of Covid-19. It details his early life in Nishiwaki, his failed attempts to enter art school and the postal service, and his eventual career in commercial printing, which shaped his innovative approach to graphic design and painting. The piece highlights his ongoing exhibition at Tokyo's Setagaya Art Museum and his enduring influence in Japan's cultural world, including the Yokoo Tadanori Museum of Contemporary Art in Kobe.

Polish pavilion at Venice Biennale explores fluidity of language with film recorded underwater

Poland's entry for the 2024 Venice Biennale, titled *Liquid Tongues*, is an audio-video installation by artists Bogna Burska and Daniel Kotowski. The work centers on a performance by the Chór w Ruchu (Choir in Motion), which includes both hearing and deaf performers, with much of the content filmed underwater in a Warsaw swimming pool. Presented across two screens in the Polish pavilion, the installation draws inspiration from whale song to explore alternative modes of communication, using spoken English and International Sign. The project builds on a previous performance at Warsaw's Zachęta National Gallery of Art and was developed in close collaboration with curators Ewa Chomicka and Jolanta Woszczenko.

Sara Shamma on Representing Syria at the 61st Venice Biennale

Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Nasher Museum’s ‘Everything Now All At Once’ Celebrates Diversity, Resilience, and Joy

The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.

What to see at Canada’s largest photo festival

The Contact Photography Festival, Canada's largest photography event, opens Friday in Toronto with over 160 exhibitions across eclectic venues including artist-run centers, commercial galleries, cafes, and a laundromat. Highlights include a towering portrait by Haitian-born artist Thandiwe Muriu on Spadina Ave., and a multi-site exhibition by Turner Prize-nominee Sin Wai Kin, featuring billboards and a two-channel video titled 'The Time of Our Lives.' The festival lost its long-time lead sponsor Scotiabank in 2024, resulting in a reduced budget and less public programming, but organizers remain committed to championing lens-based art.

‘Street Nihonga: The Art of Jimmy Tsutomu Mirikitani’

The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.

NJCU Visual Arts Gallery presents "Formidable Women, Dangerous Times"

New Jersey City University Visual Arts Gallery is presenting a solo exhibition by Johanna Foster titled "Formidable Women, Dangerous Times," running from May 14 to 28, 2026. The show features a series of figurative oil paintings that depict fierce women from Foster's communities, both real and imagined, exploring themes of resistance, courage, and perseverance in difficult times. Foster, a professor of sociology at Monmouth University, began her MFA at NJCU in 2022 and has exhibited widely across New Jersey, New York, Pennsylvania, Arizona, and California, including a digital exhibition at Newark Liberty International Airport and the Montclair Art Museum.

Tracey Emin debuts intimate new prints at London art fair

British artist Tracey Emin has debuted a new series of six intimate lithographs titled "I Need tomorrow" at the London Original Print Fair, held at Somerset House in London. The prints, which include the work "You Never made me sad" (2026), are on display until Sunday and are published in editions of 50 by Counter Editions. Emin describes the series as a "gift" to herself, created spontaneously while working on a print for her major Tate Modern exhibition. The fair appearance coincides with her landmark retrospective "A Second Life" at Tate Modern, running until August 31, which spans 40 years of her career and features iconic pieces like the 1998 installation "My Bed."

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.