The 30th edition of the International Fine Print Dealers Association (IFPDA) Print Fair concluded at New York’s Javits Center, featuring 77 international exhibitors. The fair showcased a vast chronological range of works, from $2 million Edvard Munch prints to contemporary editions priced at $200, attracting a diverse crowd of collectors and institutional buyers.
At Frieze New York, curator Lucien Zayan searches for artworks exploring the relationship between food and art, finding a piece by Aki Goto at Europa gallery that reflects on sugar, colonization, and cavities. The fair features works like David Lamelas's "To Pour Milk into a Glass" (1972) from Dia Art Foundation and Mungo Thomson's "Snowman" (2023) at Karma, while a performance by Kite (Oglála Lakȟóta) at the Counterpublic triennial booth offers a reprieve from the monotonous fair experience.
Große Krise, kleine Gesten
The article reviews the second edition of the Klima Biennale Wien, which opened in early April in Vienna. It notes that while the biennale aims to address the urgent triple crisis of climate change, biodiversity loss, and pollution, its execution falls short. The exhibition features symbolic works such as a beached whale, a broken boat, and a compostable SUV sculpture, but these motifs feel repetitive and lack the necessary impact. The author contrasts these with historical precedents like Menashe Kadishman's 1978 Venice Biennale installation and Joseph Beuys' "7000 Eichen" (1982), arguing that the themes of nature and sustainability are not new, only the urgency has intensified.
The Musée Picasso in Paris is hosting a retrospective of African American artist Henry Taylor, running until September 6. The exhibition centers on Taylor's 2007 painting *From Congo to the Capital, and Black Again*, a bold reimagining of Picasso's *Les Demoiselles d'Avignon* that replaces the original figures with darker-skinned women and introduces Josephine Baker and a white man's arm. The show follows the museum's series on African American painting, after Faith Ringgold in 2023 and ahead of a Harlem Renaissance exhibition in 2027.
Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.
The Armory Show has announced its 2025 exhibitor list, featuring over 230 galleries set to participate in the fair from September 5–7 at the Javits Center in New York, with a VIP preview on September 4. This edition marks the first under new director Kyla McMillan, who has introduced a revised floor plan, a new section called Function organized by dealer Ebony L. Haynes, and a reconfiguration of the large-scale works Platform section led by Souls Grown Deep. More than 20 exhibitors are returning after a hiatus, including White Cube and Andrew Kreps, while 55 galleries are participating for the first time, such as Skarstedt and Megan Mulrooney.
A wave of museum openings has swept the Gulf region in recent weeks, including the Zayed National Museum and the Natural History Museum in Abu Dhabi, as well as new institutions in Qatar and Saudi Arabia. These projects are part of an ambitious cultural building drive fueled by oil wealth, with Western partners such as the Louvre, the British Museum, and consultancies like Cultural Innovations providing expertise in planning, governance, and exhibition design. The Zayed National Museum, designed by Foster + Partners, features objects on loan from the British Museum, while the Natural History Museum displays a T-rex skeleton bought at Christie's.
Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."
Georg Baselitz, born Hans-Georg Kern in 1938, has died at age 88. The German painter and sculptor, who changed his name in 1961, built a career on aesthetic dissent. Expelled from art school in East Berlin, he first gained notoriety with a 1963 exhibition at Galerie Werner and Katz in Berlin, where two works were seized for obscenity. His signature gesture—inverting his images, beginning with "Der Wald auf dem Kopf" in 1969—became his most recognizable trademark, shifting focus from subject to the act of painting itself. Baselitz also produced significant sculptures, often carved with a chainsaw and axe, and his work was the subject of major retrospectives at the Centre Pompidou (2021-2022) and the Musée d'Art Moderne de Paris (2011-2012).
5 expositions gratuites pour profiter sans frais des ponts du mois de mai
Beaux Arts Magazine highlights five free exhibitions to enjoy during the long weekends of May 2026 in France. The selections include "Diseuses de silence" at Espace Monte-Cristo in Paris, featuring 21 female sculptors such as Prune Nourry and Niki de Saint Phalle; a retrospective of Ernest Pignon-Ernest at Musée Ziem in Martigues; and the first French retrospective of Peruvian photographer Javier Silva Meinel at Maison de l'Amérique latine in Paris. Other venues mentioned are the Musée Ziem and the Magasins Généraux in Pantin, offering diverse contemporary art experiences without admission fees.
Artnet News profiles eight Gulf artists who are shaping the region's cultural renaissance, including Mohammad Alfaraj and Dana Awartani. The article highlights their growing international recognition, with Alfaraj winning Art Basel Emerging Artist and Gold Awards in 2025 and Awartani exhibiting at the 2024 Venice Biennale. It notes the expansion of major art fairs like Art Basel and Frieze into the Gulf, alongside new homegrown initiatives such as the Diriyah Contemporary Art Biennale and Rubaiya Qatar.
Art Basel announced a partnership with Qatar Sports Investments (QSI) and QC+ to launch Art Basel Qatar in Doha in February 2026, marking the first major international art fair in the Middle East. The inaugural edition will feature a tightly curated selection of approximately 50 galleries, significantly smaller than Art Basel's other fairs, and will be held at M7, a creative hub in the Doha Design District. A director for the fair will be announced in the coming months.
Maria Balshaw, director of London’s Tate, has announced she will step down in spring 2026 after nearly a decade leading the museum network. She joined in 2017, succeeding Nicholas Serota, and previously directed the Manchester Art Gallery and the Whitworth Art Gallery. During her tenure, she oversaw major exhibitions including “The EY Exhibition: Van Gogh and Britain” (2019), a Yoko Ono retrospective, and “Sargent and Fashion.” Her final project will be co-curating the largest-ever survey of Tracey Emin at Tate Modern, running from February 27 to August 31, 2026.
The Whitney Museum of American Art is preparing to move into a new Renzo Piano-designed building in New York's Meatpacking District, set to open to the public about a year from now. The new downtown location is vastly larger than its current Marcel Breuer building on Madison Avenue, with 50,000 square feet of indoor exhibition space—a 33 percent increase—and a total of 220,000 square feet, nearly triple the size of the old space. The museum's best attendance year was 372,000 visitors in 2009-10, far below MoMA's 3.22 million that same year, but the new building's proximity to the High Line and tourist-heavy neighborhood is expected to dramatically boost visitor numbers.
New York Art Week 2025 is condensed into a single mega-week starting May 5, featuring major art fairs including Frieze New York, Independent, and TEFAF New York, alongside gallery openings, auction previews, and museum shows. The guide provides a day-by-day itinerary, fair overviews, and practical tips for navigating the week, emphasizing that many events are ticketed or free and do not require VIP passes.
Der große Einzelgänger der Kunst
Georg Baselitz, the German painter known for his radical, figurative works and iconic upside-down motifs, has died at age 88. Born Hans-Georg Kern in 1938 in Deutschbaselitz, Saxony, he fled East Germany for West Berlin in 1957 after being expelled from art school for "socio-political immaturity." Baselitz rose to international fame with his expressive, fractured depictions of the human figure, famously inverting his compositions starting with "Der Wald auf dem Kopf" (1969). He also worked as a stage and costume designer for operas by Harrison Birtwistle, György Ligeti, and Richard Wagner.
The Hirshhorn Museum and Sculpture Garden has acquired eight new sculptures by major contemporary artists for its renovated outdoor garden. The works by Mark Grotjahn, Raven Halfmoon, Lauren Halsey, Izumi Katō, Liz Larner, Woody De Othello, Chatchai Puipia, and Pedro Reyes will be installed ahead of the garden's reopening in October.
The Art Newspaper’s editors have selected their top art books of 2025, featuring a diverse range of titles. Highlights include "Kerry James Marshall: The Histories," a catalogue from the Royal Academy of Arts exhibition surveying the American artist’s large-scale history paintings centered on Black figures; "Minimal, edited by Jessica Morgan," which reassesses overlooked Minimalist artists; and "Lee Miller," the Tate Britain exhibition catalogue exploring the photographer’s multifaceted career. Other notable picks include monographs on Celia Paul, Shahzia Sikander, and Edward Gorey, as well as a comprehensive overview of Middle Eastern art from 1900 to now.
The Portland Art Museum is currently featuring an installation by artist Christopher Myers titled *Let the Mermaids Flirt With Me* (2022), which serves as the centerpiece of the exhibition *Global Icons, Local Spotlight*. The work consists of stained glass lightboxes arranged in an octagonal structure, depicting Black life and water symbolism, including images of a Black mermaid, fire hydrant scenes, and references to the water spirit Mami Wata. The installation incorporates objects like gas cans, oars, life jackets, and votive candles, transforming the space into a shrine-like environment.
Cultured magazine has published its first Young Dealers List, highlighting 23 galleries under five years old that are revitalizing the art world. The list was compiled from over 100 recommendations gathered from more than 40 collectors, advisors, and curators. The article profiles one of the selected gallerists, Adora Mba, founder of ADA Contemporary Art Gallery in Accra, Ghana, who opened her space in 2020 after working as a cultural news producer. Mba emphasizes supporting emerging African artists and has dedicated her 2025 program to women artists and curators.
The Metropolitan Museum of Art and Band-Aid have reunited for a second collaboration, releasing a new set of art-themed adhesive bandages in 2026. The bandages feature details from three flower paintings in the Met's collection: Claude Monet's *Water Lilies* (1919), Vincent van Gogh's *Irises* (1890), and Odilon Redon's *Bouquet of Flowers* (ca. 1900–1905). The 50-count assortment includes small, medium, and large fabric bandages packed in a collectible tin, available exclusively at Target for $7.29. The 2025 Hokusai collection, which sold out quickly, is also back on sale at major retailers.
Artist Trevor Paglen has published a new book, *How to See Like a Machine: Images After AI*, which argues that generative AI and computer vision are fundamentally changing how images function in culture. Drawing on his decade-long practice, Paglen contends that images are no longer merely representations for human interpretation but have become operational tools—'activations' that trigger automated responses and shape reality. He cites examples such as surveillance cameras at grocery stores, the Samsara navigation system in trucks, and the ImageNet database to illustrate how machine vision systems normalize surveillance in service of capital, a phenomenon he terms 'machine realism.'
The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in its Department of Photographs, a role she will assume this summer. Onabanjo, who joins from the Museum of Modern Art (MoMA), will primarily oversee the Walther Collection—a massive gift of over 6,500 photographs spanning diverse global regions—and will lead a major exhibition of the collection in 2028.
The Black Gold Museum has officially opened in Riyadh, Saudi Arabia, as a flagship project of the nation’s Vision 2030 initiative. Housed in a Zaha Hadid-designed complex and directed by Jack Persekian, the institution features over 350 artworks by 170 international and local artists, including Manal AlDowayan and Doug Aitken. The museum explores the history and cultural impact of oil through four thematic sections—Encounter, Dreams, Doubts, and Visions—blending historical narrative with contemporary artistic reflection.
Artist Trevor Paglen and AI researcher Kate Crawford have launched ImageNetRoulette, a viral digital art project that uses artificial intelligence to label user-uploaded photos. The project, which is part of their "Training Humans" exhibition at Fondazione Prada, gained massive social media traction by generating often offensive or bizarre classifications for users. By exposing the problematic labels—ranging from "mediatrix" to racial slurs and criminal accusations—the creators aim to reveal the deep-seated systemic biases embedded in the ImageNet database, one of the world's most influential AI training sets.
Galerie Francesca Pia, a fixture of the Swiss art scene for 35 years, has announced it will close its doors at the end of October. Founded in Bern in 1990 before moving to Zurich's prestigious Löwenbräukunst-Areal district, the gallery will conclude its operations following a final exhibition with American artist Wade Guyton. The closure marks the end of a significant tenure for a dealership that was a regular participant at Art Basel for over two decades.
Sotheby's has increased its buyer's premiums globally, with the new fee structure taking effect on February 13. The changes mean buyers of lower-value lots will pay higher rates, with the premium for works sold in New York for up to $2 million rising from 27% to 28%. This move follows similar adjustments by rivals Christie's and Phillips, as auction houses seek to bolster revenue during a prolonged art market downturn. Sotheby's also recently raised $900 million through art-backed loans via securitization.
Thaddaeus Ropac is opening a new project space in New York and has hired Emilio Steinberger as a senior director. Hauser & Wirth now represents artist Conny Maier in collaboration with Société in Berlin. Zippora Elders Tahalele has been appointed director of the Nederlands Fotomuseum. The Tulsa Artist Fellowship announced its 2026–28 cohort of ten artists and arts workers. The ADAA appointed four new board members: Elizabeth Feld, Bridget Moore, Yancey Richardson, and Melissa Timarchi. Sotheby's second sale in Saudi Arabia, 'Origins II,' totaled $19.6 million, with a record $2.1 million for Safeya Binzagr's work. The article also covers Art Basel Qatar's first edition, with comments from Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani and artistic director Wael Shawky.
Martial Raysse, the 89-year-old, reclusive giant of postwar French art, has debuted a new exhibition of recent paintings and sculptures at Galerie Templon in Paris. The show features 30 works, selected from over 50, and marks his first collaboration with the gallery, initiated by a handwritten letter from founder Daniel Templon.