Canada has returned 11 Ottoman-era artefacts to Turkey, marking the first official repatriation of cultural property between the two nations. The items, which include manuscript pages and calligraphy works from the 17th to 19th centuries, were handed over in a ceremony at the Canadian Conservation Institute in Ottawa following a federal court ruling.
On December 8, 2025, a repatriation ceremony in New York saw 43 looted antiquities returned to Turkey, including a 2nd-century marble head of Demosthenes from the Metropolitan Museum of Art, a Roman bronze statue of an emperor from collector Aaron Mendelsohn, and 41 terracotta reliefs from the Virginia Museum of Fine Arts. The returns resulted from a years-long investigation by the Manhattan District Attorney’s Office’s Antiquities Trafficking Unit into networks that plundered archaeological sites in Turkey and sold items with forged provenance.
Adriana Groza Art Gallery & Studio is opening at 38 Spring Street in Princeton, New Jersey, in a space that formerly housed Kopp’s Cycle shop. The grand opening takes place on Tuesday, November 25, from 5:25 to 7:25 p.m., marking the 21st anniversary of Groza’s arrival in the United States. The gallery will showcase Groza’s original paintings and serve as a hub for workshops and community events, with weekend hours from 10 a.m. to 5 p.m.
The Troy Museum in western Turkey has opened a contemporary art exhibition titled "Emanet" (meaning "trust," "legacy," or "safekeeping") by Turkish artist Vuslat. The show, running from May 25 to July 25, features sculptures, drawings, installations, and sound works placed alongside ancient artifacts in the museum's main halls and gardens, marking the first time contemporary art has been integrated into the museum's primary exhibition spaces near the legendary site of Troy.
A government crackdown on Turkey’s opposition following the arrest of Istanbul mayor Ekrem İmamoğlu has ensnared members of the culture community, including Mahir Polat, head of the municipality’s cultural heritage department, and photographer Murat Germen. Mass protests have erupted across the country, with hundreds of thousands marching against what they see as rising authoritarianism under President Recep Tayyip Erdoğan. Artists and cultural figures face censorship, detention, and prosecution for expressing political views, while independent institutions bear the risk of critical discourse.
Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories
Hera Büyüktaşçıyan has opened a major solo exhibition, 'I Know You As Her', at Istanbul's Arter museum. The show features new and existing works, including sculptures, installations, and watercolors, that explore submerged histories and spectral presences within the city's urban fabric, particularly around the historic Pera district.
Archaeologists have identified ancient Egyptian iconography on a marble lintel in a Roman-era bathhouse at Sagalassos, Turkey. The carving depicts the sphinx god Tutu, flanked by two human figures wearing the crowns of Upper and Lower Egypt, along with deities Horus and Sobek. Dating to the reign of Emperor Augustus (27 BCE–14 CE), the panel was found in the frigidarium and was sourced from marble quarried over 124 miles away in the Afyonkarahisar region.
The Manhattan District Attorney’s Office returned eight artifacts to Peru during a ceremony at the Peruvian consulate in New York on May 15. The repatriated items include funerary objects illegally taken from tombs in northern Peru during the 1960s and ’70s, a copper mask believed to represent the Moche deity Ai Apaec (circa 300 BCE) from the looted Loma Negra site, and a ceramic portrait vessel from the Chavín culture (1000–700 BCE). This is the second time New York officials have returned a group of works to Peru.
Satellite imagery obtained by Caucasus Heritage Watch (CHW) confirms that the Azerbaijani regime has demolished the Holy Mother of God Church in Stepanakert, the former capital of the Republic of Artsakh (Nagorno-Karabakh). The church, consecrated in 2019 after 12 years of construction, was destroyed within the last eight weeks, as evidenced by Sentinel-2 satellite images from March 3 and April 2. The Artsakh Tourism and Cultural Development Agency announced the destruction on April 21, three days before the 111th anniversary of the Armenian Genocide. This demolition follows a pattern of damage to Armenian religious and cultural sites since the forced displacement of over 130,000 Armenians in September 2023.
The Turkish government has enacted a new law allowing the central state to seize historic properties from local municipalities, specifically targeting sites originally endowed to Ottoman-era foundations. This legislation directly impacts Istanbul, where Mayor Ekrem İmamoğlu’s administration has spent years restoring nearly 1,000 heritage sites and converting neglected spaces into vibrant museums, libraries, and contemporary art venues. Critics argue that the state-run General Directorate of Foundations lacks the expertise to manage these cultural hubs and may instead lease them out or close them entirely.
Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.
Diana Young, a nearly 90-year-old artist who has been painting for over 80 years, presents her new exhibition "So Happy You Came" at Gold/Smith Gallery in Boothbay Harbor, Maine, from June 18 to July 21. The show features her latest works in acrylic and tempera, which emphasize motion, line, and dynamic interlocking shapes rather than realism, inspired by outdoor locations and her profound sense of place. A reception will be held on June 21.
La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia
For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.
Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.
Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.
sarah alruwayti on riyadhs shift from vision to execution interview 2747182
Sarah Alruwayti, director of the Tuwaiq Sculpture Symposium, discusses the evolution of Riyadh Art’s public art initiatives under Saudi Arabia’s Vision 2030. The symposium has grown from a local project into a global open-call forum, commissioning over 120 international sculptors to create permanent works using local materials like Saudi granite and reclaimed metal. The latest edition, themed "Traces of What Will Be," focuses on urban transformation and the historical context of Riyadh’s changing landscape.
Archaeologists excavating a Roman forum near the ancient city of Amastris (modern-day Amasra) in Turkey have uncovered a marble Medusa carving with an unusual smiling expression. The relief was found atop decorative columns that once formed a covered walkway (stoa) in the forum. Excavations began three years ago after historical remains were discovered during school construction in 2017. The project, overseen by Bartin University’s Archaeology Application and Research Center and supported by the Turkish Ministry of Culture’s “Heritage of the Future” initiative, has so far reconstructed three columns across the 30,000-square-foot site.
The Guardian's picture editors curated a selection of global photographs for Tuesday, March 31, 2026. The images include a Holy Week procession by the Trabajo y Luz brotherhood in Granada, Spain; white pelicans at Lake Çavuşçu in Turkey; apricot blossoms in Gilgit-Baltistan, Pakistan; and scenes from California, Lebanon, India, Israel, Ukraine, the West Bank, and France, capturing moments of nature, conflict, displacement, and commemoration.
The Atatürk Cultural Center (AKM) in Istanbul has launched an exhibition featuring 41 works by 21 artists produced during the fourth Arnica Art Land workshop. Held in the ancient city of Aizanoi, the multidisciplinary project encouraged artists to create works inspired by the Temple of Zeus and the world’s first stock exchange. The resulting show, curated by Fırat Neziroğlu, includes experimental practices such as sound sculptures and live body painting alongside traditional plastic arts.
The Collectible design fair returns to New York for its second edition, taking place from September 4-7 at the WSA building in the Financial District during Armory Week. Founded in Brussels in 2018 by Clélie Debehault and Liv Vaisberg, the fair brings together international galleries, designers, and architects for a curated showcase of 21st-century design. This year's edition occupies the 39th floor, spanning over 30,000 square feet, and features six curated sections including a buzzy section titled "In Praise of Folly" curated by Architectural Digest's Hannah Martin. Around 60% of exhibitors are from the United States, with the rest from Europe and beyond, including Australia, Brazil, Colombia, Mexico, South Korea, and Turkey.
Victor Kossakovsky's new documentary *Architecton*, opening in US theaters on August 1, premiered at the Berlin International Film Festival. The film is a silent, drone-shot meditation on the destruction of the built environment, showing war-ravaged buildings in Ukraine, earthquake ruins in Turkey and Lebanon, and the violent process of stone being blasted for concrete. It contrasts modern structures that collapse within decades with ancient buildings that still stand, and features architect Michele di Lucchi as a quiet voice for thoughtful, enduring design. The film's score is by Russian expatriate composer Evgueni Galperine.
Arts District Liberty Station in San Diego has launched a new Open-Air Gallery, a self-guided tour featuring murals, sculptures, and public art installations. The tour is available in English and Spanish, with an interactive online StoryMap providing behind-the-scenes content. The organization also announced two local artists, Mischka Ippólita and Beliz Iristay, for its 2025 Installations at the Station program, which commissions site-specific works celebrating the San Diego-Baja region.
Topkapı Palace in Istanbul has opened a new Tile Art Gallery in its Mabeyn section, featuring a restored historic passage that connects the Mabeyn area with the Harem-i Hümayun. The gallery, called the Mabeyn Yolu (Route) Tile Art Gallery, showcases the stylistic and technical evolution of Ottoman tile art from Iznik to Kütahya, displaying tiles that were previously kept in storage. National Palaces President Professor Yasin Yıldız announced that the project took nearly three years and includes tiles bearing the names of Ottoman sultans from Osman Gazi to Sultan Selim II, as well as couplets from the 11th-century poem "Qasida al-Munfarija."
The Kültür Medeniyet Vakfı (KÜME) opened its ArtıKÜME 2025 and ODAK exhibitions at Karaköy Palas in Istanbul on Saturday, featuring 25 projects across disciplines from digital art to calligraphy under the theme 'Mümkün' ('Possible'). The exhibition transforms the historic Karaköy Palas into a platform for experimental and process-driven works, with artists like Muharrem Dalhan presenting interactive installations such as 'Threshold,' which critiques algorithm-driven media environments. The ODAK project was also introduced as a platform tracking cultural production across Türkiye, with its first publication, the ODAK 2025 book, launched alongside the exhibition.
Topkapi Palace in Istanbul has opened the Mabeyn Route Tile Art Gallery, a new permanent exhibition space inside a historic corridor that once connected the imperial reception area with the Imperial Harem. The gallery displays around 250 ceramic tiles, tracing the stylistic and technical evolution of Ottoman tile art from Iznik to Kutahya, with many pieces previously kept in storage and rarely seen by the public. The corridor was restored as part of a long-term program by the National Palaces Administration, and the gallery also features large-scale tiles inscribed with the names of Ottoman sultans and verses from a 11th-century poem.
A century-old power plant in Merzifon, northern Turkey, has been transformed into a cultural hub called Motorhane, opening late last month with a concert and an exhibition of local artists. The building retains its original generator, pressure valve, and switch room, with unplastered walls and concrete floors awaiting restoration. The project is backed by the Motorhane Culture Network (MOKA), supported by Ortaklaşa—a cultural development body administered by the Istanbul Culture and Arts Foundation (İKSV)—and funded by a €3 million EU grant. Other MOKA members include the Sinop Sustainable Development Association, which runs the Sinopale biennial.
The Kyrgyz National Museum of Fine Arts named after Gapar Aitiev is set to host a specialized exhibition of Ebru art, the traditional Turkish technique of painting on water. Organized by the Ebristan public foundation and supported by the Turkish Embassy, the event features live masterclasses where artists will demonstrate the creation of symbolic imagery, including the national flags of Turkey and Kyrgyzstan and the Batken region's Aigul flower, before transferring the floating pigments onto solid surfaces.