American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).

Contemporary Indian Art at the State Hermitage Museum, St. Petersburg

The State Hermitage Museum in St. Petersburg is hosting "Sediments of Becoming: Fossilised Present, Summoned Pasts," an exhibition curated by Marina Schulz and Tunty Chauhan that features works by eleven contemporary Indian artists, including Afrah Shafiq, Anindita Bhattacharya, Debashish Mukherjee, and others. The show positions contemporary Indian artistic practice within a broader international and civilisational discourse, set against the Hermitage's historic backdrop of over three million objects spanning centuries.

Cedars Union in Dallas Opens Call for 6th Artist Cohort

The Cedars Union, a nonprofit arts incubator in Dallas, has opened applications for its sixth cohort of artists. The 18-month program offers affordable studio spaces (64–200 sq ft at $1.60/sq ft), 24/7 access to communal workspaces with woodworking, printing, and textile equipment, plus critiques, workshops, lectures, and exhibitions. The jury includes Emily Budd, Thomas Feulmer, Christina Hahn, Ade Omotosho, and Ahava Silkey-Jones. Applications close June 12, 2026, with the cohort running September 1, 2026 to February 29, 2028.

Is Berlin not over yet?

Ist Berlin doch noch nicht over?

Çağla Ilk, who curated the German Pavilion at the Venice Biennale two years ago, has presented her plans as the new artistic director of the Maxim Gorki Theater in Berlin. Her program reimagines theater from the perspective of visual art, signaling a major shift in the city's theater landscape. The announcement comes amid broader reforms in Berlin's theater scene, including Matthias Lilienthal's upcoming takeover of the Volksbühne, and was met with both anticipation and anxiety, reminiscent of Chris Dercon's failed tenure at the Volksbühne in 2017.

« No art washing ! » : à la Biennale de Venise, près de 3 000 manifestants réunis pour dénoncer la présence du pavillon israélien

On May 8, 2026, nearly 3,000 protesters gathered in Venice to demonstrate against the presence of the Israeli pavilion at the Venice Biennale. Led by the collective Art Not Genocide Alliance (Anga), the crowd included artists, curators, and cultural workers who chanted slogans such as "Stop al Padiglione genocidio" and called for a strike on the closing day of the professional previews. Dozens of national pavilions, including those of France, Belgium, Poland, Spain, the United Kingdom, Lebanon, and Ukraine, closed in solidarity. The protest followed a letter sent by Anga in March demanding Israel's exclusion, which went unanswered, and the self-dissolution of the awards jury on April 30 over the presence of both Israel and Russia.

A snapshot of the photographer Raghu Rai | Brief letters

A letter to the editor from Gabrielle Palmer recounts her experience contacting photographer Raghu Rai in 1987 to request permission to use one of his photographs in her book "The Politics of Breastfeeding." Unable to afford the £200 fee, Palmer called Rai in India, who generously waived the fee entirely and wished her well. The letter is a brief tribute published in response to Rai's obituary in The Guardian.

Racine Art Museum announces sizzling slate of summer events

The Racine Art Museum (RAM) and its Charles A. Wustum Museum of Fine Arts campus have announced a packed schedule of summer events for 2026, including new programs like the Twilight Garden Series, which combines cocktails, creativity, and themed activities. Highlights include Free First Friday, a Master Workshop with artist Liandra Skenandore on black ash plaiting, Kids Day inspired by the Handcrafted exhibition, and City Movie Night featuring a screening of Lilo & Stitch (2025). Wustum also offers one of Wisconsin's largest museum-based studio arts programs with over 60 class options in ceramics, drawing, glass, fiber, jewelry, painting, and paper arts.

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

TUNGA S YO VOS Y LA LUNA MAKES ITS EUROPEAN DEBUT

Collegium has presented the installation *Yo, vos y la luna* by Brazilian artist Tunga (1952–2016) for the first time in Europe. The work, part of the Sarina Tang collection, was previously shown at MALBA in Buenos Aires and MAM in São Paulo. It is now installed in the Iglesia de San Miguel de Arévalo in Ávila, Spain, where it will be on view until 18 October 2026. The piece incorporates stones, mirrors, glass, plaster, resin, suspended structures, and a fossilized tree trunk, with sensory elements including dripping amber essence and bronze finger fragments.

Kazakhstan's creative industry accelerates. A new foundation supporting the art scene emerges

L’industria creativa del Kazakhstan accelera. Spunta una nuova fondazione che sostiene la scena artistica

A new private foundation called TOVA Foundation, based in Geneva, has been established to promote contemporary art from Central Asia, specifically focusing on Kazakhstan's art scene. The foundation debuted at the Venice Biennale with an exhibition titled "Trading Treasures" featuring Kazakh artists Saule Suleimenova and Sayan Baigaliyev at Casa dei Tre Oci. The initiative is backed by Togzhan Wertheimer, a Kazakh-born entrepreneur and philanthropist connected to the fashion industry through her husband David Wertheimer, and includes a board with figures like Tatiana de Pahlen and art consultant Jean-Olivier Despres. The foundation's curator is Vladislav Sludskiy, who previously worked at Ethan Cohen Gallery and co-founded the ARTBAT FEST and Eurasian Cultural Alliance.

Art Gallery of Burlington opens vibrant spring exhibition you have to experience

The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Mimmo Paladino torna a Milano con una grande mostra dopo anni. Sotterranea e immersiva

Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.

A Firenze c’è da vedere una mostra sulla creatività degli Anni Venti

A new exhibition titled "Firenze Déco. Atmosfere degli anni Venti" has opened at Palazzo Medici Riccardi in Florence, running until August 25, 2026. Curated by Lucia Mannini and promoted by Città Metropolitana di Firenze with Fondazione MUS.E, the show explores the creative explosion of the 1920s in Florence, focusing on decorative arts, fashion, graphic design, and manufacturing. It highlights figures such as Gio Ponti for Richard-Ginori, Galileo Chini, Thayaht, Ferragamo, and Gucci, tracing how the city absorbed influences from Paris and the 1925 Exposition des Arts Décoratifs to forge its own distinctive Deco style. The exhibition features ceramics, furniture, jewelry, costumes, and period photographs, and is accompanied by an interview with the curator.

L’arte italiana del Dopoguerra va in asta da Sotheby’s a Milano: tutti i nomi più attesi

Sotheby's will hold a live auction of Modern and Contemporary Art at Palazzo Serbelloni in Milan on May 27, 2026, featuring major Italian post-war artists. Highlights include works by Lucio Fontana, Giorgio Morandi, Carla Accardi, Alighiero Boetti, Emilio Vedova, Salvo, Piero Dorazio, and Tancredi, many appearing at auction for the first time. Key lots include Fontana's "Concetto Spaziale, Attese" (1965-66, estimate €700,000-1,000,000) and a Yves Klein monochrome from 1959.

An Italian artist makes an exhibition in Tunis inspired by Le Corbusier's architectures

Un artista italiano fa una mostra a Tunisi ispirandosi alle architetture di Le Corbusier

Italian artist Cristian Chironi has opened the seventh chapter of his ongoing project "My house is a Le Corbusier" with an exhibition in Tunis titled "My house is a Le Corbusier (Villa Baizeau)". The project centers on Villa Baizeau, a Le Corbusier-designed house built between 1928 and 1930 for industrialist Lucien Baizeau, which is now inaccessible inside the Tunisian presidential park. Chironi, inspired by a failed attempt by artist Costantino Nivola to bring Le Corbusier's architecture to his hometown Orani, instead travels the world temporarily inhabiting Le Corbusier's buildings. For this iteration, he set up a residency at La Boîte – Centre d'Art & d'Architecture in the Medina of Tunis from January 22 to April 5, 2026, culminating in an exhibition that opened April 3, 2026, using the villa as a lens to read the city rather than a physical space to occupy.

A Roma una mostra celebra il leggendario scenografo e costumista Dante Ferretti

A new exhibition titled "Dante Ferretti. Con i miei occhi" has opened at the Musei di San Salvatore in Lauro in Rome, celebrating the legendary Italian set designer and costume designer Dante Ferretti. Curated by Raffaele Curi, the show runs until July 19, 2026, and features a collection of Ferretti's sketches, charcoal drawings, and collages that served as the foundational visual ideas for films by directors including Pier Paolo Pasolini, Martin Scorsese, Federico Fellini, and Tim Burton. The exhibition presents these preparatory works not merely as production tools but as autonomous works of art, tracing Ferretti's visual genealogy from Renaissance painters like Piero della Francesca and Caravaggio to contemporary cinema.

Between everyday and exceptional

Emami Art in Kolkata presents "Nothing Twice," an exhibition featuring nine young women artists that explores the fragility of ordinary life through domestic, tactile, and overlooked subjects. Curated by Ushmita Sahu, the show includes works in painting, textiles, photography, ceramics, drawing, and video, with artists like Moumita Basak, Shilpi Sharma, and Riti Sengupta focusing on material memory and feminist art histories. Concurrently, "Khadi: A Canvas" at TRI Art & Culture showcases 19 khadi sarees woven in the jamdani technique by tribal women from Srikakulam, connecting Raja Ravi Varma's visual culture with Gandhi's politics of self-reliance, curated by Lavina Baldota with textile artist Gaurang Shah. Additionally, "Digital Atma (Spirits) X The Wandering Souls" at A.M (Art Multi-disciplines) examines digital life and technology's impact on identity and intimacy through poetry, sound, image, and performance.

Celestial wildlife paintings plus ceramics at featured art show starting May 16

Artist Sarah Soward and ceramist Hillary Klem will be featured in a joint show at the Redlands Art Association starting May 16, with an open house on Saturday from 1 to 4 p.m. Soward presents multiple series including "Starry Nights" acrylic paintings inspired by constellations, surrealist works imagining origin stories for animals, and laser-cut bee designs aimed at raising awareness of endangered species. Her artwork was previously selected for the Lunar Codex's "Legends of the Moon" capsule sent to the moon in 2022, and she has won "Best of Show" at the National Orange Show.

Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.

L'excellent rapport de la commission d'enquête sur la sûreté des musées est paru

A French parliamentary commission of inquiry into museum security, initiated by Alexandre Portier (president) and reported by Alexis Corbière, has published its findings. The report, unanimously adopted across party lines, includes forty recommendations and is notably critical of the Louvre's management under director Laurence des Cars, accusing her of neglecting security priorities and causing significant delays in the museum's master plan. The commission validated earlier criticisms by La Tribune de l'Art, describing the Louvre as an "État dans l'État" (state within a state) and estimating that twenty to twenty-seven months were lost due to postponed decisions.

Fade to black: inside the US’s abandoned movie theatres

Photographers Yves Marchand and Romain Meffre have documented abandoned early 20th-century movie theatres across the United States, capturing the haunting beauty of their decline. These once-grand cinemas, converted from 1920s music halls and theatres, have been left as hybrid ruins due to the rise of television, streaming platforms, and individualized media consumption. The work is exhibited at Kyotographie 2026 in Japan until 17 May.

Yalda Afsah “Surge” at Kunsthal Thy, Hurup Thy

Yalda Afsah presents her first exhibition in Denmark, titled "Surge," at Kunsthal Thy. The show features two video works: "Curro" (2023), which explores human relationships with animals, and "Jarramplas" (2025), which initiates a new series centered on rituals and communal social dynamics.

Helen McNicoll: An Impressionist Journey

The article titled "Helen McNicoll: An Impressionist Journey" appears to be about the Canadian Impressionist painter Helen McNicoll, likely focusing on her life, work, and artistic legacy. However, the actual content of the article is inaccessible due to a security verification page from the National Gallery of Canada's website, which blocks access to the full text. The page displays a security challenge requiring JavaScript and cookies to proceed, preventing any substantive information from being extracted.

New Seoul art fair HIVE drops booth fees in market experiment

The inaugural HIVE Art Fair in Seoul, opening May 21 at COEX Magok, is testing an alternative business model that eliminates fixed booth fees. Instead, galleries can choose which services and installations to pay for through a "selective purchase system," with the fair relying on ticket sales, corporate partnerships, and promotional lounges for revenue. The fair features 48 galleries (36 South Korean, 12 international) and 158 artists, with no overlapping artists between galleries, and will display exhibition titles and curatorial statements alongside gallery names.

Between heroes, anti-heroes and pure humanity: an exhibition in Rome becomes a metaphor for the current crisis

Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale

The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.

In Tuscany a new festival brings contemporary art to agricultural estates with exhibitions and artist residencies

In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista

The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.

New exhibit at Art Museum of Eastern Idaho celebrates region's agricultural identity

A new exhibition titled "Sacred Spaces: Visions of the West from the Prosaic to the Sublime" has opened at The Art Museum of Eastern Idaho in Idaho Falls, featuring works by six contemporary artists—David Dibble, Bryan Mark Taylor, Josh Clare, Allie Zeyer, Louisa Lorenz, and Carson Thompson. The show, curated by museum Executive Director Alexa Stanger, focuses on the agricultural landscapes of the American West, portraying farms, ranches, and working spaces not as scenic backdrops but as living environments shaped by labor, memory, and generational stewardship. It runs through July 3.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.