5 very different art fairs throughout two days in New York City

The article reports on five distinct art fairs—Frieze, NADA, Independent, 1-54, and Esther III—visited during New York Art Fair Week. It highlights key artists and works, including Kelly Tapia-Chuning's deconstructed serapes at NADA, Esaí Alfredo's queer nighttime paintings, Alex Burke's textile dolls at 1-54, and Laetitia KY's photographic self-sculpture. The fairs collectively emphasized themes of environmentalism, globalism, decolonization, and a growing textiles sector, with curation varying widely from commercial to conceptually driven.

Comment | We are living in an age of bad painting—the medium must be challenged to stay interesting

The article argues that contemporary painting has entered a period of stagnation, characterized by bloated, vapid, and market-driven works. The author cites observations from Frieze London and the exhibition "Painting After Painting" at SMAK in Ghent, noting that much recent painting lacks intellectual rigor and emotional depth. A conversation with artist Christopher Wool is referenced, where he contrasts the current lack of critical dialogue with the productive crises of the late 1970s, when painters like Philip Guston faced backlash for challenging conventions.

In memoriam: remembering art world figures who died in 2025

This article from The Art Newspaper, published as 2026 begins, memorializes key figures from the art world who died in 2025. The list includes artist and activist Jaune Quick-to-See Smith, filmmaker and artist David Lynch, conceptual artist Mel Bochner, collector and patron Guy Ullens (co-founder of Beijing's UCCA), curator Koyo Kouoh (the first African woman to curate the Venice Biennale), photographer Sebastião Salgado, broadcaster Alan Yentob, and sculptor Joel Shapiro. Each entry summarizes their career highlights and contributions.

Brooklyn’s Barclays Center Arena Launches Art Program, with Paul Pfeiffer As First Artist-in-Residence

The Barclays Center arena in Brooklyn has launched a multi-year public art initiative called 'Brooklyn Art Encounters.' The program includes a new artist-in-residence component, with Paul Pfeiffer as the inaugural resident, and will feature digital art broadcasts, major new commissions by artists like Sarah Sze, Rashid Johnson, Mark Bradford, and Kambui Olujimi, and a series of public installations on the arena's plaza and in its entrances.

Picasso’s ‘Guernica’ Could Leave Madrid for the First Time in Over 30 Years

The Basque regional government has formally requested a temporary loan of Pablo Picasso's 'Guernica' from Madrid's Museo Reina Sofía to the Guggenheim Museum Bilbao for a period from October 2026 to June 2027. This would mark the painting's first movement since 1992 and is timed to coincide with the 90th anniversary of the bombing of Guernica. The request faces strong opposition from the Reina Sofía, which has released a conservation report stating the monumental canvas is too fragile to travel.

Amanda Carneiro and Raphael Fonseca to curate 2027 Bienal de São Paulo

Amanda Carneiro and Raphael Fonseca have been named curators of the 2027 Bienal de São Paulo. Carneiro, a curator at MASP since 2018, has organized solo exhibitions for artists including Santiago Yahuarcani, Beatriz Milhazes, and Sonia Gomes, and was part of Adriano Pedrosa’s curatorial team for the 2024 Venice Biennale. Fonseca, visual arts programmer at Culturgest and curator-at-large at the Denver Art Museum, is currently curating the Taiwan Pavilion for the 2026 Venice Biennale and co-curating the 3rd Counterpublic Triennial. He also curated the 2025 Bienal do Mercosul.

Liu Ding and Carol Yinghua Lu to curate 2027 Istanbul Biennial

The Istanbul Foundation for Culture and Arts (ISKV) has announced that Liu Ding and Carol Yinghua Lu will curate the 2027 Istanbul Biennial. Liu Ding is a Beijing-based artist and curator who has participated in numerous international biennials and taught at NABA Milan, while Carol Yinghua Lu is an art historian and director of the Inside-Out Art Museum in Beijing, with a background at OCAT Shenzhen, Museion Bolzano, and Asia Art Archive. The pair, who have collaborated since 2007, most recently served as artistic directors of the 2024 Yokohama Triennale. The 19th edition of the Istanbul Biennial is scheduled for 18 September to 14 November 2027.

Lynda Roscoe Hartigan Named Director of Smithsonian American Art Museum

Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum (SAAM) in Washington, DC, effective September 8. She returns to SAAM, where she began her career and later served as chief curator, from her current position as executive director and CEO of the Peabody Essex Museum in Salem, Massachusetts. She succeeds acting director Jane Carpenter-Rock, who will remain as deputy director.

Recipients of $100,000 Rauschenberg Centennial Award Named

The Robert Rauschenberg Foundation has announced the recipients of its one-time Rauschenberg Centennial Award, a $100,000 unrestricted prize honoring the artist's 100th birthday. Winners include artist Senga Nengudi, performer David Thomson, photographers Chandra McCormick and Keith Calhoun, and poet Patricia Spears Jones, all of whom were selected from past participants of the foundation's Captiva Residency program.

Indonesian artist Dian Suci wins 2026 Max Mara Art Prize for Women.

Indonesian multimedia artist Dian Suci has won the 10th edition of the Max Mara Art Prize for Women, as announced by curator and jury chair Cecilia Alemani in Venice at the Serra dei Giardini. Suci was selected from a shortlist of five finalists that included Betty Adii, Dzikra Afifah, Ipeh Nur, and Mira Rizki. The jury was organized and chaired by Alemani and included Museum MACAN director Venus La.

National Museum of Women in the Arts Director Susan Fisher Sterling to Retire

Susan Fisher Sterling, director of the National Museum of Women in the Arts (NMWA) in Washington, D.C., will retire at the end of 2024 after 18 years in the role and nearly four decades at the institution. Sterling joined NMWA as an associate curator in 1988, rose through the ranks to become director in 2008, and oversaw a $67.5 million renovation completed in 2023, expansion of the collection to over 6,000 works, and partnerships with the Louvre, the State Hermitage Museum, and Tate Modern. The board of trustees has begun a search for her successor with executive search firm Howe-Lewis International.

Amy Sherald Dresses As Her Own Award-Winning Painting for Met Gala

Amy Sherald attended the 2025 Met Gala dressed as the subject of her own award-winning painting, *Miss Everything (Unsuppressed Deliverance)* (2014). The work, which won the Outwin Boochever Prize at the National Portrait Gallery and appeared on a *New Yorker* cover, depicts a young girl holding an oversized teacup. Sherald collaborated with designer Thom Browne to recreate the painting's look, including a red fascinator, as part of the gala's theme “Fashion Is Art,” which also aligns with the Costume Institute's exhibition “Costume Art.” Sherald served on the gala's committee alongside artists Anna Weyant and Tschabalala Self.

Refik Anadol’s AI Art Museum DATALAND Will Open in Los Angeles in June

Refik Anadol and Efsun Erkılıç will open DATALAND, a museum dedicated to AI art, in Los Angeles on June 20, 2026. Located in the Grand LA complex designed by Frank Gehry, the 25,000-square-foot venue will feature five gallery spaces plus 10,000 square feet for supporting technology. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses AI trained on ecological datasets to generate sensory experiences, including a version of Anadol's Infinity Room with a 1987 recording of an extinct Hawaiian bird and AI-generated scents. Membership starts at $350 per year.

Hauser & Wirth Partner Cristopher Canizares Departs to Start Artist Agency

Cristopher Canizares, a longtime partner at mega-gallery Hauser & Wirth, is departing after 16 years to launch his own venture, the Artist Legacy Bureau. This new agency will function as an artist management firm, with Canizares working directly for and being paid by a select group of five or six artists to advise on long-term career strategy across their gallery, institutional, and collector relationships.

Toleen Touq to curate next MOMENTA Biennale

MOMENTA Biennale d’art contemporain in Montreal has appointed curator and educator Toleen Touq to organize its 20th edition, scheduled for 2027. The biennial will be titled 'The Long Now' and will focus on interrogating concepts of time and duration.

Researchers at Art Gallery of Ontario identify painter and subject of 18th-century portrait of Black woman

Researchers at the Art Gallery of Ontario have identified the artist and sitter of an 18th-century portrait of a young Black woman. The painting, purchased in 2020, is now titled 'Portrait of Eleonora Susette' (1775), revealing the subject as a woman born around 1756 in the Dutch colony of Berbice (now Guyana). The artist is Berlin-born Jeremias Schultz, who painted the portrait in Amsterdam after Eleonora Susette was brought there by her enslaver, the artist's cousin.

Art Oscar Picks, Whitney Biennial Star Pat Oleszko, Wet Paint

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This installment of the Wet Paint gossip column reports on several high-profile developments within the New York and Los Angeles art scenes. Key highlights include internal museum deliberations at the Whitney Museum regarding Precious Okoyomon’s provocative installation for the upcoming Biennial, which features dolls hanging from nooses, and sightings of former Artforum editor David Velasco meeting with Whitney director Scott Rothkopf. Additionally, the column tracks celebrity sightings at Frieze Los Angeles and confirms Lotus L. Kang as the artist for Bvlgari’s pavilion at the Venice Biennale.

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Performance artist Pat Oleszko, known for her satirical costumes and public interventions, is receiving significant institutional recognition in New York. At 78, she is featured in the 2026 Whitney Biennial and is the subject of a solo exhibition, "Fool Disclosure," at SculptureCenter, her first institutional solo show in the city in over 35 years.

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Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.

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Art-world consultants Chen & Lampert present a satirical quiz for contemporary art curators who came of age in the mid-2000s and now face the challenges of middle age—mortgages, school-age children, and dwindling energy for the nightlife that once fueled their careers. The quiz poses ten multiple-choice questions testing whether a curator can stay relevant without partying every night, touching on topics like referencing artists in talks, responding to young artists, and keeping up with art news and trends.

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Brown University terminated both curators at the David Winton Bell Gallery—Kate Kraczon, director of exhibitions and chief curator, and Thea Quiray Tagle, associate curator—on December 4, as part of broader layoffs and austerity measures amid a financial crunch. The university eliminated 55 vacant positions and laid off 48 staff across campus, but has not publicly commented on the curators' terminations, which were confirmed via an internal message shared with ARTnews. Faculty members expressed surprise and frustration, saying they received no clear explanation beyond budget cuts, and it remains unclear who will handle future programming at the gallery.

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The article recounts the author's experience at the 2025 Performa biennial in New York, beginning on November 4 with the death of Dick Cheney and the election of Zohran Mamdani as mayor. The author attended Diane Severin Nguyen's performance "War Songs," which restaged historical protest concerts from the Vietnam War era, blending anti-war anthems with pop music. The piece also highlights missing performances by Lina Lapelytė and Ayoung Kim, and expresses anticipation for Aria Dean's play "The Color Scheme."

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Sebastião Salgado, the acclaimed Brazilian photographer known for his powerful black-and-white images documenting worker exploitation, environmental destruction, and human rights abuses, has died at age 81. His death was announced by Instituto Terra, the organization he co-founded with his wife Lélia Wanick Salgado. Salgado had been in declining health since contracting malaria in the 1990s. His work spanned decades and continents, from the Sahel desert to the Amazon rainforest, and he was widely regarded as one of the most beloved photographers of his generation.

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Teresa Iarocci Mavica, former director of the Moscow-based V-A-C Foundation, which she co-founded with Russian billionaire Leonid Mikhelson, has resurfaced after three years of silence. She resigned from V-A-C in November 2021, just before the opening of GES-2 House of Culture, Russia's largest contemporary art museum, and left Russia shortly after the full-scale invasion of Ukraine. Now based in Naples, she has curated "The Sun to Come" at Made in Cloister, launching her biennial program "REBIRTH." The exhibition includes three Russian artists, reflecting her continued commitment to cultural dialogue between Russia and Europe despite the war.

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Koyo Kouoh, the celebrated Cameroonian-born curator known for championing African contemporary art, has died unexpectedly at age 57. She passed away in a hospital in Basel, Switzerland, due to cancer, just months after being appointed curator of the 2026 Venice Biennale—making her only the second African-born curator to lead the prestigious exhibition, following Okwui Enwezor in 2015. Kouoh was executive director and chief curator of the Zeitz Museum of Contemporary African Art (Zeitz MOCAA) in Cape Town since 2019, where she organized landmark shows like "When We See Us: A Century of Black Figuration in Painting" (2022), and founded RAW Material Company in Dakar in 2008, an independent art center now considered a top space in West Africa.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

Wyeth-Centric Brandywine Museum Will Be Transformed by Kengo Kuma & Associates

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Tokyo-based architecture firm Kengo Kuma & Associates to lead a $100 million transformation of its campus. The project will expand the current 15-acre site into a 325-acre public preserve and garden with ten miles of trails, including a new 40,000-square-foot freestanding museum and a renovation of the existing 19th-century grist mill building. Kengo Kuma will add 14,000 square feet of gallery space, and the new trails will connect the two museums to the original studios of N. C. Wyeth and Andrew Wyeth.

Siteless Athens Arts Institution NEON Closing After 14 Years

The Athens-based cultural institution NEON, founded by prominent art collector Dimitris Daskalopoulos in 2012, is closing after 14 years. Operating without a permanent building, NEON organized 44 exhibitions across unconventional spaces, including ancient archaeological sites, commissioning works by artists such as Marina Abramović, Anastasia Douka, and Danh Vo. Its final project is a trilogy by artist Michael Rakowitz titled "Michael Rakowitz & Ancient Cultures," which began at the Old Acropolis Museum and will conclude later this year.

Ascendant Philanthropists Make $23 Million Donation to Met

The Metropolitan Museum of Art has received a $23 million donation from newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, made through the Rubio Butterfield Foundation. The principal gift will endow the museum's undergraduate and graduate internship program in perpetuity, which will be renamed after the couple starting September 2026. An additional donation supports the Met's new Tang Wing for modern and contemporary art, set to open in 2030.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.