This Y/Project Suit Defines The Met’s “Costume Art” Exhibition

The Metropolitan Museum of Art has announced its 2026 exhibition "Costume Art," which will inaugurate the new Condé M. Nast Galleries. Curator Andrew Bolton explains the show will focus on the dressed body's connection to art history, emphasizing materiality and corporeality over visuality. A key preview piece is a Y/Project suit from FW22, designed by Glenn Martens and Jean Paul Gaultier, featuring a trompe-l'oeil nude male figure that will be displayed alongside a 1st–2nd century CE marble statue of Diadoumenos. Other sections include "The Naked Body," "The Aging Body," and "The Anatomical Body."

painting unfolds across earth, canvas, and space in katharina grosse’s london exhibition

Katharina Grosse's exhibition 'I Set Out, I Walked Fast' at White Cube London presents a continuous environment where painting extends beyond the canvas into space. The show features new works, archival material, and a large in-situ installation that combines mounds of earth, a partially submerged canvas, and a bronze-cast sculpture into a single painted field. Grosse uses an industrial spray gun to apply acrylic pigments, creating works that blur boundaries between surface, site, and viewer. The exhibition avoids chronological order, instead connecting pieces from different periods to form a spatial network where individual works function as nodes.

'Ha Chong-Hyun' at Almine Rech, Brussels on 22 Apr–27 Jun 2026

The Almine Rech gallery in Brussels is presenting a solo exhibition of work by Korean artist Ha Chong-Hyun from April 22 to June 27, 2026. The show will feature his signature 'Conjunction' series and recent works that continue his exploration of materiality and abstraction.

Two Shows, One Desert: “Desert Rinpa” & “Wander” at EPMA

Two concurrent exhibitions at the El Paso Museum of Art explore the Southwestern desert through distinct artistic lenses. "Desert Rinpa" presents Mitsumasa Overstreet's large-scale panels that blend Chihuahuan Desert flora with the classical Japanese Rinpa tradition, using techniques like tarashikomi and metallic leaf to evoke desert light. Upstairs, "Suzi Davidoff: Wander" features nearly 100 works from 1991 to the present, including drawings, prints, and installations made with natural materials like dirt, clay, and charcoal gathered from wildfire sites, emphasizing the physical presence of the desert itself.

New group exhibition at Art of Contemporary Africa SF

Art of Contemporary Africa (AOCA), the first Pan-African contemporary gallery in San Francisco, will open a major group exhibition titled *Memory in Motion: Identities, Materials and Resonances* on 2 May 2026. Curated by Gilles Yoro (Felin Light), the show brings together contemporary African artists including Gerald Chukwuma, Mederic Turay, Mwass Githinji, Ayanda Mabulu, Opa Bathily, Kebe Ibrahim Bemba, Ndabuko Ntuli, Kenof Franck Kemkeng Noah, Ange Arthur Koua, Alexis Daniel Onguene Tassi, and Dieudonne Djiela Kamgang. Their works in painting, sculpture, assemblage, and mixed media explore memory as an active, evolving force shaping identity across time, geography, and materiality.

Exhibition | Sopheap Pich, 'Works' at Axel Vervoordt Gallery, Antwerp, Belgium

Axel Vervoordt Gallery in Antwerp is presenting the first Belgian solo exhibition of Cambodian artist Sopheap Pich. The show features a new body of work, including large-scale sculptures made from bamboo, rattan, hand-forged copper, and recycled aluminum, as well as wall-based pieces. Visitors can physically enter some of the large sculptural forms.

Not Just the Biennale: What to See in Venice in Spring 2026 Among Galleries, Independent Spaces, and Special Projects

Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali

The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.

An L.A. Artist Devoted to the Process of Paint

Los Angeles-based artist Sandy Rodriguez is profiled for her multifaceted practice that extends far beyond traditional painting. Her work involves deep research into art history, botany, and indigenous materials, positioning her as a scientist, historian, and alchemist as much as a painter.

Mary Lovelace O’Neal, painter and activist, 1942–2026

Mary Lovelace O’Neal, the American painter, professor, and civil rights activist, has died at age 84. Born in Jackson, Mississippi, she was a co-founder of the Non-Violent Action Group while a student at Howard University, later earning an MFA from Columbia University. Known for monumental abstract works on soot-black surfaces, she developed her signature technique through the Lampblack series (1960s–70s) and continued evolving her practice through series such as Whales Fucking (1970s–80s) and Panthers In My Father’s Palace (1980s–90s). In 1985, she became the first African American woman to receive tenure in the Department of Art Practice at the University of California, Berkeley, where she taught for nearly three decades and served as chair from 1999 until her retirement in 2006.

Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.

Guangzhou Image Triennial 2025 Review: The Case for Sensitivity

The Guangzhou Image Triennial 2025, titled 'The Case for Sensitivity,' has opened at the Guangdong Art Museum. The exhibition, featuring over 50 artists and artist groups, directly addresses a perceived crisis of technological mediation, arguing that digital existence deprives us of direct contact with the natural world. It aims to foster new forms of attention by emphasizing the materiality of images—what they are made of—over what they represent.

N.Y.'s Met museum to add Japanese designer Tamae Hirokawa to collection

The Metropolitan Museum of Art in New York will add garments by Japanese designer Tamae Hirokawa to its permanent collection. Seven bodysuits from her signature "Skin Series" line, which explores the concept of seamless knitwear as a "second skin," will be displayed in the spring 2026 Costume Art exhibition. Hirokawa joins fellow Japanese designers Issey Miyake, Rei Kawakubo, and Hanae Mori in the museum's Costume Institute collection. The exhibition, held in new galleries adjacent to the Great Hall, pairs garments with artworks to highlight the relationship between clothing and the body.

Video interview with Cecilia Canziani and Chiara Camoni, curator and artist of the Italy Pavilion at the Venice Biennale

Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia

The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.

In her Venice exhibition, Hanna Rochereau wants to archive the archive

Nella sua mostra a Venezia, Hanna Rochereau vuole archiviare l’archivio

Hanna Rochereau (Paris, 1995) presents her first solo exhibition in Italy, titled "Data Divas," at Mare Karina gallery in Venice. The show explores archival systems through a dialogue between painting and sculpture: canvases depict orderly shelves and filing cabinets filled with impenetrable boxes, while sculptural elements—tailor's mannequins, scattered papers, open drawers—introduce disorder. Rochereau uses a restrained palette of white and wood tones, referencing early 20th-century cubist and metaphysical art, particularly Morandi. The exhibition runs until July 18, 2026.

Matisse Mesnil “Sutura” at Romero Paprocki, Milan

Artist Matisse Mesnil has opened a solo exhibition titled "Sutura" at the Romero Paprocki gallery in Milan. The show marks a new phase in his practice, characterized by technical and methodological experimentation focused on metal as his primary material.

'Time in the Interstices' at Whitestone Gallery, Beijing, China on 25 Apr–6 Jun 2026

Whitestone Gallery in Beijing will present the group exhibition 'Time in the Interstices' from April 25 to June 6, 2026. The show features four Korean artists—Soonik Kwon, Seungtaik Jang, Kim Deok Han, and Lee Chae—whose painting practices explore time as an internal, structural element of the work, rather than a linear narrative or backdrop.

Plastic Visions. Tony Chrenka by Maxwell Smith-Holmes

Tony Chrenka's studio in the Gowanus neighborhood of New York City is the subject of this article, which explores his artistic practice centered on salvaged materials and industrial processes. Chrenka works with PET plastic (Mylar) and polyester fabrics, creating collages and sculptures that investigate the gap between use-value and exchange-value. His upcoming exhibition at Toby78 in Brooklyn will feature new works made from pleated polyester textiles, inspired by Issey Miyake's Pleats Please clothing line.

Resisting Death: Glitches and Ornaments at CASTLE

An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.

Gaylen Gerber at Hans Goodrich

Artist Gaylen Gerber presented a solo exhibition at Hans Goodrich gallery in Chicago from April 4 to May 17, 2026. The show featured his work "Support" (n.d.), an installation using cremated remains, a felt pen, and a zipper bag, alongside a 1990 painting by Georg Herald.

Dominique White “All Great Powers Collapse from the Centre” at Kunsthalle Basel

Dominique White (b. 1993) presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, transforming the galleries into immersive environments with her sculptures. The exhibition evokes a sense of submersion, as if walking along an ocean floor where orientation shifts and measures dissolve, creating a weighty, water-like atmosphere.

Franco Bellucci “Works (c. 2010–2018)” at a. SQUIRE, London

Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.

Art Beat feature: A gallerist rooted in craft

Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.

Between here and home

Carrie Haddad Gallery in Hudson, NY, presents "Between here and home," a group exhibition running from May 22 through July 12, with an opening reception on May 23. The show features works by Fred Cohen, Frank DePietro, Deb Lawrence, Olan Quattro, and ransome, exploring the concept of home as an evolving construct shaped by memory, material, and experience. The exhibition draws on the Welsh idea of hiraeth—a longing for a lost or imagined home—and includes paintings, collages, and mixed media works that reflect each artist's personal engagement with place, interior space, and inherited histories.

Jule Korneffel Captures the Weight of the Pre-Dawn Sky at Spencer Brownstone Gallery, NYC

Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.

This art exhibition in Delhi evokes nostalgia around the houses we once lived in

An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.

M’barek Bouhchichi: Hands That Remember

Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.

Echoes from the Margins: Guinea’s Debut Pavilion Resonates in Venice.

Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.

Exhibition | Yelena Popova, 'Moments of Grace' at Osnova gallery, Valencia, Spain

Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.

Exhibition | Lin Zhipeng, 'LIN ZHIPENG (NO. 223): Relationship Duplicates' at DE SARTHE, Hong Kong

DE SARTHE gallery in Hong Kong presents 'Relationship Duplicates', the second solo exhibition by Beijing-based photographer Lin Zhipeng (No.223). The show, on view from May 16 to June 27, explores the tactile, intimate dimensions of human relationships through large-scale photoprints, a smartphone installation, and curated collages. Lin redefines 'duplicates' as supplements that extend relationships rather than mere copies, using nudity and physicality to counter the alienation of digital connectivity.

What Brakes Through: “Teresa Tyszkiewicz. Stories That Tell Themselves” at Profile Foundation.

Teresa Tyszkiewicz's exhibition "Stories That Tell Themselves" at Profile Foundation in Warsaw showcases the Polish artist's process-driven practice spanning video, performance, and relief-like paintings made with pins, nails, metal plates, ropes, and fabrics. Curated by Bożena Czubak, the show highlights Tyszkiewicz's use of the body as a medium—often naked and immersed in organic materials—to explore emotions, intuition, and unconscious desires, as seen in works like the 1980 film "Grain." The artist, who began her career in the late 1970s alongside Polish neo-avantgarde filmmakers but rejected their conceptual tendencies, developed a tactile, laborious approach that invites sensory engagement.