Interview. Max Goelitz

In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.

American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).

Venice, the island of San Giacomo becomes the new home of the Sandretto Foundation

Fondazione Sandretto Re Rebaudengo opens a new headquarters on the island of San Giacomo in the northern lagoon of Venice on May 7, 2026. The project combines contemporary art, historic rehabilitation, environmental sustainability, and research, featuring exhibitions, permanent installations, and public programs. The island was purchased in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo from Cassa Depositi e Prestiti and transformed into a center for cultural production and ecological experimentation, with free admission and universal accessibility.

ICOM Exhibitions opens registrations and call for proposals for Momentum 2026

ICOM Exhibitions has opened registrations and a call for proposals for its 2026 annual conference, Momentum 2026, titled "Museums, Exhibitions, and Disruptions – How Far Dare We Go?" The event will take place from October 4 to 8 at the Musée de la civilisation in Québec City, Canada, and will gather around 150 museum professionals globally. The programme includes keynote presentations, workshops, visits to local cultural institutions such as the Monastère des Augustines and the Musée national des beaux-arts du Québec, and a behind-the-scenes look at a new pavilion dedicated to artist Jean Paul Riopelle. Proposals are due by May 22, with formats ranging from roundtables to lightning presentations.

DATALAND Preview: The World’s First Museum of AI Arts Co-Founded by Refik Anadol

DATALAND, the world's first museum of AI arts co-founded by artist Refik Anadol and Efsun Erkılıç, will open to the public on June 20, 2026, in downtown Los Angeles. Located in the Frank Gehry-designed building The Grand LA within the Grand Avenue Cultural District, the 35,000-square-foot venue will debut with the inaugural exhibition "Machine Dreams: Rainforest," an immersive 360-degree experience based on millions of images and sounds of nature. The custom AI model powering the exhibition was trained on data collected from 16 rainforests worldwide, with data partnerships established with the Smithsonian, Cornell Lab of Ornithology, Getty, iNaturalist, and the Natural History Museum in London.

One of Vancouver's hottest art parties returns with immersive lineup next month

The Vancouver Art Gallery will host its annual Art Party on Saturday, June 6, 2026, from 7:30 p.m. to 11:30 p.m. The late-night immersive celebration features drinks, performances, and interactive experiences under the theme "Ancient Futures." Guests are encouraged to wear outfits made from upcycled materials and can explore exhibitions including "That Green Ideal: Emily Carr and the Idea of Nature," "Future Geographies: Art in the Century of Climate Change," and "Highlights from the Collection." Performances include "Landings for Six" by Action at a Distance Dance Society, a rhythmic ensemble by Shion Skye Carter, and a wearable-art activity led by FakeKnot. Tickets are on sale now, with proceeds supporting the gallery's exhibitions, education, and public programs.

Full extent of Stephen Friedman Gallery's £7.8m debt revealed in filings

Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.

Seattle Art Museum Workers Move to Unionize

Over 100 employees at the Seattle Art Museum (SAM) have announced their intention to unionize, forming Seattle Art Museum Workers United (SAMWU) and affiliating with the Washington Federation of State Employees/AFSCME Council 28. In a letter to Director and CEO Scott Stulen and the museum board, staff across departments including visitor experience, collections care, curatorial, and education cited unsustainable wages, subpar health benefits, and top-down decision-making as key grievances. They are urging voluntary recognition by May 27 to bypass a formal election, and also call for just-cause job protections. The effort follows a successful 2024 strike by SAM's unionized security guards.

Biennale de Venise 2026 : les saturnales éblouissantes d’Yto Barrada pour le pavillon français

Yto Barrada has been selected to represent France at the 61st Venice Biennale in 2026 with her exhibition "Comme Saturne" (Like Saturn) in the French Pavilion. The installation features rebellious stage curtains hiding wasp nests and a copper daguerreotype plate of a planet, a large rock, a Wheel of Fortune, and a nostalgic vanitas arrangement around a missing mirror frame. Curated by Myriam Ben Salah, the show explores textile and natural dyeing, with three cabinets addressing the transmission of know-how, migration of plants and people, postcolonial history, and Enlightenment imperialism. A central room displays 70 pieces forming a symmetrical frieze of red natural dyes, while a black monochrome patchwork highlights the difficulty of achieving black in dyeing. Barrada is the fifth woman to represent France at the Biennale.

US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE

The United States Pavilion at the 61st Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," which opened with no clear funding just ten days prior. Unlike previous pavilions supported by major foundations like Ford and Mellon, Allen's show relies on a $375,000 US government contribution and public donations via the American Arts Conservancy. The selection process was unconventional: the State Department, which took over after Trump's NEA budget cuts, imposed restrictions on DEI policies and required proposals promoting "American exceptionalism." Curator Jeffrey Uslip directly approached Allen without a formal proposal, leading the artist's two galleries—Olney Gleason and Mendes Wood DM—to drop him when he accepted the commission.

SOL HENARO: “BAJAR LA VELOCIDAD ES POLÍTICO Y, AUNQUE CUESTA MUCHO, HAY QUE SEGUIR INTENTÁNDOLO”

Sol Henaro, director of the Museo Universitario del Chopo in Mexico City, argues in an interview for Artishock Revista that museums must resist neoliberal pressures to accelerate production, spectacularize content, and convert cultural experience into immediate consumption. She advocates for the museum as a space of plurality, deceleration, and critical thought, emphasizing the need for horizontal, careful practices that allow for dissent and coexistence. The interview is part of a series on International Museum Day featuring directors from Latin American and Ibero-American institutions.

The Most Provocative Performance in Venice

Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.

À Berlin, le Musée de Pergame rouvrira partiellement en 2027

Berlin's Pergamon Museum, closed since October 2023, will partially reopen in June 2027, with only the north wing and central section accessible. The renovation and expansion project, launched in 2012, has faced repeated delays and its budget has ballooned to €1.5 billion. The partial reopening coincides with the bicentenary of Berlin's Museum Island and will bring back the Pergamon Altar, unseen for over a decade, along with redesigned permanent exhibitions for the Museum of Islamic Art and the Museum of the Ancient Near East. However, major attractions like the Ishtar Gate and the Market Gate of Miletus will remain closed until the 2030s, with full museum completion now estimated between 2037 and 2043.

Architecture as Microcosm: Interview with Architects Barclay & Crousse Coming to an Exhibition in Milan

Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano

Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

Plastic Visions. Tony Chrenka by Maxwell Smith-Holmes

Tony Chrenka's studio in the Gowanus neighborhood of New York City is the subject of this article, which explores his artistic practice centered on salvaged materials and industrial processes. Chrenka works with PET plastic (Mylar) and polyester fabrics, creating collages and sculptures that investigate the gap between use-value and exchange-value. His upcoming exhibition at Toby78 in Brooklyn will feature new works made from pleated polyester textiles, inspired by Issey Miyake's Pleats Please clothing line.

In Milan, the first exhibition-market dedicated entirely to 20th-century modernariato arrives

A Milano arriva la prima mostra-mercato dedicata interamente al modernariato del Novecento

The article announces the arrival of SOMO (Solo Modernariato), Italy's only fair dedicated entirely to 20th-century modernariato, in Milan. After two years in Alzano Lombardo near Bergamo, the event will take place at Superstudio Più in Via Tortona 27 on May 23-24, 2026. It will feature over 70 exhibitors from across Italy, showcasing furniture, lamps, and objects produced between the post-war period and the 1980s, targeting collectors, architects, interior designers, and a new generation of enthusiasts.

The 2026 Venice Biennale is light and conscious

Quella del 2026 è una Biennale di Venezia leggera e consapevole

The 2026 Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, has opened with a focus on ecology and humanity's relationship with nature. The central pavilion at the Giardini presents a festive, craft-heavy exhibition that emphasizes connections with plants and animals, while the Arsenale offers a more spacious, symphonic experience featuring standout works such as Alfredo Jaar's "End of the World" (2023-2024) and Kader Attia's "Whisper of Traces" (2026). National pavilions, including those of Austria, Denmark, France, Germany, and Spain, explore themes of the body, memory, and ruin with notable installations.

ARTIndia and Vadehra Art Collaborate for ‘Next/Now’ Exhibition in Delhi

A group exhibition titled 'Next/Now' will open in New Delhi on 29 May 2026, organized by ARTIndia Magazine and Vadehra Art Gallery. The show features 30 emerging artists selected from ARTIndia's '30 Under 30' list, working across painting, sculpture, installation, photography, and mixed media. The opening coincides with Defence Colony Gallery Night, and partial proceeds will support the ARTIndia Care Fund, which provides medical care for young artists.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

Sainsbury Centre receives one of largest ever UK museum donations

The Sainsbury Centre, an art museum in Norwich, England, has received a £91.2 million donation from British politician and businessman David Sainsbury through his charitable foundation, Gatsby. The funds will be used to renovate the grade II* listed building, originally designed by Norman Foster and completed in 1978. The renovation, led by Foster + Partners, includes improvements to the building envelope, photovoltaic panels, and upgraded visitor facilities, aiming to halve the museum's energy use and support the University of East Anglia's net zero campus goal by 2045.

iris van herpen's colossal body of intricate work on view at the brooklyn museum

Iris van Herpen's exhibition "Iris Van Herpen: Sculpting the Senses" opens at the Brooklyn Museum from May 16 to December 6, 2026, featuring over 140 haute couture creations alongside contemporary art, design objects, and natural history specimens. The show, previewed by designboom, is organized around natural themes from water to planetary scale, with the Dutch designer leading a walkthrough that emphasized her inspirations from micro and macro worlds and her process of turning material experiments into wearable sculptures.

All you need to know about world’s highest art biennale 2026 that is set to be hosted in Ladakh

The sā Ladakh Biennale, billed as the world's highest art biennale, returns to Ladakh from August 1-10, 2026, after a previous edition. Held at 3,600 meters above sea level, the event transforms the corridor between Leh and Kargil into an open-air exhibition titled 'Signals from Another Star', curated by Vishal K Dar and Tsering Motup across eight locations including Basgo, Lamayuru, and Kargil. It features 24 artists, including international figures like Jitish Kallat, Anna Jermolaewa, Peter Kogler, and Agnieszka Kurant, alongside local artists such as Tundup Dorjay, Chemat Dorjey, and Stanzin Samphel. Works are created using natural materials like stone, clay, and wool, and are designed to eventually disintegrate, reflecting the fragile ecosystem.

Los Angeles Sees Cultural Explosion: AI Art Museums, Immersive Exhibits, and Iconic Festivals Set to Redefine US Tourism

Los Angeles is undergoing a major cultural expansion in 2026, with several high-profile museum openings and immersive art experiences set to debut between June and December. Key developments include Dataland 3.0, the world's first dedicated Museum of AI Arts, created by Refik Anadol Studio at The Grand LA; the Lucas Museum of Narrative Art, a 100,000-square-foot gallery in Exposition Park designed by MAD Architects; and a new permanent installation by the art collective Meow Wolf. These are joined by recurring events such as LA Pride 2026, Cali Vibes 2026, the German Currents Film Festival, the Hollywood Christmas Parade, and the L.A. County Holiday Celebration, creating a dense cultural calendar.

SMoCA Will Present DESERT PERSPECTIVES Exhibition on Southwest Landscape

The Scottsdale Museum of Contemporary Art (SMoCA) will present an exhibition titled "Desert Perspectives" focusing on the Southwest landscape. The show will explore artistic interpretations of the desert environment through works by various contemporary artists.

yuko mohri tunes into the unseen energies connecting people and objects

Japanese artist Yuko Mohri has created an exhibition where decomposing fruit powers electronic systems, and visitors move through the installations, becoming part of the circulation of energy within the show. The work explores the unseen energies connecting people and objects, blending organic decay with technological interactivity.

George Herms Dies at 90; Turned Castoff Objects Into Art

George Herms, the California artist who transformed discarded objects into evocative assemblages, has died at age 90. Known for his poetic, often whimsical sculptures made from rusted tools, old photographs, and other found materials, Herms was a central figure in the West Coast assemblage movement that emerged in the 1960s. His work bridged Beat-era spontaneity with a deeply personal, tactile approach to art-making, earning him a devoted following and exhibitions at major institutions.

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.