Next stop – infinity! My transcendental experience on Japan’s ‘art island’ guided by its master Lee Ufan

The article profiles Korean-born artist Lee Ufan, who turns 90 next month, and his transcendental art on Japan's Naoshima island. It describes his upcoming major shows: a retrospective in Venice coinciding with the Biennale, and an exhibition at Dia Beacon in New York. Lee, a key figure in the Mono-ha movement, creates works like the steel arch "Porte Vers l'Infini" on Naoshima that engage with nature and perception. The piece traces his career from early violent, resistant sculptures involving cracked glass and boulders to later meditative paintings and installations.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

At the Centre Pompidou-Metz, 100 Works to Understand the Double Face of François Morellet

Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet

The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.

5 free exhibitions to enjoy without cost during the May long weekends

5 expositions gratuites pour profiter sans frais des ponts du mois de mai

Beaux Arts Magazine highlights five free exhibitions to enjoy during the long weekends of May 2026 in France. The selections include "Diseuses de silence" at Espace Monte-Cristo in Paris, featuring 21 female sculptors such as Prune Nourry and Niki de Saint Phalle; a retrospective of Ernest Pignon-Ernest at Musée Ziem in Martigues; and the first French retrospective of Peruvian photographer Javier Silva Meinel at Maison de l'Amérique latine in Paris. Other venues mentioned are the Musée Ziem and the Magasins Généraux in Pantin, offering diverse contemporary art experiences without admission fees.

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A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.

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James Turrell's latest solo exhibition, "Reflections on Light," opened at Häusler Contemporary Zürich and runs through August 31, 2025. The show features a curated selection of recent and historic works, including the eight-part aquatint suite *Still Light* (1990–1991), a new glass and gold leaf sculpture *Roden Crater Along the Summer Solstice* (2024), and luminous glass pieces like *Tall Glass SINGULARITY* (2024) and *Small Elliptical Glass FIRST CAUSE* (2024). The exhibition traces Turrell's decades-long investigation of light as a malleable medium, from early projected light installations to his ongoing earthworks project at Roden Crater.

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The Museum of Modern Art (MoMA) has launched a new exclusive ice cream flavor called "Van Dough" in its second-floor cafe and sculpture garden food stand. Created in collaboration between Union Square Hospitality Group (USHG) and Caffè Panna, the flavor features vanilla ice cream mixed with MoMA chocolate chip cookie dough chunks and chocolate chips. The article traces MoMA's long history with ice cream, including its ownership of Claes Oldenburg's *Pastry Case, I* (1961–62) and *Floor Cone* (1962), a 1935 Zeroll ice cream scoop by Sherman L. Kelly in its design collection, and a 2013 ice cream social with Milk Not Jails as part of artist Caroline Woolard's project.

The Permanence of Refusal: Interview with Ding Yi

Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.

Elsa Schiaparelli Gets Her UK Museum Debut at the V&A, in a Show Featuring Dalí, Man Ray, and Picasso

The Victoria and Albert Museum in London is presenting the first UK exhibition dedicated to Italian fashion designer Elsa Schiaparelli. Titled 'Schiaparelli: Fashion Becomes Art,' the show features over 400 objects, including 100 ensembles, and traces her work from the 1920s to the present under current creative director Daniel Roseberry. It highlights her collaborations with major 20th-century artists.

Peggy Guggenheim in London: The Making of a Collector

The Peggy Guggenheim Collection in Venice has announced a major exhibition for 2026 titled "Peggy Guggenheim in London: The Making of a Collector." The show focuses on the pivotal period between 1938 and 1939 when Guggenheim operated her first gallery, Guggenheim Jeune, on Cork Street. It will feature approximately 100 works by avant-garde masters such as Vasily Kandinsky, Jean Cocteau, and Yves Tanguy, alongside archival materials documenting her early career as a gallerist and patron.

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Todd von Ammon, a young gallerist, critiques the contemporary art market's over-reliance on art fairs and the homogenization of gallery spaces into a sterile, grid-like system. He contrasts this with the lost charm of discovering hidden, architecturally unique galleries in labyrinthine neighborhoods, which he argues fosters a sense of urban belonging and agency for collectors and art workers. The article traces the shift from the rabbit warrens of SoHo to the dense Chelsea gallery district and the rise of the modern art fair, epitomized by Art Basel's expansion to Miami Beach in 2002, which he likens to a pyramid scheme that burdens young galleries with high costs for minimal returns.

What does winning an arts prize really mean?

The article examines the history and impact of major art prizes, including the Turner Prize (established 1984), the John Moores Painting Prize (nearly 70 years old), and the Loewe Foundation Craft Prize (annual award). It traces the origins of art prizes back to 19th-century Paris salons and highlights how these awards provide cash, recognition, and career acceleration for artists. Specific examples include Rose Wylie, who won the John Moores Prize at age 80 and later joined David Zwirner and secured a Royal Academy solo show, and Samuel Ross, who used his Hublot Design Prize winnings to start his own company.

Jenny Saville: ‘You are having a conversation with the paint, as well as with the sitter’

British artist Jenny Saville, known for her monumental paintings of the female form, is the subject of a major survey exhibition titled "The Anatomy of Painting" at the National Portrait Gallery in London, which opened in June. The show traces her practice from the 1990s to the present day, featuring portrait heads and figures that push the boundaries of portraiture. Saville, who broke the auction record for a living female artist in 2018 when her self-portrait "Propped" (1992) sold for £9.5m at Sotheby's, discusses her influences—including Lucian Freud, Francis Bacon, and Frank Auerbach—and her ongoing exploration of corporeality and painterliness in an interview with The Art Newspaper.

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A sweeping retrospective titled “Georges Mathieu: Gesture, Speed, Movement” has opened at the Monnaie de Paris, running through September 7, 2025. The exhibition traces the career of French artist Georges Mathieu, who coined the term Lyrical Abstraction in 1947 and was a pioneering figure in postwar abstract painting. It features works from the 1940s to the 1990s, including the 1980 painting *Orion I*, loaned by Galerie Berès, Paris. Mathieu was also honored with a major retrospective at the Grand Palais in 1978 and received the Legion of Honour and the Order of Arts and Letters.

Rare Portraits Reveal How Elizabeth I Turned Image Into Power

Philip Mould & Company in London is hosting a new exhibition titled "Elizabeth I: Queen and Court," featuring four rare portraits of the Tudor monarch alongside depictions of her closest advisors and political rivals. The show traces Elizabeth's visual evolution from a pious young princess to a formidable, iconographic ruler, highlighting how she utilized fashion and symbolism to solidify her authority and manage public perception during a period of immense political and religious transition.

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Florence Bonnefous, co-founder of Air de Paris gallery, is profiled in a feature that traces the gallery's 35-year history from its founding in Nice with poet Edouard Merino to its current industrial space in Romainville, a northern Paris suburb. The gallery, named after Marcel Duchamp's readymade, launched with a legendary 1990 exhibition featuring Philippe Parreno, Pierre Joseph, and Philippe Perrin, and has since become known for championing underground conceptual and challenging art. Bonnefous is described as a preeminent gallerist-curator who prioritizes artistic integrity over profit, representing estates of avant-garde female artists like Sturtevant and Dorothy Iannone, and maintaining close bonds with artists such as Liam Gillick and Flint Jamison. The gallery is exhibiting at Art Basel Paris but recently withdrew from Art Basel in Basel over a booth placement dispute.

Exhibition | William Turnbull, 'Origins (1946–1959)' at Karma, Chelsea, New York, United States

Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.

9 Contemporary Artists Conjuring Ghosts

Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

13 Nudes That Changed Western Art History

The article presents a curated list of 13 seminal Western artworks featuring the nude form, highlighting how each piece shifted artistic conventions and cultural perceptions. It begins with the Paleolithic Venus of Willendorf and moves chronologically through works by artists including Sandro Botticelli, Leonardo da Vinci, Lavinia Fontana, and Édouard Manet, analyzing their groundbreaking approaches to depicting the human body.

Pressing issues: the vital role of printmaking in the history of art

Author and journalist Holly Black has released a new book titled 'The Story of Printmaking: A Global History of Art', published by Yale University Press. The publication traces the evolution of the printed image from its 9th-century origins in East Asia through the innovations of Old Masters like Albrecht Dürer and Rembrandt to modern digital techniques. Drawing on her training at the London College of Printing, Black demystifies complex technical processes such as intaglio and mezzotint while highlighting both canonical figures like Picasso and influential but lesser-known pioneers like Robert Blackburn.

A book exploring the evolution of J.M.W. Turner’s positions on slavery

Art historian Sam Smiles has released a comprehensive new book examining J.M.W. Turner’s complex relationship with the slave trade, expanding on his 2007 discovery of the artist's personal investment in a Jamaican cattle farm that utilized enslaved labor. The research traces Turner’s financial ties from his early patronage by wealthy plantation owners to his own speculative ventures, challenging the long-held perception of the artist as a straightforward abolitionist.

Picasso Exhibition at Burgos Cathedral Explores Artist's Biblical Roots

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The Catedral de Santa María in Burgos is hosting "Picasso: Biblical Roots," an exhibition exploring the enduring influence of Christian iconography on Pablo Picasso. Featuring 44 works loaned from major institutions like the Reina Sofía and the Thyssen-Bornemisza, the show traces the artist's journey from his early academic religious paintings in Spain to the subtle theological motifs found in his later Cubist and post-war works.

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The article traces the history of plein air painting, beginning with French painter Pierre Henri de Valenciennes in the 1780s, who created one of the earliest known outdoor oil sketches on the banks of the river Rance in Brittany. It follows the evolution of the practice through British painter John Constable, the Barbizon school in France, and the revolutionary impact of John G. Rand's invention of the paint tube in 1841, which enabled artists like Claude Monet and Pierre-Auguste Renoir to capture light and atmosphere with unprecedented accuracy.

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Adam Levine, director and CEO of the Toledo Museum of Art, has transformed the Ohio institution into a model for digital adaptation. Over five years, he grew the operating budget from $15 million to $23 million, expanded the endowment by $90 million, and launched TMA Labs, an in-house consultancy focused on data, Web3, AI, and emerging technologies. The museum has acquired digital artworks including NFTs and digital numismatics, established a digital artist-in-residence program, and opened the exhibition "Infinite Images," which traces the history of computer and digital art. Levine, one of the youngest museum directors in the U.S. at 38, discussed these initiatives in an interview with ARTnews.

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The article explores how ancient Egyptian art and design have influenced modern Western aesthetics, from Empire furniture to Art Deco. It traces the phenomenon of 'Egyptomania' back to the 19th century, when European artists and archaeologists like Dominique Vivant Denon, Jean-Léon Gérôme, and Howard Carter brought Egyptian motifs and artifacts to public attention. The piece highlights three key examples: the adoption of Egyptian-inspired Empire furniture under Napoleon, the use of Nubian tribute scenes in decorative arts, and the impact of King Tutankhamun's tomb discovery on early 20th-century design.

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The Museum of Modern Art in Paris has opened "Matisse and Marguerite: Through Her Father's Eyes," an exhibition running through August 24 that explores the lifelong bond between Henri Matisse and his eldest daughter, Marguerite Duthuit-Matisse. Featuring over 100 works—including paintings, drawings, prints, sculptures, and ceramics—the show traces their relationship from her childhood through World War II, with many pieces rarely exhibited before. Loans come from institutions in the United States, Switzerland, and Japan, supplemented by photographs and archival materials.

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The Fine Arts Museums of San Francisco will present "Manet and Morisot," the first major museum exhibition dedicated to the artistic exchange between French Impressionists Édouard Manet and Berthe Morisot. Opening October 11 at the Legion of Honor, the show traces their relationship from 1868 to 1883, pairing works to reveal mutual influence. Lenders include the National Gallery of Art, Musée d'Orsay, J. Paul Getty Museum, and Cleveland Museum of Art, where the exhibition will travel next year.

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An exhibition titled "The First Homosexuals" has opened at Wrightwood 659 in Chicago, curated by queer art historian Jonathan David Katz and associate curator Johnny Willis. Spanning over 300 artworks, the show traces how the coining of the term "homosexual" by Hungarian writer Karl-Maria Kertbeny in 1868 reframed artistic expressions of identity and sexuality, featuring works by artists such as Hokusai, Utamaro, Bertel Thorvaldsen, George Catlin, Saturnino Herrán, Richmond Barthé, Romaine Brooks, and Tamara de Lempicka. The exhibition includes sections on pre-colonial indigenous cultures, colonialism and resistance, and queer art icons.

James McNeill Whistler review – a luscious, seductive blockbuster for the painter who scandalised Britain

Tate Britain has opened a major retrospective dedicated to James McNeill Whistler, the American painter who scandalized Victorian Britain. The exhibition centers on his iconic work *Arrangement in Grey and Black No. 1* (commonly known as *Whistler's Mother*), lent by the Musée d'Orsay, and traces his evolution from raw realist scenes of London's docks to radical, abstract celebrations of color and pattern. It includes a reconstruction of *The Peacock Room* and highlights his rivalry with critic John Ruskin, who accused him of 'flinging a pot of paint in the public's face.'