Artforum announced the departure of editor-in-chief Tina Rivers Ryan at the end of February. She will be replaced by executive editor Rachel Wetzler and editor Daniel Wenger, who will serve as co-editors, with the editor-in-chief title being retired.
A 30-year-old domestic tourist identified only by his surname Sun broke into the Terracotta Army Museum in Xi'an, China, on Friday, May 30. He scaled a fence and protective net surrounding an 18-foot pit, then pushed and pulled two of the ancient clay warriors, damaging them to varying degrees before being detained by security. Officials later stated that the man suffers from mental illness, and the incident is under investigation. The museum remains open to the public.
San Francisco's Legion of Honor museum will present "The Etruscans: From the Heart of Ancient Italy" in May 2026, the first major U.S. exhibition on Etruscan civilization since 2009. The show features 180 antiquities from 30 international museums, many never before seen in the United States, and culminates a decade of research led by curator Reneé Dreyfus. Highlights include objects from the Regolini-Galassi tomb, a recently unearthed bronze sculpture from San Casciano dei Bagni, and the longest known Etruscan inscription making its U.S. debut.
Leon Black, a billionaire investor and prominent art collector, is facing renewed scrutiny over his ties to Jeffrey Epstein. Senator Ron Wyden of Oregon has called on the Internal Revenue Service to investigate what he describes as suspicious tax planning work performed by Epstein for Black, involving tens of millions of dollars paid to Epstein to help Black evade billions in taxes. Wyden submitted a letter to the IRS on July 31, demanding more information by September 1. Black has previously been investigated for his Epstein connections; a 2021 probe found he had no involvement in Epstein's criminal activities but confirmed he paid $158 million to Epstein between 2012 and 2017.
The Centre for Contemporary Arts (CCA) in Glasgow, Scotland, closed for the rest of the week after a pro-Palestine protest organized by Art Workers for Palestine Scotland escalated into a confrontation. The group staged a sit-in at the CCA courtyard, demanding the institution support the Palestinian Campaign for the Academic and Cultural Boycott of Israel. Police were called to clear the protest, leading to arrests and allegations of excessive force. The CCA board cited security concerns and a forced entry as reasons for the closure.
Staff at the British Museum have criticized the institution for allowing the Israeli embassy in London to host a party on its premises celebrating the 77th anniversary of Israel's founding. An internal petition signed by 250 staff members demands an end to relations with Israeli cultural institutions, citing concerns over perceived political bias and potential damage to curatorial partnerships. The event, held on May 13, featured Israeli ambassador Tzipi Hotovely and other political figures, and was not publicly advertised. The museum defended the event as a commercial rental handled on a non-political basis, but former curator Venetia Porter and others argue it undermines impartiality amid the ongoing conflict.
The Bowers Museum in California is set to open "World of the Terracotta Warriors" on May 24, bringing together 110 newly discovered archaeological treasures from Shaanxi, China, including Terracotta Warriors, bronze vessels, chariot regalia, and jade and gold artifacts. The exhibition, curated by Tianlong Jiao, expands beyond the famed terracotta army to showcase decades of archaeological research across Shaanxi, highlighting social and cultural changes from about 2300 B.C.E. to 206 B.C.E., with finds from sites like Shimao and Zhaigou.
An exhibition opens at Brodsworth Hall in Yorkshire celebrating the life and passion of Sylvia Grant-Dalton, the house's long-term custodian. The show focuses on her love of gardening and floral art, featuring her collection of decorative objects, a recreated flower preparation room, and displays inspired by her work, including a large floral installation by local floristry students.
The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.
Lauren Sánchez Bezos appeared alongside Anna Wintour at a press conference in New York to unveil the Metropolitan Museum of Art's new Costume Art exhibit, which opens May 10 ahead of the Met Gala. Sánchez Bezos and her husband Jeff Bezos are primary sponsors of this year's gala and exhibit, a role that has sparked backlash and a boycott campaign from the activist group Everyone Hates Elon. The exhibit explores themes of the dressed body through garments paired with ancient artifacts, featuring categories like "the naked body," "classic body," and "disabled body."
The Sid Richardson Museum in Fort Worth, Texas, will open a new exhibition titled "Russell’s Retreat: Summers at Glacier National Park" on May 2, 2026. The show focuses on Charles M. Russell’s life and work at his summer home, Bull Head Lodge, and features objects borrowed from museums and private collections, many displayed in Fort Worth for the first time. Highlights include the landscape painting "Storm Over Lake McDonald" (1906), birchbark paintings, and a replica of gnome figures Russell made from moss and twigs.
The Madison Museum of Contemporary Art (MMoCA) has acquired a significant work by artist and former University of Wisconsin-Madison professor, Warrington Colescott. The museum will present a solo exhibition of Colescott's work in the fall of 2025, featuring the newly acquired piece alongside other works from its collection.
The Dallas Museum of Art (DMA) has launched "Constellations: Contemporary Jewelry," its first exhibition dedicated exclusively to its contemporary jewelry collection. The show features hundreds of pieces organized into four thematic sections—Zones of the Body, Archetypes, Signals, and Play—alongside a historical retrospective titled "Connecting the Dots." The exhibition highlights experimental and often impractical works that blur the lines between wearable objects and sculpture, featuring artists such as Brian Fleetwood, Joyce J. Scott, and Peter Chang.
San Antonio’s art scene is characterized by a rapid-fire schedule of artist-run exhibitions and pop-up events that often center around the Blue Star Arts Complex. A recent survey of the city's offerings highlighted diverse installations, including Scott Martin’s immersive automotive video work at Slab Cinema Arthouse and Lauren Raye Snow’s mystical portraiture at FL!GHT gallery. The local landscape is defined by a DIY spirit where openings are frequent, fleeting, and deeply communal.
The Wisconsin Artists Biennial exhibition opens at the Museum of Wisconsin Art (MOWA) in West Bend from February 7 to April 19, featuring 52 works by 50 Wisconsin artists. Selected from nearly 500 artists who submitted over 1,200 entries, the show was juried by Nicole Jacquard, Taylor Jasper, and Melissa Oresky. The biennial awards $10,000 in cash prizes, including the MOWA Prize of $5,000 and a solo museum exhibition. An opening party on February 7 includes a reception, juror talk, and award presentation.
A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.
The Heritage of London Trust has acquired David Bowie's childhood home at 4 Plaistow Grove in Bromley, southeast London, and plans to restore it to its early 1960s appearance. The railway workers' cottage, where Bowie lived from ages 8 to 20 and is believed to have written "Space Oddity," will open to the public in late 2027, offering an immersive experience centered on his bedroom. Geoffrey Marsh, co-curator of the V&A's "David Bowie Is" exhibition, will oversee the restoration, funded by a £500,000 grant from the Jones Day Foundation and a public fundraising campaign.
Jerrell Gibbs, a former college football player and two-time college dropout, is now the subject of his first solo museum exhibition, "No Solace in the Shade," at the Brandywine Museum of Art. The article traces his unlikely journey from working double shifts in direct care to rediscovering his passion for drawing after seeing a photo of his wife and daughter, eventually earning a spot at the Maryland Institute College of Art (MICA) and building a career as a painter.
Mikhaile Solomon, founder of Prizm art fair, discusses the Artists in Residence in Everglades (Airie) program, which has hosted around 200 artists over 25 years. Founded in 2001 by artist Donna Marxer and park ranger Alan Scott, Airie invites about 14 artists per year to live and work for one month in Everglades National Park, producing work that responds to the subtropical wilderness. The program's exhibitions have traveled to venues like the Cooper Hewitt, Smithsonian Design Museum and the Venice Biennale, with recent projects including Miami-based artist Germane Barnes' sound installations.
Michael Takeo Magruder, the Knight Fund Distinguished Artist-in-Residence at Knox College, presented a new exhibition titled "re:GeneratedPrairie" at the Borzello Art Gallery in the Ford Center for the Fine Arts from September 16-30, 2025. The show featured digital prints, canvases, 4K videos, and soundscapes inspired by the prairie burn and regrowth at Knox's Green Oaks ecological site. Magruder, who has held over 300 exhibitions in 35 countries, was invited by Knight Distinguished Chair Robert M. Geraci and also mentored students during his residency, helping them with exhibition setup, curation, and offering critiques.
The Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin, celebrated the 50th anniversary of its annual "Birds in Art" exhibition in September 2024. The show, the largest in its history, features 142 artworks by 142 artists from 16 countries, including paintings, sculptures, and collages. The exhibition originated in 1976 as "Birds of the Lakes, Fields, and Forests," organized by wildlife artist Owen J. Gromme, and has since become a premier global showcase for modern bird art. This year's selection included 101 works chosen from 1,160 entries, plus 41 pieces by past Master Wildlife Artists from the museum's collection.
Haverford College's Cantor Fitzgerald Gallery is hosting 'LOOK HERE,' an exhibition curated by Jennifer Gilbert, Paige Donovan, and Mary Bevlock from the Center for Creative Works (CCW). The show features works by Philadelphia artists with physical, intellectual, and developmental disabilities, and is designed for multi-sensory access—including touch panels, audio descriptions, sniffable panels, and sensory backpacks—so that visitors of all abilities can experience the art. Artists include Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu.
The Pinacoteca de São Paulo is hosting the first leg of a touring retrospective of Colombian artist Beatriz González, featuring nearly 100 works from across her career. The exhibition, co-curated by Pollyana Quintella and Natalia Gutiérrez, takes an art-historical reading from the perspective of the Global South and highlights González's direct confrontation with Colombia's history of violence, as well as her engagement with kitsch and popular culture. The show will travel to the Barbican Art Gallery in London and the Astrup Fearnley Museet in Oslo in 2026.
The CU Art Museum at the University of Colorado Boulder will host 'Shaping Time: CU Ceramics Alumni 2000–2020,' an exhibition opening September 5, 2025, celebrating the ceramics program's legacy. The show features works by alumni from the past two decades, curated by faculty Jeanne Quinn, Scott Chamberlin, and Kim Dickey, who have taught together for 25 years. The exhibition explores themes of environment, domesticity, and material meaning, and includes a symposium on September 5.
Andrew J. Walker is stepping down as executive director of the Amon Carter Museum of American Art in Fort Worth after 14 years. His tenure included launching a community artists initiative, overseeing a major renovation, and acquiring works by over ten Indigenous photographers. The museum also faced controversy last fall when it temporarily closed the exhibition "Cowboy" without explanation, later reopening it with a "mature content" label—a decision artist Rafa Esparza called censorship. Scott Wilcox, the museum's chief operating officer, will serve as interim leader while a search for a new director begins.
Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.
San Francisco's de Young Museum will unveil its newly reinstalled galleries of Native American art on August 26, following a years-long overhaul led by a group of predominantly Native curators. The reimagined spaces, called the Arts of Indigenous America galleries, feature contemporary works alongside historical pieces—some over 1,000 years old—as well as recent acquisitions and new commissions. One gallery focuses on Native California with rotating regional exhibits, while another covers all of North America, with ceramics, textiles, paintings, beadwork, and basketry arranged thematically. The museum consulted the communities of origin for historical pieces, as required by the Native American Graves Protection and Repatriation Act, and invited members to help interpret the works.
The 53rd annual Prix de West Invitational Art Exhibition & Sale is on view through August 3, 2025, at the National Cowboy & Western Heritage Museum in Oklahoma City. The show features more than 270 original paintings and sculptures by over 90 leading Western artists, including works by Thomas Blackshear II, John Coleman, Dan Friday, Teresa Elliott, Dan Ostermiller, Joshua Tobey, and Paul Moore. Highlights include John Coleman's monumental bronze sculpture "Victory! Plenty Coups" and Sandy Scott's bronze "Yonder is Jackson Hole."
More than 150 works on paper and 19 paintings by Pre-Raphaelite artist John Everett Millais, along with personal correspondence, brushes, palettes, jewelry, and family heirlooms belonging to his wife Effie Gray, have been placed on long-term loan to Perth Art Gallery in Scotland. The collection, donated by Millais’s great-grandson Geoffroy Millais, includes highlights such as the painting *Halcyon Weather* (1892) and an 1853 watercolor portrait of Effie Gray. A free exhibition titled *Millais in Perthshire* will open on 25 July, featuring over 25 key objects from the loan alongside works from the gallery’s own holdings, including *Waking (Just Awake)* (1865) and *Portrait of Effie Millais* (1873).
Three exceptionally well-preserved ancient bronze gladiator helmets, discovered in Pompeii, are the centerpiece of a new exhibition titled *Gladiators: Heroes of the Colosseum* at the Royal Armouries Museum in Leeds. The show, organized in collaboration with the Colosseum in Rome, marks the first UK iteration of a touring exhibition that has attracted over a million visitors worldwide. It features arms, armour, and everyday objects from the National Archaeological Museum in Naples, along with immersive installations exploring gladiatorial life.