At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

Venice Diary Day 2: “In Minor Keys” Is a Major Statement on Perseverance and Play

The article is a diary entry from the 2026 Venice Biennale, focusing on the exhibition "In Minor Keys" curated by the late Koyo Kouoh. The author describes an emotional experience, beginning with a poem by Refaat Alareer on the Arsenale wall, and highlights works by Guadalupe Maravilla, Alexa Kumiko Hatanaka, and others that address themes of perseverance, healing, and survival. Maravilla's sculptures reference a child kidnapped by ICE, while Hatanaka's linocuts explore bipolar disorder as an adaptive trait. The show also features artist-led collectives like Denniston Hill and fierce pussy, emphasizing institution-building and world-making.

Final book in trilogy asks: What is the future of the art world?

Cultural strategist András Szántó has published the third and final volume of his trilogy on the future of museums, titled *What Is the Future of the Art World?*. The book features dialogues with a wide range of art-world figures—including gallerists José Kuri and Atsuko Ninagawa, collectors Alain Servais and Sylvain Levy, artists William Kentridge and Holly Herndon & Mathew Dryhurst, curator Fatoş Üstek, network scientist Albert-László Barabási, former Art Basel director Marc Spiegler, and Sheikha Al-Mayassa Al Thani—who discuss topics such as the definition of the art world, its rules, and its future trajectory. Szántó notes that there is no consensus on whether the art world is still expanding or entering a phase of slowdown, with different regions moving on divergent paths.

Vancouver Biennale names senior curator for 2027-29 edition

The Vancouver Biennale has appointed Marcello Dantas as senior curator for its 2027-29 edition. Dantas, a Brazilian curator and art director, has worked on major projects including co-curating Desert X AlUla in Saudi Arabia, curating an Es Devlin exhibition in São Paulo, and serving as art director at Sfer Ik in Tulum. He previously contributed to the Vancouver Biennale's 2013-15 edition with a Vik Muniz project. Dantas emphasizes collaboration with local First Nations and community groups, and plans to explore themes of belonging, displacement, and public art that is ephemeral and participatory.

What You Need to Know About the Venice Biennale’s Russian Pavilion Controversy

The Russian pavilion is set to return to the Venice Biennale for the first time since the 2022 invasion of Ukraine, presenting an exhibition titled 'The tree is rooted in the sky.' This has sparked significant controversy, with artists, curators, and politicians from Ukraine and several European nations calling for the pavilion's exclusion, citing the ongoing war and sanctions. The Biennale organizers have refused to remove Russia, stating they lack the authority to exclude a state recognized by Italy and emphasizing the event's role as a neutral space for cultural dialogue.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

This French Castle Is Crowdfunding Its Own Restoration

The Château de Chambord, a UNESCO World Heritage site and the second-most visited castle in France, has launched a €30 million ($35 million) crowdfunding campaign to fund urgent structural restorations. Decades of flooding and drought in the Loire Valley have severely compromised the foundations of the François I Wing, leading to warped walls and a 2023 incident where 20 visitors fell through a collapsing floor. Director General Pierre Dubreuil has initiated a three-phase plan to shore up the masonry, modernize accessibility, and create new educational facilities.

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The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.

New UCCA CEO Kong Lingyi on the Beijing Institution’s Future

Kong Lingyi has been appointed as the new CEO of the UCCA Center for Contemporary Art in Beijing, succeeding Philip Tinari who stepped down shortly before the Lunar New Year. A veteran of the institution since 2012, Kong previously served as vice president of brand and is now tasked with overseeing UCCA’s multiple branches in Beijing, Beidaihe, and Yixing. Her leadership marks a shift toward a new management structure focused on institutional sustainability and public accessibility.

Bank of America ArtTactic Art Market Report 2026 Trends

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The US art market experienced a 23 percent increase in auction sales in 2025, reaching approximately $3.17 billion according to a joint report by Bank of America and ArtTactic. This growth was not fueled by a rise in general demand but was instead driven by high-value estate consignments, a return to established historical artists, and a heavy reliance on financial guarantees. The data indicates a shift away from the speculative flipping of 'wet paint' contemporary works, which saw negative returns for pieces held for less than five years.

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Fashion designer Dries Van Noten and his partner Patrick Vangheluwe have announced the launch of Fondazione Dries Van Noten, a new cultural institution in Venice. Housed in the historic 15th-century Palazzo Pisani Moretta on the Grand Canal, the foundation will host residencies, collaborative projects, and exhibitions focused on the intersection of craftsmanship and contemporary art. The inaugural exhibition, "THE ONLY TRUE PROTEST IS BEAUTY," curated by Van Noten and Geert Bruloot, is set to open on April 25 and will feature over 200 objects spanning fashion, sculpture, and collectible design.

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The Pritzker Architecture Prize has issued a formal statement defending its selection process following the release of legal documents detailing past ties between foundation director Tom Pritzker and Jeffrey Epstein. The Hyatt Foundation, which sponsors the prestigious award, emphasized that its jury operates with complete independence and remains focused on architectural excellence despite the controversy surrounding Pritzker’s previous association with the disgraced financier.

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The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.

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The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.

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Art Basel's inaugural edition in Doha has arrived, bringing with it new collectors and galleries seeking institutional interest. The event has prompted Doha's museums to stage significant exhibitions that emphasize historical depth and architectural legacy, rather than catering to fleeting market trends.

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Chinese artist and dissident Ai Weiwei returned to China last month for the first time in a decade, visiting Beijing for three weeks after years of exile in Europe. His passport had been confiscated in 2015, ending travel restrictions tied to his political dissent. Upon arrival, Ai was interrogated for nearly two hours at Beijing's airport before being granted entry. He documented the trip on Instagram, including a reunion between his 17-year-old son and 93-year-old mother, and described the experience as like reconnecting a long-disconnected phone call.

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A Leonardo da Vinci mural undergoing restoration at Sforza Castle in Milan will be temporarily opened to the public for five weeks starting February 7, coinciding with the Winter Olympics in Italy. Visitors can climb a 20-foot scaffold inside the Sala delle Asse to observe conservators at work on the delicate tempera painting, which was begun shortly before Milan fell to France in 1499 and was later covered by plaster and lost for centuries. The mural was rediscovered in the late 19th century, with further sections uncovered in the 20th century, and the current restoration uses Japanese rice paper and demineralized water to clean the surface.

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The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.

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On a frigid December evening, eleven women artists gathered in the lobby of 125 Maiden Lane in downtown Manhattan to view and discuss Langdon Graves's exhibition "Mental Model," produced by Art in Buildings. The group, called Gossip, is a long-running artist crit collective founded in 2009 by Cranbrook Academy of Art graduates including Jessica Stoller and Kelli Miller, originally named "Get Out" before being renamed by member Virginia Wagner after Silvia Federici's writings on gossip. The group now has about 20 members, including Jenna Gribbon, Erin M. Riley, and Julie Curtiss, and meets regularly in studios and galleries for critical feedback and creative exchange.

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British artist Michaela Yearwood-Dan has opened her first solo exhibition in China, titled “RECESS,” at the Longlati Foundation in Shanghai. The show features paintings and ceramics that explore themes of play, fluidity, and cultural identity, drawing on influences from Chinese calligraphy and tai chi. In an interview, Yearwood-Dan discusses her childlike approach to making the work and her desire for viewers to feel a personal connection. A concurrent exhibition, “Georgia Gardner Gray: Metal Madonna,” is also on view at the foundation.

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British Ghanaian artist Larry Achiampong responded to controversy after two of his pan-African flags from the "Relic Traveller: Phase 1" series replaced a portrait of Queen Elizabeth II in the UK Foreign Office. The flags, titled "Pan African Flag For The Relic Travellers’ Alliance (Motion)" and "Pan African Flag For The Relic Travellers’ Alliance (Community)", were hung by Deputy Prime Minister David Lammy. Conservative MP Lee Anderson criticized the move, while Achiampong dismissed the outrage as "deeply problematic" in an interview with the Guardian.

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The Park Avenue Armory in New York has announced its 2026 program, headlined by the US premiere of Marina Abramović's provocative performance piece "Balkan Erotic Epic" on December 8. The four-hour work, centered on nude fertility rituals rooted in Balkan traditions, will be joined by other multidisciplinary works including Céleste Boursier-Mougenot's sound installation "clinamen," Steve Reich's "Music for 18 Musicians" conducted by Alan Pierson, a Simon Stone production of "The Cherry Orchard" set in modern-day Seoul, and a Benjamin Millepied dance piece based on Romeo and Juliet. All performances will take place in the Armory's Drill Hall.

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Coreen Simpson, an 83-year-old photographer born in Brooklyn in 1942, is the subject of a new eponymous monograph published by Aperture as part of its Vision and Justice Book Series. The book surveys five decades of her work, spanning street photography, fashion photography, studio portraits in Harlem, images of the early hip-hop scene, and later collage experiments. Simpson is known for merging fashion and social photography, capturing both celebrities like Muhammad Ali, Toni Morrison, and Jean-Michel Basquiat, as well as unnamed individuals in her series “Nitebirds/Nightlife,” all with a frontal, confident gaze that emphasizes the subject's self-presentation.

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Seven artists—Kelly Akashi, Firelei Báez, Julie Curtiss, Woody De Othello, Tomás Saraceno, Ilana Savdie, and Yinka Shonibare—have been commissioned to create public artworks for the new $9.5 billion Terminal One at New York's John F. Kennedy International Airport. The terminal will open in phases starting in 2026, with completion expected by 2030. The works, presented under the banner "We Travel Under One Sky," include sculptures, mosaics, murals, and a suspended installation, many of which explore themes of migration and New York's history. The program is organized by Culture Corps as part of a larger cultural initiative for the airport.

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A new biography titled *Chaïm Soutine: Genius, Obsession, and a Dramatic Life in Art*, written by Celeste Marcus, explores the life and work of the early 20th-century painter Chaïm Soutine. Marcus argues that Soutine’s intensely visceral paintings—featuring dizzying landscapes, bloody carcasses, and penetrating portraits—are the key to understanding the artist, who left behind few personal records. The book challenges the tendency to read historical tragedy, particularly Soutine’s identity as an Eastern European Jew before WWII, into his turbulent brushwork, instead emphasizing the life force and internal logic of his compositions.

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At the Raising Hope conference in Rome, Pope Leo XIV blessed a 20,000-year-old piece of Greenland glacial ice brought onstage by artist Olafur Eliasson. The ice, transported from Nuup Kangerlua fjord with geologist Minik Rosing, had already broken away from the Greenland ice sheet and was melting. Eliasson documented the event on Instagram, calling it a striking moment that underscored the connection between nature and humanity.

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A Pablo Picasso painting of Dora Maar, titled *Bust of a Woman in a Flowery Hat (Dora Maar)*, has been consigned to the Paris auction house Lucien Paris after not being seen publicly for 80 years. Painted in 1943 and last exhibited in 1944, the work was inherited by the anonymous seller from a grandparent. It is currently on view at Hôtel Drouot and will be auctioned on October 24 with an estimate of approximately $9.5 million. Photographic evidence of the painting appears in 1944 photos by Brassaï of Picasso’s studio.

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The Alexandria Biennale will return in September 2026 after a 12-year hiatus, with its 27th edition curated by Egyptian artist Moataz Nasr under the title “This Too Shall Pass.” The exhibition will feature 55 artists from across the Mediterranean, with a main program complemented by smaller shows in Alexandria museums focusing on emerging Egyptian artists. Venues include the Roman amphitheater, the Alexandria Library, and the Qaitbay Citadel. The biennale was originally established in 1955 under Gamal Abdel Nasser, suspended in 2011 amid the Egyptian revolution, briefly reopened in 2014, and then shuttered again due to financial and political instability.

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George Lucas made his long-awaited debut at Comic-Con's Hall H to present a sneak peek of the Lucas Museum of Narrative Art, set to open in Los Angeles next year. The panel, moderated by Queen Latifah, included filmmaker Guillermo del Toro and production designer Doug Chiang, and revealed details about the 300,000-square-foot building designed by Ma Yansong of MAD, with 33 galleries, two theaters, and 11 acres of green space. Lucas discussed his personal collection of over 40,000 works, emphasizing narrative art's role in shaping community and shared beliefs, and highlighted pieces by Norman Rockwell, Kadir Nelson, Beatrix Potter, and Frida Kahlo.

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Kenny Schachter critiques the art market's doomsaying media narrative, coining the acronym Salsa (Scribes Always Love Sensational Apocalypse) to describe clickbait-driven hype. He contrasts current market anxieties with past downturns, notably the 1991-1996 recession when the market evaporated, citing a 1991 Roberta Smith article. Schachter observes that the Nahmads and Mugrabis, once feuding families, now invest together, and he recounts his experience at Phillips during his "Hoarder 6" exhibition, where young collectors showed genuine interest. He argues that the market, though wounded, remains healthy and calls for a less transactional, more patient approach to selling art.