Turner Prize-winning artist Keith Tyson is funding Oxford University's 400-year-old Savilian Professorship of Astronomy, a prestigious academic chair established in 1619. Tyson, whose work frequently engages with probability, orbital mechanics, and cosmic themes, is making a donation to support the position, merging his artistic practice with scientific patronage.
Paradise, an exhibition at Stove Works in Chattanooga, Tennessee, curated by Graham Feyl and J. Sova, presents works by thirteen artists centered on queer futurity and abundance. The show features installations, sculptures, paintings, and textiles, including Lisa Waud's artificial flower installation 'tread/tender' (2026), Nicholas Elbakidze's erotic Meissenettes (2026), Brian Smith's beaded nets, Aaron McIntosh's quilted 'Invasive Queer Kudzu' (2015-ongoing), and works by Yu Yan, E. Saffronia Szanton Downing, Angie Jennings, Michael Childress, and Hannah Banciella. The exhibition transforms the former foundry into a space of playful, erotic, and joyful refusal, drawing on Audre Lorde's definition of the erotic as a source of power.
At the Venice Biennale, the UAE Pavilion at the Arsenale presents 'Washwasha,' a project curated by Bana Kattan that focuses on sound as an invisible infrastructure crossing cultures, memories, and identities. Featuring artists Tala Safié, Farah Al Qasimi, and Ala Younis, the pavilion eschews visual shock and political slogans for an immersive, auditory experience that prioritizes listening, proximity, and disorientation. Architect Koray Duman, who designed the space, explains in an interview that the pavilion is a deliberate counter to the contemporary culture of hyperstimulation and monetized attention, using architecture not as a container but as a system that organizes perception and emotional tension.
Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio
This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.
Chicago artist Laura Berger presents a new suite of monumental paintings exploring themes of communion and interdependence. Her signature minimal, nude figures are depicted merging with natural elements like waves, flowers, and clouds, rendered in varying states of translucence to symbolize a deep connection with the earth and each other.
The exhibition "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" brings together 23 artists at various career stages, from senior practitioners to emerging voices, in a non-chronological display of paintings, sculptures, and mixed media. Curated by Kiran K. Mohan with a critical essay by art historian Johny ML, the show rejects linear art historical narratives in favor of a living conversation across generations, materials, and conceptual concerns. Featured artists include Anil Gaekwad, Ashok Bhowmick, Asit Patnaik, Bharti Prajapati, Bipin Kumar, Charudatt, Dilip Sharma, Haren Thakur, Harshwardhan Devtale, Hemraj, Jaikrishna Agarwal, Manoj Kumar Agarwal, Milan Das, Meenakshi Jha Banerjee, Mukesh Bijole, Nilisha Phad, Pandurang Thate, Prem Singh, Rakhi Kumar, Sanjay K. Srivastava, Sekhar Kar, Shaji Apukuttan, and Yusuf.
An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened at Bikaner House in New Delhi, bringing together 23 contemporary Indian artists. Curated by Kiran K Mohan with a critical essay by art historian Johny ML, the show features works by veterans like Ashok Bhowmick and emerging talents like Nilisha Phad, spanning paintings, sculptures, and mixed media. The non-chronological arrangement aims to present artistic lineages as a landscape rather than a linear progression, encouraging dialogue across generations. The exhibition runs until May 14 before moving to Shailja Art Gallery in Gurugram from May 17 to June 13.
Art House Gallery in Jersey City is set to host "Expanded Metamorphosis: Contemporary Approaches to Process," a group exhibition curated by Andrea McKenna. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials. The collection emphasizes the physical act of creation, showcasing works that have been shaped through rigorous methods of alteration, accumulation, and construction.
Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.
Optimierung verlernen – mit Heike Geißler
Award-winning author Heike Geißler discusses the necessity of resisting constant self-optimization and embracing despair as a response to modern labor conditions. Drawing from her experiences working in an Amazon warehouse, which inspired her book "Saisonarbeit," Geißler argues that the pressure to perform often leads to a "culture of contempt" and that acknowledging systemic failures is a vital form of resistance.
Tureen gallery in Dallas is presenting "Compositions, 1950-2026," a solo exhibition of works by artist Maia Taber Ayerza, running from April 25 to May 30, 2026. The show spans over seven decades of the artist's practice, from 1950 through 2026, and is documented with 74 images on the Contemporary Art Daily platform.
Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.
The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'
Cultured magazine profiles photographer Charlie Denis, who works across commercial and fine art photography. Denis is nominated by Nadia Lee Cohen and known for his exuberant style, with clients including Levi’s and Skims. He co-directed a four-minute experimental Christmas film starring Kim Kardashian in 2024. In the article, Denis discusses his creative process, comparing photographing women to playing with Barbie dolls as a queer child, and explains his embrace of theatricality over strict realism.
Hannah Altman, a photographer exploring Jewish culture through self-portraiture and narrative, has had a significant year marked by the publication of her monograph "We Will Return to You" and exhibitions in Toronto, Richmond, Hamburg, and at Brandeis University’s Kniznick Gallery in Waltham, Massachusetts. Her work delves into themes of loss, change, persecution, and uncertainty, weaving together mysticism and memory to examine how rituals, narratives, and objects evolve over time.
Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."
A group exhibition titled 'Ephemeral Geographies: Where Land, Light and Time Shift' opens at Gallery Pradarshak in Mumbai on April 24, 2026. The show features ten emerging and mid-career Indian artists—Alistan Dias, Amol Pawar, Bhoomika Karbhari, Manthan Tambe, Meetul Agarwal, Pradip Suryawanshi, Rohan Bhavsar, Sharu Anjirbag, Siddhant Bansod, and Suresh Jangid—who present landscapes across mediums like painting and mixed media as evolving conditions shaped by perception, memory, and atmospheric change.
Grove Gallery in Evanston is set to host "Women Painting Women," an exhibition running from March 7 to April 25 that features figurative works by eighteen female artists. The collection focuses on the human form through the lens of individual selfhood, archetypal figures, and surrealism, specifically aiming to challenge the traditional male gaze in art.
The Contemporary Lore: Sojourn of Styles and Generations Unfurled, an exhibition at Shailaja Art Gallery in Gurugram, brings together 30 works by 23 artists from across India. Curated by Kiran Mohan, the show features paintings, sculptures, and mixed media by emerging, mid-career, and established artists, including Jai Krishna Agarwal, Prem Singh, Charudatt Pande, Nilisha Phad, Ashok Bhowmick, Asit Patnaik, Bipin Kumar, and Shaji Apukuttan. The exhibition, which previewed at Bikaner House, runs for four weeks at the gallery and aims to present artists as equal partners rather than in a hierarchical art-historical progression.
American Legacy Fine Arts in Pasadena is launching a new exhibition titled 'Mastering the Mood: Atmospheric Emotion,' running from April 24 to June 6. The show features approximately 45 works by 25 contemporary-traditional artists, focusing on how light, color, and atmosphere in representational painting can evoke emotional responses in viewers.
The Contemporary Art Museum of Indianapolis (CAMi) is set to open its doors from May 1-3 in a renovated 125-year-old dairy barn in Garfield Park. Managed by the Big Car Collaborative, the 40,000-square-foot facility features six exhibition spaces, 18 artist studios, and various community hubs including a cafe and storefronts for local creative businesses. The opening weekend will feature the main exhibition “Campo de Resonancia” by Puerto Rican painter Ivelisse Jiménez, alongside sound installations and experimental documentaries.
Holly Johnson Gallery in Dallas permanently closed in mid-2025, quietly shutting its doors after 20 years of operation. The closure followed concurrent solo exhibitions by artists Randy Twaddle and David Aylsworth that ended in December 2024. No public announcement was made; the final social media post appeared on November 15, 2024. Artists including Margo Sawyer, Dornith Doherty, and Liz Ward expressed sadness, praising Johnson as a dedicated dealer who worked alongside artists, mounted beautiful exhibitions, and fostered community through her founding role in the Contemporary Art Dealers of Dallas.
Melanie Mullan interviews three women redefining the art world: contemporary artist Petria Lenehan, who transitioned from fashion design to painting and now works from her studio in Wicklow, Ireland, promoting her work via Instagram; and Trish Lambe, CEO and Artistic Director of Photo Museum Ireland, who began her career at the museum in the 1990s and now leads its curatorial team. The article highlights Lenehan's intuitive painting process and Lambe's hands-on approach to exhibition production.
Artist Ai Jing has launched a major solo exhibition titled "Walking in the Sun" at the Shenzhen Museum of Contemporary Art and Urban Planning. Curated by He Guiyan, the multidisciplinary showcase features music, painting, installation, sculpture, and video, all centered around the conceptual theme of "walking" as a philosophical journey. A centerpiece of the show involves a literal connection to the artist's roots, featuring 150 bags of black soil transported from her hometown of Shenyang to create an immersive installation exploring memory and belonging.
Beijing's Ullens Center for Contemporary Art (UCCA) will open a new museum, UCCA OneM Center for Contemporary Art, in Guangzhou in 2027. This marks the institution's first expansion into South China, created through a partnership with Guangzhou's existing OneM Center for Contemporary Art.
Central Illinois is hosting a diverse array of art and cultural exhibitions across several key institutions and galleries this spring. Highlights include the "Art on the Offense" group show at the Contemporary Art Center of Peoria, the "Lights, Camera, Fashion!" exhibition featuring the Lois Jett Historical Fashion Collection, and multiple annual student showcases at University Galleries and Merwin & Wakeley Galleries. Local spaces like the McLean County Arts Center and Eaton Studio Gallery are also actively engaging the community through regional artist spotlights and educational outreach for local students.
An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened in New Delhi, featuring works by 23 artists across different career stages and artistic styles. Curated by Kiran K. Mohan with a critical essay by art historian Johny ML, the show includes paintings, sculptures, and mixed media by artists such as Anil Gaekwad, Ashok Bhowmick, Harshwardhan Devtale, and others. The display is deliberately non-chronological, aiming to foster dialogue between seasoned practitioners and emerging voices.
This article appears to be a promotional or editorial piece about the artwork "PixCell-Elk#3, 2026" by artist Kohei Nawa. It describes a partnership with leading galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers. The text also highlights the role of art advisors providing access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.
The Contemporary at Blue Star in San Antonio is hosting a retrospective of the "Mini Art Museum," a unique institution founded in 2013 by Mary Cantú and Gabriela Santiago. The exhibition features nearly 100 business-card-sized artworks by prominent local artists, presented within an immersive, miniature neighborhood installation. This showcase serves as a tribute to Cantú, a significant figure in the San Antonio art community who passed away in 2025.