Nicole-Antonia Spagnola at FELIX GAUDLITZ
Artist Nicole-Antonia Spagnola has opened a solo exhibition titled "The first person" at the FELIX GAUDLITZ gallery in Vienna. The show, which runs from February 11 to March 21, 2026, presents a new body of work documented through eighteen installation photographs.
British photographer Barry Webb creates large-format macro photographs of slime molds, revealing their intricate, sculptural forms and vibrant colors. His work transforms organisms typically only a few centimeters tall into atmospheric, large-scale images that showcase a hidden world.
Photographer Frank Relle continues his long-term artistic exploration of Louisiana's swamps, capturing the ethereal transition between day and night in his series 'Until the Water'. Based in New Orleans, Relle uses submerged lights to illuminate cypress trees and Spanish moss, creating serene, otherworldly images that convey a sense of timelessness and connection to a primordial landscape.
【特別連載】杉田敦 ナノソート2021 #02「ドクメンタを巡るホドロジー（後）」
杉田敦の連載「ナノソート2021」第2回後編では、ドクメンタ15を巡る問題とその後の世界情勢の変化について考察している。2023年10月に始まったイスラエル・ガザ戦争の影響で、筆者はこれまでの考察を凍結し、再検証を迫られた。ドクメンタ15では、反ユダヤ的表象の検知失敗や、極端な民族主義思想を持つ団体の参加が問題視され、ディレクションを担当したインドネシアのコレクティヴ、ルアンルパの資質が問われた。また、国立西洋美術館では、出展作家らが川崎重工のイスラエル企業との協力関係に抗議する行動を起こした。
Akira Crosby, an artist from Cut Off, Louisiana, had her painting removed from a Houma art gallery in 2024 because it depicted menstrual blood as part of her feminist exhibit “Pieces of Me.” Months later, Kotex featured the same artwork in a documentary, bringing unexpected national attention to her work.
The May First Friday Art Walk in downtown Springfield features student exhibitions from Drury University, Missouri State University, and Ozarks Technical Community College, alongside Route 66-themed shows. Seventeen venues participate in the self-guided tour, with college artists displaying work at four locations, including the Robert & Margaret Carolla Arts Exhibition Center, Brick City Gallery, the Pool Arts Center, and Ozarks Technical Community College's Art and Design Department. The Route 66 Centennial Traveling Exhibit, created by documentary filmmaker Katrina Parks, is on display at the Historic Gillioz Theatre, and photographers Vance Clark and Andrew Mann present their 'Unique Lens' exhibit at the Park Central Branch Library.
Enfants et satyre : deux ventes Artcurial à Paris
Artcurial in Paris is holding two upcoming sales on March 25, featuring a diverse collection of works on paper. The sales include a drawing of a camel by Jean-Pierre Houël, a preparatory sketch of a plucked chicken by Jean-François Tourcaty, a study of a man wearing a satyr mask by Parmigianino, and a drawing by Thomas Couture depicting a scene from his painting 'Pierrot en correctionnelle.'
Filmmaker Mohammad Gorjestani, director of the SXSW Grand Jury Award-winning documentary short *Exit 12*, is preparing for the fall release of his feature debut *From the Mat*, which explores wrestling in Iran. He is also continuing to tour the installation “1-800 Happy Birthday,” dedicated to Black and Brown individuals killed by police. In an interview, Gorjestani reflects on diaspora, double consciousness, and his creative process, emphasizing the importance of making work free from dominant cultural interference.
A documentary screening in Whippany, New Jersey, featured artwork created by Ukrainian children affected by the ongoing war. The event, organized by local community groups, aimed to share these personal expressions of trauma and resilience with an American audience, fostering cross-cultural understanding and highlighting the human impact of the conflict. The artwork served as a poignant centerpiece, transforming the children's experiences of displacement and fear into a visual dialogue accessible to the Whippany community.
The Bullock Texas State History Museum in Austin has opened a new exhibition called "Texas Festivals," running through September 27. The show features artifacts from 27 festivals across the state, including a gown from Fiesta San Antonio, a sand sculpture from Sandfest in Port Aransas, an art car honoring Stevie Ray Vaughan from Houston's Art Car Parade, and mascots from the Texas Onion Fest, Hogeye Festival, and Texas State Forest Festival. The exhibition is divided into three sections exploring how festivals create community, and includes a short documentary, interactive activities, and a talk with historian Dr. Michaele Thurgood Haynes on May 3.
Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.
The article provides a practical guide to documenting contemporary art exhibitions, outlining methods for creating useful, ethical, and durable records. It emphasizes the importance of shot lists, consistent file naming, descriptive metadata, and accessibility features like captions and transcripts to ensure archives remain searchable and meaningful over time.
The Contemporary Art Museum of Indianapolis (CAMi) is set to open its doors from May 1-3 in a renovated 125-year-old dairy barn in Garfield Park. Managed by the Big Car Collaborative, the 40,000-square-foot facility features six exhibition spaces, 18 artist studios, and various community hubs including a cafe and storefronts for local creative businesses. The opening weekend will feature the main exhibition “Campo de Resonancia” by Puerto Rican painter Ivelisse Jiménez, alongside sound installations and experimental documentaries.
The Arab Cultural Center in Daraa has launched a new art exhibition as part of the “Days of Fine Arts and Arabic Calligraphy” festival. Organized by the Daraa Culture Directorate, the showcase features 26 paintings that blend traditional Hauran heritage and local landscapes with contemporary historical documentation. Notably, the collection includes works that track the Syrian experience from the 2011 revolution through the political shifts of December 2024, utilizing expressive color to depict the daily life and resilience of the local community.
The New Bedford Art Museum has announced a diverse programming schedule for March 2026, headlined by the exhibition "AHA! Night: Resistance." This show features contemporary Mexican artists utilizing sculpture, textiles, and performance documentation to explore themes of social justice, indigenous knowledge, and political dissent. Accompanying the exhibition is a specialized workshop led by Oaxacan artist Ricardo Ángeles, focusing on traditional Zapotec design and wood-painting techniques.
Linnaeus Sanitas in Botswana hosted a collaborative art exhibition funded by the Companies and Intellectual Property Authority (CIPA), marking the culmination of a documentary project that brought together six local artists to explore the meaning of 'Home' through art. The exhibition was part of Contemporary Art Botswana 2025, a two-year initiative to highlight exceptional artistic work from Botswana for local and international audiences. Facilitator Ann Golifer explained that the project aimed to support young artists by providing a platform to showcase their work, addressing her own lack of such opportunities as a young artist.
Coup D’état, a boutique located on Detroit’s east side, has been recognized by the New York Times as one of the 50 Best Clothing Stores in America. It is one of only two shops in Michigan to receive this honor. Owner and founder Angela Wisenski-Cobbina opened the space in 2019 with a mission to create an inclusive retail environment accessible at all price points. In 2025, the store hosted an art exhibition celebrating the legacy of Detroit photographer Bill Rauhauser, showcasing his documentation of everyday life in the city throughout the 20th century.
MODERN MEXICO CITY IN JUAN GUZMAN S PHOTOGRAPHS AT ICME
An exhibition titled 'En donde no cabe un alfiler, bien caben dos ruleteros' at the Instituto Cultural de Mexico en Espana (ICME) in Madrid showcases the photographic work of German-born photojournalist Juan Guzman. The show presents a selection from his personal archive, now part of the Fundación Televisa collection, focusing on his documentation of Mexico City's rapid mid-20th century transformation into a modern metropolis.