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Ahead of the 2026 Met Gala, the Metropolitan Museum of Art Introduced New Mannequins With Diverse Body Types Inspired by Real People

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art" ahead of the 2026 Met Gala, featuring mannequins with diverse body types—including larger, pregnant, trans, and disabled bodies—created through 3D printing and based on real-life models. The show pairs roughly 400 artworks with garments, aiming to shift the traditional perspective by viewing art through the lens of fashion rather than the reverse.

A History of the Human Body at “Costume Art,” the New Costume Institute Exhibit

The Metropolitan Museum of Art's Costume Institute has announced its latest exhibition, "Costume Art," opening May 10. Curated by Andrew Bolton, the show brings together garments and objects from across the museum's curatorial departments to explore the relationship between fashion and the human body. The exhibition is organized into thematic sections including the Naked & Nude Body, Classical Body, Abstract Body, Reclaimed Body, Pregnant Body, Corpulent Body, and Disabled Body, featuring works by designers such as Walter Van Beirendonck, LÛCHEN, Georgina Godley, Ann-Sofie Back, Di Petsa, Alessandro Michele for Gucci, and Vivienne Westwood, alongside historical art objects from Greek ceramics to Mesopotamian sculptures.

Black Artists Featured in Monet to Matisse Exhibition at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) has opened its presentation of the traveling exhibition "Monet to Matisse: French Moderns, 1850–1950," which features over 100 masterworks from the Brooklyn Museum. Uniquely, the BMA version includes more than 40 additional works from its own collection, among them paintings by two Black American artists—Henry Ossawa Tanner and Charles Ethan Porter—who lived and worked in France during the period. Curator Dr. Maggie Crosland emphasized the importance of including these artists to highlight the contributions of Black Americans to French modernism, especially given the political climate that drove many to Paris between 1850 and 1950.

Montclair Art Museum Announces Retirement of Longtime Chief Curator Dr. Gail Stavitsky

The Montclair Art Museum (MAM) has announced that Dr. Gail Stavitsky, its Chief Curator, will retire on July 1, 2026, after a tenure of more than 30 years. Stavitsky joined MAM in 1994 as Curator of Collections and Exhibitions, was promoted to Chief Curator in 1998, and curated over 200 exhibitions, including landmark shows such as "Cézanne and American Modernism" (2009) and "Matisse and American Art" (2017). Her recent exhibitions include solo shows for vanessa german and Tom Nussbaum, and she co-curated "Shifting Terrain: Perspectives on Land in North America." She also oversaw major acquisitions and the care of the museum's collections of George Inness and Morgan Russell.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Marina Abramović in Venice: “Don’t treat me like an icon”

Marina Abramović has opened a new exhibition titled "Transforming Energy" at the Gallerie dell’Accademia in Venice, running concurrently with the Venice Biennale. Curated by Shai Baitel, the show spans the museum’s permanent collection and temporary exhibition spaces, featuring a timeline of the artist’s biography, video works, and interactive installations with crystals and stone objects. Abramović is the first living woman artist to receive a major solo exhibition at the museum, and the exhibition includes a digital avatar and rituals designed to slow down the viewer’s experience.

lina lapelytė fills hamburger bahnhof with 400,000 cubes, inviting visitors to build and sing

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof museum with 400,000 lightweight foam cubes, creating an interactive installation titled "The Singing Cube." Visitors are invited to stack, carry, and rebuild the cubes while participating in collective singing performances, transforming the museum into a participatory sound and sculpture environment. The installation evolves over time through the collaborative actions of participants, blending architecture, music, and social interaction.

United States Pavilion to Open at the 61st International Art Exhibition of La Biennale di Venezia With Landmark Solo Presentation by Alma Allen: Call Me the Breeze

The United States Pavilion will open at the 61st International Art Exhibition of La Biennale di Venezia with a landmark solo presentation by artist Alma Allen, titled "Call Me the Breeze." The exhibition marks the first time the U.S. Pavilion has dedicated its space to a single artist in this context, highlighting Allen's sculptural work that blends organic forms with industrial materials.

United States Pavilion to Open at the 61st International

The United States Pavilion at the 61st International Art Exhibition of La Biennale di Venezia will open on May 6, 2026, featuring a solo presentation titled "Call Me the Breeze" by American artist Alma Allen. Curated by Jeffrey Uslip and commissioned by the American Arts Conservancy with support from the U.S. Department of State and the Guggenheim Foundation, the exhibition transforms the historic Giardini pavilion with sculptures in bronze, walnut burl, and various stones, including Colorado Yule marble used in the Lincoln Memorial.

Beyond Body-Con: In the the Met’s Spectacular New Exhibition, “Costume Art,” the Human Form Connects Fashion and Art

The Metropolitan Museum of Art has opened a new fashion exhibition titled "Costume Art" in its newly established Condé M. Nast Galleries. Curated by Andrew Bolton, the show features faceless mannequin heads by sculptor Samar Hejazi that reflect visitors' own images, encouraging self-reflection and empathy. The exhibition is structured around a typology of bodies, using mannequins of diverse body types modeled after named individuals to challenge traditional beauty standards. It explores the connection between fashion and the human form, positioning the dressed body as a unifying thread across the museum's collections.

Eat Frida food off a Frida plate: Kahlo kitsch raises eye...

A major Tate Modern exhibition dedicated to Frida Kahlo and her circle opens next month in London, accompanied by a wave of commercial spin-offs including a Kahlo-inspired menu, dinner plates, a Netflix documentary, a clothing line, and an opera premiering in New York. The show, titled "Frida: The Making of an Icon," will also display over 200 souvenir objects and knick-knacks, examining Kahlo's transformation into a global brand. A new whodunnit novel by Oscar de Muriel reimagines Kahlo as a detective, and a culinary collaboration with Mexican chef Santiago Lastra will run at the Tate Modern restaurant.

“Persona” Crafts a Lineage of Performed Identity

Boston Art Review (BAR) has published an article titled “Persona” Crafts a Lineage of Performed Identity, exploring how contemporary artists use persona and self-performance to trace a lineage of identity construction. The piece examines works by artists who adopt alter egos or theatrical roles to challenge fixed notions of selfhood, drawing connections to historical precedents in art and culture.

One Fine Show: “Wes Anderson, The Archives” at the Design Museum in London

The Design Museum in London has opened "Wes Anderson: The Archives," the first major museum exhibition dedicated to the filmmaker. Featuring over 700 pieces of ephemera—including costumes, props, stop-motion puppets, miniature models, paintings, and Anderson's notebooks and storyboards—the show draws from a personal archive he has built since 1998. The exhibition, a collaboration with la Cinémathèque française in Paris where it premiered last year, has been expanded by some 300 additional objects for its London run. It runs through July 26, 2026.

This Y/Project Suit Defines The Met’s “Costume Art” Exhibition

The Metropolitan Museum of Art has announced its 2026 exhibition "Costume Art," which will inaugurate the new Condé M. Nast Galleries. Curator Andrew Bolton explains the show will focus on the dressed body's connection to art history, emphasizing materiality and corporeality over visuality. A key preview piece is a Y/Project suit from FW22, designed by Glenn Martens and Jean Paul Gaultier, featuring a trompe-l'oeil nude male figure that will be displayed alongside a 1st–2nd century CE marble statue of Diadoumenos. Other sections include "The Naked Body," "The Aging Body," and "The Anatomical Body."

What’s on now at San Francisco museums, May 2026

San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.

Charlottesville's Confederate statues are centerstage in West Coast art exhibition rooted in tragedy and trauma

The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.

Venice Biennale jury resigns in latest politically charged controversy at art exhibition

The entire jury of the Venice Biennale has resigned, including president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. The jury had announced it would not consider for prizes countries charged with crimes against humanity by the International Criminal Court, a stance that would affect Israel and Russia, both of which have national pavilions at the exhibition. As a result, the Biennale will not award several jury prizes, including the Golden Lion for best national pavilion and best artist in the group show, replacing them with visitor-voted awards.

When Fashion Meets the Body, Can a Whole Museum Come Alive?

The Metropolitan Museum of Art's Costume Institute will open its latest fashion exhibition, "Costume Art," in a new gallery space adjacent to the Great Hall, formerly the museum's gift shop. Curated by Andrew Bolton, the show features 400 objects from the permanent collection, organized thematically around the dressed body—exploring the naked, classical, anatomical, and mortal body—rather than chronologically. The exhibition aims to connect artistic representations of the body with fashion as an embodied art form.

Frist Art Museum Will Present 100 Years of Contemporary Indigenous Art

The Frist Art Museum in Nashville will present "An Indigenous Present," an exhibition spanning 100 years of modern and contemporary Indigenous art, from June 26 to September 27, 2026. Co-curated by artist Jeffrey Gibson and independent curator Jenelle Porter, the show features 15 artists who use abstraction as a tool for liberated expression, including Teresa Baker, Raven Chacon, Kimowan Metchewais, Caroline Monnet, George Morrison, Mary Sully, Jaune Quick-to-See Smith, and Kay WalkingStick. Organized by the Institute of Contemporary Art/Boston, the exhibition draws from Gibson and Porter's landmark 2023 publication of the same title and is structured into five thematic sections that place emerging artists in dialogue with established makers.

The Female Artists To See at This Year's Venice Biennale

The 61st Venice Biennale returns amid controversy, including calls to exclude Israel, scrutiny over Russia's participation, and the reinstatement of Australian artist Khaled Sabsabi. Despite the political tensions, the exhibition will feature a strong lineup of female artists, from established names like Marina Abramović and Jenny Saville to emerging voices such as Maja Malou Lyse, who becomes the youngest artist to represent Denmark. The 2026 edition also introduces dedicated spaces for Black and Indigenous artists for the first time, with works exploring themes from male fertility to patriarchal violence and resilience.

Review: Manet-Morisot exhibition is a deep dive into artistic ways of seeing, making

The Cleveland Museum of Art's spring exhibition examines the artistic relationship between 19th-century French Impressionist painters Édouard Manet and Berthe Morisot, showcasing 36 paintings and seven works on paper. Organized by curator Emily Beeny of the Fine Arts Museums of San Francisco, the show is the first to closely analyze how the two artists influenced each other, correcting the historical record that long positioned Manet as the dominant figure while undervaluing Morisot's contributions. Through side-by-side juxtapositions, the exhibition reveals that Manet may have taken more from Morisot than she from him, highlighting their collaborative and competitive dialogue over 15 years.

Zurbarán at the National Gallery is more agony than ecstasy

The article reviews the exhibition 'Zurbarán' at the National Gallery in London, arguing that the show fails to capture the spiritual intensity and emotional power of the Spanish Baroque painter's work. It criticizes the curatorial choices, suggesting the display feels flat and lacks the ecstatic religious fervor that defines Zurbarán's best paintings, leaving viewers with a sense of agony rather than transcendence.

Music & Maker's Night with “Get Surreal (A Surreal Lens)” Tour, May 14

The Figge Art Museum in Davenport, Iowa, is hosting a Music & Maker's Night on May 14, featuring a guided tour of the exhibition "Get Surreal (A Surreal Lens)" led by Co-Senior Curator Joshua Johnson. The event includes an art-making activity and live music in the museum's Quad City Bank & Trust Grand Lobby. The exhibition explores how photographers from the earliest days of the medium have used techniques like montage, double exposure, and digital manipulation to distort reality and create dreamlike imagery, featuring works by artists such as Alan Cohen, György Kepes, Olivia Parker, and Emmet Gowin.

Why Jaume Plensa’s New Exhibition at Denver Botanic Gardens Is a Must-See This Summer

Spanish artist Jaume Plensa has opened a major exhibition at the Denver Botanic Gardens, titled *Jaume Plensa: A New Humanism*, which includes both outdoor sculptures and indoor gallery works. The show features iconic pieces like the 11-foot-tall steel sphere "Self-Portrait with Music" and a retrospective spanning from 2002 to the present, including portrait heads, a door inscribed with the Universal Declaration of Human Rights, and letter-based sculptures. Plensa describes the hybrid setting as a first for him, where children interact freely with the art.

Losing Frida Kahlo in "The Making of an Icon"

The article critiques the Museum of Fine Arts, Houston's (MFAH) exhibition "Frida: The Making of an Icon," arguing that it perpetuates a fetishized, commercialized view of Frida Kahlo by focusing on her biography—her marriage to Diego Rivera, her affairs, her accident—rather than her artistic skill. The author contrasts this with a visit to the Museo de Arte Moderno (MAM) in Mexico City, where the exhibition "Relatos modernos. Obras emblemáticas de la Colección Gelman Santander" presents Kahlo's work alongside other Mexican masters in a quiet, understated manner that allows viewers to appreciate her technical abilities without overwhelming narrative.

the eight Impressionist exhibitions

Between 1874 and 1886, a group of avant-garde artists in Paris—including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot—organized eight independent exhibitions as a rebellion against the government-sponsored Salon. Rejected by the Salon's conservative jury, which favored academic standards, these artists pooled resources to stage their own shows, initially held at photographer Nadar's atelier on the boulevard des Capucines. The exhibitions had fluctuating lineups and varied titles, and the term "Impressionist" was only applied retrospectively by art historians in the 20th century.

Picturing Absence – 3 Photographs in the DAM's Collection

The Denver Art Museum (DAM) highlights three photographs from its collection that explore themes of absence and presence. Yoko Ikeda's 2008 image of a Japanese home threshold captures the unseen inhabitants through details like slippers. Keisha Scarville's "Untitled #17" (2017) uses her mother's clothing to evoke grief and memory after her death. David Maisel's "Library of Dust (267)" (2005) documents corroded copper urns containing cremated remains of unclaimed patients from Oregon State Hospital, revealing unique mineral blooms that symbolize individuality.

From Rocky to Rizzo: Monument Expert Paul Farber Talks Statues and Public Spaces

Paul Farber, founder of Monument Lab, discusses his new exhibition "Rising Up: Rocky and the Making of Monuments" at the Philadelphia Museum of Art. The show moves the iconic Rocky statue inside the museum and examines how a fictional boxer's statue became Philadelphia's most famous work of art, exploring broader questions about collective memory and public commemoration. Farber also reflects on the dismantling of the Frank Rizzo statue and how unintentional monuments like the Berlin Wall shape cultural discourse.

Marina Abramović: Historic dell'Accademia Exhibition Announced During Venice Biennale 2026

Marina Abramović will be honored with a major exhibition at the Gallerie dell’Accademia in Venice during the 61st Venice Biennale Arte in 2026, making her the first living woman artist to receive such a show at this historic institution. The exhibition coincides with her eightieth birthday and features works including the 1983 photograph *Pietà (with Ulay)*, placed in dialogue with Titian’s *Pietà*, alongside participatory elements like her Transitory Objects. Curated by Shai Baitel, the show unfolds within the museum’s Renaissance galleries rather than a separate wing.

Why Yoko Ono's First LA Museum Show Matters

Yoko Ono's first solo museum exhibition in Southern California, titled "Yoko Ono: Music of the Mind," opens at The Broad in Los Angeles from May 23 to October 11, 2026. The show traces the evolution of her practice from early Fluxus experiments in the 1950s to her participatory installations of the 2000s, highlighting how her instruction-based works transformed spectators into collaborators.