Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

Ancient Etruscan monster gets new state-of-the-art home in Florence museum

The Chimaera of Arezzo, a 2,400-year-old Etruscan bronze sculpture of a mythical fire-breathing monster, has been reinstalled in a new dedicated gallery at the Museo Archeologico Nazionale di Firenze (MAF) in Florence. The installation is part of a major museum renovation—the first since the catastrophic 1966 Florence flood—which includes refitted galleries, a new conservation lab, improved accessibility, and upgraded infrastructure funded by the European Union's PNRR plan.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program offered webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings include that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions adopted simple waste-reduction strategies, with some committing to permanent sustainability changes.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

An open-air art gallery: Hogan Park at Highlands Creek

Hogan Park at Highlands Creek in Aurora, Colorado, is a 100-acre public park that doubles as an open-air art gallery, featuring around two dozen sculptures and painted installations along a two-mile trail. Curated by Carla Ferreira, CEO of the development, and her father, the park includes works by artists such as Michael Benisty, Hunter Brown, Daniel Popper, and Olivia Steele, with pieces designed to withstand Colorado's extreme weather. Notable installations include the 25-foot steel sculpture "Broken but Together," the viral fiberglass-reinforced concrete figure "Umi" by Daniel Popper, and a bronze bench honoring Dr. Justina Ford, part of the Statues for Equality initiative.

UNM Art Museum pauses gallery exhibitions for ‘Collections Year’

The University of New Mexico Art Museum (UNMAM) has paused its gallery exhibitions to launch a "Collections Year" project, prompted by a major gift of over 100 photographs from collectors Daniel Greenberg and Susan Steinhauser. The museum's galleries are now temporary workspaces where staff and 12 collections apprentices are cataloging, condition-reporting, and processing hundreds of new artworks, including prints and drawings dating back to the 15th century. Study rooms remain open for visitors and classes during this period.

New Cope House exhibit highlights the art of collecting

William Skeet Jiggetts, a longtime art collector and trustee of several museums, founded the Museum of African American Art Collections (MAAAC) to celebrate Black collectors and display their private holdings. The organization's inaugural exhibition, “Collectors’ Life,” runs from Nov. 1 to Dec. 30 at Awbury Arboretum’s Cope House Gallery in Germantown, featuring works curated by local collectors including Diana Tyson, Stephanie A. Daniel, Vashti Dubois, Dr. Robyn Jones, and Adrian Moody. Two accompanying talks will explore portraiture and the evolving relationship between collectors and artists.

Heritage experts call for international task force to plan Palmyra rebuild

Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

Art Toronto gets sales boost from baseball World Series

Art Toronto, Canada's largest art fair, took place from October 23-26 at the Metro Toronto Convention Centre, coinciding with the first two games of the MLB World Series between the Toronto Blue Jays and the Los Angeles Dodgers at the adjacent Rogers Centre. Despite concerns that the baseball championship might divert attention and sales, the fair saw increased attendance and a boost in purchases in the C$50,000 to C$100,000 range, according to director Mia Nielsen. Gallerists reported a positive mood, with the National Gallery of Canada even acquiring a work from Central Art Garage. The synergy between the events energized the city, though it worsened Toronto's notorious traffic.

Newport Art Museum reopens members’ exhibition after community feedback

The Newport Art Museum is reviving its Members’ Juried Exhibition, titled “Springboard,” after a strategic planning process revealed strong community demand. The exhibition opens January 22, 2026, in the museum’s historic John N.A. Griswold House and runs through May 31, 2026. Julie Keyes, founder of Keyes Art, will serve as juror, and current museum members may submit one to five works created within the past two years. Awards include Juror’s Choice, Emerging Artist Award, and Award for Innovation. The show will feature members’ works alongside pieces from the permanent collection, exploring themes of cultural inheritance, artistic lineage, and collective memory.

The World's Most-Visited Museums – and Why Germany is Falling Behind

Die meistbesuchten Museen weltweit – und warum Deutschland hinterherhinkt

The Art Newspaper's 2025 ranking of the world's most-visited museums reveals a global landscape dominated by institutions in Paris, Seoul, London, and New York. The Louvre leads with just over nine million visitors, followed by the Vatican Museums and Seoul's National Museum of Korea, which doubled its attendance to 6.5 million. Notable trends include strong post-pandemic recoveries at New York's MoMA and the State Russian Museum in St. Petersburg, while London's Tate Modern and National Gallery still lag significantly behind their 2019 numbers.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

The Collection of Henry S. McNeil, Jr.

The exceptional collection of Minimalist art assembled by Henry 'Hank' S. McNeil, Jr. will be sold at Christie's New York in May. The sale features masterworks by Donald Judd, Dan Flavin, Carl Andre, and Sol LeWitt, which were famously integrated into McNeil's Philadelphia home, allowing him to live intimately with these significant works.

Danny McBride's company is partnering with Hed Hi Studio on a new project. Here's what to expect.

Danny McBride’s production company, Rough House Pictures, has announced a partnership with Charleston-based art space Hed Hi Studio to launch a series of unconventional, short-lived art exhibitions throughout 2026. The collaboration kicks off in April with a showcase of hand-painted Ghanaian movie posters from Deadly Prey Gallery, followed by exhibitions featuring Brooklyn artist Jake Plissken and animator Jay Howell. These events are designed as "ephemeral" experiences, often lasting only four hours to emphasize the beauty of impermanence.

Rwanda boosts culture infrastructure with new non-profit contemporary art centre

The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.

Artist Soumyadeep Roy's latest exhibition spotlights migration and identities

Artist Soumyadeep Roy's latest exhibition, "Shahrashob," explores migration and identity through the lens of historical and personal narratives. The show traces movements from Delhi to Lucknow in the 18th century, Lucknow to Calcutta in the 19th century, and post-partition shifts to Bombay and Karachi, centering on Wajid Ali Shah's journey to Kolkata and the creation of a mini-Lucknow in Metiabruz. The exhibition features video films of paan-sellers in Lucknow and Calcutta, archival references, and creative re-imaginings, drawing on Roy's personal bonds with descendants of historical figures.

Bay Area Then

Yerba Buena Center for the Arts in San Francisco presents 'Bay Area Then,' an exhibition running from August 1, 2025, to January 25, 2026, that surveys the Northern California art scene between 1990 and 2005. Guest curated by Eungie Joo, the show features works by nineteen artists or collaborations, including Manuel Ocampo, Margaret Kilgallen, Bill Daniel, Ruby Neri, and Carolyn Castaño, mixing historical pieces with recent productions by artists who emerged during that era.

In a risk-averse market, Paris Photo offers diversity

Paris Photo returns to the Grand Palais for its 28th edition, featuring 220 exhibitors from 33 countries, including 178 galleries and 42 publishers. The fair opens amid a risk-averse market where dealers report slower acquisitions, increased production costs, and reduced collector risk-taking, yet attendance reached 81,000 in 2024. Notable trends include a resurgence of Japanese galleries after a five-year absence, strong Latin American presentations from Buenos Aires, São Paulo, Santiago, and Mexico City, and a rise in women artists to 39% of practitioners, up from 20% in 2018. Highlights include MEM's exhibition of the August 6 Hiroshima Day student photography project and Claudia Andujar's Yanomami works shown by Galeria Vermelho.

At the Grand Palais, the Paris Book Festival Puts Comics in the Spotlight

Au Grand Palais, le Festival du livre de Paris met la bande dessinée à l’honneur

The Festival du livre de Paris returns to the Grand Palais from April 17 to 19, 2026, marking a continued transformation from a massive trade fair into a curated cultural event. This year’s edition features 450 publishers and places a significant emphasis on comic books (BD), highlighted by two thematic exhibitions on the Balcon d’Honneur and a dedicated youth village. The program also includes a culinary-themed nocturne and the "Cabaret Extra!" performance series produced in collaboration with the Centre Pompidou.

Amorepacific Museum of Art Presents APMA, CHAPTER FIVE - FROM THE APMA COLLECTION

The Amorepacific Museum of Art in Seoul has launched "APMA, CHAPTER FIVE – FROM THE APMA COLLECTION," a major exhibition featuring approximately 80 works from its permanent holdings. Running from April 1 to August 2, 2026, the showcase includes a diverse array of paintings, sculptures, and installations by over 40 influential Korean and international artists. High-profile participants include Kiki Smith, Rose Wylie, Carol Bove, and Gala Porras-Kim, alongside Korean masters such as Nam June Paik, Lee Bul, and Haegue Yang.

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Artforum announced the departure of editor-in-chief Tina Rivers Ryan at the end of February. She will be replaced by executive editor Rachel Wetzler and editor Daniel Wenger, who will serve as co-editors, with the editor-in-chief title being retired.

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Two senior staff members at the Philadelphia Museum of Art, Chief of Staff Maggie Fairs and CFO Valerie McDuffie, are resigning. This follows the controversial firing of former director and CEO Sasha Suda in November, who later sued the museum for wrongful termination, and the recent resignation of the marketing chief who oversaw a short-lived and widely mocked rebranding of the institution.

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The Museum of Fine Arts, Boston announced layoffs affecting approximately 30 staff members, a 6.3% reduction of its workforce, effective this Friday. The decision was communicated via an internal email obtained by WBUR, citing an unsustainable deficit and the need for financial restructuring. The MFA, Boston Union, which represents 16 of the affected employees, expressed concern and called for negotiations to avert layoffs and preserve workforce diversity. This follows a previous round of layoffs and early retirements in 2020.

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Paul Dien, the chief marketing officer behind the Philadelphia Museum of Art's controversial rebranding, has resigned effective February 1. Dien, who joined the museum in 2023, oversaw the institution's name change to "Philadelphia Art Museum" and a new visual identity that drew widespread public mockery on social media. The rebranding was intended to boost attendance, but faced backlash from locals and critics. Dien's departure follows the ouster of former director and CEO Sasha Suda in November, who has since filed a wrongful dismissal lawsuit against the museum.

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Bad Bunny, the Puerto Rican musician, touched a Mayan stela on display at the National Museum of Anthropology in Mexico City and posted an image of the act on Instagram. Mexico’s National Institute of Anthropology and History (INAH) publicly reprimanded him, stating that physical contact with archaeological property is prohibited and that security staff had repeatedly warned him. The post has since been deleted.

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A new survey from the American Alliance of Museums (AAM) reveals that one-third of American museums have lost government grants and contracts since President Donald Trump took office. Based on responses from 511 museum directors, the report documents funding cuts from federal agencies including the Institute of Museum and Library Services (IMLS), the National Endowment for the Humanities (NEH), and the National Endowment for the Arts (NEA). These losses have forced museums to defer infrastructure improvements, cancel programming for underserved communities, and lay off staff. Some institutions have taken legal action, and a court ruling in May halted further dismantling of the IMLS. The Mellon Foundation has offered emergency grants, but two-thirds of surveyed museums have been unable to replace lost funding, with a median grant loss of $30,000.

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

'First-of-its kind' Houston park reveals 6 murals by local artists

Untitled Art, the contemporary art fair, is returning to Houston for its second edition this October. To kick off plans, the fair has commissioned two artist projects that will be unveiled at the city's 39th annual Art Car Parade.

First-of-its-kind MCA exhibition plays the beat of Caribbean activism

Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.