Concrete cars for coral reefs: Miami's underwater eco-sculpture park takes shape

The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.

A look inside the ‘Dreamworld’ of surrealism at the Philadelphia Art Museum

The Philadelphia Art Museum opened 'Dreamworld: Surrealism at 100,' a traveling exhibition marking the centenary of surrealism, which originated in France in 1924. The show, curated by Matthew Affron, features about 180 works from the museum's own collection and loans from Europe and the Americas, including pieces by Salvador Dalí, Max Ernst, Remedios Varo, and Joseph Cornell. The opening occurred the day after the museum's board abruptly fired CEO Sasha Suda, with interim director Louis Marchesano declining to comment on the termination and focusing on the exhibition instead.

The National WWII Museum Hosting Special Exhibit Highlighting Nazi Campaign against Modern Art

The National WWII Museum in New Orleans has opened a special exhibit titled 'Degenerate! Hitler’s War on Modern Art,' on loan from the Jewish Museum Milwaukee and running through May 10, 2026. The exhibit features over 65 works by artists deemed 'degenerate' by the Nazi regime, including Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall, alongside documents and artifacts that explore how modernist art was suppressed and weaponized as propaganda. The museum has expanded the original exhibit to include a focus on suppressed music, featuring instruments from the era, such as a tenor saxophone played by Eddie Powers and a clarinet played by George Lewis, on loan from the New Orleans Jazz Museum.

Heavy in more ways than one: Confederate statues hit the road for Los Angeles exhibition

The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.

Italy's art police seize 21 suspected forgeries from Dalí exhibition

Italian art police, the Carabinieri TPC, seized 21 suspected forgeries attributed to Salvador Dalí from the exhibition "Dalí, Between Art and Myth" at Palazzo Tarasconi in Parma. The works, including 18 lithographs and three drawings, were among 80 pieces on display. A Rome court ordered the seizure after Dalí experts in Spain and the Gala-Salvador Dalí Foundation expressed doubts about their authenticity. The investigation began with a routine check in January, and the Carabinieri waited until the show opened to confiscate the works, which were loaned by two Italian individuals. The exhibition was organized by Navigare company and had previously run at Rome's Historical Museum of the Italian Army Infantry.

Man killed while unloading Warhol-painted BMW for exhibition in Washington, DC

A man was killed on September 17 on the National Mall in Washington, DC, while unloading a 1979 BMW M1 Art Car custom-painted by Andy Warhol. The vehicle was being prepared for the pop-up exhibition 'Cars at the Capital,' scheduled to run from September 17-23 in temporary pavilions near the Smithsonian National Museum of American History. A winch holding the car on a flatbed truck came loose, pinning the victim, who was pronounced dead at the scene; his identity has not been released. Exhibition organizer Hagerty Drivers Foundation canceled the event out of respect for the deceased.

Man Ray: When Objects Dream

The article presents an extensive list of artworks by the avant-garde artist Man Ray, spanning from 1914 to the mid-1940s. It includes paintings, sculptures, photographs, and readymades such as "Cadeau (Gift)" (1921), "The Rope Dancer Accompanies Herself with Her Shadows" (1916), and "L’énigme d’Isidore Ducasse" (1920). Many entries are marked "Returned to lender," indicating these works were part of a loan exhibition that has now concluded, with pieces being sent back to their respective owners.

A century of Art Deco celebrated at Sarasota Art Museum

Sarasota Art Museum will present "Art Deco: The Golden Age of Illustration" from August 31, 2025, through March 29, 2026, celebrating the 100th anniversary of the style's debut at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. The exhibition features 100 rare posters from the 1920s and 1930s drawn from the William W. Crouse Collection, one of the world's most important private collections of Art Deco posters, with works by artists including A. M. Cassandre, Leonetto Cappiello, and Paul Colin. Alongside the posters, the show includes sculptural pieces, vintage cocktail shakers, and furniture from The Wolfsonian-Florida International University, highlighting the luxurious materials and modern design of the Machine Age.

A Wave of Japanese Art and Culture Immerses College of DuPage in ‘Floating World’ Exhibition

The Cleve Carney Museum of Art at the College of DuPage has opened "Hokusai & Ukiyo-e: The Floating World," an immersive exhibition exploring Japanese ukiyo-e art from the Edo period. The show features woodblock prints and scrolls, including Hokusai's iconic "The Great Wave Off Kanagawa," drawn from the collection of 19th-century Italian engraver Edoardo Chiossone. Many prints are on view in the U.S. for the first time. The exhibition extends beyond traditional display with an outdoor garden, manga and anime rooms, and a recreated Edo village built by the college's theater department.

Pussy Riot co-founder starts Los Angeles prison performance with existential scream

Nadya Tolokonnikova, co-founder of Pussy Riot, began a durational performance titled "Police State" at the Museum of Contemporary Art (MOCA) in Los Angeles on June 5, 2025. Inside a mock prison cell at the Geffen Contemporary, she screams, plays a pink toy piano, synthesizer, and laptop, and layers live music with sampled prison noises to create an 80-hour experimental soundscape. The performance, running until June 15, references her own 2012 imprisonment in Russia for an anti-Putin protest. On the fourth day, MOCA closed due to clashes between ICE agents, the California National Guard, and protesters over immigrant raids, prompting Tolokonnikova to post: "Police State exhibit closed today due to police state."

Chantana Tiprachart Wins Han Nefkens Foundation’s Southeast Asian Video Art Grant

Thai artist and filmmaker Chantana Tiprachart has been awarded the 2026 Southeast Asian Video Art Production Grant by the Han Nefkens Foundation. The prize provides $15,000 for the production of a new moving-image work over a nine-month period, which will subsequently tour several international institutions including the Rockbund Art Museum in Shanghai and Nottingham Contemporary. The jury selected Tiprachart for her ability to locate social and political narratives within quiet, everyday spaces, praising her commitment to reflection in an era of information overload.

“Conspiracies” Aby Warburg Institute / London by Frank Wasser

The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.

There are 21 artists supporting the new voyage of the Global Sumud Flotilla that set sail from Sicily with painted sails

Ci sono 21 artisti a sostegno del nuovo viaggio della Global Sumud Flotilla salpata dalla Sicilia con vele dipinte

A new humanitarian mission by the Global Sumud Flotilla set sail on April 26 from Augusta, Sicily, with 59 Italian and Spanish boats heading toward Gaza. The flotilla, which follows a first attempt in September 2025 that ended with activists arrested by the Israeli military, aims to deliver humanitarian aid by early May. Twenty-one artists have joined the initiative, called Vele d'Arte, painting the sails of the boats with symbolic artworks. Among the participating artists are Gio Pistone, Antonio Curcio, Escif, Lydia Giordano, Glenda Costa, Millo, Elia Novecento, MP5, Matteo Todeschini, Alleg, Sam3, Okuda, Antonella Santonocito, Fabrizio Foti, Igor Scalisi Palmiteri, Andrea Sposari, and Salvo Ligama. The project was conceived by Carlo Alberto Giardina, who hopes the energy painted on the sails will transform into positive forces.

Rome and its visions in contemporary photography: from Carbone to De Angelis, to Hervé Gloaguen

Roma e le sue visioni nella fotografia contemporanea: da Carbone a De Angelis, fino a Hervé Gloaguen

The article critiques a recent trend in contemporary photography of Rome, exemplified by a 2020 exhibition at the Mattatoio (Nuove produzioni 2020 per la collezione Roma) that presented black-and-white images reducing the urban landscape to a dark, lifeless mass. The author contrasts this with a personal photograph of a horse taken during the Covid-19 pandemic, which captures Rome's periphery with warmth and specificity, and praises the 2024 exhibition "Roma 1975, città, volti e storie dell'anno giubilare" featuring photojournalist Fabio De Angelis's rediscovered work as a vital counterpoint.

A Baroque Too Baroque: Reflections on the Colossal Exhibition in Forlì

Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì

A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.

Union Theatre exhibit at arts museum raises more than $1,000 toward revival of the Attleboro landmark

The Attleboro Arts Museum held an exhibition titled “Staging a Comeback” that raised over $1,000 to support the revival of the historic Union Theatre in Attleboro, Massachusetts. The theater, which opened in 1928 as a vaudeville house and later became a movie theater, has been closed since 2002 and is owned by the Friedman family. The exhibit featured items on loan from the theater, including vintage Gold Metal brand popcorn boxes, and a popcorn-themed artwork by local artist Billie Klegraefe.

OpenAI Scraps Sora, Its Controversial A.I. Video App

OpenAI is shutting down its Sora text-to-video generation platform, discontinuing both its consumer app and its internet service for creatives. The closure, announced via a company statement on X, marks a strategic reversal after the platform's 2024 launch and the subsequent release of Sora 2 in late 2025.

David Krut Projects showcases artist’s latest exhibition | Rosebank Killarney Gazette

Artist Pebofatso Mokoena opened his latest exhibition, "Diamond Dust Apostrophes," at The Blue House in Parkwood on July 19, hosted by David Krut Projects. The show draws on his recent residency in Oranjemund, Namibia, where the landscape, history, and soundscapes influenced his creative direction. During the residency, Mokoena began creating ink drawings on A4 paper while waiting for oil paints, a limitation that shaped the exhibition's meditative tone. He also collaborated with fellow resident Ericke Tjiueza, using music—particularly the album "Floating Points" by Pharoah Sanders and the London Symphony Orchestra—as a tool to understand the town. The exhibition marks a shift from his 2020 solo show "Internal Probes," which focused on Johannesburg's urban chaos, toward stillness and reflection.

New York art museum showcases Raphael's rare prints

The Murray Hill Art Museum in New York has opened an exhibition featuring 100 rare prints of works by Italian Renaissance master Raphael. The show includes engravings and lithographs from the museum's own collection as well as loans from private collectors across the United States, and was attended by local artists and collectors at its opening ceremony on April 25, 2026.

Details on French museum works in Abu Dhabi

Des précisions sur les œuvres des musées français à Abu Dhabi

French museums and cultural institutions, including the Louvre, Versailles, the Centre Pompidou (Beaubourg), and the Musée d'Orsay, are refusing to disclose which specific artworks from their collections are currently on loan and on display at the Louvre Abu Dhabi. This lack of transparency occurs despite heightened regional security risks, including the threat of Iranian strikes. The French Ministry of Culture claims it is in close contact with UAE authorities to ensure the protection of the loaned works.

Sotheby’s Returns to Profit as Sales Rise, Though Cash Pressures Persist

Sotheby’s has reported a return to profitability in 2025, posting a $53 million pre-tax profit following a significant $190 million loss the previous year. Driven by a 20 percent increase in sales totaling $7.1 billion, the auction house benefited from a broader 4 percent recovery in the global art market. Despite these gains, the company is navigating complex financial pressures, including a $10.2 million commission lawsuit from Cushman & Wakefield and the need to refinance $765 million in debt by 2027.

German Provocateur Artist Sentenced to 8.5 Years in Prison in Russia After Mocking Putin

German carnival float artist Jacques Tilly has been sentenced in absentia to 8.5 years in a Russian prison. A Moscow court convicted him on charges of spreading false information about the Russian military and insulting religious feelings due to his satirical floats depicting President Vladimir Putin, including one showing Putin in a blood-filled bathtub painted like the Ukrainian flag.

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The Smithsonian’s National Museum of African American History and Culture (NMAAHC) will remove a significant timber fragment from the São José-Paquete de Africa slave ship on March 22. The artifact, which has been a centerpiece of the "Slavery and Freedom" exhibition since the museum's 2016 opening, is being returned to the Iziko Museums of South Africa following the expiration of a long-term loan agreement. It will be replaced by a cargo manifest documenting the enslaved individuals forced onto the vessel.

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Phillips’s “Geneva Jewels Auction” on Monday achieved CHF 13.7 million ($17 million) in total sales, with 96 of 113 lots sold (85% sell-through rate). Twelve lots from the Vanderbilt family sold out, contributing CHF 3.42 million ($4.25 million)—four times their low estimate. The top lot was “The Vanderbilt Sapphire,” a 42-karat sugarloaf Kashmir sapphire and diamond brooch by Tiffany & Co., which sold for CHF 2.88 million ($3.57 million), exceeding its $1–1.5 million estimate. Other highlights included a Cartier Magnificent diamond brooch ($560,582), a Bulgari “Serpenti” belt ($368,383), and multiple Cartier “Panthère” jewels. The auction drew over 1,600 visitors and bids from 44 countries.

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Adam Chinn, former chief operating officer at Sotheby's, has been quietly building International Art Finance (IAF), a boutique art lending firm backed by the billionaire Nahmad family. In a recent interview with ARTnews, Chinn revealed that IAF has disbursed nearly $400 million in loans and is on track to reach $500 million by the end of 2025. The firm offers short-term, non-recourse loans with an average size of $8 million, claiming an edge in speed and scale, with loans disbursed in as little as 10 days. The Nahmad family, prolific collectors and dealers, provides funding and conducts internal artwork valuations, a practice that has drawn scrutiny over potential conflicts of interest.

terracotta warriors china damage tourist mausoleum qin shi huang 1234744034

A 30-year-old Chinese tourist damaged two ancient terracotta warriors at the Mausoleum of Qin Shi Huang in Xi’an, China, on Friday. According to local officials, the man climbed over guardrails and a protective net, jumped more than 15 feet into Pit No. 3, and pushed and pulled the clay figures, causing varying degrees of damage before being restrained by security. Authorities suspect the man suffers from mental illness, and the case remains under investigation. The site reopened the following day.

school of visual arts faculty votes unionize 1234743586

Faculty at the School of Visual Arts (SVA) in New York have voted to unionize, with 1,200 instructors casting ballots 77% in favor of joining the United Auto Workers (UAW). The new bargaining unit, SVA Faculty United–UAW, was certified by the Labor Relations Board on May 23 and will seek its first contract this summer. Adjunct faculty, who make up most of SVA’s teaching corps, cited stagnant wages, heavier course loads, and the loss of retirement contributions and paid sabbaticals as key reasons for organizing. SVA’s administration said it encouraged participation and pledged to bargain in good faith.

dutch authorities suspect stolen dacian gold still intact 1234741905

Dutch authorities now believe that suspects in the January heist of Dacian gold artifacts from the Drents Museum in Assen hid the items after failing to sell them on the black market, raising hopes that the treasures—including the 5th-century Helmet of Coțofenești—may still be recovered intact. The gold, on loan from Romania’s National History Museum and insured for €30 million, was stolen in a nighttime raid. Three suspects are in custody, with two having their pre-trial detention extended by 90 days on charges of aggravated theft, property destruction, and causing an explosion. New searches in April led to two more detentions, and a full trial is expected in 2026.

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Far-right political blogger Curtis Yarvin has floated a proposal to take over the U.S. pavilion at the Venice Biennale with an "art ho"–themed exhibition centered on Titian's painting *The Rape of Europa* (1559–62). Yarvin discussed the idea in a New Yorker profile and promoted it in a YouTube video, which includes AI-generated imagery and a fake press release. He also reportedly rented a flat near Art Basel in Switzerland to host a party announcing the proposal. The article dismisses the initiative as a troll and a bid for MAGA cultural credibility, noting its lack of real momentum or institutional backing.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.