Los Angeles is hosting a surge of high-profile exhibitions to coincide with the arrival of Frieze Los Angeles and its various satellite fairs. The city's gallery and museum circuit is currently anchored by major debuts and surveys, including Leiko Ikemura’s mystical explorations at Lisson Gallery, Sarah Sze’s immersive video and painting installations at Gagosian, and Alejandro García Contreras’s folklore-inspired ceramics at Anat Ebgi.
L.A. Art Week 2026 is anchored by the return of Frieze Los Angeles at the Santa Monica Airport, featuring approximately 100 international galleries and the curated Frieze Projects. The week serves as a precursor to a landmark season for the city, which includes the upcoming opening of LACMA’s David Geffen Galleries and the debut of Lauren Halsey’s major sculpture park in South Central. Satellite fairs like Felix Art Fair at the Hollywood Roosevelt Hotel and the artist-centric Post-Fair continue to expand the week's geographical and conceptual footprint.
Art Basel Qatar opened its inaugural edition to VIPs in Doha, featuring an unconventional 'boothless' format with 87 exhibitors each presenting a solo artist. The fair, curated by artist Wael Shawky, is split between two venues in the Msheireb district, with blue-chip galleries in M7 and more emerging to mid-tier galleries in the Design District. The event is heavily subsidized by Qatar, significantly lowering costs for exhibitors and encouraging a focus on market education over immediate sales.
Los Angeles art institutions are presenting a diverse slate of spring exhibitions. Highlights include a major retrospective of conceptual artist Michael Asher at the Museum of Contemporary Art, a sprawling group show on Chicanx photography at the Riverside Art Museum and the Cheech, and an exploration of the Black Arts Movement through photography at the Getty. Other notable shows feature Arshile Gorky's road trip-inspired works at Hauser & Wirth, an audiovisual film exhibition at the Variety Arts Theater, and a presentation of Steven Arnold's queer baroque aesthetics at Del Vaz Projects.
The article argues that contemporary painting has entered a period of stagnation, characterized by bloated, vapid, and market-driven works. The author cites observations from Frieze London and the exhibition "Painting After Painting" at SMAK in Ghent, noting that much recent painting lacks intellectual rigor and emotional depth. A conversation with artist Christopher Wool is referenced, where he contrasts the current lack of critical dialogue with the productive crises of the late 1970s, when painters like Philip Guston faced backlash for challenging conventions.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for January, highlighting exhibitions from coast to coast. Featured artists include Jeff Koons at Gagosian in New York, where he presents monumental stainless-steel sculptures of gods and goddesses alongside layered paintings, and Giorgio Griffa at Casey Kaplan, whose survey "Consistently Through Variation" spans five decades of his process-driven work. Other notable shows include Julian Schnabel at Mnuchin Gallery and Marisol at Matthew Marks Gallery in Los Angeles.
A new biography, *Crumb: A Cartoonist's Life* by Dan Nadel, examines the life and work of Robert Crumb, the taboo-breaking underground cartoonist who rose to fame in the 1960s with surreal, satirical comics like *Head Comix*. The book details Crumb's troubled family history, his early career at American Greetings, and his creation of iconic characters such as Fritz the Cat and the Keep On Truckin' images, while also addressing persistent criticisms of sexism and racism in his work.
The autumn art market saw a significant upturn, with strong sales at Frieze London, Art Basel Paris, and New York auctions, including a $236.4 million Klimt and a $2.2 billion auction week in New York—up 77% year-on-year. Emerging London galleries like Ginny on Frederick, Rose Easton, and A. Squire have reinvigorated Frieze London, while Paris benefits from luxury-house funding, with the Fondation Cartier and Fondation Louis Vuitton hosting major shows. However, concerns persist about sustainability, as geopolitical volatility and post-Brexit challenges continue to affect the market.
Fall 2025 brings a wave of major monographic museum exhibitions worldwide, featuring artists such as Allan Rohan Crite, Wifredo Lam, Suzanne Jackson, Woody De Othello, and Theaster Gates. Highlights include the first mainstream museum shows for Crite in his hometown of Boston, the first solo museum exhibition for Gates in Chicago, and the first U.S. retrospective for Lam at MoMA. Other notable shows include surveys of Robert Colescott, Coco Fusco, Richard Hunt, Jacob Lawrence, and Cauleen Smith, spanning institutions from the San Francisco Museum of Modern Art to Zeitz MOCAA in Cape Town.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for December, highlighting exhibitions from New York to Los Angeles. Featured artists include Alex Da Corte, whose show at Matthew Marks Gallery presents 11 new sculptures in a narrative setting, including life-size self-portraits as the Pink Panther and Popeye; and Sylvia Snowden, whose exhibition "On the Verge" at White Cube in New York showcases 20 paintings from her career, exploring human struggles and joys through textured impasto works. Other notable shows include Marilyn Minter's portraits of celebrities at Regen Projects in Los Angeles.
Art Basel Miami Beach returned for its 23rd edition on December 3, 2025, with VIP previews at the Miami Beach Convention Center. The fair features 283 galleries from 43 countries, alongside nearly 20 satellite fairs including NADA and Untitled Art. Notable sales include a $5.5 million Gerhard Richter painting at David Zwirner and a $15 million Frida Kahlo miniature self-portrait at Weinstein Gallery. Director Bridget Finn expressed optimism about the fair's energy and its role in connecting contemporary art with music, fashion, and film.
Phillips’s modern and contemporary evening sale on 19 November generated nearly $54.8 million ($67.3 million with fees), a 25% increase over the same sale last year. Out of 33 lots, only two failed to sell, achieving a 94% sell-through rate. The top lot was Francis Bacon’s *Study for Head of Isabel Rawsthorne and George Dyer* (1967), which hammered at $13.5 million, followed by an untitled Joan Mitchell work from 1957-58 at $12 million. The sale also included natural history objects for the first time, such as a juvenile Triceratops skeleton nicknamed 'Cera,' which sold for $4.35 million. Female artists performed strongly, with Ruth Asawa’s copper wire sculptures sparking lengthy bidding wars and Firelei Báez setting a new artist record that was later broken at Christie’s the same evening.
Gagosian is collaborating with filmmaker Wes Anderson and curator Jasper Sharp to present an exhibition of Joseph Cornell's work in Paris. Titled *The House on Utopia Parkway*, the show will feature a recreation of Cornell's New York studio designed by Anderson, housing over 300 objects and curiosities from the artist's collection, including iconic works like "Pharmacy" (1943) and "Untitled (Pinturicchio Boy)" (1950). The exhibition runs from December 16 through March 14 at Gagosian's rue de Castiglione space, marking Cornell's first solo presentation in over four decades.
Art Basel Paris officially opened on October 22, 2024, with a new VIP tier called 'Avant-Première' granting early access to favored collectors. The fair saw a shift in mood from socializing to business-focused transactions, with multimillion-dollar works on offer, including a Gerhard Richter painting reportedly sold for over $20 million by Hauser & Wirth. Pre-fair events included dinners hosted by Marian Goodman for artist Paul Sietsema, gallery openings at Salon 94's new Palais-Royal space, and a VIP evening at the Musée d'Orsay for a Bridget Riley exhibition. American galleries and collectors dominated the week's parties, with events by David Zwirner, Gladstone, and others.
Art Week Tokyo returns for its fourth edition from November 5–9, 2025, co-hosted by over 50 venues across the city. Instead of a traditional art fair, visitors can use free shuttle buses to explore participating galleries, museums, and nonprofit spaces, including Pace, Perrotin, Kaikai Kiki Gallery, the Mori Art Museum, and the Museum of Contemporary Art Tokyo. Highlights include a curated Focus exhibition titled “What Is Real?” by documenta 14 artistic director Adam Szymczyk, a survey show “Prism of the Real” co-curated with M+, a mid-career retrospective for Aki Sasamoto, and special programming such as a guided tour of micro homes by architect Kazuyo Sejima and a pop-up bar designed by Ichio Matsuzawa with a menu by Michelin-starred chef Shinobu Namae.
Japanese artist Yoshitomo Nara, renowned for his kawaii-inspired paintings and sculptures, has switched gallery representation from Pace Gallery to David Zwirner after 14 years. David Zwirner, which has locations in New York, Hong Kong, London, Los Angeles, and Paris, will hold its first solo exhibition with Nara at an unspecified future date in New York. Nara will continue to work with his international agent, Equivalence Art Agency, and Pace Gallery will maintain a relationship with the artist. Nara's career includes major solo shows at institutions like the Albertina Modern in Vienna, the Hayward Gallery in London, and the Los Angeles County Museum of Art.
Art Basel Paris 2025, now in its fourth edition, took place from October 22–26 at the restored 1900 Paris Exposition venue, a Beaux-Arts landmark with Art Nouveau iron and glasswork. The fair hosted 206 international galleries and introduced a new 'Avant-Première' V.V.I.P. day on October 21, where each gallery could allocate six guest passes. Blue-chip sales were swift, led by Hauser & Wirth selling Gerhard Richter's *Abstraktes Bild* (1987) for $23 million to a European collector. Other notable sales included Bruce Nauman's neon sculpture *Masturbating Man* for over $4.7 million and Amedeo Modigliani's *Jeune fille aux macarons* (1918) for $10 million at Pace Gallery. The fair also featured curatorial sectors Emergence (16 solo presentations by emerging artists) and Premise (ten historical projects with works predating 1900).
The article examines the history and impact of major art prizes, including the Turner Prize (established 1984), the John Moores Painting Prize (nearly 70 years old), and the Loewe Foundation Craft Prize (annual award). It traces the origins of art prizes back to 19th-century Paris salons and highlights how these awards provide cash, recognition, and career acceleration for artists. Specific examples include Rose Wylie, who won the John Moores Prize at age 80 and later joined David Zwirner and secured a Royal Academy solo show, and Samuel Ross, who used his Hublot Design Prize winnings to start his own company.
Art Basel Paris 2025 returns to the Grand Palais, with off-site events across the city. For those without fair tickets, galleries throughout Paris are hosting notable shows alongside the fair, including Gerhard Richter at David Zwirner, Robert Rauschenberg's 'Gluts' series at Thaddaeus Ropac, Hans Op de Beeck at Templon, and Heinz Mack at Almine Rech. The article highlights ten must-see gallery exhibitions running concurrently with the fair.
This episode of "A brush with…" podcast features an in-depth conversation with artist Christopher Wool, who discusses his career spanning painting, photography, and sculpture. Wool reflects on early influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's novel *The Bluest Eye*, which inspired one of his text paintings. He also explains the title of his recent exhibition "See Stop Run" and how jazz has consistently inspired his work. The podcast is sponsored by Bloomberg Connects, which highlights museums that have shown Wool's work, including the Guggenheim, MoCA Los Angeles, and SFMOMA.
Christopher Wool is the subject of the latest episode of 'A brush with…' podcast, where he discusses his career spanning painting, photography, and sculpture. Born in Chicago in 1955 and working between New York and Marfa, Texas, Wool emerged in the late 1970s when painting's validity was questioned amid the rise of conceptual and photographic art. He reflects on influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's 'The Bluest Eye', which inspired one of his text paintings. The episode also covers his recent show 'See Stop Run' in New York and Marfa, and his current exhibition at Gagosian in London.
MoMA is opening "Ruth Asawa: Retrospective" on October 19, 2025, running through February 7, 2026, featuring 275 works by the artist, including over 60 looped-wire sculptures, bronze casts, paper folds, and drawings. The exhibition, which previously appeared at SFMoMA, occupies 16,000 square feet on MoMA's sixth floor and is the largest show ever devoted to a woman artist at either institution by checklist count, though neither museum has emphasized this superlative.
Phillips achieved a 100% sell-through rate at its Modern and Contemporary Art Evening Sale in Hong Kong on 27 September, totaling nearly HK$160 million (US$20.5 million). All 20 lots sold, with six works exceeding HK$10 million. The top lot was Yoshitomo Nara's *Pinky* (2000), which sold for HK$56.64 million (US$7.2 million) after its estimate was lowered from HK$60–80 million to HK$35–55 million. The sale was the first major test of Phillips' new Priority Bidding (PB) system, which offers a reduced buyer's premium to collectors who place written bids at or above the low estimate at least 48 hours before the auction. Seven lots were withdrawn and several estimates revised downward ahead of the sale, contributing to the white-glove result.
Andrew Lloyd Webber, the legendary composer behind 'The Phantom of the Opera,' has announced he is developing a new musical centered on the 1911 theft of Leonardo da Vinci’s 'Mona Lisa.' The production will dramatize the true story of Vincenzo Peruggia, an Italian glazier who stole the masterpiece from the Louvre, leading to a two-year international search before the painting was recovered in Italy.
Cartoonist and surrealist Glen Baxter has died at the age of 82. He was celebrated for his distinctive style, which blended deadpan captions with pop art-inspired scenes featuring characters like cowboys and spacemen in bizarre situations. His work appeared in major publications like the New Yorker and the Observer, and he was also a staple of humorous greeting cards.
The Pérez Art Museum Miami will present "Basquiat: Figures, Signs, Symbols," an exhibition of approximately ten works by Jean-Michel Basquiat from the collection of billionaire Kenneth C. Griffin. Opening June 25, the show includes the record-breaking 1982 painting "Untitled," which sold for $110.5 million in 2017 and was later acquired by Griffin, alongside other major paintings and a sculpture.
The Basque regional government has formally requested a temporary loan of Pablo Picasso's 'Guernica' from Madrid's Museo Reina Sofía to the Guggenheim Museum Bilbao for a period from October 2026 to June 2027. This would mark the painting's first movement since 1992 and is timed to coincide with the 90th anniversary of the bombing of Guernica. The request faces strong opposition from the Reina Sofía, which has released a conservation report stating the monumental canvas is too fragile to travel.
Nine jewels stolen from the Louvre are valued at $102 million, according to Paris prosecutor Laure Beccuau, contradicting earlier French claims that they were of “incalculable” value. The stolen items include a diadem worn by Queen Marie-Amélie and Queen Hortense, an emerald necklace of Empress Marie-Louise, and a diadem once held by Empress Eugénie, the latter containing nearly 2,000 diamonds. One crown belonging to Empress Eugénie was recovered after being dropped by the thieves, but the rest remain missing. The robbers entered through windows using small chainsaws and exited in under eight minutes. The Louvre has been closed since the heist, and cultural minister Rachida Dati defended the museum’s security systems before the National Assembly, calling the theft “a wound for all of us.”
The Los Angeles County Museum of Art (LACMA) has finally unveiled its new David Geffen Galleries, a $724 million concrete and glass structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot elevated gallery space will house 1,700 works from the museum’s permanent collection, including masterpieces by Francis Bacon, Henri Matisse, and Katsushika Hokusai. The building is scheduled to open to the public on April 19, marking the completion of a massive campus expansion that has been nearly two decades in the making.
The article highlights the 10 best Paris art shows of 2025, including major exhibitions at the Centre Pompidou, Fondation Cartier, and Fondation Louis Vuitton. Featured shows include Olga de Amaral's sculptural tapestries, Otobong Nkanga's multi-media works, Meriem Bennani's footwear-as-soundscape, Wim Delvoye's 'Énormément Bizarre' at Centre Pompidou, 'Paris Noir: Artistic Circulations and Anti-Colonial Resistance, 1950-2000' at Centre Pompidou, and 'David Hockney 25' at Fondation Louis Vuitton. The year also saw the closure of Centre Pompidou's Beaubourg building for renovation and the relocation of Fondation Cartier to a new site near the Louvre.