Holiday Shopping at Sotheby's: All I Want for Christmas Is a Shot Marilyn

Sotheby's has opened its new global headquarters in the Breuer Building on Madison Avenue, New York, with an exhibition titled "Icons: Back to Madison" featuring 27 contemporary art masterpieces valued at over $2 billion. Highlights include Jean-Michel Basquiat's "Untitled" (1982), which sold for $110.5 million in 2017, and Andy Warhol's "Shot Orange Marilyn" (1964), reportedly sold privately for $200 million. The show offers a rare public viewing of works typically held in private collections, including pieces owned by billionaire collector Kenneth C. Griffin.

Auction Results: New Records for Noah Davis and Antonio Obá at Sotheby's, Major Paintings by Barkley L. Hendricks and Kerry James Marshall Went Unsold

Sotheby’s New York held its Now & Contemporary Evening Auction on November 18 at the newly opened Breuer building, featuring works by Black artists. Noah Davis’s “The Casting Call” (2008) sold for $2 million, setting a new auction record for the late artist, while Antonio Obá’s “Alvorada – Música Incidental Black Bird” (2020) achieved $1.016 million, nearly ten times its low estimate. However, major paintings by Barkley L. Hendricks and Kerry James Marshall went unsold, highlighting a mixed market for exceptional figurative works. The auction followed a blockbuster sale of Leonard A. Lauder’s collection, where Gustav Klimt’s portrait sold for $234 million.

Gustav Klimt portrait sale breaks modern art record

Gustav Klimt's portrait of Elisabeth Lederer sold for $236 million (£180 million) at Sotheby's in New York, setting a new record for the most expensive work of modern art ever sold at auction. The painting, completed between 1914 and 1916, depicts the daughter of Klimt's most important patrons and was part of the collection of the late cosmetics billionaire Leonard Lauder, who had purchased it in 1985. The sale took place during Sotheby's first evening sale at its new Manhattan headquarters, with bidding starting at $130 million and narrowing to two contenders before the hammer fell at $236 million.

A gold toilet and the most expensive modern artwork ever sold at auction boost the New York market

Sotheby's New York held a landmark auction evening on November 18, 2025, featuring two headline-grabbing lots: Gustav Klimt's 'Portrait of Elisabeth Lederer' (1914-16), which sold for $236.4 million, becoming the most expensive modern artwork ever sold at auction, and Maurizio Cattelan's solid-gold toilet 'America', which sold for a disappointing $12.1 million after a single bid. The Klimt came from the collection of the late cosmetics heir Leonard Lauder, whose two-night auction total reached $527.5 million. The toilet, previously owned by investor Steve Cohen, had been commissioned when gold prices were far lower, ensuring the seller a profit regardless of the modest bidding.

Record $236.3m Klimt leads Sotheby’s first night of auctions in Breuer Building

Sotheby's first evening auctions in its new Manhattan headquarters, the former Whitney Museum building designed by Marcel Breuer, achieved a record total of $605.1 million ($706 million with fees) on November 18. The night was headlined by the sale of 24 works from the collection of the late billionaire Leonard Lauder, which alone brought in $456.2 million. The standout lot was Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer, 1914-16)', which sold for $205 million ($236.3 million with fees) after a nearly 20-minute bidding war, becoming the second-most-expensive painting ever sold at auction. A subsequent contemporary art auction added $148.8 million ($178.5 million with fees) across 44 lots.

Kicking off New York November sales, Christie's nets healthy $690m from double-header 20th-century auction

Christie's kicked off New York's November auction season with a double-header 20th-century evening sale on November 17, generating $574.7 million before fees and $690 million with fees. The sale featured 80 lots, including 18 from the collection of supermarket magnate Robert Weis and his wife Patricia Ross Weis, with highlights such as Pablo Picasso's *La Lecture (Marie-Thérèse)* selling for $45.4 million and Mark Rothko's *No. 31 (Yellow Stripe)* achieving $62.1 million. Two artist records were set, including for Leonor Fini, and the sale achieved a 94% sell-through rate, with 59 lots backed by third-party or house guarantees.

Christie’s $700M Night, Trump’s $7.25M Rockwell & Bonhams’ Big Names

The article reports on major auction results from Christie's, Bonhams, and other houses, including a $700 million evening sale at Christie's and a Norman Rockwell painting sold for $7.25 million linked to former President Donald Trump. It also highlights notable consignments and bidding activity from high-profile collectors and estates.

This month’s New York auctions could bring up to $2.3bn

New York's leading auction houses, including Sotheby's and Christie's, expect to generate between $1.7bn and $2.3bn during their November sales, driven by major consignments such as 55 works from the estate of Leonard Lauder and 37 works from the collection of Jay and Cindy Pritzker. Sotheby's, which has moved its headquarters into the former Whitney Museum's Breuer Building, leads the season with estimated sales of $863m to $1.175bn, featuring Gustav Klimt's Portrait of Elisabeth Lederer (estimated at $150m) and Frida Kahlo's El Sueño (La Cama) (estimated at $40m-$60m).

Cattelan's famous gold toilet goes up for auction: America for sale at Sotheby's

Maurizio Cattelan's iconic 2016 gold toilet sculpture, 'America,' will be auctioned at Sotheby's on November 18, 2025, during The Now and Contemporary evening auction. The starting bid will be tied to the fluctuating gold market price, currently around $10 million based on its 101.2 kg weight, and Sotheby's will accept cryptocurrency as payment. The work, a fully functional toilet made of 18-karat gold, was famously installed at the Solomon R. Guggenheim Museum in New York in 2016, where over 100,000 visitors used it, and was later stolen from Blenheim Palace in 2019. This is the only surviving version of the two originally made.

How the Studio Museum in Harlem Reshaped the Art World

The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.

The Metropolitan Museum of Art Announces Its MetLiveArts Fall and Winter 2025–26 Season

The Metropolitan Museum of Art has announced its MetLiveArts fall and winter 2025–26 season, featuring world premiere performances and commissions created specifically for the museum's galleries, as well as concerts in the Grace Rainey Rogers Auditorium. The season highlights a significant number of new works by female artists, including composers and musicians Gabriela Ortiz, Wu Man, Hanzhi Wang, Emily Wells, Layale Chaker, and Leilehua Lanzilotti. Performances will draw inspiration from the Met's collection and special exhibitions like 'Man Ray: When Objects Dream,' with events beginning September 9, 2025, featuring Wu Man and The Knights. The season also includes the JACK Quartet as the museum's 2025–26 Quartet in Residence and the appointment of Sarah Jones as Head of Live Arts.

The Big Review | David Hockney 25 at Fondation Louis Vuitton, Paris ★★★★

The Fondation Louis Vuitton in Paris has opened "David Hockney 25," a major retrospective billed as focusing on the past quarter-century of the British artist's work but actually spanning his entire career, from a 1955 portrait of his father to recent Yorkshire landscapes. The exhibition, curated by Norman Rosenthal and supported by the foundation's substantial budget, features loans from institutions worldwide and private collections, including the striking "Berlin: A Souvenir" (1962). It is the largest Hockney show ever staged, filling the Frank Gehry-designed museum with iconic swimming pool scenes, double portraits, vibrant landscapes, and densely hung salon-style galleries of family and friends.

Remembering Thomas Neurath, who brought single-minded energy and intellectual bravura to leading the publishers Thames & Hudson

Thomas Neurath, who led the independent publishing house Thames & Hudson for nearly sixty years, has died. The son of founder Walter Neurath, Thomas took over the company in 1967 after his father's early death and built it into one of the most respected imprints for illustrated art books. Known for his single-minded energy and intellectual bravura, he forged close relationships with artists including David Hockney and Barbara Hepworth, and maintained the firm's independence as a family business. His personal collection included works by Oskar Kokoschka and Egon Schiele, and he was an avid book collector who combined business travel with museum visits.

Ten essential works of art to see at the National Gallery in London

The National Gallery in London, home to over 2,300 paintings spanning Western European art from Giotto to Cézanne and including early modernism by Picasso, has recently completed a comprehensive rehang of its collection at its Trafalgar Square site. This coincides with the reopening of the Sainsbury Wing after a two-year renovation. The article highlights ten essential works to see, including Jan van Eyck's *The Arnolfini Portrait* (1434), Leonardo da Vinci's *The Burlington House Cartoon* (around 1506-08), and Paolo Veronese's *The Adoration of the Kings* (1573), emphasizing the gallery's free admission and its role as a cultural treasure.

Re-opening of Sainsbury Wing at National Gallery

The Sainsbury Wing at the National Gallery in London has reopened after a three-year refurbishment, inaugurated by King Charles III and Queen Camilla. The wing now serves as the main entrance, featuring large windows that flood the foyer with natural light, a high-tech screen showcasing masterpieces, and a rehang of the collection that groups early Renaissance and early Christian art together in rooms 51-66. Notable highlights include Sir Richard Long's 'Mud Sun', Paula Rego's 'Crivelli's Garden', a new unsigned Netherlandish altarpiece, and the temporary display of the Coronation portraits of the King and Queen until June 5th.

María Jesús Valenzuela: Winter Flowers

MARÍA JESÚS VALENZUELA: FLORES DE INVIERNO

María Jesús Valenzuela presents her solo exhibition "Flores de Invierno" (Winter Flowers) at Galería NAC in Santiago, Chile. The exhibition showcases a multidisciplinary approach to the natural world, featuring hand-embroidered cotton paper, color pencil drawings, and fine art photography. Valenzuela’s work acts as a contemporary field notebook, documenting landscapes ranging from the mangroves of Caddo Lake to the forests of Curaumilla, utilizing both ancient techniques like embroidery and modern digital printing.

WALTER OTERO A TROPICAL GALLERIST IN AMERICA S ECOSYSTEM

A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.

The Artist Who Painted Pixels Before We Saw in Pixels

Der Künstler, der Pixel malte, bevor wir in Pixel sahen

Reinhard Voigt, a German artist little known to the public, painted grid-based pictures as early as 1968—years before pixels became ubiquitous in daily life. Despite early discouragement from Gerhard Richter and fellow artist Alan Jones, Voigt persisted, creating meticulous works on paper and canvas using transparent paper, rulers, pencil, and oil paint. His first major exhibition, "Pure Pleasure," took place in 2023/2024 in Nuremberg, and his current duo show "High on Low" with Anna-Sophie Berger is on view at Berlin's Kunstraum Grotto, featuring his Word Paintings series. Voigt lives and works in Berlin-Prenzlauer Berg with his wife, artist Susan Elias.

Recensione, interviste e migliori stand della fiera d’arte contemporanea di Varsavia. Che cresce

Art Warsaw returns for its third edition, this time held in the historic Villa Róż, a former British embassy in Warsaw. The fair features 56 galleries, over 30 of which are international, and is co-founded by Joanna Witek-Lipka and Michał Kaczyński. The unconventional venue, with its blend of aristocratic luxury and Cold War-era bureaucratic spaces, is central to the fair's identity, offering an experience far removed from the typical white cube format. Galleries collaborated closely with organizers to adapt their presentations to the building's unique rooms, creating an atmosphere that balances a commercial fair with an exhibition project.

Chi sono i vincitori del XXIX Compasso d’Oro premiati all’ADI Design Museum di Milano

The XXIX edition of the Compasso d'Oro award, founded in 1954 by Gio Ponti and Rinascente, concluded at the ADI Design Museum in Milan. The jury awarded 3 Compassi d'Oro Young, 10 student project recognitions, 38 honorable mentions, and 20 Compasso d'Oro ADI prizes. Winning projects include Array sofa by Snøhetta for MDF Italia, Bilboquet lamp by Philippe Malouin for Flos, D'Antan armchair by Raffaella Mangiarotti for De Padova, and the Salone del Mobile.Milano Annual Report 2024. Career awards were given to nine figures including Giovanni Arvedi, Paola Lenti, and Alberto Meda, while three iconic products—Sedia '64 by AG Fronzoni, Tavolo Eros by Angelo Mangiarotti, and Tavolo con ruote by Gae Aulenti—received career Compassi d'Oro. The exhibition of all nominated projects runs until June 4, 2026.

Pappi Corsicato's film on photographer Claudio Abate, which recounts the artistic ferment of Rome between the 1960s and 1990s, is now on RaiPlay

È su RaiPlay il film di Pappi Corsicato sul fotografo Claudio Abate che racconta il fermento artistico di Roma tra gli Anni ’60 e ‘90

RaiPlay has released a new documentary film by Pappi Corsicato titled "Claudio Abate. L’obiettivo nell’arte" (2026), which pays tribute to the late photographer Claudio Abate (1943–2017). The film weaves together interviews, archival materials, and footage from Istituto Luce to chronicle Abate's life and work, focusing on his role documenting the vibrant Roman art scene from the 1960s through the 1990s. It highlights his collaborations with key figures such as Jannis Kounellis, Michelangelo Pistoletto, Fabio Sargentini, and the artists of the Pastificio Cerere school, capturing seminal performances, happenings, and installations that defined Arte Povera and other avant-garde movements.

In the Principality of Monaco, an exhibition where the great painter Poussin dialogues with contemporary art

Nel Principato di Monaco una mostra dove il grande pittore Poussin dialoga con l’arte contemporanea

The Nouveau Musée National de Monaco presents an exhibition titled "Le Sentiment de la Nature," which juxtaposes works by 17th-century French painter Nicolas Poussin and his followers with pieces by about thirty contemporary and 20th-century artists. The show is organized into six thematic sections—storms and nights, forests and gardens, seas and waterfalls, deserts and volcanoes, mountains, and flowers and butterflies—each exploring the ancient concept of "miracula naturae" (wonders of nature). Featured contemporary artists include Nan Goldin, Andreas Gursky, Thomas Demand, Sarah Moon, Mimmo Jodice, Giulio Paolini, Giorgio Andreotta Calò, and Fausto Melotti, with works spanning photography, painting, video, and sculpture. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Italian publisher Humboldt Books in collaboration with the museum.

Rediscovering the Eternal City of the 1500s in the drawings of Maarten van Heemskerck. The exhibition in Rome

Riscoprire la Città Eterna del ‘500 nei disegni di Maarten van Heemskerck. La mostra a Roma

A major exhibition at Palazzo Poli in Rome, hosted by the Istituto Centrale per la Grafica, showcases a selection of drawings by Dutch artist Maarten van Heemskerck (1498–1574) from his so-called 'little sketchbook,' now held at the Kupferstichkabinett in Berlin. The show, titled 'Maarten van Heemskerck e il fascino di Roma' and running until June 7, presents the artist's meticulous studies of Roman antiquities made during his four-year stay in the city from 1532, offering a rare visual record of Renaissance Rome's ancient collections before and after the 1527 Sack of Rome.

A Milano una grande mostra a Palazzo Reale racconta i Macchiaioli (e l’Italia del loro tempo)

A major exhibition at Palazzo Reale in Milan explores the Macchiaioli, the 19th-century Italian painting movement often seen as a precursor to Impressionism. The show brings together works by key figures such as Giovanni Fattori, Silvestro Lega, Telemaco Signorini, Giuseppe Abbati, and Odoardo Borrani, alongside tangential artists like Giovanni Boldini, Federico Faruffini, and Gerolamo Induno. It traces the movement's origins at Florence's Caffè Michelangiolo, its epicenter at Castiglioncello under patron Diego Martelli, and its evolution from the 1850s through the 1870s, when the group's democratic ideals and en plein air techniques challenged academic conventions.

Russian art today is blood. A tough interview with Pussy Riot

“L’arte russa oggi è il sangue”. Una dura intervista alle Pussy Riot

During the preview of the 2026 Venice Biennale, the Russian Pavilion became the site of a protest by Pussy Riot and FEMEN, who staged an action called "STORM OF VENICE." Wearing pink balaclavas and carrying radical slogans, they denounced Russia's presence at the Biennale, accusing the Kremlin and the European cultural system of complicity. The protest centered on the phrase "Blood is Russia's art." In an interview, Pussy Riot member Nadya Tolokonnikova argues that artists who represent the official Russian Pavilion become instruments of the aggressive imperial state, and that the Biennale confuses cultural dialogue with political normalization.

The documentary dedicated to Sicilian patron Antonio Presti airs on Rai Tre. Here is the video preview.

Va in onda su Rai Tre il documentario dedicato al mecenate siciliano Antonio Presti. Qui la video anteprima

On Tuesday, May 19, 2026, at 3:30 PM, RAI 3 will broadcast the documentary "Asteroide 20049 Antonio Presti," produced by Rai Documentari and dedicated to Sicilian patron Antonio Presti (born 1957). Written by Fedora Sasso and Francesco Castellani, curated by Giulietta Venneri, and directed by Fedora Sasso, the film explores Presti's four-decade career using art to intervene in marginalized areas of Sicily. The documentary's title references an asteroid named after Presti, symbolizing his vision linking cosmic and urban space. It opens at the Astrophysical Observatory of Isnello and focuses on the Catania neighborhood of Librino, where Presti created MAGMA, an open-air museum developed through collaboration with students, artists, and residents.

A New York il Metropolitan museum ingloba la Neue Galerie: ovvero la più importante collezione d’arte austriaca e tedesca fuori dall’Europa

The Metropolitan Museum of Art and the Neue Galerie in New York have announced a merger set for 2028. The Neue Galerie, founded by collector Ronald S. Lauder, will become The Met Ronald S. Lauder Neue Galerie, absorbing the most significant collection of early 20th-century Austrian and German art outside Europe, including Gustav Klimt's "Portrait of Adele Bloch-Bauer I." Lauder and his daughter Aerin Lauder Zinterhofer will donate thirteen major works from their private collection, and a fundraising campaign has been launched to support the integration.

A new wing to solve the problems of the Galleria Borghese in Rome. Beautiful challenge, tedious controversy

Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche

The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.

VALIE EXPORT, icon of feminist art who placed the body at the center of her research, has died

È morta VALIE EXPORT, icona dell’arte femminista che ha messo il corpo al centro della sua ricerca

VALIE EXPORT, the Austrian artist and feminist icon known for using her body as a political and artistic tool, has died in Vienna at age 85. Born in Linz in 1940, she changed her name in 1967 and became a pioneer of performance, film, and media art, creating provocative works such as "Tapp-und Tastkino" (1968), where she turned her body into a touchable cinema screen, and "Aktionshose: Genitalpanik" (1969). Her career spanned over six decades, and she taught at institutions including the University of Wisconsin and the Berlin University of the Arts. In 2023, the Albertina Museum in Vienna held a major retrospective of her work.

The Museums of Verona have a new director. "This city can become a cultural laboratory," says Lorenzo Balbi

I Musei di Verona hanno un nuovo direttore. “Questa città può diventare un laboratorio culturale”, dice Lorenzo Balbi

Lorenzo Balbi, currently director of MAMbo in Bologna, has been appointed as the new director of the Musei di Verona, a civic museum network that includes the Arena di Verona, Casa di Giulietta, Museo Archeologico al Teatro Romano, Museo Civico di Storia naturale, Museo degli Affreschi di G. B. Cavalcaselle, Museo di Castelvecchio, Museo Lapidario Maffeiano, and Galleria d’Arte Moderna Achille Forti. He will take office in September 2026, selected for his strategic vision to revitalize the system as a hub for cultural production, civic participation, and international dialogue.