The Tahawus Gallery will host an upcoming exhibition featuring 11 artists whose works explore the intersection of nature and art. The show brings together a diverse group of creators to examine themes of landscape, ecology, and the natural world through various media.
The Tottori Sand Museum in Japan has opened its 20th anniversary exhibition, themed around Spain. The show features monumental sand sculptures recreating iconic Spanish landmarks, including several of Antoni Gaudí's structures, most notably the Sagrada Familia basilica. The exhibition began last month and will run through January 3, continuing the museum's tradition of annual themed displays that began outdoors in 2006 and moved to a dedicated indoor building in 2012.
The Museum of Art and Photography (MAP) in Bangalore, India, celebrated International Museum Day by presenting a special showcase that weaves together themes of botany, history, and social media. The exhibition highlights how plant life has been depicted in art across centuries, from historical botanical illustrations to contemporary digital works, and explores the intersection of nature, culture, and online platforms.
The 61st Venice Biennale, themed 'In Minor Keys' by late curator Koyo Kouoh, has been marked by political protests against Russia and Israel's participation, pavilion closures, and threats to funding. Despite this tense atmosphere, several national pavilions quietly embody Kouoh's vision of nurture, intimacy, and reflection. Highlights include the Japan Pavilion's 'Grass Babies, Moon Babies' by Ei Arakawa-Nash, where visitors carry and care for baby dolls, and the Polish Pavilion's 'Liquid Tongues' by Bogna Burska and Daniel Kotowski, an immersive sound installation exploring Deaf culture and marginalized communication.
An art exhibition titled "El Arte de la Resistencia" opened in Tucson, featuring artwork created by migrant children who have participated in La Ristra's art therapy program. The show includes life-size paintings, such as a boy's self-portrait with an excavator in his belly symbolizing his deported father's work, and a colorful cactus painted by another child. The exhibition, held in a small gallery near Fourth Avenue and Seventh Street, runs until May 17, 2026, with original pieces for sale to benefit the young artists and prints sold to raise funds for La Ristra, a nonprofit providing emotional support to migrant families.
The Susan Velder Gallery and More in St. Walburg, Saskatchewan, is hosting 'Invisible Winds: Stories You Can Not See, Journeys toward Wholeness,' a traveling exhibition curated through the Organization of Saskatchewan Arts Councils (OSAC). Featuring 19 local artists, the show explores hidden emotional realities such as adoption, PTSD, trauma, and resilience through mixed-media works, including Holly Hildebrand's textured portraits 'Ghosts and Shadows: Heather' and 'Ghosts and Shadows: Teanna.' Visitors are encouraged to scan QR codes to hear artists' stories, and many return multiple times to absorb the heavy themes.
The Oklahoma Arts Council has received the largest gift in the history of the Oklahoma State Art Collection: ten works by influential Native artists from The Howard L. and Mary Ellen Meredith Collection, donated by America Meredith and Samonia Byford in honor of their parents. The donated works include pieces by Benjamin Harjo Jr., Norma Howard, Vanessa Paukeigope Jennings, Ruthe Blalock Jones, Shan Goshorn, Doc Tate Nevaquaya, Jane Osti, Juanita Pahdopony, Jeri Redcorn, and Dick West. The artworks are now on display in the Betty Price Gallery at the Oklahoma State Capitol, alongside two other recent acquisitions.
The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.
The article is a photo gallery showcasing the senior art exhibition 'sonder' at the University of Texas Rio Grande Valley (UTRGV). It features the work of graduating art students, highlighting their individual projects and creative processes as part of their final academic showcase.
Artist and educator Diego Romero is opening a new gallery called Rayo del Alma in Santa Fe, located at 130 W Palace Avenue. The space, which has been in planning for decades, will feature works by local artists including Maggie Hanley, Donica Dominguez, Oriana Lee, and Marie Maez, alongside Romero's own multimedia photography. The gallery also offers vintage Western wear, jewelry, prints, and stickers, aiming to reflect the collaborative and artisanal spirit of New Mexico. Romero, a Las Vegas, New Mexico native with a background in multimedia and digital media, draws inspiration from his grandfather, who taught him photography with a 35mm Mamiya camera. His practice focuses on nighttime sky shots printed through an aluminum process, capturing the movement of the cosmos in still images.
A ten-day collagraph printmaking exhibition opened on Wednesday at Kaalnee Art Studio in Rayer Bazar, Dhaka. The exhibition features 19 prints by 14 artists, created during a four-day workshop led by UK-based Bangladeshi artist Zaman Md Fakruzzaman and coordinated by Tarek Amin, jointly organized by Kaalnee Art Studio and the East London Academy of Art. Notable artists including Abul Barq Alvi, Nisar Hossain, Shishir Bhattacharya, Saifuddin Ahmed, Rashid Amin, and Tarek Amin attended the opening ceremony.
Martha McDonald will perform original songs on a glass armonica at the Fairmount Water Works in Philadelphia as part of 'Currents,' a new multimedia art exhibit. The show features installations by 10 local artists that animate the historic water system's underground corridors, coinciding with the 250th anniversary of the Declaration of Independence. Works include a 3D animation timeline of the Schuylkill River by Nadia Hironaka and Matthew Suib, photographic pieces by Julianna Foster, and an installation by Taji Ra’oof Nahl addressing water and honey bees. The exhibit runs through Aug. 8.
The Muskegon Museum of Art has announced a new exhibition titled 'HerStory of Animation: Mary Blair & Beyond,' premiering June 6 through September 27. The show redefines animation history by highlighting the contributions of women animators and artists, from early pioneers like Helena Smith Dayton and Lotte Reiniger to contemporary figures. Curated by Mindy Johnson, the exhibition features production artwork, studio artifacts, rare imagery, films, and newly uncovered research spanning over a century of innovation.
The article reviews "Before We Knew Better," a group exhibition at Elise Seigenthaler Gallery featuring artists Sarah Bedford, Day Brièrre, Josiah Ellner, and Léa LeFloc'h. The critic reflects on the show's thematic framing around narrative, folklore, and personal mythology, while expressing frustration with its open-endedness and lack of clear intent. Specific works are discussed, including Ellner's psychedelic unicorn paintings, LeFloc'h's enigmatic works on paper, Bedford's nocturnal flowers, and Brièrre's intricate ceramics, though the critic notes the installation does not always serve the pieces well.
A contemporary art fair called "This is Normal" has been held in Kyiv, Ukraine, during wartime, organized by the Art Kyiv fair. The event features over 20 Ukrainian artists and galleries at the Lavra Gallery, deliberately avoiding any direct reference to the war in its booths or artworks. Organizers and participants describe the fair as a space for cultural continuity and psychological respite, where art helps people make sense of a reality shaped by missile strikes and loss.
At TEFAF New York, held at the Park Avenue Armory, the art fair known for its European roots showcased a range of works. Our critic highlights five lesser-known artists who stood out, offering fresh perspectives that cut through the traditional art-world star system.
The article highlights standout booths at Frieze New York, held at the Shed, featuring 65 galleries. It notes a dominant presence of paintings alongside a surprising array of small sculptures, offering a curated look at the fair's most compelling presentations.
The New York Times reports that three major auction houses are poised to sell $2.6 billion worth of art in a single week during the spring season, driven by five luxury artworks. The sales are among the most anticipated in years, with major buyers shifting focus away from female and younger artists toward more traditional, established names.
Air de Paris, a highly influential Parisian gallery known for representing many of the most significant contemporary artists, has become one of the earliest supporters of Contemporary Art Daily's parent organization, Contemporary Art Library. The announcement, made by Contemporary Art Daily, highlights Air de Paris's pioneering role in elevating the gallerist's activities into a form of artistic expression, and positions the gallery as a model for the entire field.
La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.
TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.
The IPER Festival delle periferie returns to Rome's Quadraro neighborhood for its fifth edition, titled "Super Lieux (Super luoghi) Periferie. Storie e geografie." Running until May 31, the festival features conferences, roundtables, study days, talks, exhibitions, and performances. A highlight is "Überlagerungen," a diffuse art review curated by Spazio Y that animates the Quadraro Vecchio district on May 16 with actions, installations, and shows from 4 PM to 11 PM. Participating venues include Spazio Kina, vineria Moggio, and osteria Grandma, with works by artists such as Lucia Bricco, Giulio Cassanelli, Felice Levini, and many others.
Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena
The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.
Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.
Intervista all’artista del Padiglione Danese della Biennale di Venezia 2026 che ha messo in scena i porno divi
The Danish Pavilion at the 2026 Venice Biennale presents "Things to Come," a project by artist Maja Malou Lyse (b. 1993, Denmark), curated by Chus Martínez. The installation combines a three-channel video developed with DIS, materials from Cryos (the world's largest sperm bank), and performers from the porn industry, embedding them within the pavilion's architecture to explore the convergence of pornography, biotechnology, desire, and visual culture as a single system of imaginary production.
Intervista alle curatrici che hanno portato l’Italia alla Craft Week di Londra
Amalia di Lanno and Valeria Zerbo, founders of the London-based curatorial platform Avant Craft, are bringing Italian ceramics to the London Craft Week for the first time. Their exhibition, "Contemporary Perspectives on Italian Ceramics," showcases a selection of independent Italian artists and designers who explore ceramics as a material investigation, sculptural experimentation, and cultural continuity. The show opens on May 14 with a "Meet a Master" event featuring artist Riccardo Monachesi, marking the official kickoff of Avant Craft.
From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
Writer-artist Nia Zera recently opened her exhibition "Cobalt Blue" in Chennai, featuring 31 paintings on shaped wooden panels that draw parallels between Dravidian communities in south India and African cultures. The works explore shared histories of resource wealth and colonial exploitation, inspired by Karen Blixen's 'Out of Africa' and Zera's own upbringing near the Muthuvan Kudi community in Munnar, Kerala. The exhibition took one year and one month to complete, using a predominantly blue palette referencing cobalt and blue-green algae from Africa.
The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.