A new exhibition at the Frick Collection, "Gainsborough: The Fashion of Portraiture," re-examines the 18th-century English painter's work. It focuses on how his portraits, from early Suffolk "conversation pieces" to later Bath society commissions, used landscape and lavish clothing to visually encode social status, ownership, and belonging.
This week, several Parisian galleries are opening new exhibitions, with a concentration in the Marais district. Highlights include Olivier Kaeppelin's group show of four female painters at H Gallery, Mamma Andersson's works on paper at David Zwirner, Lucio Fontana's ceramics at Karsten Greve, Michel François's entropic ensembles at Art: Concept, and Anselm Kiefer's show at Thaddaeus Ropac in Pantin. Other notable openings include Linda Sanchez at Galerie Papillon, Chechu Álava at Galerie Xippas, and group exhibitions at Galerie Allen and Galerie The Pill.
Ana Pellicer, a Mexican sculptor celebrated for her monumental copper creations, has died at age 79. Mexico’s culture ministry announced her death this week without specifying a cause. Pellicer gained international recognition later in life for the oversized jewelry she created for the Statue of Liberty, including a 36-foot-tall necklace exhibited at MoMA PS1 in New York in 2018 as part of the show “Body Armor.” Born in Mexico City in 1946, she spent much of her career in the shadow of her husband, sculptor James Metcalf, and together they trained female artisans in Santa Clara del Cobre in ancient copper techniques, founding the Centro de Acción Educativa.
Alex Foxton presents his latest exhibition, “Knight of the Sorrowful Countenance,” at New York’s Salon 94 in partnership with Galerie Derouillon, opening September 10. The show features a new series of monumental canvases exploring modern masculinity, inspired by moments such as Volodymyr Zelensky’s suitless visit to the White House, British royalty, fascist armies, and prep school students. Foxton, trained in fashion design at Central Saint Martins and formerly at Louis Vuitton, Bottega Veneta, Maison Margiela, and Dior, employs a limited color palette drawn from military and 19th-century male dress norms, balancing desire and discipline. The exhibition includes works referencing figures like Yukio Mishima and bullfighter Manolete.
DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS
The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.
This article from the St. Pete Catalyst rounds up several visual art events in the St. Petersburg, Florida area. Highlights include the debut of Nate Jessup's first gallery exhibition, "Peonies in Winter," at Soft Water Gallery; the upcoming exhibition "Faces of Inequality: Depression Era Photography" at the Museum of the American Arts and Crafts Movement (MAACM), curated by museum owner Rudy Ciccarello; and a new photography show at the University of South Florida Contemporary Arts Museum featuring work by military veterans. It also notes a concert inspired by artist Ali Banisadr at the Museum of Fine Arts St. Petersburg, a piano recital at the Dali Museum, and two photography exhibitions by Benjamin Dimmitt at Wild Space Gallery, including "An Unflinching Look: Elegy for a Landscape."
Judith Murray's solo exhibition 'Pure Pleasure' is on view at Sundaram Tagore Gallery in New York. The show presents a selection of the artist's vibrant, abstract paintings that explore color, form, and sensory experience.
Meg Webster's exhibition 'Thicket' opens May 9 at Paula Cooper Gallery, 521 West 21st Street, New York, featuring new sculptures and drawings. The centerpiece is a large spiral installation made from plant cuttings, inviting viewers inside for an immersive sensory experience. The show follows Webster's major presentation at Dia Beacon (2024–2026) and her inclusion in 'Minimal' at Bourse de Commerce - Pinault Collection, Paris (2025–2026). Also on view are monochromatic works on paper made by rubbing organic materials onto the surface, and a three-part beeswax relief.
Photo London has opened its latest edition at Olympia London, marking a significant move from its previous home at Somerset House. The fair brings together international galleries from cities including New Delhi, Cologne, New York, Glasgow, Buenos Aires, Johannesburg, Zurich, Paris, Tokyo, Taipei, Munich, and London, creating a global conversation around photography. Highlights include Alfredo Jaar's installation 'Searching for Africa in LIFE,' which interrogates the absence of African voices in Western media, and presentations by Autograph, Leica Gallery London, and others that explore themes of migration, memory, identity, and representation.
Spoleto Festival USA and Piccolo Spoleto begin on May 22, and the article highlights a curated selection of visual art exhibitions in Charleston to enjoy alongside the festival's performances. Featured venues include Robert Lange Studios, Corrigan Gallery, Stevenson and Co., Atrium Gallery, Meyer Vogl, Duckworth Gallery, and the Gibbes Museum of Art, which opens "Mary Whyte: Salt of the Earth" and continues "Rodin: All the Truth in Nature." The College of Charleston's Halsey Institute of Contemporary Art, under new director Michael Dickins, presents "Make Room" by In Kyoung Chun and another exhibition through July 25.
Maureen Paley presents *The Fugitive Marvels of Sunset*, the fifth solo exhibition of Canadian artist Paul P. at the gallery. The show features his signature portraits of anonymous young men, sourced from gay erotic magazines from the late 1960s to early 1980s, alongside paintings of bats, laundry, and seascapes that explore twilight and threshold moments. The exhibition draws on coded visual languages from Victorian-era dandies and post-Stonewall culture, with works also included from a recent two-person show at KW Institute for Contemporary Art, Berlin.
Fortes D'Aloia & Gabriel in São Paulo presents 'Thapiri/Sonho', the first gallery exhibition in the city by Yanomami artist Sheroanawe Hakihiiwe. The show features paintings and monotypes that translate daily encounters in the Venezuelan Amazon—animal traces, plant structures, and natural formations—into a graphic vocabulary of lines, dots, circles, and repeating patterns. Hakihiiwe's work draws on Yanomami oral traditions and mnemonic structures, linking observed reality with dream encounters. The exhibition follows his 2023 solo presentation at MASP and includes works previously shown at MAC Parque Forestal in Santiago, Chile, and Sala TAC in Caracas.
The Parrish Art Museum in Water Mill, New York, has announced its Summer 2026 guide, detailing a robust schedule of exhibitions and public programs running through August. Highlights include "Regeneration: Long Island’s History of Ecological Art and Care" featuring 11 intergenerational artists, a solo presentation of Sanford Biggers titled "Drift," and exhibitions of works by Ellsworth Kelly and Will Ryman. The museum also offers a wide range of events such as docent-led tours, art workshops for children, therapeutic programs for Alzheimer's patients and cancer survivors, and member mornings.
The Parrish Art Museum in Water Mill, New York, will present 'Sanford Biggers: Drift,' the artist's first major solo exhibition on the East End of Long Island, opening in summer 2026. The show features new works, site-responsive installations, and signature sculptures and textiles, including the monumental cloud installation 'Unsui (Cloud Forest)' (2025). The exhibition is part of the museum's 'PARRISH USA250: Life, Liberty, and the Pursuit of Happiness' series, which marks America's semi-quincentennial by exploring the ideals of the Declaration of Independence through the lens of Long Island's artistic heritage.
Local independent band Elephant's Eye is organizing a free festival of art and live music at CitySpace's Blueroom in Easthampton's Old Town Hall on Saturday, May 16, from 6-9 p.m. The event features art exhibits, live music from local bands, spoken word performances, and a multimedia experience, with a suggested $5 donation. Performers include Dr. James Hartley, Jonny Allen, Kentucky Dave Chandler, and Elephant's Eye Band, who will close the show with paintings circling the stage.
Kiki Smith presents her tenth solo exhibition at Galerie Lelong in Paris, titled 'Flight'. The show features bronze sculptures, two large stained-glass windows, drawings, and an imposing print, all exploring themes of continuity and unity across humans, animals, and plants. Birds such as eagles, doves, and owls carry symbolic weight, reflecting the artist's fears, desires, and dreams.
Photographer Widline Cadet has opened her first solo museum exhibition in the United States, titled "Currents 40: Widline Cadet," at the Milwaukee Art Museum. The show, on view through August 9, 2026, features 52 photos and videos that explore her family's migration story from Haiti to the United States. Cadet's installation includes a recreated Haitian living room with plastic flowers, ceramic angels, and a wall-size portrait of her father, blending reality and fantasy to evoke fragmented memories of home.
This article from a Seattle arts publication rounds up May visual art events, including the Seattle Art Book Fair (May 9–10) at Washington Hall featuring over 85 artists and free admission; Timothy White Eagle's exhibition "Once Wild River" (May 9–June 21) at Mini Mart City Park, culminating his EPA artist-in-residency; "Monochrome: Calder and Tara Donovan" (May 13–Jan 17, 2027) at the Seattle Art Museum, where Donovan responds to Alexander Calder's black works; "Rebels + Icons: The Photography of Janette Beckman" opening May 15 at MoPOP, the largest collection of her iconic musician portraits; and Drie Chapek's "Then Is Now" (May 21–June 27).
Artsy is offering for sale Richard Diebenkorn's work "Untitled (For Harvey Gantt)", a piece by the renowned American painter associated with Abstract Expressionism and the Bay Area Figurative movement. The artwork is listed on the online platform, making it available to collectors and art enthusiasts.
This article surveys several spring exhibitions in Chicago that explore themes of spiritualism, symbolic systems, and interconnected consciousness. Featured shows include Mindy Rose Schwartz's "Countersealed" at M. LeBlanc, which uses deconstructed fur coats, wands, and twisted fiber sculptures to evoke rituals addressing ecological disaster and historical subjugation. Daniel G. Baird's "Margin" at Patron examines thresholds between material and spiritual realms through a gilded canoe, wax arm cast, and birchwood oar. Leah Ke Yi Zheng's "Change, I Ching (64 Paintings)" at the Renaissance Society presents 64 hexagram paintings on silk, connecting abstract minimalism with Eastern silk painting traditions.
Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.
NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.
The New York Historical will present "Betye Saar’s Black Dolls" from May 8 to October 4, 2026, celebrating the artist’s 100th birthday. The exhibition features 27 dolls from Saar’s promised gift of over 100 Black dolls to the museum, alongside 15 watercolors and several assemblages, including "Hoo Doo Woman" (1974) and "Indigo Mercy" (1975). Saar, a key figure in the Black Arts and feminist art movements, began collecting Black dolls in the late 1960s after growing up without one.
Auckland Art Gallery is presenting 'Forever Tomorrow: Chinese Art Now,' a major survey of Chinese contemporary art featuring 67 works by 42 artists, running from May 2 to August 23, 2026. The exhibition includes Xiao Lu's iconic 1989 work 'Dialogue,' which she famously shot with a gun hours after its opening, an act later linked to the Tiananmen Square protests. Xiao Lu comments on the political resonance of the show in New Zealand amid global shifts in democracy and US-centric world order.
Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.
Pilar Corrias, a London gallerist, opened her eponymous gallery in 2008 during the global financial crisis, defying the trend of closures. She commissioned architect Rem Koolhaas to design the space and built a program with a strong intellectual focus and a diverse roster of artists.
Green Art Gallery in Dubai is hosting 'All the Lands from Sunrise to Sunset,' a group exhibition featuring Alla Abdunabi, Fatma Al Ali, Alessandro Balteo-Yazbeck, and Michael Rakowitz. The show explores the persistence of imperial logics and extractive economies through diverse media, including text-based collages, reconstructed artifacts made from food packaging, and archival interventions. By examining acts of naming, erasure, and symbolic circulation, the artists treat empire not as a historical relic but as a mutating contemporary condition.
Alserkal Avenue in Dubai has launched its 2026 Art Month, expanding its traditional week-long celebration into a five-week program. The opening weekend features 18 participating galleries debuting flagship exhibitions, including a solo show by Anthony Akinbola at Carbon 12 and a 20th-anniversary group exhibition at Gallery Isabelle. Key highlights include interactive screen-printing workshops with Shilpa Gupta and the unveiling of her public art installation, "Still A Sky We Hold," alongside curated tours and artist talks.
The Dallas Museum of Art (DMA) has selected several new works for its permanent collection through the Dallas Art Fair (DAF) Foundation Art Acquisition Fund. During the 2026 edition of the fair, curators and donors chose pieces by artists including Hasani Sahlehe, Caroline Monnet, Gloria Klein, Raymond Saunders, and Nicole Eisenman. The acquisitions span a variety of media, from large-scale abstract paintings and triptychs made of industrial materials to wood reliefs and works on paper.
The Dallas Art Fair returns for its 18th edition from April 16–19, 2026, featuring over 90 international galleries at the Fashion Industry Gallery. Director Kelly Cornell highlights key participants including blue-chip mainstays like Perrotin and OMR alongside newcomers like James Fuentes, who will present works by Dallas Art Prize winner John McAllister. The week also features the Dallas Invitational, a boutique fair at the Rosewood Mansion, and major institutional shows at the Nasher Sculpture Center and The Warehouse.