Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
The South African artist collective MADEYOULOOK has unveiled 'Mafolofolo' at Hangar – Centro de Investigação Artística in Lisbon. Curated by Margarida Mendes, the installation utilizes sound, oral histories, and liberation songs to map the complex relationships between land, memory, and dispossession in northern South Africa. The work, which originally debuted at documenta fifteen, has been reconfigured for this specific research-driven setting to explore themes of extraction and survival.
The Dittmar Memorial Gallery in Evanston is hosting 'I Was Here,' a community-driven exhibition running from April 9 to May 3, 2026. Curated by Jasmine Ametovski and Clare Kirwan, the show features 24 local artists utilizing diverse mediums such as sound, video, and beeswax to document their daily lives. The project prioritizes lived experience and personal encounters over traditional, academic studio practices.
The Riverside Artists Group is celebrating its 40th anniversary with a major retrospective titled "PULL FOCUS" at the Riverside Studios in Hammersmith. The exhibition features 48 artworks across various media—including oil paintings, sculptures, and digital prints—by 33 artists, alongside a 30-minute documentary film and an extensive archive of the group's history. Founded in 1986 following an open submission call that drew over 1,000 entrants, the collective has grown from a local community initiative into an international presence.
The Dixon Gallery and Gardens has concluded the third and final installment of its ambitious "Black Artists in America" exhibition series. This concluding chapter focused on the late 20th century, showcasing how African American artists navigated the Civil Rights Movement and the subsequent shift toward contemporary abstraction and conceptualism while maintaining a dialogue with social justice.
The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.
The Working Arts Club (WAC), a London-based organization supporting art professionals from lower socio-economic backgrounds, is expanding to northern England. Its new chapter will launch in Manchester on March 24, with plans for regional programming and online events. Founder Meg Molloy emphasizes that class barriers in the art world are systemic, not confined to London.
The exhibition 'Routed West: Twentieth-Century African American Quilts in California' will run from September 18, 2026, to January 17, 2027, at BAMPFA. It traces the flow and flourishing of quilts during the Second Great Migration (1940–1970), when approximately five million African Americans moved from the rural South to the North and West, with hundreds of thousands arriving in California carrying quilts as containers of ancestral memory and cultural survival. The show features more than 80 artworks organized across several themes, highlighting repurposed work clothes, improvisational piecing, and pattern-based quilting by migrants from Arkansas, Louisiana, Mississippi, Oklahoma, and Texas. Works by contemporary artists show how these traditions remain alive today.
Topkapı Palace in Istanbul has opened a new Tile Art Gallery in its Mabeyn section, featuring a restored historic passage that connects the Mabeyn area with the Harem-i Hümayun. The gallery, called the Mabeyn Yolu (Route) Tile Art Gallery, showcases the stylistic and technical evolution of Ottoman tile art from Iznik to Kütahya, displaying tiles that were previously kept in storage. National Palaces President Professor Yasin Yıldız announced that the project took nearly three years and includes tiles bearing the names of Ottoman sultans from Osman Gazi to Sultan Selim II, as well as couplets from the 11th-century poem "Qasida al-Munfarija."
Red Deer's First Fridays gallery openings for December 2025 feature multiple exhibitions across the city. The Red Deer Arts Council and Red Deer Public Library present “The Canadian Landscape Abstract Paintings” by John Bladek at Kiwanis Gallery (Dec. 2–Feb. 8, 2026), showcasing abstract interpretations of iconic Canadian scenes. The Red Deer Arts Council Community Gallery hosts the Mini Masters Year-End Fundraiser pop-up (Nov. 17–Jan. 5, 2026), selling small artworks to support local arts. At the Red Deer Museum + Art Gallery (MAG), Tim Smith's photography exhibition “In the world, but not of it. Hutterite” (Dec. 6–March 7, 2026) documents Hutterite communal life, while Bailey Horton's “UNHAMPERED” (Dec. 5–March 15, 2026) addresses food security through collaborative art. Curiosity Art & Framing presents “Winter's Gift” featuring works by Brenda Garrett, Larry Reese, and others.
Photographer Dean Majd presents his solo debut exhibition, "Hard Feelings," at BAXTER ST at the Camera Club of New York. The show compiles a decade of intimate photographs documenting his inner circle of skateboarders and graffiti writers in Queens, a community he joined after the death of his childhood friend James. The work captures communal joys, rites of passage, and the dangers of their lifestyle, while also serving as a dedication to his friend Suba, who died from an accidental overdose in 2020.
京都芸術センター展覧会シリーズ「FOCUS」第6回 澤田華個展「まめによそ見する足」@ 京都芸術センター
The Kyoto Art Center has announced the sixth installment of its "FOCUS" exhibition series, featuring a solo exhibition by Kyoto-based artist Hana Sawada titled "Attentive Sideways Glances." Running from April to May 2026, the show highlights Sawada’s practice of deconstructing everyday actions through photography, video, and installation. Key works include a new entry in her "Floating Video" series, where she filmed the center’s grounds using only the light of a projector playing a zombie movie, and a new installation that translates visual observations into linguistic records.
La MansA lance son magazine
La MansA – Maison des mondes africains has launched MansA Magazine, a bilingual (French/English) semiannual cultural publication. The magazine, available at newsstands, bookstores, and online, features essays, interviews, and portfolios focused on African and Afro-diasporic art scenes, adopting a critical and documentary approach. The cover of the inaugural issue features Guillaume Diop, the first Black male principal dancer at the Paris Opera.
Photographer David Bird has unveiled a new exhibition titled "Cold Water Swimmers" at the Royal Bournemouth Hospital’s Art Space gallery. The series features before-and-after portraits of local swimming groups, such as Beyond the Blue in Poole, capturing the physical and emotional transformation of participants who brave the sea at sunrise without wetsuits. The project was developed during Bird's recent MA in Photography at Arts University Bournemouth, marking a return to academia after a 30-year career in commercial and press photography.
The Bailey Art Gallery in Hobe Sound, Florida, will open a new exhibition on April 24 featuring works by local painter Dan Mackin and photographer M.E. Gruber. Mackin’s highly stylized paintings—created with airbrush and traditional techniques—depict idyllic coastal scenes on canvas, navigation maps, surfboards, and a guitar, and include collaborations with Brian Wilson of The Beach Boys. Gruber’s mid-century Kodachrome transparencies, drawn from an archive of over 5,000 images, document the emerging surf culture of Palm Beach County and the Treasure Coast. The exhibition will display 50 full-frame prints from this collection.
An art exhibition titled "Yaadon ka Silsila," featuring works by artist Dr. Tooba Najam, was held at the Punjab Council of Arts. The event was documented with a photograph of a visitor viewing the displayed artworks.
Litavie Art Gallery in Glendale presented a solo exhibition titled 'Where Motion Becomes Memory' by artist Zareh from April 2 to 11. The opening night featured remarks from artist Seta Injeyan, who analyzed Zareh's work, and the event was documented with photos of Zareh alongside Injeyan and art critic Peter Frank.
British artist Stuart Robertson is set to debut a comprehensive new body of work at Bikaner House in New Delhi in April 2026. The exhibition, titled “Through The Artist’s Eye,” is the culmination of an 18-month residency at Dr Shroff’s Charity Eye Hospital in Daryaganj. Spanning photography, drawing, bronze sculpture, and cyanotypes, the collection documents the daily life, medical precision, and quiet compassion within one of India’s most prominent charitable medical institutions.
The Pikesville Armory has been transformed into an immersive walk-through installation titled "Resonant Site," featuring the collaborative work of local artists. Utilizing a complex arrangement of video projections, soundscapes, and dozens of screens, the exhibit captures the industrial and natural landscapes of Baltimore’s Curtis Bay, focusing on the delicate intersection of water, industry, and residential life.
The organizers of the 47th La Cloche Art Show have named Robert Potvin as the Artist of Distinction for the 2026 exhibition. Potvin, a self-taught acrylic painter and elected member of the Society of Canadian Artists, is recognized for his depictions of Northern Ontario landscapes and vanishing ways of life. The announcement comes as the community prepares for the 2025 edition of the juried show, which remains a staple of the regional art scene in Whitefish Falls.
The Museum of the African Diaspora (MoAD) in San Francisco is celebrating the 10th anniversary of its Emerging Artists Program (EAP) by announcing its 2026-2027 cohort. Selected from hundreds of applicants, Bay Area artists Jasmine Ross, Demetri Broxton, Dorian Reid, and Tahirah Rasheed will each receive a fully supported solo exhibition at the museum. The program, which has supported 30 artists since 2015, provides crucial institutional backing, including curatorial guidance and production resources, to creatives at pivotal career moments.
Photographers Randy Bacon and Heidi Herrman-Bacon have launched their first collaborative exhibition, "Two Voices, One Road," at the C-Art Gallery in Springfield. The show features 37 black-and-white photographs and 18 mixed-media works that document the architecture and human history of Route 66. While Randy Bacon focuses on the soulful portraiture of desolate structures and signs, Heidi Herrman-Bacon utilizes vintage handkerchiefs and photography to highlight the often-overlooked contributions of women who maintained the diners and motels along the historic highway.
The art exhibition ‘Like a Rising River: Stories of Women and Change’ recently opened in Nepal, showcasing the results of a collaborative project between Srijanalaya, UN Women Nepal, and the Government of Finland. The initiative sent 15 Nepali artists to four provinces—Sudurpaschim, Bagmati, Sarlahi, and Madhesh—to document the lived experiences, social struggles, and resilience of local women through various artistic mediums, including textiles, mixed-media animation, and storytelling.
The Azerbaijan National Art Museum has launched a major solo exhibition and monograph titled "On the Wings of Time. Vugar Ali," celebrating the career of the Honored Artist. The event, supported by the Azerbaijan Culture Ministry and the State University of Culture and Arts, features approximately 40 works that blend academic tradition with avant-garde thinking. The exhibition highlights Ali's unique aesthetic, which incorporates mythological motifs, folk tales, and the scientific principles of crystallography into vibrant, symbolic compositions.
The Daegu Kansong Art Museum has launched a special exhibition titled "Chusa's Painting Lessons" to mark the 240th anniversary of the birth of Kim Jeong-hui, the legendary Joseon Dynasty scholar and artist. While most retrospectives of Kim's work focus on his revolutionary calligraphy and academic scholarship, this showcase specifically highlights his paintings and his pedagogical influence on his students. A centerpiece of the exhibition is the "Yerim Gapeulrok," a document that illustrates the artistic exchanges and critiques shared between the master and his disciples.
The Wynter Gallery in Lambertville, New Jersey, is debuting "Parted Light," a solo exhibition by Detroit-based photographer Tejasvir. The collection features photographs taken in Pakistan that explore the memory, legacy, and cultural identity of a once-unified Punjab. The exhibition opens on April 10, followed by an intimate artist talk on April 12 where Tejasvir will discuss his personal journey and the existential themes behind the work.
Artist Agnieszka Lokaj has launched 'Breaking the Line,' a solo exhibition at The Lion pub in Teddington dedicated to the physicality and spirit of women’s rugby. The show features semi-abstract portraits of elite Red Roses players alongside works highlighting local community connections to the sport, timed to coincide with the Women’s Six Nations championship.
The Pacific Island Ethnic Art Museum (PIEAM) is launching "So We Leapt – Para I Hinanao-ta Mo’na," an exhibition centered on a rare archive of photographs taken in Guam between 1944 and 1946. Captured by U.S. Army photographer Frank Buchman and curated by Pulitzer Prize-winner Manny Crisostomo, the images move beyond traditional wartime documentation to highlight the daily lives and resilience of the Indigenous CHamoru people. The show is augmented by "Hasso," a contemporary portrait series by Johnny Cepeda Gogo featuring elderly CHamoru survivors of World War II.
The Ukrainian National Museum in Chicago is launching "9,025 km," a group exhibition featuring 12 Ukrainian-American artists based in the city. The show presents 36 original works that explore the emotional and cultural distance between Chicago and its sister city, Kyiv, while addressing the ongoing trauma of the war in Ukraine. Participating artists include Yuliia Poliakova, whose work has previously been displayed in the offices of President Volodymyr Zelenskyy, alongside Olena Diadenko, Andrii Antonenko, and others.
Sanat Art Gallery in Karachi has launched "Held in Motion," a group exhibition featuring emerging artists Behzad Ahmed Warsi, Laiba Abid, Ronaque Ali, and Shahzad Baloch. The showcase utilizes diverse mediums, including oil on canvas and watercolor, to explore themes of human identity, social fluidity, and the preservation of memory. From Abid’s blurred portraits of the multifaceted self to Ali’s nostalgic documentation of disappearing rural traditions, the collection emphasizes the subjective nature of the human experience.