All that is trending in the art, entertainment, and culinary world

This article highlights several cultural events in India, including Kallol Datta's solo exhibition "Volume IV: Truths, Half-Truths, Half-Lies, Lies" at Experimenter Colaba in Mumbai, which critiques historical regulations on women's attire using textile-based works. It also covers the 8th edition of Delhi Contemporary Art Week (DCAW) at Bikaner House, featuring six women-led galleries; Partha Pratim Deb's solo show "Play-Forms" at Emami Art in Kolkata; the group exhibition "Non-Residency" at Jaipur Centre for Art curated by Rajiv Menon; and the reopening of Bombay Club café in New Delhi. Additionally, it mentions Khyber restaurant's 65th anniversary menu and a forthcoming exhibition "What Am I Made Of?" at Latitude 28.

'Tony Cragg: Skulptura' at the Museum of Modern Art Dubrovnik, Croatia

The Museum of Modern Art Dubrovnik in Croatia will host 'Tony Cragg: Skulptura' from 22 July to 5 October 2025, marking the first-ever presentation of British sculptor Tony Cragg's work to a Croatian audience. Curated by Jelena Tamindžija Donnart and supported by German curator Detmar Westhoff, the exhibition features around 30 sculptures, drawings, and preparatory sketches spanning Cragg's decades-long career, including iconic early works from 1985 and highlights from his 'Early Forms' series. The show occupies the Banac Palace's first two floors, terraces, and garden, offering an indoor-outdoor experience.

art nicole saikalis bay london milan beirut patron

Nicole Saikalis Bay, an architect and patron, divides her time between Milan, London, Beirut, and Paris, where she has built a triple-pronged artist support network: the Saikalis Bay Foundation, a Milan exhibition space called Circolo, and the nonprofit WeAre Projects. Her collection began as a private impulse to live with art, focusing on modern Italian masters like Enrico Castellani and Fausto Melotti, and has expanded to contemporary artists such as William Kentridge, Nari Ward, and Tacita Dean. This month, Circolo presents work by ten rising artists of Lebanese heritage, reflecting her commitment to supporting artists from regions in need.

art coco clockner young artist

Coco Klockner, a 34-year-old artist based in New York, is featured in Cultured's 2025 Young Artists list. She emerged from the early 2010s DIY music scene, developing a sensitivity to sound, site, and timing that now informs her sculptural interventions. Her work has been shown at galleries including Silke Lindner and lower_cavity, and she recently opened her first institutional solo exhibition at SculptureCenter in Queens, on view through December 22. Her practice explores transfeminine representation through materials ranging from sounding rods to first-aid kits, often incorporating sound and spatial dynamics.

libertine cultured aspen artweek dinner salon

Libertine founder Johnson Hartig and Cultured editor-in-chief Sarah Harrelson hosted an intimate salon dinner at the Hotel Jerome in Aspen during Aspen ArtWeek. The event brought together artists Issy Wood and Rogan Gregory, collectors Michelle and Jason Rubell, entrepreneurs Jen Rubio and Sabrina De Baets, jeweler Briony Raymond, and other cultural figures for seasonal dining and conversation, celebrating Libertine's polychrome pop-up.

"Uber Life": The powerful photographic narrative of Tassiana Aït-Tahar, the delivery driver turned artist

« Uber Life » : le récit photographique percutant de Tassiana Aït-Tahar, livreuse devenue artiste

Tassiana Aït-Tahar, a student at the Beaux-Arts de Paris and former delivery rider, has released "Uber Life," a hybrid photobook and sociological inquiry published by Fisheye Éditions. The project documents her five years working for Uber Eats, combining raw photography, screenshots of delivery apps, and personal journals to chronicle the grueling reality of the gig economy. Encouraged by mentors like the artist JR, Aït-Tahar transitioned from documenting her daily survival to presenting a formal artistic narrative that was previously showcased at the Centquatre in 2022.

Mimmo Paladino torna a Milano con una grande mostra dopo anni. Sotterranea e immersiva

Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.

"In Minor Keys" Hits All the Right Notes

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.

Here's how Maurizio Cattelan's telephone confessions ended up

Ecco come sono finite le confessioni al telefono di Maurizio Cattelan

Maurizio Cattelan has launched a new performance project called "Hotline," a telephone confessional service running from April 2 to 22, where anyone could call a toll-free number or send a WhatsApp voice message to confess their sins directly to the artist. On April 23, Cattelan responded in a live-streamed event, symbolically absolving selected participants. The project coincides with the release of limited-edition reproductions of his iconic 1999 work "La Nona Ora" (depicting Pope John Paul II struck by a meteorite), sold through Avant Arte in an edition of 666 miniature resin sculptures priced at €2,310 each, with some given as gifts to participants.

Leonardo Madriz’s Monuments to the Precarity of Now

Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.

Remembering Asher Remy-Toledo, Media Art Luminary

Asher Remy-Toledo, a Colombian-born cultural producer and a central figure in New York's media art scene, died on February 22 at age 62 from Hodgkin's lymphoma. He was the founder and director of Hyphen Hub, an international art organization, and previously ran the influential Remy Toledo Gallery in Chelsea, which showcased feminist and post-feminist artists.

DHS Appropriates Japanese Artist’s Work in Racist X Post

The U.S. Department of Homeland Security (DHS) used a painting by Japanese artist Hiroshi Nagai in a social media post without his permission. The agency cropped his 2017 untitled beach scene and overlaid it with the text "America After 100 Million Deportations," accompanied by a caption about national peace. Nagai, 78, expressed being "at a loss" and disappointed that a government agency would use his work to promote a political message he does not endorse.

Raoul de Keyser at Trautwein Herleth

Trautwein Herleth in Berlin is hosting a solo exhibition of works by the late Belgian painter Raoul de Keyser. The presentation features a selection of the artist’s signature abstract compositions, characterized by their tactile surfaces, muted palettes, and the subtle tension between formalist geometry and organic forms.

In ‘Piercing the Veil,’ Marina Kappos Gets to Know the Spectre of Grief

Artist Marina Kappos opens her solo exhibition 'Piercing the Veil' at SHRINE gallery in New York City, running from May 15 to June 27. The show features her signature acrylic-on-wood-panel paintings that use thin layers of pigment to create gauzy, prismatic effects. Inspired by the sculptural figures of grieving women she encountered at Père Lachaise Cemetery in Paris, Kappos explores themes of loss, memory, presence and absence, and the threshold between life and death. Works like 'Veil Study (Eclipse)' (2026) and 'Quantum Study (Green Entanglement)' (2025) depict hazy landscapes and keyhole-shaped portals that invite viewers to contemplate the unknown and the spiritual.

Luscious Hair Sculptures Sprout Like Branches in a Symbiotic Exhibition

Artists Merryn Omotayo Alaka and Sam Frésquez have created a collaborative exhibition titled "Your Birth is My Birth" at Jane Lombard Gallery in Chicago. The show features synthetic hair sculptures made from Kanekalon, suspended from the ceiling and spread across the floor like organic growths. Five distinct "species" of sculptures—Listening Roots, Hearing Bells, Mother & Child, Stacking Pearls, and Umbra Pods—draw inspiration from epiphytes, non-parasitic plants that grow on host specimens. The works explore themes of symbiosis, interdependence, and genetic inheritance, with mirrored forms emerging within vertical tendrils.

Wen Wu: The Body Thinks in Colour

Wen Wu's exhibition "The Body Thinks in Colour" opens at Paul Smith's Westbourne House in Notting Hill, London, running from 14 May to 28 September 2026. Curated by Virginia Damtsa and Katie Heller, the show presents Wu's paintings that explore the body as a site of consciousness, memory, and emotional intelligence, using gesture and color to create psychological space within a fashion retail environment.

Your Guide To Art Week Singapore 2026’s Must-See Events

Singapore Art Week 2026 transforms the Lion City into a stage for contemporary creativity, featuring a packed programme of exhibitions, auctions, and symposia from January through March. Key events include Sotheby’s Modern and Contemporary Art auction (21–24 January) spotlighting works by Walter Spies, Raden Saleh, David Hockney, and Takashi Murakami; the Tanoto Art Foundation’s first exhibition 'Rituals of Perception' at New Bahru School Hall (21 January–1 March); the inaugural Print Show & Symposium at STPI (22–31 January) with artists like Yayoi Kusama and Jeff Koons; and Loy Contemporary Art Gallery’s 'Mosaic SG' showcasing contemporary Italian artists under the patronage of the Embassy of Italy in Singapore.

The Many Sheddings of Valie Export

Die vielen Häutungen der Valie Export

Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.

Is Berlin not over yet?

Ist Berlin doch noch nicht over?

Çağla Ilk, who curated the German Pavilion at the Venice Biennale two years ago, has presented her plans as the new artistic director of the Maxim Gorki Theater in Berlin. Her program reimagines theater from the perspective of visual art, signaling a major shift in the city's theater landscape. The announcement comes amid broader reforms in Berlin's theater scene, including Matthias Lilienthal's upcoming takeover of the Volksbühne, and was met with both anticipation and anxiety, reminiscent of Chris Dercon's failed tenure at the Volksbühne in 2017.

Li Yi-Fan: Error and Effigy

Taiwanese artist Li Yi-Fan, born in 1989 and based between Taipei and Amsterdam, creates unsettling digital marionettes using modified game engines and digital puppetry. His pale, chalky figures with uncanny proportions discuss voyeurism, sexual fantasies, philosophy, memes, and computer programming, often resembling the artist himself. Li works a nine-to-five schedule, spends hours on computer games as research, and describes himself as 'probably the most boring artist.' His practice relies on free or subscription software and purchased digital assets, staging what it feels like to make digital art within platform systems and corporate infrastructure.

Shigeo Toya, 1947–2026

Japanese sculptor Shigeo Toya died of pneumonia in Tokyo on April 15, 2026, at age 78. Known for his conceptual approach, Toya spent five decades redefining sculpture beyond Western frameworks, creating works such as *Bamboo Grove II* (1975), the *Woods* series (shown at the 1988 Venice Biennale), and the *Minimal Baroque* series. He was a professor emeritus at Musashino Art University and received Japan's Medal of Honor with Purple Ribbon and the Order of the Rising Sun.

Ballets of Repetition

Ballette der Wiederholung

Vivien Zhang, a painter whose work blends botany, mathematics, and migration, is now exhibiting in Berlin. Her paintings feature tongue-like petals, crystalline butterflies, dewdrops, seed capsules, chromosomes, and frozen brushstrokes, all arranged in grid-like patterns that create a ballet of repetition. The forms are technoid-organic and three-dimensional, presenting enigmatic visual puzzles that explore how shapes, identities, and systems emerge anew.

Stories in Copper and Vinyl

Geschichten in Kupfer und Vinyl

The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.

À Bordeaux, la métamorphose du MADD

The Musée des arts décoratifs et du design (MADD) in Bordeaux has reopened its design-focused wing after three years of renovation, featuring a new entrance pavilion designed by Antoine Dufour Architectes that connects the historic Hôtel de Lalande and the former municipal prison. The overhaul includes a monumental shelving display of eighty vases by designers such as Andrea Branzi and Gaetano Pesce, a new "gallery of know-how" dedicated to rotating thematic presentations (starting with ceramics), a graphic arts cabinet showcasing the Jacques Sargos collection of over 130 drawings, and improved climate control for conservation.

‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

WURUS – Light catches before form does.

Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.

Rewiring the System: Jean Katambayi Mukendi.

Congolese artist Jean Katambayi Mukendi presents his first solo exhibition in Germany, 'Ratio,' at the KW Institute for Contemporary Art in Berlin. The exhibition features drawings, sculptural installations, and works made from recycled materials that examine technological systems, energy infrastructures, and mineral extraction.

Venice Biennale 2026: The Pavilions Not to Be Missed

Biennale de Venise 2026 : les pavillons à ne surtout pas manquer

The 61st Venice Biennale, curated by Koyo Kouoh as an invitation to slow down and reconnect with emotions, features a constellation of contemplative and powerful proposals across the city. Notable national pavilions include the Holy See transforming a monastic garden into an immersive sound experience by Soundwalk Collective, Canada exploring colonial heritage through giant water lilies by Abbas Akhavan, and Austria electrifying the Giardini with radical performances by Florentina Holzinger. Other highlights include Spain dissecting collective memory through postcards, Poland imagining new forms of language between human and underwater worlds, and India's pavilion exploring notions of home.

Victorien Bornéat : « De l’échec de la démocratisation culturelle est né un sentiment d’exclusion »

Victorien Bornéat has published a manifesto arguing that French cultural democratization policy, rooted in André Malraux's vision of making masterworks accessible to all, has failed. He cites budget cuts by regional presidents Laurent Wauquiez and Christelle Morançais, police raids on bookshops like Violette and Co, and statistical studies showing that working-class audiences still do not spontaneously attend theaters, museums, or opera. Bornéat contends that the policy's emphasis on direct confrontation with canonical works ignored the need for cultural codes and institutional literacy, creating an exclusion that politicians now exploit for electoral gain.

For the 61st Venice Biennale, a quest for beauty despite a troubled world

Pour la 61e Biennale de Venise, une quête de beauté malgré un monde troublé

Koyo Kouoh, the Swiss-Cameroonian curator who was set to become the first African woman to direct the Venice Biennale, died suddenly on May 10, 2025, at age 57, just weeks before the opening of the 61st edition she had conceived. Titled "In Minor Keys," the exhibition at the Giardini and Arsenale will proceed posthumously based on her detailed directives, featuring 111 artists including Laurie Anderson, Wangechi Mutu, and Kader Attia, with a focus on beauty, resilience, and radical emotional connection amid global turmoil.