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Trevor Christensen, a photographer from Provo, Utah, has gained viral attention on Imgur for his "Nude Portraits" series, in which he photographs fully clothed subjects while he himself is nude. The project aims to address the inherent power imbalance between photographer and subject by shifting vulnerability onto the photographer. Christensen's subjects react with a range of emotions—embarrassment, slyness, queasiness—which he captures as unguarded moments. The series is documented on his Instagram and his website, where he invites participation from Utah and beyond.

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Photographer Erica Simone has created a series of self-portraits titled "Nue York: Self-Portraits of a Bare Urban Citizen," in which she performs everyday New York City activities—hailing a cab, buying cigarettes, commuting through Midtown—while completely naked. The project, also published as a book, is on view at Castle Fitzjohns Gallery from January 14 to February 14, 2016. Simone aims to challenge the role of fashion in society and explore nudity beyond sexual connotations, though she acknowledges that her appearance as a young, thin, white, conventionally attractive woman may influence public reception.

ORDINARY MIRACLES. A Conversation with Rene Matić by Bianca Stoppani

Artist Rene Matić discusses their multidisciplinary practice and the personal history that informs their exploration of British identity, race, and subculture. The conversation highlights Matić’s deep connection to skinhead culture—inherited from their father—and their use of an "ethnographic methodology of the Self" to document queer BIPOC communities and personal memories.

Grimes joining LinkedIn is artwashing at its most brazen. I should know – I released my new film on there

Artist Alan Warburton critiques the migration of creative professionals to LinkedIn, sparked by musician Grimes' recent pivot to the platform to promote her appearance at an Nvidia tech conference. Warburton, who recently released his AI-focused film 'Image Empire' on the site, describes the move as a desperate response to the 'enshittification' of traditional creative platforms like Twitter and Vimeo, which have been overrun by bots and AI-generated content.

YouTube’s first ever video upload acquired by Victoria and Albert Museum in London

The Victoria and Albert Museum (V&A) in London has acquired and reconstructed the first video ever uploaded to YouTube, titled 'Me at the zoo,' along with an early version of the platform's watch page. The 19-second clip from 2005, featuring YouTube co-founder Jawed Karim at the San Diego Zoo, is now part of the museum's collection and is on display.

Be Seen, Be Recognised. 9 Open Calls For Artists to Apply to this Summer.

The article presents nine open calls for visual artists to apply to during summer 2025, including the Form Photo Award and the Arte Laguna Prize. The Form Photo Award, organized by Form institution, offers winners free participation in Scope Miami Beach 2025 and publication in Form Magazine, with a €35 submission fee and deadlines through July 30. The Arte Laguna Prize, now in its 20th edition, features an exhibition at the Arsenale Nord in Venice and special prizes including residencies at MoCA Art Residency, BigCi, Artorale, LITIX, and NY20+, with a €97 entry fee and a July 31 deadline.

Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

What Art Can Do

A conversation between German author and filmmaker Alexander Kluge and curator Hans Ulrich Obrist, originally published in 2017, has been republished following Kluge's recent death at age 94. The dialogue explores the unique capacities of different art forms, the need for interdisciplinary collaboration, and the role of art as an "oasis" or "garden" within an overwhelming technological landscape.

Khaled Sabsabi’s Rocky Road From Australia to the Biennale

Lebanese-Australian artist Khaled Sabsabi was nearly removed from his commission for the Venice Biennale after being accused of supporting terrorism, but was later reinstated. He is now arriving in Venice to present not one but two works at the prestigious international exhibition.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

Through Bamboo, the Artist Lap-See Lam Explores Her Family’s History

Swedish artist Lap-See Lam has opened her first solo exhibition in Asia at the Tai Kwun Contemporary in Hong Kong. The show, titled "The Dream of the Lion's Way," features her signature multimedia installations, including video, sculpture, and sound, which weave together Cantonese opera, family narratives, and 3D-scanned environments of Chinese restaurants in Sweden.

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Artist Mai-Thu Perret has organized a fundraiser called '100 Artists for Gaza,' bringing together over 170 artists to support humanitarian efforts in Gaza. The initiative includes an online auction and an exhibition at Doctors Without Borders’ Geneva location, culminating in a live auction on December 2. Proceeds benefit Doctors Without Borders. Co-organized by Vidya Gastaldon, Sarah Benslimane, and Anne Lamunière, the project features works by notable contemporary artists such as Kara Walker, Rosemarie Trockel, Peter Doig, Wolfgang Tillmans, and Camille Henrot, among others. Some works explicitly reference the conflict, while others gesture toward shared humanity.

Louvre Plans Its ‘Most Ambitious’ Painting Restoration Ever: A Refresh for Rubens’s Medici Cycle

The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

Watch: Khaled Sabsabi and Michael Dagostino in Conversation

Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.

Marina Xenofontos on Representing Cyprus at the 61st Venice Biennale

Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.

Guangzhou Image Triennial 2025 Review: The Case for Sensitivity

The Guangzhou Image Triennial 2025, titled 'The Case for Sensitivity,' has opened at the Guangdong Art Museum. The exhibition, featuring over 50 artists and artist groups, directly addresses a perceived crisis of technological mediation, arguing that digital existence deprives us of direct contact with the natural world. It aims to foster new forms of attention by emphasizing the materiality of images—what they are made of—over what they represent.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

Merike Estna on Representing Estonia at the 61st Venice Biennale

Artist Merike Estna will represent Estonia at the 61st Venice Biennale in 2026 with a project that transforms the national pavilion into an active, open studio. Eschewing the display of finished products, Estna plans to start with empty canvases and complete a series of 22 paintings over the course of the exhibition, allowing visitors to witness the "living" process of creation.

EAT/ART Space to inhabit ETSU's Tipton-Ashe Galleries

EAT/ART Space, a collaborative project merging food and visual art, will take over ETSU's Tipton-Ashe Galleries. The initiative transforms the gallery into an interactive environment where visitors can engage with art through culinary experiences, blurring the lines between gallery viewing and dining.

Arts Listings: Week of April 9, 2026

The Ventura County arts community is launching a series of local exhibitions and theater productions for the week of April 9, 2026. Highlights include the opening of the political comedy "The Outsider" at the Santa Paula Theater Center and the "Rediscovering" exhibition at Fox Fine Jewelry featuring Lisa Sachs and Thomas Hoerber. Additionally, the Camarillo Art Center is hosting a themed exhibition titled "I dream my paintings, then I paint my dream," alongside various technical workshops in watercolor and gourd art.

Ax Swings Following Artsy/Artnet Consolidation as Top Reporters Are Laid Off

Major layoffs have hit Artnet and Artsy following their consolidation under the UK-based investment firm Beowolff Capital. The staff reductions occurred just one day after the merger announcement and include the departure of veteran Artnet News reporters Sarah Cascone and Eileen Kinsella, who both served the publication for over a decade. As part of the restructuring, Artnet will also shutter its German entity, while Andrew Russeth has been tapped to serve as interim editor.

Off-Site Exhibitions Review: The Politics of Listening

Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

What’s Showing in Chelsea During Frieze Week New York

This article is a critic's guide reviewing national pavilions during Frieze Week New York. Andrew Durbin contrasts a vacuous US presentation with incisive and moving installations from Britain and Germany, questioning the meaning and depth of the American contribution.

Director's Notes with Andrew Nadkarni | Trey Abdella's Miserable Dream

Director’s Notes with Andrew Nadkarni | Trey Abdella’s Miserable Dream

Director Andrew Nadkarni created a short film about artist Trey Abdella, titled "Trey Abdella's Miserable Dream." The film uses the metaphor of a Coney Island roller coaster to explore Abdella's artistic process, moving between his studio and the amusement park to show how he transforms personal memories and Americana into art.

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Artist, writer, and activist Avram Finkelstein, a founding member of ACT UP, Silence=Death, and Gran Fury, presents his first solo exhibition in New York City, titled “Something Terrible Has Happened (Corpus Fluxus)” at Smack Mellon. The show features large-scale drawings and digital prints on walls, ceilings, and wheeled metal structures that also serve as mobility aids for Finkelstein, who has thyroid cancer. Works such as "Golem (BRAF V600E mutation)" and "Black Golem (after Bergman)" explore themes of disability, pain, and the body in flux, using the Jewish folklore figure of the golem as a central metaphor. The exhibition transforms the gallery into an "experiential dancehall," emphasizing accessibility through movement and sensory engagement.

Ray Burgoyne obituary

Ray Burgoyne, a self-taught painter, carpenter, and musician, has died at the age of 80. After a career as a carpenter and set builder, he began exhibiting his paintings in the late 1980s and spent the next three decades organizing numerous exhibitions along the Essex and Suffolk coastline. His work, characterized by thick oil paint, abstract forms, and deep colors, drew on carnivalesque characters and forgotten landscapes. He also played drums in the 1960s mod band the Flowerpots, which opened for the Animals and the Who.

Marc Chagall | Île Saint-Louis (1959) (1959) | For Sale

Marc Chagall's lithograph *Île Saint-Louis (1959)*, a limited-edition print in colors on Arches paper signed and numbered by the artist, is being offered for sale through an online auction hosted by LLB Auction on Artsy. The work, estimated at €10,000–€15,000, is part of a Contemporary Art Spring 2026 sale and carries a starting bid of €9,000. The listing includes provenance details, a condition report option, and a buyer's premium.

Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.