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Danielle Mckinney Shares the Advice That Keeps Her Painting Even on Her Worst Days

Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.

art milan design week shows

Cultured magazine has compiled a guide to art exhibitions worth visiting during Milan Design Week 2026, beyond the main Salone del Mobile fair. Featured shows include Rirkrit Tiravanija's first retrospective at Pirelli HangarBicocca, Cao Fei's exploration of smart agriculture at Fondazione Prada, Anselm Kiefer's dual exhibitions at Palazzo Reale and Lia Rumma Gallery, Gabrielle Goliath's painting show at Galleria Raffaella Cortese, and Dozie Kanu's mirroring of Marc Camille Chaimowicz at Fondazione ICA Milano.

art agosto machado obituary whitney

Agosto Machado, a legendary downtown New York artist, archivist, and activist, died on March 21, 2026, at an estimated age in his 80s. The article recounts his life through a personal tribute, describing a drag performance in Chicago honoring him, and details his decades-long career as a street queen, Warhol-era fixture, and participant in the Stonewall uprising and first Gay Liberation March. Machado performed in Off-Off-Broadway plays, created solo shows, and amassed an extensive archive of ephemera, art, and photographs of his friends and community.

parties ifpda 2026 benefit gala

The 2026 IFPDA Foundation Benefit Gala took place on the Upper East Side, honoring Christophe Cherix, Director of The Museum of Modern Art. Held in the historic Veterans Room at the Park Avenue Armory, the event gathered notable figures including artists Hank Willis Thomas and Yashua Klos, collectors Sharon Coplan, Stewart Gross, and Jordan Schnitzer, dealers Carolina Nitsch, Jill Newhouse, and Joni Moisant Weyl, and curators Nadine Orenstein, Freyda Spira, and Andrew Weislogel. A new print edition by Stanley Whitney, produced with Universal Limited Art Editions, was released to support the IFPDA Foundation’s grantmaking initiatives.

art andrea fraser carmen de monteflores whitney biennial

Andrea Fraser and her 92-year-old mother, Carmen de Monteflores, are showing work side by side in the 2024 Whitney Biennial at the Whitney Museum of American Art in New York. This is Fraser's third time in the biennial, but de Monteflores's first museum exhibition after abandoning her art career in 1970 due to repeated rejections. Fraser presents five wax sculptures of toddlers, while de Monteflores shows exuberant, monumental shaped canvases of heads and bodies from the 1960s. The mother-daughter duo's participation came about after Fraser sent images of her mother's stored paintings to biennial co-curator Marcela Guerrero, leading to a joint invitation.

art jonathas de andrade brazilian artist studio

Brazilian artist Jonathas de Andrade discusses his collaborative, research-driven practice in a studio visit feature for CULTURED magazine. He describes working with actors, cart drivers, carrier pigeon racers, and zoo employees to create installations, photographs, and films that examine the architecture, labor, and history of northeast Brazil. This month, a Vatican-commissioned video installation about Brazilian activist nuns opens at MACRO in Rome, while a series of flags developed with canoeists on the São Francisco River is on view at the Victoria & Albert Museum in London. De Andrade shares his daily rituals, inspirations, and the expansive definition of his studio—a sanctuary in Recife filled with collected magazines, images, and objects.

art basel miami beach report viral moments

Art Basel Miami Beach 2025 generated viral moments with Beeple's 'Regular Animals' installation featuring robot dogs with billionaire faces, while Leandro Erlich's underwater sculpture garden 'Reefline' debuted concrete cars in Biscayne Bay. The fair's priciest work was Andy Warhol's $18 million 'Muhammad Ali' (1977), sold by Lévy Gorvy Dayan. Other highlights included Katie Stout's public commission 'Gargantua's Thumb' in the Miami Design District, Refik Anadol's AI screen, and the return of Sukeban, a Japanese women's wrestling league, as a crowd favorite.

art paris photo fair elle perez diary parties

The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.

young dealers old masters art market

A new generation of young gallerists is revitalizing the art market by specializing in historical art forms—from ancient jewelry and Old Master drawings to Art Deco and overlooked women Impressionists. The article profiles seven dealers who launched their businesses between ages 22 and 41, with half based in London. Notable figures include Pauline Pavec and Quentin Derouet (co-founders of Pavec, focusing on 19th- and 20th-century women artists), Baron Lorne Thyssen-Bornemisza (Kallos Fine Jewellery, ancient jewelry), and Maxime Flatry (20th-century art and design). Two of the dealers will exhibit at Frieze Masters this October, directed by Emanuela Tarizzo, who emphasizes that collectors and institutions increasingly seek cross-century narratives.

art collectors atlanta art fair

Cultured magazine profiles a cross-section of Atlanta art collectors as the Atlanta Art Fair returns for its second edition, highlighting the city's growing art scene. The article features Esohe and George Galbreath, who discuss their collection of about 200 works focused on emerging Atlanta artists, their annual art party ARTiculate ATL, and how their tastes have evolved from figurative works responding to cultural moments to smaller pieces that allow for greater diversity.

art criticism contemporary art crisis trump gaza

The article, written by an art critic for Cultured, opens by describing recent U.S. government actions under Executive Order 14253, including the National Park Service's restoration of a monument to Confederate General Albert Pike and a White House letter to Smithsonian Secretary Lonnie G. Bunch III ordering a review of Smithsonian programming to align with a directive to "celebrate American exceptionalism." The critic notes Bunch's balancing act of cooperating while asserting the Smithsonian's independent authority. The piece then pivots to the state of art criticism, referencing Domenick Ammirati's essay on the perpetual "crisis in criticism," and highlights Marco Brambilla's exhibition "Limit of Control" at bitforms gallery as the year's most under-appreciated show, praising its use of AI to explore political violence and protest.

art sophie calle interview juergen teller

Cultured magazine publishes an interview with French conceptual artist Sophie Calle, conducted by a journalist who navigates Calle's characteristic conditions for the conversation. The article recounts the process of securing the interview—including a preliminary phone call from Calle to set rules—and describes Calle's home in the South of France, her tan arms, black sleeveless top, and signature glasses. The journalist references Calle's early photobooks published by Siglio, her "Unfinished" series displayed at the Musée Picasso in Paris (2023–24), and her project "The Address Book," which involved interviewing acquaintances of a stranger whose address book she found on the streets of Paris. The interview also touches on a companion catalog of moldy works after a flood in Calle's storage space, and a large photograph of dried flowers from architect Frank Gehry.

art collector mistake guide

The article compiles personal anecdotes from several art collectors—Laurent Asscher, Suzanne Syz, Rob and Eric Thomas-Suwall, Toby Milstein Schulman, and Danielle Falls—who share mistakes they made while building their collections. Asscher recounts buying a lesser Basquiat at Christie's before quickly reselling it to acquire a superior work at Phillips; Syz regrets buying a piece because others wanted it; the Thomas-Suwalls missed out on a Dominique Fung diptych; Schulman accidentally bought a work attributed 'after Keith Haring' at a charity auction; and Falls reflects on her early eagerness as a young trustee of the Bronx Museum.

David Armstrong “Portraits” at Artists Space, New York

Artists Space in New York is presenting the first US survey of photographer David Armstrong (1954–2014), titled "Portraits." The exhibition brings together over 90 photographs that showcase Armstrong's experimental approach to portraiture, transforming landscapes, still lifes, and fashion imagery into explorations of intimacy, desire, and loss.

Expo Chicago art fair returns with a ‘refined’ floor plan and Obama Center ties

Expo Chicago, the city's major international art fair, has opened its 2024 edition at Navy Pier with a redesigned floor plan intended to improve visitor flow and gallery visibility. The fair features over 170 galleries from 29 countries, with a notable contingent of Chicago-based exhibitors and a special section dedicated to art from the African diaspora.

The Netherlands is confronting its history of Nazi occupation – but many stolen objects remain unreturned

Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.

Authorship Dispute Erupts Over ‘Hair Dress’ at the Met’s Costume Institute

British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.

Tuan Vu Paints Vietnam Through the Haze of Memory and Imagination

Self-taught Vietnamese artist Tuan Vu presents his solo exhibition "Annam" at Kristin Hjellegjerde Gallery in Berlin, featuring paintings that blend memory, imagination, and history. The show includes works such as *Tranquil South* (2026), *A Usual Day* (2026), and *The Official Portrait* (2026), which explore Vu's childhood recollections of Vietnam and the country's colonial past. Vu, who relocated from Ho Chi Minh City to Quebec, Canada, for his studies and now resides there, uses the exhibition's title to reference the term used for Vietnam during Chinese and French colonial periods, highlighting the distance and interpretive nature of memory.

Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

The US pavilion's curator on the controversial choice of Alma Allen for the Venice Biennale

The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."

Alma Allen Offers a Quiet Vision in Venice—Even as Questions Swirl the U.S. Pavilion

Alma Allen's exhibition "Call Me the Breeze" has opened at the U.S. Pavilion for the 61st Venice Biennale. The Utah-born sculptor presents a pared-down, whimsical show that contrasts with the bombastic work of his predecessors, grouping new and old pieces to explore themes of conflict, mourning, and transcendence inspired by Hieronymus Bosch's *Visions of the Afterlife*. The exhibition was produced hurriedly over a few months, and Allen, who typically leaves his works untitled, felt compelled to explain his art for the first time in 30 years amid controversy surrounding his commission.

Salon review – like getting to know fascinating guests at a fabulous party

The article reviews a salon-style exhibition curated by Matthew Higgs, director of New York's White Columns gallery, at an unnamed gallery space. The show features 43 paintings by a diverse group of artists including Denzil Forrester, Andrew Cranston, Kaye Donachie, Merlin James, Margot Bergman, Gillian Carnegie, Bill Lynch, and Adam Keay, arranged around mismatched chairs facing white windows painted on the walls. The reviewer describes moving through the space, engaging with individual works, and highlights the eclectic, unthemed curation that prioritizes personal taste and conversation over academic or political messaging.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

Art Dubai Unveils Leaner ‘Special Edition’ Built Around Regional Core

Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.

How to Feel the Benefits of Art, According to Psychologists

Recent psychological research confirms that engaging with visual art provides significant physical and mental health benefits, including the alleviation of depression, anxiety, and stress. Studies indicate that viewing art can also enhance cognitive functioning and social skills, prompting new initiatives to explore the specific mechanisms behind these wellness improvements.

alserkal art month dubai art week expansion art dubai 2026

Alserkal Avenue in Dubai is expanding its traditional Art Week into a five-week "Art Month" running from April 18 to May 18. This strategic extension includes 16 gallery exhibitions, over 100 public events, and a new commercially focused group show featuring 12 UAE-based galleries. The initiative aims to provide a more sustainable platform for the local art ecosystem, especially as the Art Dubai fair has been rescheduled to mid-May and adapted in response to regional instability.

The Art of ‘The Christophers’: How the Film Created an Artist’s Fabled Oeuvre

Steven Soderbergh’s new film, The Christophers, explores the complexities of artistic legacy and authenticity through the story of Julian Sklar, a fictional washed-up artist played by Ian McKellen. The plot follows Sklar’s children as they hire an art restorer, played by Michaela Coel, to secretly finish their father’s legendary unfinished series to capitalize on his market value. To ground the film in reality, screenwriter Ed Solomon consulted with art world figures like dealer George Barker and artists Jann Haworth and Derek Boshier, while production designer Antonia Lowe and painter Barnaby Gorton created the physical artworks seen on screen.

ariana papademetropoulos thaddaeus ropac paris exhibition

Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.

Salvador Dalí’s Frustrating Vision of the Divine

A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.