Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

An Ancient Ballad at Emami Art Brings Generations of Artists Together in Kolkata

A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.

'Intersection: Kisho Kakutani and Kosuke Harasawa' at Whitestone Gallery, Hong Kong on 16 May–4 Jul 2026

Whitestone Gallery Hong Kong presents 'Intersection', a duo exhibition featuring Japanese artists Kisho Kakutani (b.1993) and Kosuke Harasawa (b.1997), running from 16 May to 4 July 2026. Kakutani's works capture bright, humid mornings with frosted, detailed depictions of beaches and cityscapes, while Harasawa focuses on rain-soaked Hong Kong night scenes populated by ghostly figures with transparent umbrellas, blending nostalgia with urban transformation.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Through Reverie: Love and Memory | A Duo-solo Exhibition by Clasutta and C.K.Koh

Whitestone Gallery Singapore will present a duo-solo exhibition titled "Through Reverie: Love and Memory" opening on 9 May 2026. The show features Indonesian artist Clasutta and Malaysian artist C.K. Koh, each presenting a solo component: Clasutta's "Roommates?" explores the emotional stages of a relationship through fragmented, intimate gestures, while Koh's "Folded Glimpses" draws from his personal photographic archive to evoke memory as impression rather than documentary record.

Asking New and Better Questions with Cheryl Pope

Artist Cheryl Pope has opened a solo exhibition titled "All There Is" at Monique Meloche Gallery in Chicago. The show features new, large-scale works made from needle-punched wool roving on cashmere that depict landscapes, marking a shift from her previous focus on the human form, memory, and identity. The exhibition runs through May 16.

Collaborative Brazilian Exhibitions

The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.

Exhibition | Lulama Wolf, 'The Architecture of Memory' at THK Gallery, Cape Town, South Africa

South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.

A Bold Attention

Gallery Chang is hosting a solo exhibition titled "A Bold Attention" by South Korean artist Suh Yongsun at its New York location from April 9 to May 2, 2026. The exhibition features fifteen works, including self-portraits, historical scenes such as those involving King Danjong, and contemporary urban observations of New York locations like Rockefeller Center and Brooklyn.

In April, there are 29 shows at art centers including this year's International Baccalaureate Visual Arts Exhibition

Southwest Florida's art scene is experiencing a significant surge this April, with over a dozen art centers from Sarasota to Marco Island hosting 29 distinct exhibitions. Highlighting this seasonal peak, Art Center Sarasota is featuring major solo and group shows, including Herion Park’s fiber sculpture installation "UnBroken," Kendra Frorup’s exploration of cultural memory in "At Home Anywhere," and a curated group exhibition titled "Rooted in Community" focusing on historically Black neighborhoods.

Fifteen must-see design events during Mexico City art week 2026

Mexico City's annual art week, anchored by the Zona Maco fair, is expanding its focus to include a significant design component in 2026. The event features 15 highlighted design-focused exhibitions and installations, including site-specific shows in modernist houses, a dedicated collectible design category at Zona Maco, and exhibitions by international names like Lee Broom and Lanza Atelier.

JD Malat Gallery brings Paris-based artist Sophie-Yen Bretez to Dubai

JD Malat Gallery Dubai is presenting *The Unsaid Remains Remembered*, the debut solo exhibition in the Middle East by Paris-based artist Sophie-Yen Bretez. The show features large-scale canvases that move beyond the human figure to explore landscapes, domestic objects, and natural motifs, using symbolic thresholds like windows, tables, clocks, and fruit to evoke memory, silence, and transformation. Bretez describes her approach as a 'dramaturgy of passage,' capturing unseen moments when time overlaps and absence carries presence.

Detroit’s first fair, Season, revs up for inaugural edition

Detroit will host its first contemporary art fair, Season, from 25-28 September at Michigan Central, the city's renovated former train station. The fair debuts with 11 galleries and a special exhibition featuring ten local artists, evolving from Detroit Art Week, which was launched in 2018 by curator and entrepreneur Amani Olu. Olu, a collector himself, reimagined the festival as Season to fill a gap in the local cultural landscape, offering affordable booth costs of $2,500 and an online viewing room. Participating galleries include four from Michigan, four from New York City, and one each from Buffalo, Pittsburgh, and Toronto, alongside talks, studio visits, and large-scale installations.

5 Artists on Our Radar in August 2025

Artsy Editorial's August 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Jesse Akele, Ficus Interfaith (the duo of Ryan Bush and Raphael Martinez Cohen), and Shuling Guo. Akele's hazy figurative paintings explore fleeting place and memory, featured in WORKPLACE's group show 'Cold Enough for Snow.' Ficus Interfaith creates playful terrazzo sculptures blending fine art, design, and craft, with a solo exhibition 'Furniture Music' at P.P.O.W in New York. Shuling Guo produces transcendental works in color pencil and oil paint, alluding to her life experiences, with pieces at Hollis Taggart and Mindy Solomon Gallery.

Artist to Watch: Erin M. Riley’s Tapestries Examine Hard-Hitting Themes While Breaking Down Barriers

Brooklyn-based artist Erin M. Riley is preparing to unveil her latest and largest weavings in a solo exhibition at New York's P.P.O.W gallery in September 2025. Her tapestries tackle hard-hitting themes such as family trauma and domestic abuse, drawing on memory, photographs, and everyday iconography. Riley, who studied at Massachusetts College of Art and Design and Tyler School of Art and Architecture, initially faced pushback from both galleries and traditional weavers but has since become a leading figure in the blurring of fine art and craft. Her new works incorporate embroidery for the first time and include pieces like "Road Reverberations" (2024), which uses crowdsourced quotes from survivors of abusive relationships.

Nobody Can Handle Me: Brazil Rewrites the Pavilion as Living Memory.

Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.

1,000-year-old archaeological site bulldozed during construction of Mexico-US border wall

On 24 April, a Department of Homeland Security contractor bulldozed a 1,000-year-old intaglio—a 280ft by 50ft etching in the desert sand—during construction of the US-Mexico border wall in Arizona's Cabeza Prieta National Wildlife Refuge. The site, sacred to local Indigenous communities including the Hia-Ced O’odham, was part of a UNESCO biosphere and contained over 3,000 petroglyphs. Despite warnings from tribal members and refuge staff, the contractor destroyed a 70ft stretch of the fish-shaped intaglio, which elders and archaeologists describe as an irreplaceable cultural and archaeological treasure.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.

Patarei Prison Could Become Museum

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Estonia’s Minister of Justice, Urmas Reinsalu, has proposed transforming the historic Patarei Prison in Tallinn into an international museum and research center dedicated to the crimes of communism. The sprawling 10-acre seaside complex, which served as a site of political incarceration under Soviet rule until 2002, remains largely unrestored, containing haunting remnants such as surgical tools and tattered bunk beds. The proposal has gained significant diplomatic traction, receiving formal support from representatives of eight EU member states during a recent meeting in the Estonian capital.

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Plans to convert Belgrade's historic Generalštab complex, a former Yugoslav military headquarters and landmark of postwar Modernism, into a Trump International Hotel have collapsed. The developer, Affinity Global Development, withdrew from the deal after Serbia's culture minister and three senior heritage officials were indicted on charges of abuse of office and falsifying documents related to the project.

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The Trump administration has intensified pressure on the Smithsonian Institution, setting a deadline for compliance with a review of its content and plans to align with the president's executive order "Restoring Truth and Sanity to American History." According to reports in the New York Times and the Guardian, Smithsonian staff are already engaging in self-censorship, including removing the word "unjust" from a proposed exhibition label about the internment of Japanese Americans, fearing it might appear partisan. This comes after Trump called for purging "anti-American ideology" from the institution's 19 museums in 2025.

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A memorial to 'Victims of Communism' in Ottawa, Canada, will no longer be inscribed with the names of individuals after a government report found that more than half of the proposed 550 names were linked to Nazism or fascist groups. The decision, announced by the Department of Canadian Heritage, follows concerns raised by Jewish groups and Canadian media outlets like Ricochet and The Maple. Instead, the Wall of Remembrance will feature only thematic content reflecting the memorial's broader commemorative and educational purpose. The memorial, first approved in 2009, has a budget of about $5.4 million, with $4.36 million from public funds, and faced earlier criticism over its design.

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President Donald Trump fired Biden-appointed members of the United States Holocaust Memorial Council, which oversees the Holocaust Museum in Washington, D.C. Those removed include former second gentleman Doug Emhoff, former Biden chief of staff Ron Klain, former labor secretary Tom Perez, former national security adviser Susan Rice, and Jill Biden’s senior adviser Anthony Bernal. The appointments had been announced in January 2025. Emhoff, who is Jewish, condemned the move as politicizing Holocaust remembrance, while the White House stated Trump will appoint new members who honor the Holocaust and support Israel. The museum issued a statement expressing commitment to its mission without directly addressing the firings.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

art frieze la art production fund

Frieze Los Angeles has announced its 2025 public art program, titled "Body & Soul," developed in partnership with the Art Production Fund. Seven Los Angeles-based artists—including Patrick Martinez, Amanda Ross-Ho, Kelly Wall, Shana Hoehn, Polly Borland, Dan John Anderson, and Cosmas & Damian Brown—will present site-specific installations outside the fair's main venue at Santa Monica Airport. Works include a neon billboard by Martinez addressing ICE raids, a durational performance by Ross-Ho rolling a giant inflatable Earth, and a resurrected newsstand by Wall filled with disappearing glass magazines. The program also features youth art workshops and three prizes for emerging artists.

art eloise hess young artist

Eloise Hess, a 30-year-old artist based in Los Angeles and a 2024 Yale Painting/Printmaking MFA graduate, has developed a unique image-making process that blurs the line between photography and painting. Her technique involves transferring photographs wet onto absorbent paper, embedding the print in an encaustic surface, and then painting, carving, and manipulating the image to create records of landscapes, shadows, gestures, and time. She discusses her work "Early Morning Tomorrow," a screenprint of photographs taken with her father, and reflects on themes of time, resonance, and capacity.

design literature best books of 2025

Cultured magazine has published its annual list of the best design and architecture books of 2025, featuring ten titles that span cookbooks, travelogues, political design history, photography, and architectural theory. Highlights include "Campania: Recipes & Wandering Across Italy’s Polychromatic Coast" edited by Apartamento, "Furnishing Fascism" by Ignacio G. Galán, "Synthesis" by Mari Katayama, and "Monumental" by Cat Dawson, which examines how contemporary artists are reshaping memorial landscapes.

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The Istanbul International Arts and Culture Festival, co-founded by curator Demet Müftüoğlu-Eşeli and filmmaker Alphan Eşeli, returns for its 15th edition with the theme “What Is Really Real?” Over three days in October, the festival brings together creative minds from film, technology, photography, literature, and visual art for panels, screenings, workshops, and exhibitions. In an interview with Cultured, the founders and artist José Parlá discuss the urgency of questioning authenticity in a digitally mediated world, touching on memory, dreams, and the blurred line between the artificial and the real.