Archaeologists and historians have discovered a hidden tunnel and concealed space within the Merchant's House Museum in Manhattan. The small opening, found beneath a built-in dresser on the second floor, leads to a 2x2-foot area with a ladder, suggesting the 1832 home was used as a safe house on the Underground Railroad, aiding people escaping slavery before and during the Civil War.
A small copper-alloy object, excavated nearly a century ago from a predynastic cemetery at Badari in Upper Egypt, has been re-identified as the world's oldest known Egyptian bow drill. Dating to the late 4th millennium BCE, the tool pushes back the earliest evidence for this technology in Egypt by about 2,000 years, revealing that Egyptian craftspeople mastered efficient rotary drilling much earlier than previously thought.
Archaeologists in Oaxaca, Mexico, have discovered a remarkably well-preserved Zapotec tomb dating to around 600 CE. The tomb, found in San Pablo Huitzo, features intricate carvings, including a sculpture of an owl with a human head in its beak, and multicolored murals depicting a procession of figures.
Researchers at Curtin University in Australia have published a study in Communications Earth and Environment providing geological evidence that humans, not glaciers, transported the massive stones used to build Stonehenge. The team tested sediments from streams near the monument and found no signs of glacial activity during the Pleistocene, ruling out the theory that ice sheets carried the megaliths. The stones, including sandstone boulders from the Marlborough Downs and bluestones from Wales, weigh up to 40 tons, but exactly how ancient peoples moved them remains unknown.
A new study published in the Pompeii Archaeological Park's online journal reveals that the ancient Roman city featured multilevel buildings far more impressive than previously understood. Using digital technology, the Pompeii Reset project—a collaboration between the Pompeii Archaeological Park and Humboldt University of Berlin—created 3D reconstructions of structures encased in ash during the 79 CE eruption of Mount Vesuvius. The case study focused on the House of Thiasus in Regio IX, where a 39-foot-tall tower with two levels, including a dining room with city views, was reconstructed. Researchers employed laser scanners, structured-light scanning, and photography to build digital models, then virtually added missing architectural elements like staircases and windows, testing them for structural plausibility.
Researchers from Binghamton University, at the request of an indigenous community group on Easter Island, have created a high-resolution 3D model of the Rono Raraku quarry, where 95 percent of the island's moai statues were carved. Using drone flights and over 11,000 overlapping photographs stitched together via photogrammetry, the model documents the quarry in unprecedented detail, including 133 quarried voids, 400-plus unfinished moai, and evidence of 30 distinct clan-based carving areas. The model is freely available online and was motivated by a 2022 wildfire that threatened the site.
A new study in the Journal of Archaeological Science by archaeologists Carl Lipo of Binghamton University and Terry Hunt of the University of Arizona proposes that the 92-ton moai statues on Easter Island, Chile, were transported in a vertical position using ropes to “walk” them onto their stone platforms. The research combines three-dimensional modeling, field experiments with a scaled replica, and analysis of 62 abandoned statues along ancient roads, finding that wider bases and a forward lean of 6–15 degrees enabled a rocking motion that allowed a team of 18 people to move a statue 328 feet in about 40 minutes.
Researchers analyzing a stone from the Paleolithic site Mühlheim-Dietesheim in Germany have identified the earliest known use of blue mineral pigment in Europe. The study, published in the journal Antiquity, found traces of azurite on a roughly 13,000-year-old stone artifact, which is thought to have served as a palette for mixing pigments. This discovery challenges the long-held belief that Paleolithic art relied primarily on red and black pigments, as blue minerals like azurite had not been detected in Europe’s Paleolithic art until now.
A campaign group called Freedom in the Arts (FITA) has threatened to sue the University of Leicester in the UK over its “Trans-Inclusive Culture” guidelines for museums and galleries, demanding their removal. The guidelines, published two years ago by the university’s Research Center for Museums and Galleries (RCMG), aim to help cultural institutions create inclusive spaces for transgender people. FITA, co-founded by choreographer Rosie Kay and former Arts Council England staffer Denise Fahmy, argues the guidance misrepresents the legal definition of “sex” under the Equality Act 2010, following a UK Supreme Court ruling that “woman” and “sex” refer only to biological women and biological sex. The group claims the guidelines could encourage unlawful policies, such as allowing toilet access based on gender identity, and discriminate against staff with gender-critical beliefs.
A new study published in the Journal of Cultural Heritage warns that rising sea levels will impact Chile’s Rapa Nui National Park, a UNESCO World Heritage site, by 2080. Coastal flooding threatens at least 51 culturally significant artifacts, including the iconic Moai statues—nearly 1,000 volcanic tuff figures created by a native Polynesian tribe over 500 years ago, some weighing up to 80 tons. Researchers from the University of Hawai’i at Mānoa used advanced computer models to simulate wave patterns and map projected flooding, overlaying this data with the locations of cultural assets provided by local partners.
Danish recycling artist Thomas Dambo, known for creating nearly 200 wooden troll sculptures hidden in natural settings across 19 countries, is opening his first museum exhibition. Titled “The Garbage Man,” the show at the Arken Museum of Contemporary Art near Copenhagen features a new collection of fairy tale-inspired trolls that take over the museum and build a giant human figure out of trash. The exhibition opens Sunday and runs until November 29, marking a shift from Dambo's usual outdoor treasure-hunt installations to an indoor, narrative-driven experience.
Artist Chandra Bhattacharjee presents a new body of work titled "A Star Amongst Too Many" at the Sarala Birla gallery within the Birla Academy of Art and Culture in Kolkata. Curated by Uma Ray, the exhibition features large-scale charcoal drawings that depict marginalized figures such as ragpickers, trash collectors, beggars, and street vendors. The works use black-and-white charcoal with occasional bursts of yellow and rust—the latter symbolizing neglect—to highlight the overlooked lives of these individuals. The show runs until May 24, 2026.
A contemporary art fair called "This is Normal" has been held in Kyiv, Ukraine, during wartime, organized by the Art Kyiv fair. The event features over 20 Ukrainian artists and galleries at the Lavra Gallery, deliberately avoiding any direct reference to the war in its booths or artworks. Organizers and participants describe the fair as a space for cultural continuity and psychological respite, where art helps people make sense of a reality shaped by missile strikes and loss.
Christian Art has launched the Faith Art Prize, a rebranded international award formerly known as the Laudamus Award, celebrating contemporary art that engages with faith, prayer, and the sacred. The prize offers a total fund of £30,000, including a £25,000 first prize donated by John J Studzinski CBE, and is open to artists worldwide working in any medium. Up to 100 shortlisted works will be exhibited at Westminster Cathedral and Westminster Cathedral Hall from 9–13 November 2026, with a People's Choice Award of £5,000 selected by public vote. The exhibition coincides with the Christian Art Conference 2026 at the QEII Centre, London.
The Indira Gandhi Cultural Centre (IGCC) of the Indian High Commission in Dhaka inaugurated a ten-day art exhibition titled “Sampriti” on May 7, 2026, coinciding with the 165th birth anniversary of Rabindranath Tagore. The exhibition features works created during a two-day art camp by 33 eminent Bangladeshi artists, including Rafiqun Nabi, Monirul Islam, and Farida Zaman, and was curated by Professor Sanjoy Chakraborty of Dhaka University. High Commissioner Pranay Verma opened the event, highlighting the shared artistic traditions between India and Bangladesh, and paid tribute to the late Bangladeshi artist Tarun Ghosh, whose work is included in the show.
The Indira Gandhi Cultural Centre (IGCC) in Dhaka inaugurated the art exhibition “Sampriti” on May 7, bringing together artists, scholars, and diplomats from Bangladesh and India. The exhibition, which follows a two-day art camp held in April, features works by 33 contemporary Bangladeshi artists and ICCR scholars, and was curated by Prof Sanjoy Chakraborty. The opening coincided with the 165th birth anniversary of Rabindranath Tagore and included a lamp-lighting ceremony, speeches by High Commissioner Pranay Verma, and a performance of Rabindra Sangeet by Prof Shahnaz Nasrin Ila.
Belinda Gray, founder of breast cancer charity Art For Cure, shares her story ahead of the charity's latest exhibition at Wyken Vineyards. After her own breast cancer diagnosis and treatment, Gray launched Art For Cure in 2014, initially hosting an exhibition in her home and garden that drew 2,000 visitors and raised £100,000. The charity has since sold over £3 million worth of art through exhibitions and online sales, with a percentage of each sale donated by artists to fund UK breast cancer research and support services. Gray, who had no prior art-world experience, now leads a voluntary team of 10 people staging annual public exhibitions at unique venues.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.
The Art Museum of Eastern Idaho in Idaho Falls is opening a new exhibition titled 'Sacred Spaces: Visions of the West from the Prosaic to the Sublime' on Friday, with a public preview on Thursday night. The show features six artists, including Bryan Mark Taylor, Allie Zeyer, and David Dibble, all of whom have ties to agriculture. The works depict farm life scenes such as barns, fields, animals, and tractors, with an audio tour offering artist commentary. The Museum of Idaho is also contributing historic farm photos to complement the exhibit.
Pelham Art Center will host 'Relics: Ancient to Modern,' a teen-curated exhibition organized by its Teen Artist Council, from May 7 through May 31. The show opens with a public artist talk on May 7 and a reception on May 9, featuring works by over 50 artists from the United States and abroad, including Pakistan. The council, composed of high school students, developed the theme, issued an open call, and curated the final selection under the guidance of Gallery and Teen Programming Coordinator Fiona Agababian.
Georgia foster teens have created a traveling art exhibit called the See Me project, sponsored by the nonprofit Georgia Appleseed, which has collected roughly 50 paintings, poems, and sculptures since 2023. The young artists, many first-time participants, explore themes of healing, hope, family, and belonging, often signing their works anonymously. The exhibit has been displayed at the Georgia Capitol, universities, community centers, and law firms, with artists paid $250 for their contributions.
The Lawrence Art Center's Hang12 program, a group of high school students who curate art shows and events, unveiled 32 new pieces of art in the New Hampshire Street parking garage in Lawrence, Kansas. The artworks, designed by Lawrence High School juniors Wren Jay and Rilo Scholz, celebrate native Kansas plants and animals and were collectively painted and assembled by Hang12 members. A ribbon-cutting ceremony featured remarks from multidisciplinary artist Mona Cliff, who completed a mural in the same garage in 2025, and a tour of the new works.
The African American Museum in Dallas reopens on May 1 after temporary renovations, featuring the exhibition "People Who Make the World Go ‘Round: The Legacy of Sepia Magazine." The show highlights influential Black icons such as Aretha Franklin, Ray Charles, Maya Angelou, Dr. Martin Luther King Jr., and Thurgood Marshall through photographs from the museum's archive of over 40,000 images. Sepia magazine, founded in Fort Worth in 1946, chronicled Black life and culture for nearly four decades, offering a Southern perspective that rivaled national publications like Ebony and Jet.
The Night of the Museums will take place in Tampere, Finland, on Saturday, May 16, featuring over 40 exhibitions across multiple venues including the Tampere Art Museum, Sara Hildén Art Museum, Museum Centre Vapriikki, Moomin Museum, Finnish Labour Museum Werstas, and others. The event offers special guided tours, children's activities with clowns and circus performances, art workshops led by visual artists, live music and poetry, dance lessons, and themed tours covering topics from football history to men's fashion.
The 35th annual Governor’s Art Show has returned to the Loveland Museum, showcasing a juried selection of fine art from across Colorado. This year’s exhibition features approximately 60 artists, including 10 first-time participants, selected through a competitive blind jury process. The show includes a diverse range of media, from Lorri Acott’s life-size bronze animal sculptures to Jane DeDecker’s new works blending bronze with fused glass, and Faye Crowe’s Western-influenced abstract paintings.
The Kansong Art Museum in Seoul has launched a special exhibition titled "Cultural Defense of the Nation: The Spirit of Our People Preserved Through Faith," showcasing 46 significant artifacts reclaimed by collector Chun Hyung-pil during the Japanese colonial period. The centerpiece of the show is a rare 18th-century white porcelain bottle decorated with underglaze blue, iron-red, and copper-red, which Chun famously acquired at the Gyeongseong Art Club auction in 1936. He outbid a prominent Japanese dealer with a record-breaking bid of 14,580 won—a sum equivalent to the price of 15 houses at the time—to prevent the treasure from leaving Korea.
The group exhibition ‘Bándearg’ (Pink) is set to open at Books At One in Louisburgh, County Mayo, featuring the work of five female artists based in Ireland. The show explores the color pink as both a physical medium and a complex cultural symbol, showcasing a diverse range of artistic approaches including the bold, hard-edge op art of Elphin-based artist Nickie Harrington.
The globally acclaimed exhibition "Art of the Brick" has officially opened in downtown Cincinnati, showcasing over 100 sculptures crafted by artist Nathan Sawaya. The display features millions of LEGO bricks transformed into large-scale original works, including a 20-foot T-Rex, alongside brick-built interpretations of iconic masterpieces like the Mona Lisa and The Starry Night. Visitors can also engage with a hands-on building zone designed to foster creativity.
The National Hispanic Cultural Center in Albuquerque has opened a new exhibition titled "Nuclear Futures: Art, Activism, and the Legacy of the Manhattan Project." The show features works by contemporary artists who use their practice to address the history, present dangers, and future implications of nuclear weapons and energy, with a particular focus on the impact on Hispanic and Indigenous communities in the American Southwest.