Painting of St. Rose of Lima is part of Walters Art Museum exhibition

The Walters Art Museum in Baltimore has unveiled a new permanent installation of Latin American art, featuring a rare 18th-century painting titled "The Allegory of St. Rosa of Peru" by an anonymous artist from the Cuzco School. The oil-on-canvas depicts St. Rose of Lima, the first canonized saint from the New World, emerging from a giant rose alongside an allegorical female figure representing the Americas and a stylized Inca ruler. The artwork, dated between 1730 and 1760, is a rare survivor of colonial-era paintings that were often destroyed after the Tupac Amaru uprising.

Italy’s leading archaeological museum uses young creatives’ press shots without payment

Italy's National Archaeological Museum of Naples (MANN) launched a photography competition in March inviting young people aged 18 to 30 to submit images of objects from its collections, including artifacts from Pompeii and Herculaneum. The museum offered no payment, only exposure via social media and banners on its façade, sparking criticism from cultural workers' group Mi Riconosci and Italian media, who accused the institution of exploiting unpaid labor. Museum administrator Raffaella Bosso defended the initiative as a dialogue with youth, but the museum has not withdrawn or modified the contest.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

Sámi art has gained visibility in Norway—but when will it get a museum of its own?

Sámi artists from Norway are gaining international recognition, with milestones including the rebranding of the Nordic Pavilion as the Sámi Pavilion at the 2022 Venice Biennale, a major mural by Outi Pieski in Oslo, and a forthcoming Hyundai commission by Maret Anne Sara at Tate Modern. Despite this visibility, decades of advocacy have failed to establish a dedicated Sámi art museum; thousands of works purchased with government funds remain in storage. The Norwegian parliament's recent truth and reconciliation report acknowledged historical injustices, but activists like Synnøve Persen and scholars like Katrine Rugeldal argue that existing institutions are insufficient and that a museum must be built on Sámi terms, potentially nomadic or pan-Nordic.

Young artists, Mia exhibit, shine uncomfortable light on American racism

The Minneapolis Institute of Art (Mia) opened its fourth annual Teen Perspectives exhibition on May 10, titled “Minneapolis as Monument,” featuring works by high school students addressing health and racial equity. The show, running through July 20, includes paintings, photos, sculptures, and video installations inspired by the murder of George Floyd five years ago and the concurrent “Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys” exhibition. Speakers included Virajita Singh, Mia’s chief diversity and inclusion officer, and Bukata Hayes of Blue Cross Blue Shield of Minnesota, the program’s sponsor. Student artists like Lydia Nobrega and Joseph Willie created pieces that explore personal stories, community, and systemic racism.

New Voices Help Museums Tell New (or Forgotten) Stories

Museums across the United States are increasingly turning to guest curators, community advisors, and outside scholars to reinterpret their collections, often highlighting marginalized or overlooked histories. The New York Times article profiles several institutions, including the Museum of Fine Arts, Boston, and the Brooklyn Museum, that have invited new voices to rehang permanent collections or organize temporary exhibitions that challenge traditional narratives, such as centering Indigenous perspectives or recovering stories of enslaved people.

A small selection of the nation's largest public Haitian art collection is now on display in Des Moines

A selection of 15 pieces from the Waterloo Center for the Arts' Haitian art collection—the largest publicly held collection of its kind in the United States—is now on display at the Des Moines Art Center through summer 2025. The exhibition, titled "Light with Ourselves: Haitian Art in Iowa," includes paintings, metalwork, ritual objects, and beaded sequined banners called drapo, co-curated by Elizabeth Gollnick of the Des Moines Art Center and Chawne Paige of the Waterloo Center for the Arts. The collection began with a donation from F. Harold Reulin and his wife and has grown to over 2,000 pieces since 1977.

In Rome, the extension of the Galleria Borghese provokes a revolt

À Rome, l’extension de la Galerie Borghèse provoque une fronde

The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.

Historic Northumberland figure inspires art exhibition

An art exhibition celebrating the life and legacy of Louisa, Marchioness of Waterford, will be held at Etal Village Hall in Northumberland on May 24. The free event features 30 finalist works—ranging from film and paintings to textiles and sculpture—submitted by artists from across northern England and the Scottish Borders. The winner will receive the Louisa Waterford Prize, and visitors can vote for the People's Prize. The exhibition is organized by The Tin Shed, a collective that supports artists and makers through online studios and pop-up events.

Artist celebrates 21 years with Project Art Works in new Hastings exhibition

Project Art Works in Hastings is presenting "The Twenty-One Year Itch," a solo exhibition by artist Charlotte Stephens, running from 22 May to 13 June 2026. The show marks Stephens' 21-year association with the organization, bringing together key paintings from over two decades of her studio practice, including portraits, studies of nature, and large-scale process-led works. Stephens joined Project Art Works in 2005 as one of its original artist collaborators and has also served as an advisor to the board of trustees.

Penarth artist holds first exhibition after a lifetime of painting

Stephen Stokes, a 66-year-old retired kitchen business owner from Penarth, Wales, has staged his first-ever art exhibition after a lifetime of painting. The show, held at Llanover Hall Arts Centre in Cardiff, features works spanning decades, including portraits, still lifes, and scenes painted from life. Stokes, who studied at art college in Liverpool in the 1980s, was inspired by post-Impressionist masters like Matisse, Van Gogh, and Monet. Around 80 people attended the opening, and several visitors expressed interest in purchasing his work, though he had not initially priced the pieces.

yuko mohri tunes into the unseen energies connecting people and objects

Japanese artist Yuko Mohri has created an exhibition where decomposing fruit powers electronic systems, and visitors move through the installations, becoming part of the circulation of energy within the show. The work explores the unseen energies connecting people and objects, blending organic decay with technological interactivity.

The Art of Performing Maintenance

This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.

Untitled, 1982 by Anni Albers, Ink and gouache on paper, 15.9 x 22.9 cm (5)

Ocula, an online platform for contemporary art, has published a promotional piece highlighting its services: partnering with leading galleries to showcase artists and artworks, offering vetted gallery membership by application and invitation, and providing art advisory with access to influential galleries, collectors, and auction houses. The article also mentions Ocula's editorial content that celebrates people and ideas shaping contemporary art.

The Fabric Workshop and Museum presents Jesse Krimes: Elegy Quilts by Bucks County artist

The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.

Anti-Russia Protests Spread Beyond the Biennale and Into Venice

Protests against the reopening of the Russian pavilion erupted at the Venice Biennale and spread across the city on the second day of the 61st edition. Visual artist Shalva Nikvashvili, who grew up in post-Soviet Georgia, began a silent performance wearing a muzzle-style mask and carrying a chair, holding a sign reading “La Biennale di Venezia” and “violence.” Shortly after, a group of about 20 protesters led by Pussy Riot co-founder Nadya Tolokonnikova gathered outside the Russian pavilion, chanting against Vladimir Putin, waving Ukrainian flags, and releasing a pink smoke flare. The protests followed the Biennale's decision to allow Russia to participate for the first time since its 2022 invasion of Ukraine, despite calls from artists and politicians to exclude the country.

Lucas Museum of Narrative Arts Adds ‘Star Wars in Motion’ Exhibit to Opening Lineup

The Lucas Museum of Narrative Art has announced a new exhibition titled "Star Wars in Motion" as part of its inaugural lineup, set to open on September 22, 2026, in Los Angeles's Exposition Park. The showcase will feature vehicle designs, props, costumes, and illustrations from the first six Star Wars films, including iconic items like Luke's Landspeeder and General Grievous's Wheel Bike. The museum, co-founded by George Lucas and Mellody Hobson, will open with over 30 exhibitions and more than 1,200 objects spanning visual storytelling from ancient sculptures to modern cinema.

Internationally acclaimed glass artist makes return to Meijer Gardens with 'deeply personal' exhibition

Internationally acclaimed glass artist Dale Chihuly has returned to Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan, for the first time in over a decade with the exhibition "Chihuly at Meijer Gardens," running from May 2 to November 1, 2026. The show spans 12 outdoor locations and includes an indoor component, "Chihuly: Radiant Forms," making it the largest Chihuly exhibition in the venue's history. The artwork was built in Chihuly's Seattle studio, disassembled, shipped, and reassembled on site over two weeks.

Heard Museum to open exhibition pairing artists’ work with letters to their younger selves

The Heard Museum in Phoenix has opened a new exhibition titled "Wisdom from the Future," which pairs artwork by 28 Indigenous artists aged 55 and older with personal letters they wrote to their younger selves. The letters offer reflections on creativity, identity, and lived experience, with participating artists including Kay WalkingStick, Norbert Peshlakai, Preston Singletary, and others. The exhibition was developed in connection with the museum's Creative Aging program, which supports older adults in developing artistic skills.

Carver Museum Exhibits

The George Washington Carver Museum in Austin has unveiled its 2026 programming, headlined by the exhibition "Who Draws the Maps?" featuring three decades of work by the late artist Steven Bernard Jones. The museum is also debuting "And Still I Speak," a window installation of century-old photographs from Clarksville, one of the first freedman's communities in the United States, alongside a new core exhibition titled "The African American Presence in 19th Century Texas."

Inside Overtown’s 'Everyday People,' the Soul Basel exhibit celebrating Black art and community

The 'Everyday People' exhibition, part of Miami's Soul Basel celebration, has opened in Overtown across three venues: the City of Miami Black Police Precinct Courthouse and Museum, the Overtown Performing Arts Center, and The OVRTWN Corner. Featuring over 80 artworks by Black artists from around the world, the exhibit is curated by Terrance Cribbs-Lorrant, executive director of the Black Police Precinct Museum, and Elijah Rashaed, a curator from the Dayton, Ohio NAACP. The show includes historic works from the Miami Black Art Workshop, a pioneering 1970s collective that helped ignite South Florida's Black visual arts movement, and will run through March 2026.

Del Mar Fairgrounds to host Banksy-themed art exhibition

“The Art of Banksy: Without Limits,” a touring exhibition dedicated to the anonymous British street artist Banksy, will open January 30 at the Del Mar Fairgrounds in San Diego. Featuring 200 pieces including certified originals from private collectors and replicas, the show presents prints, photographs, sculptures, murals, and video-mapping installations, along with an infinity room, a hologram installation, and a room focused on Banksy’s Ukraine-related works. The exhibition, which debuted in Istanbul in 2016, is not officially sanctioned by Banksy but serves as a tribute to his provocative, satirical art.

Comrades in art: meet the artists who fought against fascism

Andy Friend's book "Comrades in Art" chronicles the founding and first decade of the Artists International Association (AIA), a radical union of artists established in London in the 1930s. The AIA, born from a belief in art's power to revolutionize society, grew from a small group of mostly underemployed communist-affiliated commercial artists into a popular front against fascism and war, eventually including over 1,000 members such as Henry Moore and Paul Nash. The book focuses on lesser-known figures like Felicia Browne, the first British female combatant killed in the Spanish Civil War.

Art is in the air this October, Go Metro during National Arts and Humanities Month

Metro Art, the public art program of Los Angeles County's transit authority, is celebrating National Arts & Humanities Month in October 2024 with a series of exhibitions and events across the Metro system. Highlights include 'Love, Leimert' at Leimert Park Station, featuring moving-image works by ten artists; 'LA on the Move' at Union Station, an exhibition exploring how people and wildlife navigate the city; and guided tours of large-scale artworks at Grand Ave Arts/Bunker Hill Station. The program also features a wrapped Metro Art Bus showcasing rider portrait photography.

In pictures: p(art)y people at the Frieze London VIP preview

Celebrities and art world figures gathered at Regent’s Park in London for the VIP preview of Frieze London 2025. The event featured appearances by arts broadcaster Kate Bryan, artists Young In Hong, Kimsooja, David Shrigley, Thomas J Price, Elsa James, Larry Achiampong, Michael Landy, Gillian Wearing, and Ryan Gander, alongside curator Fatoş Üstek, curator Zoé Whitley, architect Kulapat Yantrasast, model Claudia Schiffer, and musician Neil Tennant. Photographs by David Owens captured the scene.

Art Studio exhibit spotlights mental health

The Art Studio, Inc. in Beaumont, Texas, is hosting the exhibition “The Art of Mental Health” through September 26, featuring artwork created by people whose art addresses mental health issues. The show, now in its third year, originated when board members from the foundation of Mental Health in Southeast Texas approached executive director Greg Busceme to use the studio space for art therapy. Submissions were open to all ages and skill levels, and the studio plans to continue the monthly group despite recent federal funding cuts.

Marius Frank paints soul of the lake in first solo show

Marius Frank Ajuma opened his first solo exhibition, titled "Janam," at the National Museums of Kenya in Nairobi on August 4, 2025. The show explores life around Lake Victoria, where the artist grew up, featuring vibrant acrylic paintings that depict fishermen, beaches, and the cultural identity of the lake's communities. Ajuma's path to this milestone included training at Mwangaza Art School, a degree in microprocessor technology, a stint in music, and mentorship under artist Patrick Mukabi.

Longtime Grounds for Sculpture resident artist Clifford Ward has first exhibition on view there

Clifford Ward, a longtime artist-in-residence at Grounds for Sculpture in Hamilton Township, New Jersey, has opened his first solo exhibition at the venue, titled 'I'll Make Me A World.' The show, on view in the Museum Building through January 11, 2026, features his 'Animism' series—24 large-scale figures standing six to nine feet tall, created over twelve years using plaster bandage. Ward, who began his art career around age 40 and has been at Grounds for Sculpture since 1997, draws inspiration from indigenous cultures, the African diaspora, Native American traditions, and the Māori people of New Zealand.

August Book Bag: from a ‘behind-the-scenes’ studio book to artists joining in with the American Revolution

The article reviews four new art books released in August. It covers 'In the Studio: Jack Whitten' by Yinka Elujoba (Hauser & Wirth Publishers), a compact overview of the US artist's work and his Black Monoliths series; 'Selected Writings, Volume 1, Towards a New African Art Discourse' by the late Okwui Enwezor (Duke University Press), collecting his essays on decolonizing the art world; 'The Painter’s Fire: A Forgotten History of the Artists Who Championed the American Revolution' by Zara Anishanslin (Harvard University Press), examining three artists—Robert Edge Pine, Prince Demah, and Patience Wright—who contributed to the American War of Independence; and 'Beyond Blue and White: The Hidden History of Delftware and the Women Behind the Iconic Ceramic' by Genevieve Wheeler Brown (Pegasus Books), highlighting women like Barbara Rotteveel in the history of Delftware.

Annual art exhibit by incarcerated community raises $18K for scholarship

An annual art exhibition featuring works by incarcerated individuals in Arizona sold 200 pieces on May 16, raising over $18,000 for a scholarship at Arizona State University. The show, titled "{Ink}arcerated: Creativity within Confinement," displayed more than 400 artworks and drew approximately 600 visitors to a vacant retail space at the Arizona Center in downtown Phoenix. Organized by ASU criminology professor Kevin Wright, the event has raised a cumulative total of more than $70,000 since its launch in 2017, with this year's proceeds marking the largest single-show amount to date. A second public sale is scheduled for June 6 during Phoenix's First Fridays art walk.