Nigerian artist Damola Adepoju has opened his third solo exhibition, titled 'Light', at Mydrim Gallery in Lagos. The show, curated by Idowu Bankole to commemorate Adepoju's 50th birthday, features 30 paintings and mixed-media works created between 2015 and the present, focusing on Lagos cityscapes and employing his signature technique of newspaper prints, acrylic, and soft gold on a grey palette.
The Sovereign Art Foundation and Gibraltar Cultural Services announced the winners of the 2026 Sovereign Young Artist Competition at an awards ceremony on April 16. The exhibition showcases finalists in two age categories, with winners including Aimee Linares (SAF Judges’ Prize), Amelie Romero (SAF Public Vote Prize), Sebastian Andlaw (Alwani Foundation Award), Shelli Abudarham (Ministry of Culture Award), and Tyrone Vera (AquaGib Second Prize). The top student winner received £800, with £2,000 awarded to their school's art department.
The National Museum of Mexican Art (NMMA) in Chicago was founded in 1987 by a group of public school educators, led by Carlos Tortolero, to address a lack of Mexican history and culture in the curriculum. It has grown into a 48,000-square-foot institution with a collection of over 20,000 objects, spanning from Pre-Columbian times to the present, and was the first Latino museum in the U.S. to be accredited by the American Alliance of Museums.
Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.
Cosa sono questi “art club” che Alessandro Benetton sta aprendo in giro per l’Italia? Il racconto
21Art, a company founded by Alessandro Benetton based on a project by entrepreneur Davide Vanin, is expanding its network of gallery spaces and affiliated 'Art Clubs' across Italy and into Monaco. This spring, a new location in Montecarlo will join existing galleries in Rome, Padua, and Treviso, with plans for further openings in Milan, Cortina, and Jesolo by 2027. The expansion is accompanied by a spring 2026 exhibition program featuring shows by Mario Ceroli in Treviso, Ahmet Güneştekin in Rome, and Jan Fabre in Montecarlo.
Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.
Staatssekretär im Streit um Fördermittel entlassen
Berlin's culture administration has dismissed State Secretary Oliver Friederici, who was responsible for distributing funds for projects combating antisemitism. The move follows a prolonged controversy over the allocation of millions of euros in grants, with allegations of unclear criteria and potential political influence from the CDU party.
The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.
Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg
The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.
Indonesian artist Dini Nur Aghnia presents her solo exhibition 'What Gathers, What Holds' at Gajah Gallery in Yogyakarta, opening April 25, 2026. The exhibition features a new body of work exploring landscape through layered compositions of clay, resin, and patchwork textiles, moving away from a totalized vista to focus on fragments and accumulative change.
The Lawrence S. Ting Foundation is presenting the fourth Children's Art Exhibition 2026, titled "Empower Light," opening on April 24 in Ho Chi Minh City and later in Hanoi. The exhibition features nearly 50 artworks and handcrafted pieces from students at eight special education schools and centers across Vietnam, curated by visual artist Ngo Dinh Bao Chau. It also includes picture books from a competition for children with disabilities and interactive activities.
The Umbrella Gallery is hosting an exhibition titled "Afrocentric," which showcases visual and mixed media art celebrating the African diaspora. The show focuses on African and Afro-descendant perspectives, exploring themes of heritage, cultural memory, identity, self-definition, migration, resistance, joy, and futurism. It aims to present history as a living presence through echoes of ancestral storytelling.
Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.
Dún Laoghaire-Rathdown County Council is presenting 'Lifework,' an exhibition featuring seven artists from the Kilkenny Collective for Arts Talent (KCAT) Studio. The show, opening at the Municipal Gallery, dlr LexIcon in May 2026, pairs each artist's earliest works with recent pieces to trace their artistic development. The artists included are Thomas Barron, Declan Byrne, Lorna Corrigan, Sinéad Fahey, Fergus Fitzgerald, Andrew Pike, and Jason Turner.
American sculptor Alma Allen, a self-taught artist with an unconventional background, has been selected to represent the United States at the 2025 Venice Biennale. His selection was made by the American Arts Conservancy, a new nonprofit with no art-world track record, which was awarded the commission through a State Department process that removed diversity requirements and emphasized art reflecting "American values."
The ongoing conflict in the Middle East, involving the US, Israel, and Iran, has disrupted the Gulf region's art market. Key events like Art Dubai have been postponed, and the inaugural Frieze Abu Dhabi faces uncertainty, as the area's stability—crucial for attracting international dealers and auction houses—is now in question.
Quelles sont les œuvres d’art englouties à bord du Titanic ?
The RMS Titanic, which sank in 1912, was carrying over 300 paintings, drawings, prints, and art objects according to its cargo manifest. The most famous artwork lost was the 1814 neoclassical painting 'La Circassienne au bain' by French artist Merry-Joseph Blondel, owned by Swedish businessman Mauritz Håkan Björnström-Steffansson, which was insured for $100,000. Also lost was the legendary 'Grand Omar,' a jewel-encrusted luxury edition of the Rubaiyat of Omar Khayyam, created by the London bindery Sangorski & Sutcliffe.
The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.
Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.
Hannah Black presents her first solo exhibition, "Harsh Muting," at the zaza' gallery in Naples. The show features five circular oil paintings that draw inspiration from the rotating word-play disks in Marcel Duchamp's surrealist film *Anemic Cinema*.
The Aesthetica Art Prize is launching a major touring exhibition across four venues in North Yorkshire, starting in Skipton Town Hall this weekend. The exhibition, celebrating the prize's 20th anniversary, features works by 50 contemporary artists, including environmental artist Steve Messam, and is split into four thematic parts across different galleries until September.
Neubau an der Burg Halle nimmt Form an
The long-delayed new building for the Burg Giebichenstein Kunsthochschule Halle (University of Art and Design Halle) is moving forward, with a construction start now planned for autumn 2027. The Finance Committee of the Saxony-Anhalt state parliament has approved the updated cost estimate of around 42 million euros, clearing the way for the project. While the building was originally slated for completion in 2027, a more realistic finish date is now 2030, with preparatory moves and demolition work scheduled to begin in late 2026.
Curator Naz Cuguoğlu argues in an opinion essay that museums should embrace the ethos of rave culture to become more welcoming and inclusive spaces, suggesting they can foster new forms of belonging. The article also covers several other art stories, including the discovery of pre-Hispanic rock art in Mexico that led to the rerouting of a train line, an exhibition of Genesis P-Orridge's mail art in Toronto, and artist Jean Shin's memorial project at Green-Wood Cemetery.
The article provides a critic's guide to seven notable exhibitions to see in Brussels during the Art Brussels fair. It highlights Richard Tuttle's assemblages at Galerie Greta Meert, an expansive Lutz Bacher show at WIELS, and other presentations by artists like Tarek Lakhrissi, Mire Lee, and Tiona Nekkia McClodden across various galleries and institutions.
Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
Silvestre Pestana, a Portuguese artist and poet, is presenting a solo exhibition of his LED text-based works at Galeria Quadrado Azul in Porto. The show, titled 'Silvestre Pestana: The Light of Words', features his pioneering 'Poemas Pornográficos' (Pornographic Poems) from the 1980s and newer LED pieces that transform language into pulsating, illuminated objects.
An exhibition at the Art Institute of Chicago, 'Claude Cahun and Marcel Moore: The Seeing Stone,' presents the collaborative and subversive work of the French artists and life partners. The show features over 200 objects, including photographs, photomontages, and manuscripts, focusing on their radical self-portraiture and resistance to gender and social norms.
Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, offers a curated selection of notable shows across the UK and Brussels art scene.
Il processo per assegnare il titolo di Capitale Italiana della Cultura andrebbe ripensato. Ecco perché
An analysis of the selection process for Italy's "Capital of Culture" title reveals a consistent pattern: cities chosen for the prestigious designation are almost exclusively administered by political coalitions aligned with the national government in power at the time of selection. The sole exceptions were Bergamo and Brescia, which were jointly awarded the title via a special parliamentary decree in recognition of their suffering during the pandemic, bypassing the standard procedure. This political alignment has persisted across different legislatures and changes in government.