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15 Art Shows to See in Los Angeles This Fall

This fall, Los Angeles museums are presenting a diverse array of exhibitions that explore community, justice, and historical reclamation. Highlights include a historical survey of Mail Art in Latin America, a traveling exhibition of radical Chicano prints from the Smithsonian at the Huntington, a show at the Getty drawn from the Guerrilla Girls' archive, and a two-person exhibition at Skirball pairing Philip Guston with Trenton Doyle Hancock. Other notable shows include 'Monuments' co-organized by the Brick and the Museum of Contemporary Art, solo exhibitions by Guadalupe Maravilla at REDCAT and by American Artist on Octavia E. Butler, and the California Biennial at the Orange County Museum of Art. The article also lists shows at Oxy Arts, the Museum of Contemporary Art, and other venues, featuring artists such as Ken Gonzales-Day, Tavares Strachan, and Stanya Kahn.

Record Prices, New Buyers and Global Reach: Design’s Moment Has Arrived

Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.

The 2025 Fall Arts Preview: Our picks in Art + Design

The 2025 Fall Arts Preview highlights a vibrant season in Atlanta, featuring the return of the Atlanta Art Fair (AAF) at Pullman Yards from September 25–28 with over 60 exhibitors, including local and international galleries. Key programming includes a curatorial presentation by Melissa Messina with abstract artists Krista Clark, Sonya Yong James, and Vadis Turner honoring Mildred Thompson. Additionally, the Hammonds House Museum and National Black Arts Festival present "Black Zeitgeist: Atlanta" through December 14, exploring the city's Black art legacy, while the revived art amusement park "Luna Luna: Forgotten Fantasy" opens at Pullman Yards on September 24.

Seoul According to Artist Etsu Egami

Japanese-born artist Etsu Egami, known for large-scale abstract paintings exploring language and communication barriers, has been chosen to inaugurate Korea's new OAR Contemporary Museum in Gyeongju with a solo exhibition titled "Egami Etsu: Echoes of the Earth." The show, running until September 21, features site-specific works inspired by the city's ancient tombs and the museum's architecture. Egami, who was raised across Washington, DC, Paris, and Japan and studied in Germany, Beijing, and New York, has previously exhibited at the Guggenheim in New York, Grand Palais in Paris, and Mori Art Museum. She first showed in South Korea in 2022 at Tang Contemporary in Seoul, and her work has gained recognition among Korean curators and collectors.

Hyundai Motor and LACMA Announce the Exhibition Tavares Strachan: The Day Tomorrow Began

Hyundai Motor Company and the Los Angeles County Museum of Art (LACMA) have announced the exhibition "Tavares Strachan: The Day Tomorrow Began," opening at LACMA on October 12, 2025 and running through March 29, 2026. This is the artist's first major museum exhibition in Los Angeles, featuring over 20 new works including his most expansive neon piece and one of his largest sculptures to date. The multi-sensory exhibition, presented through the ongoing Hyundai Project at LACMA partnership since 2015, immerses viewers in environments such as a barbershop, a laundromat, and a field of Indian-Rice Grass across seven galleries, weaving together sculpture, painting, text, and music to excavate overlooked histories, particularly those related to the Black diaspora.

Boulder County week in art: CU Art Museum’s new exhibit explores time as a notion

This article is a roundup of current and upcoming art exhibitions and events in the Boulder County area, featuring a wide range of venues from commercial galleries to nonprofit spaces and museums. Highlights include the Boulder Museum of Contemporary Art's immersive exhibition 'Divine Rest Nests,' the Dairy Arts Center's 'Matter Over Mind' exploring art-science intersections, and the CU Art Museum's new exhibit on time as a notion. The piece lists dozens of shows, including works by local artists like Lonny Granston, Liz Quan, and Melissa Stuart, as well as community-focused displays at libraries and cultural centers.

With two fairs and a new festival, Aspen art scene is reaching new peaks

Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.

‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

35 Art Centers Every Hudson Valleyite Should Visit

A regional guide profiles 35 art centers across New York's Hudson Valley, highlighting destinations such as the Albany Institute of History & Art, Dia Beacon, Olana State Historic Site, and Art Omi Sculpture & Architecture Park. The article provides practical visitor information for each venue, covering museums, galleries, and historic artist estates in Albany, Columbia, and Dutchess counties.

Here are the top art exhibitions to see in Seattle for July

The article highlights top art exhibitions in Seattle for July, including the return of the Seattle Art Fair (July 17-20) and several gallery shows. Featured exhibitions include Cable Griffith's 'Return to Sender' at J. Rinehart Gallery, Jite Agbro's 'Penumbras' at Patricia Rovzar Gallery, a duo show 'Color and Line' with Kevin Cosley and Soo Hong at Chatwin Arts, Althea Rao's 'Commit to Memory, Know it Will Perish' at Gallery 4Culture, and Humaira Abid's 'The Shape of Life' at Greg Kucera Gallery.

Edward Burtynsky’s photographs convey the force of mankind’s reordering of the environment

The International Center of Photography (ICP) in New York is presenting "Edward Burtynsky: The Great Acceleration," a retrospective of over 70 photographs by Canadian photographer Edward Burtynsky, on view until September 28. Curated by ICP creative director David Campany, the exhibition spans Burtynsky's 40-year career documenting humanity's industrial transformation of natural landscapes, from Ontario mines and Texas oilfields to shipbreaking yards in Bangladesh and e-waste sites in China. The show is organized thematically rather than chronologically, featuring early small-scale works alongside massive recent prints, including a 10-foot-wide image of a copper mine in the Democratic Republic of Congo and a 30-foot mural of a Texas farm printed on adhesive vinyl.

Susan Philipsz: East by West | June 13, 2025

Susan Philipsz is presenting a new exhibition titled "East by West" at Tanya Bonakdar Gallery, opening June 13, 2025. The show features the artist's signature sound-based installations, exploring themes of geography, memory, and displacement through audio works that blend field recordings and musical compositions.

New art fair Arrival brings collectors to the bucolic Berkshires

Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.

New York Museums are Showcasing African American Art, Exhibitions Feature Lorna Simpson, Rashid Johnson, Beauford Delaney, Amy Sherald, Black Dandyism & More

New York museums are presenting a wave of major exhibitions focused on African American art this spring and summer, many running through fall 2025. Solo shows include the largest-ever surveys of Rashid Johnson at the Guggenheim Museum, Amy Sherald at the Whitney Museum of American Art, and Jack Whitten at the Museum of Modern Art. The Drawing Center hosts the first museum exhibition dedicated to Beauford Delaney's drawings, while the Brooklyn Museum presents the first museum show for sculptor Nancy Elizabeth Prophet. At the Metropolitan Museum of Art, highlights include the newly renovated Michael C. Rockefeller Wing, a Lorna Simpson painting exhibition, a roof garden installation by Jennie C. Jones, and the Costume Institute's "Superfine: Tailoring Black Style" exploring Black dandyism.

‘I paint extreme emotions’: Rachel Jones on her riotously colourful paintings – and her obsession with mouths

Rachel Jones, a 34-year-old British artist, is preparing for a major retrospective at Dulwich Picture Gallery, her first institutional solo show in the UK and the museum's first solo exhibition of a contemporary artist in its main space. After graduating from the Royal Academy Schools in 2019, Jones was quickly represented by Galerie Thaddaeus Ropac, had work acquired by the Tate, and exhibited at Chisenhale Gallery, the Hayward Gallery, and the Hepworth Wakefield. She has since left gallery representation, expanded into sound and performance, and created a short opera titled 'Hey Maudie' (2023), now being developed into a full-length opera. Her upcoming show at Dulwich, 'Gated Canyons', will pair her large-scale abstract paintings with works from the museum's collection, and she also has a site-specific commission at the Courtauld Gallery opening in September.

Remembering Koyo Kouoh, one of the most influential curators in the global art world, and one of its most original thought leaders

Koyo Kouoh, the influential curator and executive director of the Zeitz Museum of Contemporary Art Africa (Zeitz Mocaa) in Cape Town, has died at age 57, just ten days before she was to announce the title and themes of the 2026 Venice Biennale, for which she had been appointed curator of the international exhibition in December 2024—the first African woman to hold that role. Kouoh transformed Zeitz Mocaa from a fledgling institution into a globally respected museum, securing the donation of Jochen Zeitz's collection, expanding the board, and launching community-focused initiatives like the exhibition *Home is Where the Art is* (2020-21) and the online summit Radical Solidarity.

Mary Weatherford - The Surrealist - Exhibitions

Mary Weatherford presents a new body of work in her exhibition "The Surrealist," featuring large-scale abstract paintings that incorporate unconventional materials such as neon, coral, and starfish. The show includes works like "A Rose Tree" (2025), "Bonfire" (2025), and the titular "The Surrealist" (2024–2025), all executed in flashe on linen with mixed media elements.

Marquee May auctions in New York come at a volatile moment

New York's marquee spring auctions, beginning May 12, are facing significant headwinds from President Donald Trump's second-term policies, particularly the 'Liberation Day' tariffs and resulting stock-market volatility. Phillips deputy chairman Robert Manley confirms at least one eight-figure work was pulled from sale due to tariffs. The combined Modern and contemporary auctions at Christie's, Sotheby's, and Phillips carry an estimated $1.1bn to $1.5bn in art—the lowest total estimate for spring sales since 2010, roughly $250m lower than May 2024. No nine-figure-estimate lots have been consigned, and the number of catalogued lots is the lowest since 2007 (excluding pandemic and recession years). Single-owner collections dominate, with Christie's securing the $200m Leonard and Louise Riggio collection, including a Piet Mondrian estimated at $50m, and works from Anne and Sid Bass. Sotheby's offers collections from dealers Daniella Luxembourg and others.

What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Many Hands Make Great Work at the Weatherspoon’s Student-Curated Show

Cannon Crawford-Wilson, a sculpture and ceramics student at UNC Greensboro, took Art History 490: Museums and Exhibition Spaces and helped curate the exhibition “Embodied: Finding Meaning in the Human Form” at the Weatherspoon Art Museum. Under the guidance of Dr. Emily Stamey, she and her classmates selected artworks, wrote labels, and designed the gallery layout for the Spring 2025 season, working with museum staff like preparator Susan Taaffe. The show features pieces such as Toyin Ojih Odutola's “What’s in a Mistake?” (2014) and Do Ho Suh's “Bowl with Hands.”

RADICAL SOFTWARE: WOMEN, ART & COMPUTING 1960–1991

Kunsthalle Wien presents "Radical Software: Women, Art & Computing 1960–1991," a landmark exhibition foregrounding the pioneering role of women in early digital art. Organized with Mudam Luxembourg, the show brings together over one hundred works by fifty artists from European and U.S. collections, spanning painting, sculpture, installation, film, performance, and computer-generated works. The title references the 1970 magazine "Radical Software" by Beryl Korot, Phyllis Segura, and Ira Schneider, which envisioned decentralized access to information. The exhibition traces digital art from mainframe experiments in the 1960s through the microcomputer revolution, highlighting artists like Charlotte Johannesson, who traded a tapestry for an Apple II in 1978.

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Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

Alla Tate Modern di Londra arriverà una super mostra di Claude Monet nel 2027

The Tate Modern in London has announced its 2027 program, headlined by the first solo exhibition ever dedicated by the institution to Claude Monet. Titled "Monet: Painting Time," the show opens on February 25, 2027, and explores the Impressionist founder's relationship with time against the backdrop of the industrial era. It will feature celebrated works and rarely seen canvases from international lenders, supported by Morgan Stanley and AI company Anthropic. The exhibition follows an initial presentation at the Musée de l'Orangerie in Paris starting September 30, 2026, which marks the centenary of Monet's death with 40 paintings from the Musée d'Orsay and Musée Marmottan, including a virtual reality component. The iconic Water Lilies series and the 1877 masterpiece "The Arrival of the Normandy Train, Gare Saint-Lazare" will travel to London.

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

Rollicking Protest Against Bezos's Met Gala Erupts in Manhattan

On May 4, 2026, a small but spirited protest organized by the advocacy group Rise and Resist erupted near the Metropolitan Museum of Art during the Met Gala. Dozens of costumed demonstrators gathered on a makeshift "Resistance Runway" to denounce billionaire Jeff Bezos, who co-chaired the event with his wife Lauren Sánchez Bezos. Participants held signs addressing trans rights, fascism, and wealth inequality, and danced to ABBA's "Money, Money, Money." The protest highlighted Bezos's role as co-chair, with activists criticizing his company Amazon's profits from immigration crackdowns and layoffs at the Washington Post. Bezos reportedly did not attend the gala, while his wife walked the red carpet alone.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

Is This What “Made in America” Looks Like?

Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.

Opportunities in May 2026

Hyperallergic's May 2026 Opportunities Listings compile residencies, fellowships, grants, and open calls for artists, writers, and art workers. Featured opportunities include the Center for Craft's Craft Archive Fellowship, the Oak Spring Garden Foundation's Fellowship for Distinction in Fine Crafts and Design, the Provincetown Art Association and Museum's Robert Motherwell & Renate Ponsold Fellowship, the Bennett Prize for women figurative realist painters, the Pine Meadow Ranch Center for Arts & Agriculture residency, the Wassaic Project's Haunted Barn Open Call, the Jonathan and Barbara Silver Foundation's Grant for Writing on Sculpture, the Academy of American Poets' James Laughlin Award, and VIA Art Fund's Artistic Production Grants.

Reclaiming the Self-Taught Artist’s Creative Identity

The American Folk Art Museum (AFAM) in New York will present "Self-Made: A Century of Inventing Artists" this spring, a major exhibition examining the historical definition of the "self-taught artist" through authorship, agency, and self-representation. Featuring over 90 works spanning the early 20th century to today, the show is organized around three strategies—self-portraiture, alter egos, and autobiography—and includes pieces by Henry Darger, Clémentine Hunter, Martín Ramírez, Aloïse Corbaz, Adolf Wölfli, Nicole Appel, Susan Janow, and Joe Coleman, many on view for the first time.