Cledie Taylor, a pioneering Detroit artist, gallerist, and educator who championed the city's Black artisans and shaped its art curriculum, has died at the age of 100. Born in Arkansas in 1926, she moved to Detroit as a child and became a central figure in the local art scene, co-founding the influential artist collective Arts Extended in the 1950s.
Seoul-based painter Choe Vio has launched a new solo exhibition titled “Time Interface” at Page Gallery in Seongsu-dong. The show, which marks the artist's first solo presentation in four years, features new paintings and a central interactive installation titled “137 Silent Observers.” This centerpiece invites visitors to move stones on an aluminum plate, triggering a process where the changes are recorded at specific intervals and eventually translated into video and painting.
The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.
Finnish street artist EGS has launched a comprehensive solo exhibition at the Poco Pop Art Museum in Tallinn, Estonia. The showcase features a diverse array of media including paintings, glass sculptures, and site-specific installations that document the artist's three-decade relationship with the city's urban landscape. A central highlight is a collaborative series of hand-painted ceramic plates created with Estonian artist Viktor Gurov, paying homage to the historic Tallinn ceramics factory in Kopli where EGS painted for 15 years.
The Museum of the Southwest in Midland, Texas, is launching a diverse spring season featuring a blend of regional art and scientific exploration. Key highlights include the "West Texas Triangle" exhibition showcasing local talent, a specialized exhibit on space exploration at the Blakemore Planetarium, and the annual "Septemberfest" community fundraiser. The programming aims to bridge the gap between fine arts and the region's scientific interests.
Diné artist Eric-Paul Riege has launched his largest exhibition to date, titled “ojo|-|ólǫ́,” at the Henry Art Gallery. The show features large-scale soft sculptures, wearable art, and multimedia installations that reinterpret traditional Navajo symbols like the weaving comb and the hogan. Central to the exhibition is Riege’s rejection of traditional museum barriers; he encourages visitors to touch the tactile, plush works to honor the many hands involved in the production of his materials.
Major cities across the United States are hosting First Friday events tonight, featuring extended gallery hours, free museum admissions, and live cultural programming. A central highlight is the Natural History Museum of Los Angeles, which is celebrating the 20th anniversary of its after-hours series with a sold-out evening of live music, DJ sets, and science discussions led by experts.
The George Washington Carver Museum in Austin has unveiled its 2026 programming, headlined by the exhibition "Who Draws the Maps?" featuring three decades of work by the late artist Steven Bernard Jones. The museum is also debuting "And Still I Speak," a window installation of century-old photographs from Clarksville, one of the first freedman's communities in the United States, alongside a new core exhibition titled "The African American Presence in 19th Century Texas."
The 2026 Coast Next Gen Art Exhibition has officially opened at the new Gosford Regional Library, showcasing works by 25 high school graduates from across Australia's Central Coast. Organized by the University of Newcastle, the fourth annual showcase features a diverse range of media from HSC students and awarded several top prizes during its opening night, including the Bouddi Foundation of the Arts Award and an acquisitive prize for the university’s permanent collection.
The Indiana University Eskenazi Museum of Art has opened “Mulyana: Vital Ecosystems,” an immersive exhibition by Indonesian artist Mulyana. The installation features a vibrant underwater world constructed from hand-knitted crochet, felt, and repurposed plastic waste, including takeout bags collected during the pandemic. Central to the display is the artist’s signature character, "Mogus," an octopus-like creature that serves as a symbol of empathy and environmental stewardship.
Central Oregon Community College is hosting two distinct art exhibitions across its campuses this spring. The Barber Library Rotunda Gallery in Bend will feature "Satsumas on the Moon," a series of abstract paintings by local artist and OSU-Cascades instructor Andrew C.M. Lorish, while the Redmond campus is showcasing a 32-piece collection of digital and ink works by student Wick L. Dundon.
The group exhibition "Subculture" is set to open in George Town, Penang, featuring over 20 local and international artists. Hosted by the artist-run space Cultprint, the show explores subcultures not as acts of rebellion, but as lived experiences and communal identities. The lineup includes notable figures such as Ernest Zacharevic, Kenji Chai, and Alex Face, showcasing a diverse range of mediums including street art, sculpture, and photography.
Khaled Sabsabi has achieved a historic milestone as the first Australian artist to be selected for both a national pavilion and the Venice Biennale’s main international exhibition. After a tumultuous period in which his appointment to the Australia Pavilion was cancelled and then reinstated following political controversy, Sabsabi will now present his work 'conference of one’s self' in the Giardini alongside a separate contribution to the central show. Both projects are deeply rooted in Tasawwuf (Sufism) and themes of spiritual enlightenment and communal unity.
The City Arts Gallery in Vallejo will open a special exhibition featuring the work of local artist Roberta Weir and limited edition prints by Grateful Dead musician Jerry Garcia. The show, opening during the Vallejo Art Walk on February 13, highlights Weir's four-decade career in oil painting and Garcia's lesser-known visual art, stemming from their mentorship and friendship that began when Garcia visited Weir's Berkeley gallery in the late 1980s.
Fairfield University Art Museum opened its major loan exhibition 'For Which It Stands…' on January 22, 2026. The exhibition, curated over five years, features over 70 works depicting the American flag from World War I-era pieces to contemporary art, sourced from 48 lenders across the United States.
Soul Basel, a signature cultural showcase rooted in Miami's Historic Overtown, returns December 2–7, 2025, spotlighting the art and heritage of the African diaspora. The event features exhibitions, performances, and community activations across multiple locations including the 9th Street Pedestrian Mall, Black Archives Lyric Plaza, and Brightline MiamiCentral, with highlights such as the Miami MoCAAD 10th Anniversary Exhibition and the Everyday People Exhibit.
The Harold J. Miossi Art Gallery at Cuesta College hosted a closing ceremony for its latest exhibition, “High Tide,” on August 14. The event featured live jazz music, driftwood sculptures, and refreshments, showcasing works by over 60 local Central Coast artists. Artists were invited to nominate fellow creatives, resulting in a diverse display of paintings, ceramics, assemblage, digital media, and photographs. Coordinator Tim Stark described the exhibition as a reflection of the region's creative ecosystem, built on mutual trust and recognition among artists.
Artist Beata May will present her solo exhibition 'Où est Vénus? – Where is Venus' at Espace 22 in Monaco from 9th to 22nd August, organized by Unchained.Art. The two-week pop-up is curated by Christina Hiltscher, with the first week featuring May's solo works, including the piece 'Icon III', and the second week expanding to include six additional international artists responding to May's central question.
The Austin Central Library has issued an open call for exhibition proposals from Texas-based artists, collectives, curators, and creatives for its fall 2026 and spring 2027 seasons. Selected works will be displayed in the library’s 2,700-square-foot gallery for 12-week periods, with opportunities for artists to lead workshops or demonstrations. Applications are due by August 31, 2025, and will be reviewed by juries of local artists, curators, educators, and community leaders, with selected applicants announced in fall 2025.
The 13th edition of the Liverpool Biennial, titled 'Bedrock,' will run from June 7 to September 14, 2025, across 18 venues in the UK's largest city-wide contemporary art festival. Curated by Marie-Anne McQuay, the exhibition brings together 30 international artists and collectives with 22 new commissions, placing works in galleries, libraries, cathedrals, shopfronts, and public squares. The theme explores Liverpool's literal sandstone foundations as a metaphor for its layered histories—colonial empire, industry, civic resilience, and community life. Notable works include Amber Akaunu's film 'Dear Othermother' at Bluecoat, Linda Lamignan's triptych at FACT Liverpool, and Dawit L. Petros's installation at Liverpool Central Library.
Following the UK Supreme Court's 16 April ruling that the terms "woman" and "sex" in the Equality Act refer only to biological sex, UK museums are publicly reaffirming their support for transgender communities. The Museum of Transology, which houses the world's largest collection of trans, non-binary, and intersex artefacts, had recently marked its tenth anniversary with the exhibition Transcestry at Central Saint Martins' Lethaby Gallery. Smaller institutions like London's Vagina Museum quickly posted statements of solidarity, while larger bodies such as Arts Council England await a revised code of practice from the Equality and Human Rights Commission.
Stan State’s Art Space in downtown Turlock is hosting its annual Bachelor of Fine Arts (BFA) graduate exhibition, on display through May 23. The exhibition opened May 8 with a reception and artist talk, where attendees received catalogs featuring the artists and their works. Dean de Cocker, Director of the Art Space Main Gallery, welcomed guests, and faculty honored each of the 14 graduating BFA students, including Alex Cobain, Amora Ilene Cruz, Zehl Day, and others. The show features diverse media—painting, sculpture, multimedia, and conceptual art—with standout pieces like Riddick McCoy's "Lived Life Experience (Metal Up Your Ass)" and a solo exhibition by Fatima Gutierrez titled "Homenaje a la Memoria."
The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.
Uzbekistan has launched a significant design exhibition in Milan, showcasing a collection that blends the nation's ancient cultural traditions with contemporary aesthetics. The showcase features works inspired by the arid landscapes and rich artisanal history of the Central Asian republic, marking a deliberate effort to export its unique creative identity to a global audience during a major international design moment.
Cultural institutions across the United States are launching a series of exhibitions and preservation projects to commemorate the centennial of Route 66. From the Smithsonian’s National Museum of American History to local galleries along the 2,448-mile corridor, these programs examine the highway's evolution from a vital migration artery to a kitschy symbol of Americana. The initiatives aim to provide a nuanced look at the road’s history, including the experiences of marginalized travelers who relied on the Green Book to navigate segregated landscapes.
The article profiles acclaimed portraitist Nasir Shehzad, who has spent over four decades preserving and advancing the art of portraiture and cinematic painting in Abbottabad, Pakistan. His artistic journey began in childhood and gained early recognition through scouting competitions in the 1980s, leading him to professional cinematic painting by 1989. Shehzad has since become a central figure in the local art community through mentorship, founding his own creative platform, and participating in numerous exhibitions and residencies across the country, including recent shows at major institutions like the Lahore Museum and Pakistan National Council of the Arts.
The seventh edition of Tuwaiq Sculpture will take place in Riyadh from January 12 to February 22, 2026. The annual public art symposium will bring 25 international artists to Tahlia Street to create large-scale sculptures on-site using local granite and reclaimed metals, with all finished works entering the permanent Riyadh Art collection for installation across the city.
La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra
Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.
L’arte può essere ufficialmente una forma di cura. Intervista al Sottosegretario alla Cultura Lucia Borgonzoni madrina del progetto
The Italian Ministry of Culture and Ministry of Health have signed a formal protocol recognizing art as a form of therapy and care. The agreement, championed by Undersecretary of State for Culture Lucia Borgonzoni, mandates that museums, libraries, archives, and cultural institutions play a central role in developing therapeutic pathways using art to improve individual and community well-being. Borgonzoni, who has advocated for this initiative for nearly a decade, traces its origin to a 2018 study at the Sanctuary of Vicoforte that measured cortisol levels in visitors before and after viewing frescoes, showing significant stress reduction.
Un giovane artista ha progettato delle marmitte da suonare come trombe. A Milano il concerto itinerante
Emerging artist Aronne Pleuteri will debut a mobile performance titled "Mototrombe!" during Milan Art Week on April 17, 2026. The event features a parade of sound sculptures crafted from salvaged automotive exhaust pipes, which have been welded and reconfigured into hybrid instruments. Led by composer Dario Buccino, the procession will travel from Milan’s Central Station to the Church of Santa Maria degli Angeli, where the sculptures will remain on display through April 26.