JOSÉ WOLFF: DÍAS HONDOS

JOSÉ WOLFF: DÍAS HONDOS

José Wolff, a Guatemalan artist who grew up in the 1980s watching television with his family, has developed a unique visual language that oscillates between digital and traditional media. After studying at SCAD in Georgia and working in Miami and Los Angeles for channels like MTV Latino, NBC, and Locomotion, he created 3D animations, music videos, and TV interstitials. Now based back in Guatemala, Wolff continues to paint in oil while also producing digital installations, such as his 2026 multi-channel piece "Sin Novedad." His practice reflects a lifelong dialogue between the tangible and the intangible, influenced by artists like Laurie Anderson and Nam June Paik.

Paola Siri Renard “Double Star” at nouveaux deuxdeux, München

Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.

In the Gallery: See work by Rogue Valley artists

The article provides a comprehensive listing of art galleries and events in Oregon's Rogue Valley for the month of May. It highlights recurring monthly art walks in Jacksonville and Phoenix, and details exhibitions at ten local galleries including American Trails, Art & Soul Ashland, Art du Jour Gallery, Art on First, Art Presence Art Center, Ashland Art Works, and Collier Gallery. Featured artists include David Mensing, Kelly Anderson, Corbin Brashear, Nancy Darte, Elizabeth Ellingson, John Weston, and Dave Leibowitz, with a variety of media from painting and sculpture to photography and jewelry.

The 2026 Met Gala Theme and Dress Code, Explained

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York City, is set for tonight with the theme "Costume Art" and the dress code "Fashion is Art." The event, which takes place annually on the first Monday in May, serves as a high-profile fundraiser for the Costume Institute and a fashion spectacle. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The theme is tied to the Met's upcoming exhibition of the same name, which will debut the Costume Institute's first permanent galleries—the Condé M. Nast Galleries—and explore "the centrality of the dressed body" by pairing garments with art spanning 5,000 years.

Raphael: Sublime Poetry

This article announces the first comprehensive U.S. exhibition on Raphael, titled "Raphael: Sublime Poetry," which offers an immersive look at the artist's meteoric career through drawings, paintings, prints, and tapestries. It traces Raphael's journey from his birth in Urbino in 1483, through his training under his poet-painter father Giovanni Santi and later Pietro Perugino, to his rise as a peer to Leonardo and Michelangelo in Florence and his final decade as the favorite artist of the popes in Rome, where he was celebrated as the "prince of painters."

The Clay Studio organizes "Radical Americana" exhibitions across Philadelphia

The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.

Architecture as Microcosm: Interview with Architects Barclay & Crousse Coming to an Exhibition in Milan

Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano

Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.

Arts Listings: Week of May 21, 2026

This article is a local arts listings roundup for the week of May 21, 2026, in Ventura County, California. It announces theater productions including "Firebringer," "Mrs. Doubtfire," "Zapalooza," and "The Wolves," along with art exhibitions at venues such as the Beatrice Wood Center for the Arts, Camarillo Art Center, Dama Gallery, the Mexican Consulate in Oxnard, the Ronald Reagan Presidential Library and Museum, and UBS. It also includes a call for artists from the Arts Council of the Conejo Valley and an open call from Dama Gallery.

The San Juan Islands Museum of Art Summer 2026 Exhibitions include Photography, etching, glass sculpture and feather sculpture

The San Juan Islands Museum of Art (SJIMA) in Friday Harbor, Washington, will present three exhibitions from June 11 to September 14, 2026, featuring photography, etching, glass sculpture, and feather sculpture. The exhibitions include "Convergence & Divergence: The Family Aesthetic" in the Nichols Gallery, showcasing the work of Imogen Cunningham, Roi Partridge, and Rondal Partridge together for the first time, with over 100 photographs and prints spanning nearly 110 years. Also on view are "Feathered Masterpieces: The Artistry of Chris Maynard" in the North Gallery, featuring intricate feather carvings, and a glass sculpture by Raven Skyriver.

Pamela Bryan and Julia Campbell Carter Bring New Orleans Rhythm to London

Pamela Bryan of Octavia Art Gallery in New Orleans and London-based curator Julia Campbell Carter have organized "Rhythm in the Blues," a contemporary group exhibition at 14 Percy Street, London, running from May 11 to 20. The show features five international artists—Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin—whose works in painting, sculpture, and mixed media explore themes of memory, migration, resilience, and identity, with music serving as an atmospheric and structural influence rather than a literal subject.

From DJing club nights to gallery walls, Scots artist returns home for major show

Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.

Pinta Lima Offered Curated Content–and Context–for the Curious

Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

A monkey mountain kronikle

Duane Reed Gallery in St. Louis is hosting a return exhibition of American printmaker Tom Huck, known for his large-scale satirical woodcuts. Huck, who works from his studio Evil Prints in Park Hills, Missouri, draws inspiration from Northern Renaissance masters like Albrecht Dürer, as well as José Guadalupe Posada, Honoré Daumier, and William Hogarth. His intricate carving and cross-hatching technique creates works that blend festive celebration with social criticism, which he describes as "rural satire" based on life in small-town southeast Missouri.

TUNGA S YO VOS Y LA LUNA MAKES ITS EUROPEAN DEBUT

Collegium has presented the installation *Yo, vos y la luna* by Brazilian artist Tunga (1952–2016) for the first time in Europe. The work, part of the Sarina Tang collection, was previously shown at MALBA in Buenos Aires and MAM in São Paulo. It is now installed in the Iglesia de San Miguel de Arévalo in Ávila, Spain, where it will be on view until 18 October 2026. The piece incorporates stones, mirrors, glass, plaster, resin, suspended structures, and a fossilized tree trunk, with sensory elements including dripping amber essence and bronze finger fragments.

Guatemala stakes claim to stone lintel by 'the Michelangelo of the pre-Columbian era' that was repatriated to Mexico

A Maya stone lintel, dating from AD600-AD900 and depicting a ritual scene associated with the ruler Cheleew Chan K'inich, was repatriated to Mexico on April 16 after being turned over to the Mexican consulate in New York by an unnamed US businessman. However, hours after the ceremony, experts determined the lintel actually originated from Guatemala's Petén Basin. Guatemala's cultural ministry, led by minister Luis Méndez Salinas, has formally requested the object's return through diplomatic channels, citing technical analysis and consultations with archaeologists.

Finding art in the uncanny aesthetics of MAGA

Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.

Cigarette Taxes Have Funneled $270 M. Toward Arts and Culture in Cleveland Since 2007

Cuyahoga County, Ohio, has funneled $270 million into arts and culture since 2007 through a cigarette tax, distributed by the nonprofit Cuyahoga Arts and Culture. Beneficiaries include the Cleveland Museum of Art, the Museum of Contemporary Art Cleveland, the Cleveland Institute of Art, ICA-Art Conservation, Sculpture Center, and the Cleveland Arts Prize. The tax has funded roughly 4,000 grants to 485 organizations, far exceeding the $48 million the entire state received from the National Endowment for the Arts in the same period.

America’s Museums Have a Building Problem

A new report from the Government Accountability Office, analyzed by The Art Newspaper, reveals that roughly 85 percent of American museums are dealing with deferred maintenance or major repair needs, and about 77 percent have at least one structural issue that could endanger their collections. Many of the country's 16,700 museums are small, under-resourced operations housed in aging or historic buildings, with half reporting over $100,000 in deferred maintenance. Basic repairs like roofs or HVAC systems can consume large portions of annual budgets, forcing some institutions to store artworks in makeshift spaces like garages or bathrooms.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

Archives : MAMM : Lauren Greenfield : Generation Wealth

The Multimedia Art Museum, Moscow (MAMM) presents 'Generation Wealth' by American documentary photographer and director Lauren Greenfield as part of the XII Moscow International Biennale 'Fashion and Style in Photography 2021'. The exhibition, opening May 21, 2021, includes over 200 photographs, documentary films, and interviews drawn from Greenfield's 25-year investigation into global consumer culture, wealth aspiration, and the transformation of happiness. It marks Greenfield's third exhibition at MAMM, following previous shows in 2000 and 2004.

Thursday’s Corvallis Arts Walk: Social Conscience, Multiplying Mediums and Fae Folk

The Corvallis Arts Walk on Thursday, May 21, features a wide range of exhibitions and events across multiple venues, including a window display by Living Studios Arts for individuals with intellectual and developmental disabilities, miniature paintings by Jana Johnson at Art in the Valley, and a mixed-media installation by Vincent Frimpong at The Arts Center addressing textile waste and its global impact. Other highlights include abstract landscapes by Philip Stork, a Mental Health Awareness Month show by ACT/EASA participants, figurative clay sculptures from Niya Lee's class, and a bird-themed pastel collection by Alycia Helbling at Corvallis Foundry Gallery.

2026 Sondheim Art Prize semifinalists to exhibit work at Reginald F. Lewis Museum

The Reginald F. Lewis Museum of Maryland African American History & Culture will host an exhibition of works by 16 semifinalists for the 2026 Janet & Walter Sondheim Art Prize, on view from May 21 through June 21. The show features a range of mediums including oil paintings, archival prints, video narratives, 3D sculptures, and multimedia installations. An opening reception on May 21 is free and open to the public. The five finalists—Thea Canlas, Leigh Davis, Brandon Donahue-Shipp, Curran Hatleberg, and Danni O’Brien—will exhibit separately at the Walters Art Museum from June 25 to September 13, with the $30,000 prize winner announced in August.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.

Museum exhibitions to coffeehouse chats: How to celebrate America 250 this summer

The article outlines various events and exhibitions in Washington, D.C., celebrating the 250th anniversary of the United States this summer. Highlights include the "In Pursuit of Life, Liberty, and Happiness" exhibit at the National Museum of American History, featuring 250 objects from 1776 to the present; a Gen-Z-focused coffeehouse chat at Tudor Place; exhibitions at the National Museum of Women in the Arts, including "Ms. Americana" and "Burnished: Pueblo Pottery"; and the Spirit of America Festival at the National Archives, showcasing rare documents.

Generations A Solo Exhibition by Julie Torres May 15 – July 11, 2026

Julie Miller Torres, a Tallahassee native and Maclay School graduate now based in Atlanta, is presenting a solo exhibition titled "Generations" at the Gadsden Arts Center & Museum in Quincy, Florida, from May 15 to July 11, 2026. The exhibition showcases her signature works—woven screenprints and paper quilts—that blend everyday materials like crochet and weaving with themes of freedom and empowerment. One of her most recognized pieces, "Super Diva," a portrait of Justice Ruth Bader Ginsburg, is part of the permanent collection at the Metropolitan Museum of Art in New York. Torres holds degrees from the University of Florida, the University of Miami, and the Savannah College of Art and Design (SCAD), and her work appears in major collections including Delta Airlines, the Ritz-Carlton, SCAD, and the Jordan Schnitzer Family Foundation.

Stark Museum of Art to present America 250 exhibition

The Stark Museum of Art in Orange, Texas, will present a new exhibition titled "America 250: Three Presidents - Lincoln, Grant, and Garfield" to commemorate the 250th anniversary of the United States. The show features three watercolor paintings by Taos artist Oscar E. Berninghaus, each depicting a formative moment from the early lives of Abraham Lincoln, Ulysses S. Grant, and James Garfield, highlighting their humble beginnings and aspirations. The exhibition runs from May 16 to December 23, 2025, as part of the broader America 250 and SETX 250 celebrations across Southeast Texas.

Without Childhood Photos, A Haitian American Artist Spends A Decade Imagining Her Family Archive

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's emigration from Haiti to New York, has spent nearly a decade creating a multi-generational "living archive" of photographs, video, sound, and sculpture. The archive fills the gaps left by scarce family photographs and fading memories, exploring the diasporic experience and the elusiveness of memory. The largest presentation of this work is currently on view at the Milwaukee Art Museum in the exhibition "Currents 40: Widline Cadet."

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.