A new gallery called Solvang Fine Art has opened at 482 First Street in Solvang, California, specializing in historic fine prints by American and European artists like Rembrandt and Salvador Dalí. It will also feature contemporary landscape paintings by prominent California artists, particularly those from the Central Coast.
This guide highlights the premier immersive art destinations across the United States, featuring major venues such as Superblue Miami, Meow Wolf, and the WNDR Museum. These spaces utilize large-scale installations, LED technology, and interactive environments to move beyond traditional gallery formats, offering visitors sensory-driven experiences ranging from mirrored labyrinths to digital multiverses.
Gerd Harry ‘Judy’ Lybke, the founder of the influential German gallery Eigen + Art, is making his debut at the inaugural Art Cologne Palma Mallorca. Lybke, who began his career as a nude artist's model in East Germany before opening an underground flat-gallery in 1983, reflects on the evolution of the art market from a socialist system defined by censorship to the modern capitalist landscape. For this fair, he is presenting a diverse roster ranging from New Leipzig School star Neo Rauch to emerging talent Maja Behrmann, with works priced between €2,000 and €20,000.
Gustav Klimt’s "Portrait of a Lady" has returned to the Ricci Oddi Gallery of Modern Art in Piacenza following a successful loan exhibition at the My Art Museum in Seoul. The masterpiece resumes its permanent display just as the gallery prepares to unveil a comprehensive renovation of its 22 exhibition rooms. Designed by Lissoni & Partners, the redevelopment project has modernized over 1,000 square meters of the institution's floor space.
South Korean artist Lee Bae has opened a major solo exhibition titled "En attendant" at Museum SAN in Wonju, marking the first time the institution has dedicated its entire grounds to a single Korean artist. The retrospective spans thirty years of Lee’s career, showcasing his deep engagement with charcoal as a medium that bridges his heritage as a farmer’s son with the traditions of East Asian ink painting. The exhibition features monumental sculptures, installations, and video works that transform the museum’s indoor and outdoor spaces into a meditative journey.
The Kimball Art Center in Park City, Utah, has opened two new exhibitions, “Returning To Wonder” and “All Sketches Wish To Be Real,” featuring international and local artists. Among the featured artists is Alexandra Fuller, a multidisciplinary artist whose work includes cyanotypes of wildlife and who has ties to the Sundance Film Festival—her short film “Sister Wife” was accepted at the 2009 festival. The exhibitions also include works by Swiss artist Pipilotti Rist, American artist Lia Halloran, and Utah-based artist Antra Sinha. The center will host a series of public programs, including artist talks, workshops, and a book discussion, to engage the local community.
Megan Monaghan, director of arts at Springside Chestnut Hill Academy (SCH), organized an exhibition at the school's Barbara Crawford Gallery titled "Echoes of Our Future: 250 Years of Black Artistic Legacy in Philadelphia" to honor the city's Black artistic heritage ahead of America's semiquincentennial. Collaborating with Claudia Volpe, director and curator of the Petrucci Family Foundation Collection of African American Art, Monaghan selected over 30 works by 27 artists—including Barbara Bullock, Eustace Mamba, Tim McFarlane, Dox Thrash, and Henry Ossawa Tanner—organized into three themes: faces and community, music and movement, and environment. The exhibition runs from Jan. 15 to March 12 and is accompanied by The Next 250, an educational project connecting students through workshops, mentorship, and visual storytelling.
Several works by Scottish-Italian artist Eduardo Paolozzi, gifted to his longtime collaborator and model maker Ray Hardinge Campbell Watson, are being auctioned at Lyon & Turnbull in Edinburgh. The collection includes a bronze statue titled *Hermes/Mondrian Head – 1996* (estimate £10,000–£15,000), along with plaster sculptures, prints, and folio sets, many bearing personal inscriptions. The sale reflects a creative partnership that spanned over thirty years, during which Paolozzi and Watson collaborated on major projects such as the Tottenham Court Road murals for London Underground and a Pizza Express mural in the late 1960s.
Two Ukrainian artists—Lana Chornohorska, a 27-year-old left-wing journalist and artist known for her anarchist and LGBTQ+ activism, and Yurii Kostyshyn, a 48-year-old photographer and artist who joined the Armed Forces of Ukraine in 2015—have been killed on the frontlines while fighting for Ukraine. Additionally, Timofey Anufriev, a 21-year-old Russian-born philosophy student raised in Odesa and son of prominent contemporary artist Sergei Anufriev, was killed while serving with the Russian Volunteer Corps (RVC) fighting alongside Ukrainian forces. Their deaths come as the fourth anniversary of Russia's full-scale invasion approaches next month.
Komal Shah discusses the exhibition "Making Their Mark: Works From the Shah Garg Collection" at Washington University in St. Louis' Kemper Art Museum. The show spans nearly eight decades and features nearly 70 artists, including Howardena Pindell, Joan Mitchell, Jaune Quick-to-see Smith, Katharina Grosse, Lorna Simpson, Sarah Sze, and Mary Weatherford. Shah, who established the collection with her husband Gaurav Garg, emphasizes the importance of celebrating women artists and challenging the notion that excellence is limited to men.
The Philadelphia Art Museum has announced its slate of exhibitions for 2026, prominently featuring Marcel Duchamp's iconic mixed-media work "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ), 1946-1966." The announcement includes details about the work's complex media assemblage and its acquisition history as a gift from the Cassandra Foundation in 1969.
Christie’s held a groundbreaking two-city auction, "20th Century: Hong Kong to New York," on 2 December 2020, achieving USD $119.3 million (HKD $920.4 million). The sale connected two major art hubs, selling 90% by lot and 97% by value, and opened Christie’s Marquee Week in New York. The auction featured works by artists including Pablo Picasso and Joan Mitchell, and the house is now inviting consignments for its 2021 auctions.
The New York Times reports on a closely watched auction at Christie's in Palm Beach, where six high-value artworks from a billionaire's collection are expected to set market benchmarks. The sale, taking place in the exclusive playground of the ultra-wealthy, features works by artists such as Basquiat and Richter, and is seen as a barometer for the current state of the art market amid economic uncertainty.
The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.
Four years after the Taliban takeover of Afghanistan in 2021, Afghan women are using art as a means of expression and resistance. The article profiles artist Alina Gawhary, who fled to study art in Belfast, and highlights the work of the UK-based NGO Turquoise Mountain, which collaborates with women carpet weavers in Bamiyan. Afghan-British artist Maryam Omar collected poetry from illiterate weavers and designed watercolor patterns that were woven into carpets, displayed in the selling exhibition "Weaving Poems" at Sotheby's in London. The exhibition foregrounds the women's creative voices and returns profits to the weavers.
Clifford Ward, a longtime artist-in-residence at Grounds for Sculpture in Hamilton Township, New Jersey, has opened his first solo exhibition at the venue, titled 'I'll Make Me A World.' The show, on view in the Museum Building through January 11, 2026, features his 'Animism' series—24 large-scale figures standing six to nine feet tall, created over twelve years using plaster bandage. Ward, who began his art career around age 40 and has been at Grounds for Sculpture since 1997, draws inspiration from indigenous cultures, the African diaspora, Native American traditions, and the Māori people of New Zealand.
PhotoIreland, the organization behind Ireland's longest-running photography festival, will open the International Centre for the Image in Dublin's east docklands on July 17. The 1,000-square-metre underground venue, located beneath a mixed-use complex developed by Kennedy Wilson, will feature an inaugural exhibition titled Foreword, showcasing works by artists including Anna Safiatou Touré, Alex Prager, and Basil Al-Rawi. The space includes a studio, artist workspace, and PhotoIreland's library, which is relocating from its Temple Bar location. The project is jointly funded by Kennedy Wilson and Ireland's Arts Council.
Swiss artist Not Vital, known for his multidisciplinary practice and SCARCH hybrids, owns Schloss Tarasp, an 11th-century castle in the Engadin region of Switzerland, which he bought in 2016. The castle is part of a foundation he established that also includes Parkin Sent, a sculpture park he acquired in 1998, and the 17th-century Planta House Ardez. Vital's installations in the park, such as "Punt dals asens (Donkey Bridge)" (2001) and "JOSÜJO (Disappearing House)" (2007), invite visitors to explore nature, while at the castle he installed "House to Watch the Sunset" (2018), a tower-like sculpture that challenges architectural logic.
The New York Times profiles Ai Weiwei’s current studio, located in a former underground nightclub or 'underworld' space. The article offers a rare look at the artist’s working environment, his creative process, and the large-scale installations and political works he continues to produce there in 2025.
J. Hoberman, the longtime Village Voice film critic, has published a new book titled *Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop*. The book expands his focus from cinema to a broad array of artists, poets, theater makers, musicians, and other figures in New York City's 1960s arts scene, including Andy Warhol, Barbara Rubin, Edie Sedgwick, Yoko Ono, and Jonas Mekas. Hoberman emphasizes collective and marginal cultural innovation, tracing how these figures influenced each other and responded to events of the era, such as Robert Moses's urban redevelopment plans.
Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.
The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, has received generally lukewarm responses from critics, a notable shift from the more intense takedowns and boycotts that characterized recent editions of the exhibition. Left-oriented critics have criticized the curatorial framework as indeterminate and evasive, particularly in light of the Whitney Museum's controversial board decisions, including the recent closure of the museum's Independent Study Program.
Timor-Leste has announced the details of its national pavilion for the 2026 Venice Biennale. Titled "Across Words," the exhibition will be directed by curator Loredana Pazzini-Paracciani and feature works by artists Verónica Pereira Maia, Etson Caminha, and Juventino Madeira, focusing on the nation's ethnolinguistic diversity. The pavilion will be located in the Arsenale and run from May 9 to November 22.
Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.
Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.
A major exhibition titled 'Lillian Pitt: Art, Memory, Home' opens at The Museum at Warm Springs on May 21, featuring the contemporary art of celebrated Pacific Northwest Native artist Lillian Pitt alongside works from her personal collection and other institutions. The show, curated by Angela Anne Smith with contributions from Rebecca Dobkins, explores six themes in Pitt's life and work and includes an opening reception sponsored by The Ford Family Foundation.
暗闇をくぐってみたら Part1 竹内公太展「のののののまつり」@ 市原湖畔美術館
The Ichihara Lakeside Museum, currently under renovation since late 2025, will partially reopen on May 1, 2026, with a theater-style series of solo exhibitions titled "Kōta Takeuchi: Nononononomatsuri" as its first installment. Artist Kōta Takeuchi, born in 1982 in Hyogo Prefecture and based in Fukushima, presents new video installations created during a four-month residency in Ichihara, where he visited over 70 stone monuments across the city—including horse-headed Kannon statues, Koyasu statues, and war memorials—to explore themes of parallel bodies and possession. The exhibition features works such as "Disassembly of the Sansha-za" (2013–2023), "Cement Thief" (2024), and "Sigh of the Ground" (2022), with a map showing the locations of the documented stone monuments.
Cultured magazine profiles Kristina Newman-Scott, the newly appointed Vice President for Arts at the Knight Foundation, ahead of Miami Art Week. Newman-Scott, a former practicing artist who led Connecticut's Office of the Arts and State Historic Preservation Office, discusses her career journey and her vision for integrating culture into community development. The article also highlights Maribel Pérez Wadsworth, Knight's President and CEO since 2023, and the foundation's $485 million investment in arts and culture over the past two decades.
The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.
This article from Rough Draft's Sketchbook newsletter highlights two Atlanta-focused art stories. Painter Carlos Solis, who left Venezuela for Kennesaw nearly two decades ago, curates "In the Beginning," a group exhibition opening May 9 at the Hudgens Center's Fowler Gallery in Duluth, featuring 15 artists from around the world who now call Georgia home. Separately, designer and illustrator George F. Baker III, originally from Nebraska and shaped by Detroit, was commissioned by the Mayor's Office of Cultural Affairs to create the key art for the 49th annual Atlanta Jazz Festival, and he discusses how the musical souls of both Detroit and Atlanta influenced his design.