Emerging artists in Toronto are turning to unconventional venues like Dirty Laundry and She Said Gallery to bypass the city's high-barrier commercial art scene. These functioning laundromats operate as professional gallery spaces with exhibition schedules and opening receptions, allowing artists to host solo shows for minimal fees and zero commission on sales.
Two laundromats in Toronto, Dirty Laundry and She Said Gallery, have been operating as dual-purpose art galleries for the past six years. They offer emerging artists affordable, accessible exhibition space with minimal fees and no sales commission, featuring monthly and weekly shows that are booked years in advance.
The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.
The Asheville Art Museum in North Carolina will present "In a New Light: American Impressionism 1870–1940 | Works from the Bank of America Collection," an exhibition featuring over 120 works that trace the development of American Impressionism and its break with academic tradition. The show runs from February 7 through June 29, 2026, and is made possible through the Bank of America Art in our Communities program, which loans exhibitions at no cost to nonprofit community museums.
The 2026 India Art Fair, the 17th edition of South Asia's leading contemporary art event, is taking place from February 5 to 8 at the NSIC Exhibition Grounds in New Delhi. It features 135 exhibitors presenting modern and contemporary art, performance, film, craft, design, and outdoor installations, alongside a program of talks, workshops, and citywide collaborations.
Fevicryl, a brand under Pidilite Industries, launched 'The Art Chapter – Celebrating the Local Artist' at Ahmedabad Ni Gufa, an iconic underground gallery designed by Balkrishna Doshi in collaboration with M.F. Husain. The six-day exhibition featured over 50 local artists working in acrylics, mixed media, sculpture, folk motifs, and contemporary mythological reinterpretations. Highlights included a painting titled 'Melody of Knowledge' and an Indian Art Workshop offering hands-on traditional techniques. The event drew nearly 5,000 visitors, with on-site sales and commission inquiries reported, and was inaugurated by Dr. Bhanwar Rathore, Founder and President of BRDS.
Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.
Hope Donovan, a graduating art student at Western Michigan University, curated her senior exhibition in the DeVries Student Gallery at the Richmond Center for Visual Arts. Originally a music student at Loyola University New Orleans, she discovered her passion for painting and curation after selling her artwork under the alias Nervous Giraffe. Transferring to Western, she found community through Hillel at WMU and Alpha Chi Omega sorority, and gained leadership experience that shaped her career path in museum management.
Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'
Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).
The Museum of Contemporary Art North Miami (MOCA) has opened three new exhibits as part of its 30th anniversary programming, including 'Field of Dreams,' the first solo exhibition for Miami-based fashion designer and multidisciplinary artist Diana Eusebio. The 27-year-old artist presents 38 works that draw on her Indigenous Peruvian-Quechua and Afro-Dominican heritage, using textiles and fabrics sourced from Miami, Peru, and the Dominican Republic, along with ancestral dyeing techniques and materials native to Miami.
Eastern Oregon University’s Nightingale Gallery presents “Shifting Grounds,” a solo exhibition by Spokane-based artist and architect Andrew Parker. The show explores how place shapes identity through abstract mixed-media works that blend collage, India ink, colored pencil, and repurposed materials like personal photographs, grocery bags, and maps. An opening reception takes place November 7, and the artist will give a public talk on November 5. The exhibition runs through December 4.
The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.
The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.
Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.
Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.
Taiwanese-American visual artist James Jean visited Jakarta for the first time in July 2025, laying groundwork for a solo exhibition at BAIK Gallery in spring 2026. During his trip, he met with Indonesian fashion designer Biyan to discuss a potential collaboration, and also visited the atelier of Beyond. In an exclusive interview with Prestige Indonesia, Jean discussed his creative process, his approach to collaborations (including past work with Prada), and his interest in blurring boundaries between fine art, fashion, and pop culture.
Malta inaugurated a groundbreaking art exhibition, 'Colours in Europe with Maltese Reflections,' on August 1, 2025, at the Skoda Showroom in Ħaż-Żebbuġ. The show features 42 hand-painted mannequins created by 37 artists from Malta, Gozo, and across the European Union, blending fashion with fine art. The opening ceremony was led by Josephine Ebejer Grech on behalf of Catwalk Productions International, founded by Paul Chetcuti, who received a certificate from Malta Records for hosting the largest collection of Maltese-painted mannequins under one artistic concept. Artist Joseph Barbara also spoke at the event, which runs until August 30, 2025.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Mashonda Tifrere, an art collector, musician, and founder of two art-based nonprofits, has launched two new projects in San Diego. She created a mindfulness audio tour titled "Inscape: Art and Collection at the Stuart Collection" for the Stuart Collection at UC San Diego, guiding listeners through 22 site-specific artworks. She also curated a group exhibition called "Somewhere in Between" at Quint Gallery in La Jolla, featuring works by artists including Taylor Chapin, Megan Gabrielle, and Nathan Wong.
The Center for Art, Culture, and History—Exeter (CACHE) will host a solo sculpture exhibition by Edward Brown Dobson titled "A Look Back," opening August 2025 with a reception on August 2. Dobson, a 90-year-old Exeter native, combines influences from Native American culture, Egyptian history, and his work with metal, bronze, and wood, shaped by his background as a U.S. Air Force helicopter pilot and his studies in archaeology, anthropology, and art.
The City of Las Vegas is partnering with the future Las Vegas Museum of Art (LVMA) to present a contemporary art exhibition titled "Family Album" at the newly unveiled Las Vegas Civic Center Art Gallery. Organized by the Los Angeles County Museum of Art (LACMA), the show features family photographs from over 20 intergenerational artists, including Dannielle Bowman and Janna Ireland, and runs from September 4, 2025 through January 9, 2026. This marks the first public-facing program for LVMA, which has been in development since 2023 and is expected to break ground on a $150 million facility in Symphony Park as early as 2026, with a projected 2028 opening.
Spokane artist Michael Dinning and his wife Stephanie opened D2 Gallery and Studio on May 2 in downtown Spokane, located at the corner of West First Avenue and South Bernard Street. The gallery focuses on showcasing local artists, with Jim Dhillon featured as the star for two consecutive months. Dinning, who has a background in museum curation and art management, returned to art after a decade-long hiatus and now creates mixed-media sculptures that combine painting with found objects like stone arrows and violin bows.
The article explores the street art scene in Luxembourg, highlighting cities and towns like Esch-sur-Alzette, Leudelange, Koler, and Ettelbruck where murals and graffiti adorn buildings, schools, and even waste bins. It traces the movement's origins to the 1980s hip-hop-inspired rebellion, when graffiti was illegal and artists like Sumo, Spike, Stick, Dan Sinnes, and Alain Tshinza emerged. Today, urban art is embraced as a tool for social cohesion and expression, with projects like Kufa's Urban Art Esch in Esch-sur-Alzette featuring over fifty murals by international artists. The article also notes techniques such as grid systems, projections, and reverse graffiti, exemplified by Klaus Dauven's 2023 tribute on the Vianden dam.
The Metropolitan Museum of Art’s newly reopened Michael C. Rockefeller Wing features a series of short documentaries by Ethiopian American filmmaker Sosena Solomon, commissioned to add contemporary context to the wing’s historical artifacts from Africa, Oceania, and the ancient Americas. Solomon spent two years traveling to 12 sites across sub-Saharan Africa, creating videos that highlight royal burial grounds in Uganda, ancient rock paintings in Botswana, bronze casters in Benin City, and the rock-hewn churches of Lalibela and Tigray in Ethiopia. Three of the videos are displayed on screens in the wing, while others are accessible via QR codes and online.
Persian carpets from northwest Iran were used in the funeral proceedings of Pope Francis, placed beneath his casket in St. Peter's Basilica and later in St. Peter's Square. The article traces this tradition back over 600 years, explaining how carpets from Islamic lands—first Anatolia, then Iran, Egypt, and the Levant—were depicted in Renaissance religious paintings as markers of sacred space, appearing at the feet of the Virgin Mary and other holy figures.
Réouverture des Catacombes
The Catacombs of Paris have officially reopened to the public following a five-month renovation project. These extensive works were primarily focused on upgrading the site's infrastructure to enhance the overall visitor experience and improve the flow of traffic through the historic underground ossuary.
Angélique Delorme prend du galon au Quai Branly
Angélique Delorme has been appointed as the new Deputy Director General of the Musée du Quai Branly in Paris. She succeeds Jérôme Bastianelli and will be responsible for defining and implementing the museum's strategy, particularly in the lead-up to its 20th anniversary celebrations in June.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
An art exhibition titled “Working the West” has opened at The Legacy, showcasing works that depict the authentic experiences of Western life. The show aims to counter romanticized or stereotypical portrayals of the American West by featuring artists who capture the real, working aspects of ranch life, cowboy culture, and the Western landscape.