Which museums are free on the first Sunday of the month in Paris and Île-de-France?

Quels musées sont gratuits ce 1er dimanche du mois à Paris et en Île-de-France ?

This article from Beaux Arts Magazine lists museums in Paris and Île-de-France that offer free admission on the first Sunday of each month, including the Musée de l'Orangerie, Musée national Picasso-Paris, Musée des Arts et Métiers, Musée de la Chasse et de la Nature, Musée Carnavalet, Musée Cognacq-Jay, Crypte archéologique de l'île de la Cité, Maison Victor Hugo, and Musée de Cluny. It also notes that municipal museums in Paris are free year-round, and provides practical tips such as booking online and taking advantage of free entry for visitors under 18 or 26.

Martin Schongauer in 2 Minutes

Martin Schongauer en 2 minutes

Martin Schongauer (c. 1445–1491), the Alsatian painter, draftsman, and engraver, is celebrated as the greatest German copperplate engraver before Albrecht Dürer and one of the first artists to achieve pan-European fame in his lifetime. The article outlines his life and career, from his early training in his father's goldsmith workshop in Colmar to his studies at the University of Leipzig and travels through Flanders, where he absorbed the influence of Rogier van der Weyden and Dirk Bouts. It highlights his 116 copper engravings, signed with the monogram 'M+S', which elevated engraving to a high art and circulated from Spain to Bohemia, inspiring Dürer and the young Michelangelo. Key works discussed include the painting 'La Vierge au buisson de roses' (1473) and the engraving 'La Tentation de saint Antoine' (c. 1470–1475).

Michel Bassompierre, Celebratory Animal Sculptor, Dies at 78

Michel Bassompierre, célèbre sculpteur animalier, est décédé à 78 ans

Michel Bassompierre, the celebrated French animal sculptor known for his gentle, rounded bronze and marble bears, gorillas, elephants, and pandas, has died at age 78. He suffered a fatal head injury from a fall following a fainting spell in Nantes on April 21.

« L’Angélus » de Millet : une notification à l’humanité hors sol ?

Beaux Arts Magazine publishes a detailed visual analysis of Jean-François Millet's painting "L'Angélus" (1857–1859), housed at the Musée d'Orsay in Paris. The article describes the scene of two peasants pausing their potato harvest to pray at dusk, examining the composition, color, and spiritual resonance of the work. It also traces Millet's biography—from his peasant origins in the Cotentin region to his training under Langlois and Paul Delaroche, and his early career painting portraits and nudes before turning to rural subjects.

Károly Ferenczy, Elusive Inventor of Hungarian Modernity at the Petit Palais

Károly Ferenczy, insaisissable inventeur de la modernité hongroise au Petit Palais

The Petit Palais in Paris is presenting a major exhibition dedicated to Károly Ferenczy, a pivotal figure in Hungarian modernism. The show features works like his 1896 painting 'Le Sermon sur la montagne,' exploring his role within the Nagybánya artists' colony and his synthesis of plein air painting with a European artistic education.

What Works of Art Sank Aboard the Titanic?

Quelles sont les œuvres d’art englouties à bord du Titanic ?

The RMS Titanic, which sank in 1912, was carrying over 300 paintings, drawings, prints, and art objects according to its cargo manifest. The most famous artwork lost was the 1814 neoclassical painting 'La Circassienne au bain' by French artist Merry-Joseph Blondel, owned by Swedish businessman Mauritz Håkan Björnström-Steffansson, which was insured for $100,000. Also lost was the legendary 'Grand Omar,' a jewel-encrusted luxury edition of the Rubaiyat of Omar Khayyam, created by the London bindery Sangorski & Sutcliffe.

Everything you need to know about Henri Matisse, star of the Grand Palais this spring

Tout ce qu’il faut savoir sur Henri Matisse, star du Grand Palais ce printemps

The Grand Palais in Paris is hosting a major retrospective focusing on the final masterpieces of Henri Matisse, the pioneer of Fauvism. The exhibition highlights the artist's late-career reinvention between 1941 and 1954, featuring his innovative gouache cut-outs, illustrated books, and stained glass designs created while he was bedridden in Nice.

Alexander Calder, Brilliant Sculptor of Air and Color Celebrated at the Fondation Vuitton

Alexander Calder, génial sculpteur de l’air et de la couleur célébré à la fondation Vuitton

The Fondation Louis Vuitton is hosting a major celebration of Alexander Calder, the American sculptor who revolutionized 20th-century art by introducing movement and play into the medium. The article traces Calder's formative years in Paris starting in 1926, where the young engineer-turned-artist gained avant-garde fame with his 'Cirque Calder'—a miniature circus of wire and fabric figurines. This period marked his transition from traditional painting to his signature 'drawings in space,' featuring wire sculptures of figures like Josephine Baker that projected dancing shadows and captured the kinetic energy of the era.

Near Paris, this mythical restaurant transports us into a Renoir masterpiece

Près de Paris, ce mythique restaurant nous transporte dans un chef-d’œuvre de Renoir

The historic Maison Fournaise in Chatou, a legendary riverside restaurant and inn near Paris, has been meticulously restored to its 19th-century glory. Once a central hub for the Impressionist movement, the site served as the specific setting for Pierre-Auguste Renoir’s 1881 masterpiece, "Luncheon of the Boating Party." The restoration, led by the Ludéric group and featuring a menu by Michelin-starred chef Christian Le Squer, coincides with major Renoir exhibitions at the Musée d’Orsay.

Exhibitions, workshops, festivals… 7 family cultural outings in Paris to grow creativity during the holidays

Expos, ateliers, festivals… 7 sorties culturelles en famille à Paris pour faire pousser la créativité durant les vacances

Paris and the Île-de-France region are hosting a diverse array of family-oriented cultural events for the spring 2026 holiday season. Key highlights include the inauguration of the Manufacture at the Fondation Cartier, a Japanese-themed spring festival at le 19M, and the relocation of the Centre Pompidou’s Studio 13/16 for teenagers to the Gaîté Lyrique. Other notable activities include aerospace-themed workshops at the Musée de l’Air et de l’Espace and the fifth anniversary of the Atelier Rodin.

Chaïm Kaliski’s Drawings Haunted by the Shoah Revealed in an Exhibition at mahJ

Les dessins hantés par la Shoah de Chaïm Kaliski se révèlent dans une expo au mahJ

The Musée d’Art et d’Histoire du Judaïsme (mahJ) in Paris is hosting the first monographic exhibition dedicated to Chaïm Kaliski, a Belgian artist who began drawing at the age of 60 to process the trauma of the Holocaust. After his death in 2015, thousands of drawings were discovered in his Brussels apartment, documenting his family's history and the fate of Polish Jews in Belgium. The exhibition features 120 works that blend childlike aesthetics with haunting historical narratives, including poignant depictions of his parents' final moments at Auschwitz.

“Guernica” Tears Spain Apart: Madrid Refuses to Loan Picasso’s Painting to the Basque Country

« Guernica » déchire l’Espagne : Madrid refuse le prêt du tableau de Picasso au Pays basque

The Spanish government and the Reina Sofía Museum have rejected a request from the Basque regional government to loan Pablo Picasso’s masterpiece, "Guernica," to the Guggenheim Bilbao. The proposed loan was intended to mark the 90th anniversary of the 1937 bombing of the town of Guernica during the Spanish Civil War. While Madrid cites the painting's extreme physical fragility as the reason for the refusal, the decision has sparked a heated political row, exacerbated by derogatory comments from Madrid’s regional president, Isabel Díaz Ayuso.

Croissant, pigeon… At Nothing Serious gallery, artist Paa Joe transforms Parisian clichés into pop coffins

Croissant, pigeon… À la galerie Nothing Serious, l’artiste Paa Joe transforme les clichés parisiens en cercueils pop

Ghanaian artist Paa Joe has transformed iconic Parisian symbols into vibrant "fantasy coffins" for his solo exhibition, "From Paa Joe to Paaris," at Galerie Nothing Serious. The show features 25 large-scale sculptures, including a Café de Flore cup, a croissant, a Renault 4L, and a bottle of Pouilly-Fumé, all handcrafted in the tradition of Ga burial customs. Created alongside his son Jacob Tetteh-Ashong, these works reinterpret French clichés through a playful yet surreal lens, marking the gallery's return after a four-year hiatus.

In the Heart of the Marais in Paris, the Swiss Cultural Center (Finally) Reopens its Doors

Au cœur du Marais à Paris, le Centre culturel suisse rouvre (enfin) ses portes

The Centre Culturel Suisse (CCS) in Paris is set to reopen on March 26, 2026, following a four-year renovation of its Marais district headquarters. The architectural overhaul, led by firms ASBR and Truwant+Rodet+, features modernized modular galleries, a redesigned bookstore, and a new courtyard café. The relaunch will be celebrated with a three-day festival featuring performances by choreographer Edouard Hue and music from the Bongo Joe Records label.

The Centre Pompidou will inaugurate its South Korean branch in a former Seoul aquarium in early June

Le Centre Pompidou inaugurera début juin son antenne sud-coréenne dans un ancien aquarium de Séoul

The Centre Pompidou has announced the official opening date for its new South Korean satellite, the Centre Pompidou Hanwha, scheduled for June 4, 2026. Located in a former aquarium within Seoul’s financial district, the 11,000-square-meter space was redesigned by architect Jean-Michel Wilmotte and will launch with a major cubism exhibition featuring 90 works by masters such as Picasso and Braque. The inauguration was recently marked by a site visit from French President Emmanuel Macron and key cultural officials.

In Paris, the Catacombs reveal a transformed route after five months of work

À Paris, les Catacombes dévoilent un parcours métamorphosé après cinq mois de travaux

The Catacombs of Paris have reopened to the public following a comprehensive five-month renovation aimed at modernizing the visitor experience. The upgrades include a completely redesigned lighting scheme, a more welcoming entrance hall capable of hosting small exhibitions, and a high-tech spatialized audio guide that utilizes radio-style storytelling to narrate the site's history.

Don't Go to the Museum with Children Without These 10 Tips!

N’allez plus au musée avec des enfants sans ces 10 astuces !

Beaux Arts Magazine offers ten practical tips for making museum visits with children more enjoyable and less stressful. The advice, provided by Marion Charneau of the Louvre-Lens, includes practical preparation like checking hours and packing snacks, as well as strategic approaches such as keeping visits short, choosing morning hours, and turning the experience into a game with visual challenges.

La Tour Eiffel aux enchères

The French Senate has definitively adopted a law on the restitution of cultural property looted during the colonial period, marking a major legislative step in France's approach to colonial-era artifacts. The law establishes a legal framework for returning objects held in French public collections to their countries of origin, potentially affecting thousands of items in museums across the country.

Relaxe pour le coupeur de tête

The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.

Orsay inaugure une salle destinée aux œuvres « MNR »

The Musée d'Orsay in Paris has opened a new dedicated gallery, Room 10b, to display works from its MNR (Musées nationaux Récupération) collection—artworks looted or acquired under dubious circumstances during the Nazi era. The room features detailed labels and educational texts, with some works shown verso to reveal provenance labels. The initiative is funded by the American Friends of the Musée d'Orsay and the Musée de l'Orangerie with €1 million over four years, and includes a fake Monet, a Degas subject to a restitution claim, a Rodin sculpture, and a debated Cézanne. The museum's provenance research team, led by Inès Rotermund-Reynard, collaborates with the French Ministry of Culture's M2RS mission.

Michelangelo and Rodin as an 'Artistic Couple'

Michel-Ange et Rodin en « couple artistique »

The Louvre Museum in Paris presents a major exhibition pairing Michelangelo and Auguste Rodin as an "artistic couple," curated by Chloé Ariot of the Musée Rodin and Marc Bormand of the Louvre. The show features over 200 works, including three marble sculptures by Michelangelo—the Slaves and a Christ on the Cross—alongside drawings, plaster casts, and works by Rodin such as the monumental Balzac. It also includes pieces by contemporaries and later artists like Joseph Beuys, Jana Sterbak, Giuseppe Penone, and Bruce Nauman to trace the sculptors' shared legacy.

Décès de Bruno Bischofberger

Bruno Bischofberger, the influential Swiss gallerist and art dealer, has died. Known for his Zurich gallery that represented major contemporary artists, Bischofberger played a pivotal role in the careers of figures like Jean-Michel Basquiat, Andy Warhol, and Francesco Clemente. His death marks the end of an era for the post-war and contemporary art market.

La quinquennale d’art contemporain

This issue of Le Journal des Arts (n°676, May 2, 2026) covers a range of contemporary art news in France and internationally. Headlines include a critical look at the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling down the Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artists' site in Paris, and a profile of auctioneer Hubert L'Huillier.

The Venice Biennale Reaches Full Capacity

La Biennale de Venise fait le plein

The Venice Biennale has reached full capacity, with all exhibition spaces and pavilions fully booked for the upcoming edition. The article reports on the overwhelming demand from participating countries and artists, highlighting the logistical challenges and the record number of national pavilions confirmed for the event.

La nature morte : une exposition novatrice

Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.

Cécile Debray : « Une proposition poétique de dialogue entre trois œuvres pour une délectation esthétique »

Cécile Debray, president of the Musée national Picasso-Paris, discusses a rare collaboration with galleries to present a three-artist exhibition in Venice during the Biennale. The show brings together Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani around the theme of the object and still life, highlighting unexpected philosophical and poetic connections. Debray explains how the selection of 14 Picasso works balances iconic pieces with lesser-known ones, including sculptures, to create a dialogue with Morandi's rigorous, serial approach and Parmiggiani's metaphysical art.

Vanités contemporaines

The article explores the enduring relevance of still life and vanitas in contemporary art, tracing their evolution from the biblical proclamation "Vanity of vanities; all is vanity" through modern masters like Paul Cézanne, Pablo Picasso, and Giorgio Morandi to contemporary practitioners such as Claudio Parmiggiani. It highlights how artists continue to use everyday objects—compotes, skulls, pitchers, apples—as vehicles for formal experimentation and philosophical reflection, with still life serving as a minimalist device that allows infinite plastic research.

La galerie contemporaine de la cathédrale d’Angers plaît

The article reports that the contemporary art gallery at the Cathedral of Angers has been well received. It highlights the cathedral's new exhibition space dedicated to contemporary works, marking a notable integration of modern art within a historic religious site.

Lee Miller in Wide Angle

Lee Miller en grand angle

The Musée d'Art moderne de Paris (MAM) has opened a major retrospective of photographer Lee Miller (1907-1977), featuring nearly 250 prints—many vintage and previously unseen. The exhibition originated at Tate Britain, where it drew over 250,000 visitors, and was co-organized with MAM and the Art Institute of Chicago. Curated by Michal Goldschmidt (former Tate Britain curator) and Fanny Schulmann of MAM, with new research led by Hilary Floe, the show emphasizes Miller's ties to Paris, her technical mastery, and her wartime reporting, including contact sheets from Dachau and Buchenwald never before shown in France.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.