Sanya Kantarovsky presents 'Basic Failure,' an exhibition of paintings, ceramics, and a glass sculpture at Palazzo Loredan in Venice, running concurrently with the Venice Art Biennale 2026. The show features haunting, figurative works that resist linear narrative, drawing on themes of religion, history, philosophy, and human emotion, with the artist describing his intuitive, fragmentary approach to composition.
Katara Cultural Village Foundation in Doha has opened a Contemporary Graphic Art Exhibition featuring 29 artists from Qatar and abroad, displaying over 170 works that explore modern printmaking techniques. The exhibition runs until May 18 at Hall 18 in Katara Cultural Village, bringing together artists from different generations to showcase diverse styles and schools within printmaking. Exhibition coordinator Abdulrahman Al Muttawa, along with artists Haifa Al Khuzai and Lina Al Ali, highlighted the exhibition's role in strengthening printmaking's presence in the art scene and celebrating Qatari cultural heritage.
Manila Calling, a traveling art exhibition organized by Manila Collective Inc., launches this May, connecting Manila, Barcelona, Madrid, and Tokyo. The project transforms traditional exhibition spaces into a hybrid of gallery, curated gift shop, and street-level art party, featuring 70 creatives from the Philippines, Spain, France, Italy, and Japan. Participating artists submitted original artworks translated into a unified silk textile installation, alongside limited-edition prints, zines, apparel, and collectible objects. The tour includes stops in Barcelona (May 15-16), Madrid (May 19-20), a month-long exhibit at Centro de Turismo Intramuros in Manila (June 6-27), and a Tokyo stop with a closing celebration in Barcelona in July. A pop-up gift shop in Comuna, Makati precedes the tour on May 8-10.
The Arts Center at Duck Creek in Springs presents two concurrent exhibitions opening May 9 through June 14. 'Residual Light' is a group show curated by Galina Kurlat and Andrea Cote, featuring eight female artists working with alternative photographic processes and camera-less techniques. 'What the Garden Remembers' is a solo exhibition by Avani Patel, displaying paintings and drawings that explore memory, ecology, and nature. Both exhibitions include opening receptions, artist talks, and a cyanotype demonstration.
The Lynden Sculpture Garden in Milwaukee announces its May 2026 events, including exhibitions, workshops, and outdoor installations. Featured exhibitions include Faythe Levine's "Time is Running Out," which explores the legacy of Charlotte Partridge and Miriam Frink, co-founders of the Layton School of Art, and "Slow Growing in the Time of Trees" by the mycology-focused collective mycollective. A bonsai exhibit opens on World Bonsai Day in collaboration with the Milwaukee Bonsai Society and Milwaukee Bonsai Foundation, alongside free community events like Knit @ Lynden with Sara Caron.
Penn State Wilkes-Barre's Friedman Art Gallery will open a new exhibit titled "Artistic Gems from the Past" on May 1, featuring artwork by current and former students, including pieces created over 25 years ago. The exhibit includes works from two courses taught by Jonathan Pineno—Art History 112 and Integrative Arts 001—where students created art using recycled materials and techniques inspired by Bob Ross. Unattributed works from the 1990s are also on display, and the gallery is asking the public to help identify the original student artists.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
Tashkeel, a Dubai-based art organization founded in 2008 by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, is presenting "Unfolding," the debut solo exhibition by Emirati artist Moza Al Falasi. Opening May 12 at Tashkeel's Nad Al Sheba 1 Gallery, the show marks the culmination of Al Falasi's participation in the Tashkeel Critical Practice Programme (CPP), where she was mentored by Luisa Menano and Hanaa Bou Hamdan. The exhibition explores memory, loss, and the passing of time through photography, sound, painting, plaster, and fabric, reflecting on inherited grief and personal loss, including the deaths of her parents and husband.
The article highlights standout booths at Frieze New York, held at the Shed, featuring 65 galleries. It notes a dominant presence of paintings alongside a surprising array of small sculptures, offering a curated look at the fair's most compelling presentations.
Three new books offer contrasting perspectives on the art market, just in time for New York Art Week. The titles include a sweeping work of nonfiction, a cheeky memoir, and a dual biography, each examining the business of buying and selling art from different angles.
The article provides a broad overview of the NYCxDesign Festival, highlighting notable news, product launches, and events taking place across New York City during the design festival. It covers a range of design-related activities, from exhibitions and product debuts to talks and installations, capturing the vibrant atmosphere of the citywide celebration of design.
Art dealers are weighing the strategic decision of whether to present solo artist booths or group shows at art fairs. Solo booths allow visitors to focus deeply on a single artist's work, avoiding the sensory overload of multiple artists, while group booths offer variety and broader market appeal. The choice often varies depending on the fair and the dealer's goals.
New York Art Week in May will feature high-value auction items and several major private collections going to market, serving as a key indicator of the art market's health amid current economic and political uncertainty. The event brings together galleries, auction houses, and collectors for a concentrated period of sales and exhibitions.
The Venice Biennale, often described as the Olympics of the art world, is set to begin previews on Tuesday amid several controversies. Key flashpoints include the sudden death of a curator, Russia's surprise participation despite ongoing geopolitical tensions, and an unconventional entry from the United States. These developments have intensified scrutiny and debate around the prestigious international exhibition.
Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.
Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.
The first edition of Olfacta Art Fair, a provocative art fair dedicated to scent, will take place from September 18 to 20, 2026, at EDIT Garden in Turin, Italy. Conceived by artist and herbalist Francesca Casale (born 1990) and her association Olfacta, the fair features ten artists and independent spaces under the curatorial direction of Gianluigi Ricuperati, with exhibition design by Maurizio Cilli. The event transforms the venue into an immersive environment where smells, emanations, and olfactory traces interact with installations, performances, scientific research, and sensory design, challenging traditional notions of art as a collectible object.
Chi è il nuovo Ministro della Cultura in Ungheria nel primo governo post-Orbán? Il profilo di Zoltán Tarr
Zoltán Tarr è stato nominato Ministro delle Relazioni Sociali e della Cultura nel primo governo post-Orbán in Ungheria, guidato dal nuovo Primo Ministro Peter Magyar. Tarr, 52 anni, ex pastore della Chiesa riformata ungherese ed europarlamentare per il PPE, ha promesso di ripristinare la libertà d'espressione e smantellare il sistema di favoritismi politici nella cultura, dopo 16 anni di governo autoritario di Viktor Orbán.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)
The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.
Maiden Lane Gallery in Kingston is hosting two concurrent exhibitions curated by Matt Moment: "The Rip in Her Sleeve," featuring pigment print photographs by Alicia Schirrmeister and Ruth Lauer Manenti, and "Iliana Arocho: Drawings," a solo show of ethereal drawings and metalpoint works by Iliana Arocho. The shows occupy two floors of a brick building that serves as an outpost for Headstone Gallery, run by Lauren Aitken and Chase Folsom, marking Moment's first collaboration with the gallery as a guest curator.
An exhibition titled 'Master Artist AA Raiba: A Unilateral Eclectic' is currently on view at Thapar Gallery in New Delhi, showcasing works by Abdul Aziz Raiba from the 1950s and 1960s. The retrospective highlights Raiba’s diverse practice, including murals, paintings on jute, reverse glass paintings, serigraphs, calligraphy, and sketches, and features landscape works from his Kashmir sojourn between 1957 and 1959.
Air de Paris, a highly influential Parisian gallery known for representing many of the most significant contemporary artists, has become one of the earliest supporters of Contemporary Art Daily's parent organization, Contemporary Art Library. The announcement, made by Contemporary Art Daily, highlights Air de Paris's pioneering role in elevating the gallerist's activities into a form of artistic expression, and positions the gallery as a model for the entire field.
An exhibition of artworks by Mexican printmakers is currently on display at the Tehran Museum of Contemporary Art (TMoCA). The show highlights the rich tradition of Mexican printmaking, featuring works from various artists that explore cultural and social themes.
The Plains Art Museum in Fargo, North Dakota, is preparing to break ground on a major renovation and expansion of its permanent collection facility, working with architecture firms Olson Kundig and JLG. The project will create an open storage concept design, adding a fourth gallery and allowing public access to the museum's basement collection storage, where over 6,000 artworks are housed. This follows the museum's history of adaptive reuse, having transformed a 1904 International Harvester warehouse into its main building in 1997 and adding the Katherine Kilbourne Burgum Center for Creativity in 2012.
The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.
The 9th edition of Printemps Asiatique (Asian Spring) will take place from June 3 to 12, 2026, across Parisian galleries, museums, and auction houses. Modeled on New York’s Asia Week and London’s Asian Art, the festival features a shared calendar of exhibitions, tours, talks, and auctions, with nearly thirty galleries, ten museums and art venues, and thirteen auction houses participating. This year, Korea is the spotlight country, with dedicated exhibitions and artistic itineraries. Key venues include the Musée National des Arts Asiatiques - Guimet, Musée Cernuschi, Musée des Arts Décoratifs de Paris, and Musée du Louvre, alongside auction houses such as Christie's, Sotheby's, Bonhams, and others.
Dr. Eric Singleton has been appointed as the new director of the Booth Western Art Museum, set to assume the role in mid-July. He was selected after a nationwide search led by Georgia Museums President and Board Chair Lorri McClain, who praised his extensive experience, creativity, and collaborative leadership style. Singleton currently serves as the McCasland Chair of Cowboy Culture and Curator of Native American Art and Ethnology at the National Cowboy and Western Heritage Museum, bringing over 25 years of museum experience to the Booth. He has previously worked at the Gilcrease Institute of American History & Art and the Philbrook Museum of Art, and holds a Ph.D. from Oklahoma State University.
The 82nd Whitney Biennial has opened, drawing attention for its weird, provocative nature that leaves viewers wanting more. The exhibition, held at the Whitney Museum of American Art, features a range of contemporary works that challenge conventional boundaries and spark dialogue.
Brea Gallery in Brea, California, opened its 41st annual "Made in California" juried art exhibition on Saturday, featuring over 90 artists from across the state. The show includes a range of mediums such as oil paintings, sculptures, and mixed media, with jurors selecting works from roughly 5,000 submissions. This year's exhibition explores themes of identity and social justice, with pieces like Angel Lesnikowski's "Othered Existence" addressing Arab identity and conflict, and Adam Singer's "Big Feelings" reflecting on aging and mortality in Los Angeles. A solo installation by Lorena Molina, "This must be the place," draws on her Salvadoran heritage and the immigrant experience.