Margareta Magnusson, the Swedish author and artist who popularized the concept of 'death cleaning' (döstädning), has died at age 92. In her 80s, she wrote the international bestseller 'The Gentle Art of Swedish Death Cleaning,' which advocated for the mindful decluttering of one's belongings to spare loved ones the burden after one's death.
Photographer Steve Parke recounts the story behind his iconic 1999 photo shoot of Prince for Notorious magazine. The singer rejected the magazine's initial concept of painting "1999" on his stomach, instead insisting on the word "Free" to reflect his ongoing battle for artistic freedom from record labels. Parke, who was Prince's in-house art director, ended up painting the word on the singer's stomach himself with gold paint, causing Prince to laugh like a child from the cold sensation.
Photographer Rich-Joseph Facun documents life in Athens, Ohio, in his project '1804,' focusing on the profound influence of Ohio University on the town. His images and interviews capture the socioeconomic and cultural dynamics, including strained housing markets, a nightlife economy driven by students, and the town's identity as a "company town" shaped by the university's calendar and employment.
Children's museums across the United States are entering a significant period of expansion, with new institutions opening and existing facilities undergoing major renovations. This surge in construction and programming aims to meet increasing community demand for interactive, educational spaces designed specifically for young learners.
The American Museum of Natural History in New York has launched a new ongoing exhibition dedicated to the legacy of its most prolific fossil hunters. The display specifically highlights the contributions of Mark Norell and his colleagues, showcasing the significant paleontological discoveries that have shaped the museum's world-renowned collection.
The Indianapolis Contemporary (ICon) has officially opened its doors in a transformed 40,000-square-foot former dairy barn, signaling a bold new chapter for the city’s arts scene. This non-collecting institution aims to dismantle the traditional, often sterile museum experience by integrating live music, social spaces, and a rotating roster of site-specific installations that prioritize community engagement over historical preservation.
The Somali Museum of Minnesota has emerged as a vital cultural sanctuary and community hub for Somali immigrants in Minneapolis. By preserving traditional nomadic artifacts, textiles, and contemporary artworks, the museum provides a space for the diaspora to reconnect with their heritage and find solace amidst social and political challenges.
The article outlines practical strategies for art collectors to minimize their environmental footprint. It details specific actions such as opting for commercial flights over private jets, selecting reusable and sustainably sourced packing crates, consolidating shipments, and choosing local artists or galleries to reduce transportation emissions.
Hong Kong-based painter Stephen Wong Chun Hei, who spent much of his childhood indoors, has become an avid hiker and now creates vibrant, colorful paintings of the city's natural landscapes. His work focuses on capturing the dramatic geology, lush vegetation, and hidden trails of Hong Kong's country parks and coastal areas.
A descendant of one of Majorca's oldest families has preserved and now showcases a unique, sprawling collage within her 18th-century family estate. The artwork was created over hundreds of summer holidays by her mother and aunt, who meticulously assembled it using materials like magazine clippings, postcards, and fabric.
The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.
Poet Ella Frears has composed a new literary work in response to Charlie Prodger’s 2024 drawing, 'Volcano Snake Sun, September'. The poem explores themes of observation, physical detachment, and the tension between tranquility and underlying violence, mirroring the shift in Prodger’s practice from conceptual film to representational pencil-and-pastel works on paper.
Saudi artist Dana Awartani has created a new installation, 'Listen to my Words,' for the 2024 Diriyah Contemporary Art Biennale. The work features a large-scale geometric floor pattern made from hand-dyed silk, which visitors are invited to walk upon, deliberately fraying and damaging the intricate design over the course of the exhibition.
The Swiss Arts Council Pro Helvetia has selected the project "The Unfinished Business of Living Together" to represent Switzerland at the 2026 Venice Biennale. Conceived by Gianmaria Andreetta, Luca Beeler, and artist Nina Wakeford, the exhibition utilizes archival television broadcasts from the 1970s and 80s to explore the history of LGBTQ+ visibility and social coexistence. The installation will feature a spatialized video production and garden interventions that reactivate historical media moments to examine how social norms dictate public discourse.
Argentine artist Cecilia Bengolea has unveiled her latest project, "El Ruido que Habita" (The Noise That Dwells), at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba. Developed during a residency in early 2025, the exhibition features site-specific drawings and ceramic works created in collaboration with the Dionisio Ortiz School of Art. The installation integrates visual art, technology, and performance, inviting visitors to engage with sound as a transformative language that bridges cultural and material divides.
Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales creates a physical itinerary that invites visitors to navigate the complex emotional and political landscapes of displacement and territory.
Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.
THE HISTORY OF ART FROM BOGOTA AT MAP
Montenegro Art Projects (MAP) in Bogotá opens a group exhibition titled 'La historia del arte contada desde Bogotá' (The History of Art from Bogotá), featuring 30 artists. The show explores how art history is activated today, treating it not as a closed archive but as a field in constant transformation, with artists reinterpreting and appropriating historical images and gestures through contemporary sensibilities.
Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.
ArchDaily published a project profile of the OCAT-B10 art museum in Shenzhen, China, designed by Meng Yan of URBANUS. Completed in 2022, the 6,109-square-meter museum is conceived as an "opened white box," featuring a flexible, minimalist gallery space. The project team includes principle architect Meng Yan, project architect Rao Enchen, and numerous collaborators across architecture and landscape design. The client is Shenzhen OCT Properties Co., Ltd.
Bolton Museum and Library Services is calling for entries for its 2026 Open Art Exhibition, running from February 14 to May 17, 2026. The show is open to artists and craftspeople aged 16 and over who live, work, or study in the Bolton borough, with submissions accepted in media including painting, drawing, print, textiles, ceramics, sculpture, photography, and digital art. A new Young Artist Award for ages 16–23, sponsored by Bolton at Home, offers a £250 prize, alongside the overall Winner’s Prize and the Visitors’ Choice Award sponsored by Bromleys Art Supplies. The judging panel includes Amy Brunn, Professor Kirsty Fairclough, and artist David Gledhill, with a Young People’s Panel also involved. Entry fees are £5 per work, and artists may sell their pieces with a 30% commission charged by the museum.
Storia del designer che ha trasformato la MotoGP disegnando moto e tute di Valentino Rossi
Aldo Drudi, the influential designer who transformed the visual aesthetics of MotoGP, created a special site-specific livery for the Pertamina Enduro VR46 Racing Team's presentation at The Edge in Hudson Yards, New York. The livery, unveiled on March 24, 2026 for the United States Grand Prix, is a complex graphic composition that references team history, Valentino Rossi, and American culture, elevating motorcycle design to a form of moving art.
Vedere con il calore: a Pavia 5 opere contro lo sguardo della termocamera
The University of Pavia is hosting a specialized study day and exhibition on April 30, 2026, titled "Thermal Imaging and Visual Culture." The event explores how artists are reclaiming thermal imaging—a technology originally developed for military surveillance and pandemic control—to transform it into a medium for creative expression. By showcasing five specific works, the program examines the tension between the camera's role as a tool for dehumanized monitoring and its potential as a vehicle for artistic resistance.
A Milano si organizza un pranzo collettivo per discutere dei problemi del settore culturale. Ecco come partecipare
The nomadic assembly "OMTU – Organized Meals for Times of Uprising" is heading to Milan on April 19, 2026, coinciding with the miart art fair. Organized by a coalition of independent spaces including terzospazio, Osservatorio Futura, Parsec, and Arts of the Working Class, the event features a collective lunch followed by a public discussion at the Baséll space. The gathering aims to address the systemic precariousness of the cultural sector, focusing specifically on the scarcity of affordable social and cultural spaces in Milan.
Un giovane artista ha progettato delle marmitte da suonare come trombe. A Milano il concerto itinerante
Emerging artist Aronne Pleuteri will debut a mobile performance titled "Mototrombe!" during Milan Art Week on April 17, 2026. The event features a parade of sound sculptures crafted from salvaged automotive exhaust pipes, which have been welded and reconfigured into hybrid instruments. Led by composer Dario Buccino, the procession will travel from Milan’s Central Station to the Church of Santa Maria degli Angeli, where the sculptures will remain on display through April 26.
I produttori di vino Pasqua puntano sull’arte. L’artista Sara Ricciardi racconta il progetto per Verona
Artist Sara Ricciardi has unveiled 'Resonance,' a site-specific immersive installation at the newly restored Monastero space within Palazzo Maffei, Verona. Commissioned by Pasqua Vini, the work celebrates the creative partnership between winery CEO Riccardo Pasqua and American winemaker Charles Smith. The installation utilizes light, sound, and large-scale geode-inspired structures to translate the 'alchemy' of winemaking and the meeting of two distinct identities into a sensory ritual for visitors.
The Fitchburg Art Museum and the Laurelwood Garden Club have announced the 28th annual Art in Bloom celebration, running from April 23 to April 26. This year’s event coincides with the museum’s centennial anniversary and features 40 floral arrangements designed to interpret specific artworks from the permanent collection, including pieces from the exhibitions "Kaleidoscope" and "Festival: A Celebration of African Art."
越後妻有MonET 連続企画展Vol.10 宮坂了作「宮坂了作 ＡＲＴ ７５歳」@ 越後妻有里山現代美術館 MonET
The Echigo-Tsumari Satoyama Museum of Contemporary Art (MonET) has announced a major solo exhibition for artist Ryosaku Miyasaka, titled "Ryosaku Miyasaka: ART 75 Years Old." Curated by renowned art critic Noi Sawaragi, the show features early map paintings, recent "plant character" works where the artist grows and eats edible calligraphy, and new pieces created in the Echigo-Tsumari region. Miyasaka, a former student of Allan Kaprow at CalArts, has spent decades balancing his creative output with life as a rice farmer in Nagano Prefecture.
Villes culturelles, au cœur des nouvelles conquêtes municipales
Municipal elections across France have resulted in a wave of new and re-elected mayors, many of whom campaigned on strong cultural platforms. Key victories include Emmanuel Grégoire in Paris, Catherine Trautmann in Strasbourg, Grégory Doucet in Lyon, Yann Galut in Bourges, and Arnaud Deslandes in Lille, each outlining specific cultural visions ranging from continuity and private-public partnerships to fostering urban and street culture.
À Paris, Emmanuel Grégoire supprime le poste d'adjoint au patrimoine
The newly elected Mayor of Paris, Emmanuel Grégoire, has unveiled a leadership team consisting of 36 deputy mayors covering a vast array of specific portfolios, ranging from nightlife and overseas territories to animal welfare and free media. Notably absent from this extensive list is a dedicated deputy for heritage (patrimoine), a move that marks a significant shift in the city's administrative priorities.