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At SLAM, Anselm Kiefer’s Material Transformations

The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," an exhibition of 40 works by the German artist dating from the 1970s to the present, including 20 recent pieces and five monumental site-specific paintings. Curated by museum director Min Jung Kim, the show features Kiefer's characteristically vast, heavy works built from materials like tar, melted lead, and steel, displayed without stanchions and with minimal labels to encourage immersive viewing. The exhibition was inspired by a conversation between Kim and Kiefer about the confluence of rivers—the Rhine in his native Germany and the Mississippi and Missouri in St. Louis—and makes use of SLAM's grand 1904 World's Fair building.

How taboo-breaker Robert Crumb’s surreal cartoons mock an absurd world—and himself

A new biography, *Crumb: A Cartoonist's Life* by Dan Nadel, examines the life and work of Robert Crumb, the taboo-breaking underground cartoonist who rose to fame in the 1960s with surreal, satirical comics like *Head Comix*. The book details Crumb's troubled family history, his early career at American Greetings, and his creation of iconic characters such as Fritz the Cat and the Keep On Truckin' images, while also addressing persistent criticisms of sexism and racism in his work.

Enrico David: ‘It’s as if the objects are there as an avatar for something that has gone’

Italian-born, London-based artist Enrico David is the subject of a major retrospective at the Castello di Rivoli Museo d'Arte Contemporanea near Turin, titled 'I'm Back Tomorrow.' The exhibition, his largest to date, spans three decades of his work and occupies the museum's 147-meter-long Manica Lunga gallery. David first gained attention in the late 1990s for his large embroideries featuring masked figures, many purchased by collector Charles Saatchi, but later shifted to creating psychologically charged sculptures of mutated humanoid forms. The show is arranged not thematically or chronologically but as a series of 'vertebrae' anchoring the space, with elements evoking trade fairs and commercial design—a language familiar from his father's neon-sign business.

Harlem’s Studio Museum reopening was a fitting reflection of its history and work

The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.

‘Lust for Life’: The Van Gogh book designed to fit in pockets of US soldiers during the Second World War

Irving Stone's 1934 novel *Lust for Life*, a fictionalized biography of Vincent van Gogh, was published as an Armed Services Edition during World War II for U.S. soldiers. These pocket-sized books, measuring 11cm by 17cm, were designed to fit in uniform pockets and withstand harsh conditions. Over 123 million copies of various titles were printed from 1943 to 1947, with distribution including parachute drops to troops on Pacific islands and handouts to soldiers before the Normandy Landings. The surviving copies are scarce and often damaged, with browned pages and covers marked as U.S. government property, not to be resold.

In the bag: Sotheby’s inaugural Abu Dhabi Collectors’ Week finds success with Birkins and bling

Sotheby’s inaugural Collectors’ Week in Abu Dhabi (2-5 December) achieved a total of $133.4m across five live auctions held on a beachfront stage. The sale featured luxury items including a Hermès Birkin Voyageur owned by Jane Birkin ($2.9m), a 31.68-carat pink diamond called The Desert Rose ($8.8m), and a Patek Philippe watch set that became the second most valuable watch sold in Sotheby’s history ($11.9m). No art was offered, but the auction house sold 50 items privately, including the world’s largest fancy deep green diamond. The sell-through rate was strong, with only one piece of real estate and a couple of cars unsold, outperforming Sotheby’s earlier Saudi Arabia sale.

10 Art Shows to See in Los Angeles This December

This December, Los Angeles presents a diverse array of art exhibitions that engage with contemporary social issues, cultural protest, and new possibilities. Highlights include Alan Luna's subversive reinterpretations of Mexican history and American modernism at the new La Plaza Projects, a group show at The Box featuring nearly 200 artists challenging normative sexuality, and Daniel T. Gaitor-Lomack's assemblages at Night Gallery that poetically repurpose discarded objects from LA streets. Other notable shows include Edith Dekyndt and Richard Long's dialogue on nature at Okey Dokey Konrad Fischer, and Sam Shoemaker's performance-based mushroom boat project at Fulcrum Arts.

Van Gogh’s family used an erotic Gauguin ceramic as a flower vase

A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.

Watch the Record-Breaking Auction of This Gustav Klimt Portrait, Which Just Became the Second Most Expensive Painting Ever Sold

Gustav Klimt's "Portrait of Elisabeth Lederer" sold at Sotheby's for $236.4 million on November 20, 2025, becoming the most expensive modern artwork ever auctioned and the second most expensive painting overall. The life-size oil painting, created between 1914 and 1916, depicts the 20-year-old daughter of prominent Jewish art collectors. After a 20-minute bidding war starting at $130 million, an anonymous telephone bidder won the work, which had been owned by cosmetics heir Leonard Lauder until his death in June 2025.

Sotheby’s Shatters Records at Its Breuer Debut as a $236.4M Klimt Leads the $706M Evening Sale

Sotheby's held its debut evening sale at the Breuer building in New York on November 18, achieving a record-breaking $706 million total. The highlight was the white-glove auction of Leonard A. Lauder's collection of 20th-century masterpieces, which alone brought $527.5 million. Gustav Klimt's portrait *Bildnis Elisabeth Lederer* (1914-16) sold for $236.4 million, setting a new record for the artist and for Sotheby's Modern category. The evening also included a strong Contemporary sale led by Maurizio Cattelan's golden toilet at $12.1 million, with active bidding from Asian collectors.

9 artists having major museum moments this year and next

Nine artists are featured in major museum exhibitions this year and next, including John Singer Sargent at the Musée d'Orsay, Alexander Calder at Calder Gardens and the Whitney Museum, Beauford Delaney at the Studio Museum in Harlem, Man Ray at the Metropolitan Museum of Art, and Cecily Brown at the Barnes Foundation. The article highlights key shows such as Sargent: Dazzling Paris, High Wire: Calder's Circus at 100, and When Objects Dream, each presenting significant works and historical context.

‘I’m not trying to impress anyone with what I buy’: how Catherine Walsh went from cosmetics queen to art collector

Catherine Walsh, a former cosmetics executive at Estée Lauder and Revlon who pioneered celebrity fragrances at Coty, recounts her journey from buying her first Harry Callahan photograph at age 22 to building a minimalist art collection. She commissioned architect John Pawson to design a house in Telluride, Colorado, after a lecture, and has since acquired works by Gerhard Richter, Donald Judd, Jenny Holzer, Josef Albers, and a 17th-century Dutch portrait, among others. Walsh now lives in a London apartment near the Victoria & Albert Museum, where she displays her carefully curated collection with minimal furniture.

Van Gogh’s exuberant ‘Tarascon Stagecoach’ will be donated to a Los Angeles museum

The Henry and Rose Pearlman Foundation is donating 63 works to three major U.S. museums, led by Vincent van Gogh's *Tarascon Stagecoach* (October 1888). The painting will debut at the Los Angeles County Museum of Art (LACMA) from February 22 to July 5, 2026, then travel to the Brooklyn Museum of Art in autumn 2026 and New York's Museum of Modern Art in 2027. The work depicts a horse-drawn coach in Arles, was sketched in a letter to Van Gogh's brother Theo, and has a rich provenance including early ownership by sculptor Medardo Rosso and a journey to Uruguay as the first Van Gogh in the Americas.

A brush with… Peter Doig—podcast

The article is a podcast interview with renowned painter Peter Doig, who discusses his upcoming exhibition "House of Music" at Serpentine South in London, running from October 10, 2025, to February 8, 2026. Doig reflects on his career, his evolving body of work informed by memory, personal photographs, art history, and music, as well as his time living in Trinidad and Canada. He delves into specific paintings in the show, his influences including Edward Burra, Henri Matisse, and Caravaggio, his collaboration with poet Derek Walcott, and the repertory cinema he founded in Port of Spain.

Fondation Louis Vuitton in Paris opens epic Gerhard Richter retrospective

The Fondation Louis Vuitton in Paris is opening a massive retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's own suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed gallery space. It includes iconic works like *Uncle Rudi* (1965) and *Table* (1962), alongside very recent small-scale drawings, and draws from both public and private collections.

Freedom of expression: Tate exhibition offers an overdue showcase of Nigeria’s Modernist artists

Tate Modern's exhibition "Nigerian Modernism" showcases over 300 works by 59 Nigerian modernist artists, curated by Osei Bonsu and Bilal Akkouche. The show follows the 2018 record sale of Ben Enwonwu's portrait "Tutu" at Bonham's for £1.2 million, which highlighted the neglect of modern African artists in art history. It features pioneers like Aina Onabolu, the first African student at an English art school, and Uche Okeke of the Zaria Art Society, whose work blends Western techniques with Nigerian traditions, Islamic aesthetics, and uli mural painting.

A tale of two philanthropies: why private foundations differ in London and Paris

Two new private philanthropic art spaces have opened in London this month: YDP (Yan Du Projects) in Bedford Square, founded by Chinese patron Yan Du, and Ibraaz in Fitzrovia, funded by Tunisian-Swiss banker Kamel Lazaar and run by his daughter Lina Lazaar. YDP focuses on Asian and Asian diasporic art, while Ibraaz centers art of the "global majority," featuring works like Ibrahim Mahama's installation and a library by the Otolith Group. Both founders, in their early 40s, represent a younger generation of patrons prioritizing social impact over legacy.

Five must-see UK exhibitions this Black History Month

Five must-see UK exhibitions for Black History Month 2025 are highlighted, including 'Nigerian Modernism' at Tate Modern (8 Oct 2025–10 May 2026), which explores the development of Modern art in Nigeria through over 250 works by artists like Ben Enwonwu and El Anatsui; 'Stan Douglas: Birth of a Nation and The Enemy of All Mankind' at Victoria Miro (until 1 Nov 2025), a multi-channel video installation confronting racial perception; and 'Jennie Baptiste: Rhythm & Roots' at Somerset House (17 Oct 2025–4 Jan 2026), the photographer's first UK solo exhibition capturing Black diaspora life. Other shows include works addressing the Caribbean Windrush generation in Cambridge.

Who made ancient Egyptian art? Plus, Michaelina Wautier, Robert Rauschenberg’s ‘Bed’—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major art stories. Alexander Morrison visits the Fitzwilliam Museum in Cambridge to explore 'Made in Ancient Egypt,' an exhibition revealing the untold stories of the craftspeople and techniques behind ancient Egyptian objects. Ben Luke speaks with Katlijne Van der Stighelen about the largest-ever exhibition of Baroque painter Michaelina Wautier at the Kunsthistorisches Museum in Vienna, which will travel to the Royal Academy of Arts in London. The episode also features Robert Rauschenberg's iconic work 'Bed' (1955), part of the exhibition 'Five Friends' at the Museum Ludwig in Cologne, which brings together artists John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Cy Twombly.

8 Must-See Museum Shows Celebrating Overlooked Women Artists

This article highlights eight museum exhibitions scheduled for fall 2025 that focus on historically overlooked women artists. Featured shows include "Nancy Elizabeth Prophet: I Will Not Bend an Inch" at Spelman College, "Toshiko Takaezu: Worlds Within" at the Chazen Museum of Art, and "Edmonia Lewis: Indelible Impressions" at the Cantor Arts Center, among others. Each exhibition aims to bring renewed attention to artists who faced racial and gender barriers, such as Afro-Indigenous sculptor Nancy Elizabeth Prophet, ceramicist Toshiko Takaezu, and 19th-century sculptor Edmonia Lewis.

The story behind the Van Gogh still life that looks destined to become his most expensive Paris painting

Van Gogh's 'Parisian Novels' (November-December 1887) will be the leading lot in the Pritzker sale at Sotheby's, New York on 20 November, with an estimate of $40 million. The still life, depicting 22 books and three pink roses, has been consigned by the estate of Cindy Pritzker, who died in March at age 101. The painting was created during Van Gogh's time living with his brother Theo in Paris and was among the first three works publicly exhibited during his lifetime, at the Société des Artistes Indépendants in March 1888. The Pritzker collection sale also includes 36 other works estimated at $120 million, featuring pieces by Paul Gauguin and Henri Matisse.

Lovers to friends: the intimate story of Van Gogh's sister-in-law and the artist Isaac Israëls

The Van Gogh Museum in Amsterdam has published 103 letters from Dutch Impressionist painter Isaac Israëls to Jo Bonger, Vincent van Gogh's sister-in-law, revealing a previously secret romantic relationship between them. The museum is also presenting an exhibition titled "Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" (through January 25, 2026), which explores their brief physical relationship in the 1890s and its aftermath, including how Israëls incorporated Van Gogh's paintings into his own portraits—a practice he called "Vincenting." Twelve of these portraits are on display for the first time.

Kerry James Marshall, National Gallery expansion, Picasso’s Three Dancers—podcast

This podcast episode from The Art Newspaper covers three major art stories. Ben Luke tours Kerry James Marshall's retrospective 'The Histories' at the Royal Academy of Arts in London—the largest European survey of the US artist's work—with curator Mark Godfrey, and visits a related exhibition of Marshall's graphic novel 'Rythm Mastr' at The Tabernacle in Notting Hill. The National Gallery in London announces a £400m expansion called Project Domani, the largest transformation in its 200-year history, with £375m already raised, and a shift in its collecting boundary beyond 1900. Finally, Tate Modern's centenary exhibition 'Theatre Picasso' centers on Pablo Picasso's 'The Three Dancers' (1925), discussed with co-curator Natalia Sidlina and designer Enrique Fuenteblanca.

The National Gallery's new exhibition includes Van Gogh's brief foray into Neo-Impressionism

The National Gallery in London opens 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' tomorrow, running until 8 February 2026. The exhibition features works by Van Gogh’s Parisian colleagues, including Georges Seurat and Paul Signac, and highlights Van Gogh’s brief experimentation with Neo-Impressionist dot-like technique. A key work on display is Van Gogh's 'The Sower' (June 1888), which also recently received a papal mention by Pope Leo XIV, who referenced the painting in his first general audience at the Vatican, interpreting its sun as a symbol of God.

Crystal Bridges Museum's expansion will open in June 2026

Crystal Bridges Museum of American Art in Bentonville, Arkansas, announced its expansion will open on June 6, 2026, adding 114,000 square feet—a 50% increase in size. Designed by Safdie Architects, the project began in 2022 and includes hundreds of newly donated works, the largest gift in the museum's history: over 200 pieces from Dallas-based collectors Candace and Michael Humphreys. Additional donations from board chair Olivia Walton and her husband Tom include 18 works by women artists, honoring her late mother, gallerist Monique Knowlton.

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

Van Gogh’s Starry Night over the Rhône reveals more of its mysteries

Van Gogh's *Starry Night over the Rhône* (September 1888), housed at the Musée d'Orsay in Paris, is analyzed in detail to separate the actual view of Arles from the artist's imaginative additions. The article examines how Van Gogh repositioned the Plough (Big Dipper) constellation, exaggerated the brightness of gas lamps, and likely painted most of the scene in his studio rather than en plein air. It also reveals that he later reworked the lower-left corner of the canvas, as seen in contemporary sketches.

How did the only painting sold by Van Gogh in his lifetime end up in Russia?

The article explores the history and conservation of Vincent van Gogh's "The Red Vineyard," the only painting he is certain to have sold during his lifetime. Sold for 400 francs at a Brussels exhibition in March 1890, the work now resides at the Pushkin State Museum of Fine Arts in Moscow. A recent conservation project used modern scientific techniques to uncover new details about the painting's creation, including Van Gogh's use of paint straight from the tube, compositional changes, and the fading of chrome yellow pigments. The article also recounts the painting's origin during Van Gogh's time in Arles with Paul Gauguin and its journey to Russia.

Sotheby’s Unveils Plans for Breuer Building, Announces Opening Date

Sotheby's will open its new global headquarters in the Marcel Breuer–designed building at 945 Madison Avenue on November 8, 2025, after a renovation by Herzog & de Meuron with local partner PBDW Architects. The Brutalist landmark, originally completed in 1966 for the Whitney Museum of American Art, later housed the Met Breuer and the Frick Collection during its renovation. The project restores Breuer's original open gallery floors, adds state-of-the-art lighting and climate control, and preserves period details like the lobby's domed ceiling lights. The opening will feature a free public exhibition of Modern and Contemporary art ahead of marquee auctions starting November 17, with design sales and Luxury Week following on December 5, and a fine-dining restaurant by Roman and Williams opening later in the winter.

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.