France reckons with Nazi-looted art in a new Paris museum gallery

France has opened a new permanent gallery at the Musée d'Orsay in Paris dedicated to displaying Nazi-looted artworks that remain unclaimed. The gallery features 13 works from the MNR (Musées Nationaux Récupération) collection, including a painting by Alfred Stevens originally destined for Hitler's planned museum in Linz. The display is the first in the museum's history to show the backs of paintings, revealing stamps, labels, and inventory marks that trace how each piece moved from private Jewish homes into Nazi hands. The museum also launched its first research unit to trace rightful heirs, led by Ines Rotermund-Reynard.

Philip Castle obituary

Philip Castle, the influential British airbrush artist best known for creating the iconic poster for Stanley Kubrick's film 'A Clockwork Orange,' has died at age 83. Castle's distinctive, futuristic style, achieved with an airbrush tool, defined a key visual aesthetic of late 20th-century pop culture.

Giant Buddha Lands in New York

Artist Xandra Ibarra staged a nude performance titled "Nude Laughing" at the Museum of Fine Arts, Boston, walking through the contemporary galleries to challenge viewer etiquette and spark conversations about consent, art history, and the human body. Separately, a 27-foot-tall Buddha sculpture has been installed on the High Line in New York, serving as a resurrection of the destroyed Bamiyan Buddhas and a critical piece of cultural heritage.

Talking Art With Rama Duwaji

New York City’s First Lady, Rama Duwaji, provided an exclusive look into her creative life during a studio visit at Gracie Mansion. The interview explores her dual identity as a ceramicist and illustrator and her transition into the political spotlight, showcasing the personal practice behind her public role.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.

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A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.

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The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has launched "Routed West: Twentieth-Century African American Quilts in California," the first major thematic exploration of the 3,000-piece Eli Leon bequest. Curated by Elaine Yau, the exhibition features over 100 quilts by approximately 80 artists, tracing the migration of improvisational textile traditions from the American South to the Bay Area. The show highlights how these portable objects served as both functional necessities and vital forms of self-expression for Black women during the mid-20th century Great Migration.

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The Design Museum in London will host the first institutional exhibition dedicated to filmmaker Wes Anderson, opening this fall. Titled "Wes Anderson: The Archives," the show features over 600 items from Anderson's personal archives, including costumes, props, paintings, sketches, and models from films such as *The Grand Budapest Hotel* (2014), *Moonrise Kingdom* (2012), *Fantastic Mr Fox* (2009), and *Isle of Dogs* (2018). Highlights include the original model of the Grand Budapest Hotel, the painting *Boy with Apple* by Michael Taylor, and costumes worn by actors like Gwyneth Paltrow and Tilda Swinton. The exhibition will also screen Anderson's first short film *Bottle Rocket* (1993) and trace his career chronologically.

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Nigel Peverett, a former staffer in the British Museum’s prints and drawings department, stole over 350 artworks during his tenure in the 1970s and 80s. The thefts, detailed in Barnaby Phillips’s upcoming book 'The African Kingdom of Gold', involved Peverett smuggling prints out of the museum, altering them with razors to remove catalog numbers, and selling them at London’s Portobello Road market. Although he was caught in 1992 with 35 prints in his possession, nearly 100 items remain unrecovered.

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A rare ancient Greek funerary sculpture, the Stele of Medeia (375-350 BCE), is being offered for sale at the TEFAF art fair by the London gallery David Aaron. The piece, priced at £450,000, depicts an unmarried young woman and retains significant original pigment. It has already attracted significant interest from a major US museum.

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The Clark Art Institute has appointed Esther Bell as its new director, effective July 1. Bell, who was the museum's deputy director and chief curator, becomes the first woman to lead the institution in its 70-year history. She succeeds Olivier Meslay, who will step down in 2026.

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The Indian government has unveiled the Piprahwa relics, a collection of Buddha-linked artifacts repatriated after being slated for sale at Sotheby’s in 2024. The objects, some dating to the 6th century BCE, were excavated in 1898 and 1971–1975 and are now on view at the Rai Pithora Cultural Complex in Delhi in an exhibition titled “Light and the Lotus: Relics of the Awakened One.” India’s government successfully blocked the Sotheby’s auction by arguing that the consignor, Chris Peppé, had no legal right to sell the stones and that the sale constituted “continued colonial exploitation.” Prime Minister Narendra Modi inaugurated the show, calling it a moment of great importance.

cinema icon brigitte bardot dies olfactory art shines in germany controversy at imperial war museum and more morning links for december 29 2026 1234768207

This morning links roundup from ARTnews covers several art-world stories. UK ministers will underwrite up to £800 million in potential damage to the Bayeux Tapestry during its loan to the British Museum, making the British taxpayer the ultimate guarantor. London's Imperial War Museum has been accused of sidelining Victoria Cross recipients in favor of highlighting LGBTQ+ history after closing its gallery of the medals and returning them to Lord Ashcroft. Two exhibitions in Germany explore olfactory art, the Natural History Museum plans to open two spaces, and Ireland has reportedly turned the former Israeli embassy in Dublin into a museum for Palestine.

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Four suspects have been arrested for allegedly stealing the French crown jewels from the Louvre Museum last month. One suspect, identified as 39-year-old Abdoulaye N., is a former security guard at the Centre Pompidou and a social media influencer known for motocross stunts under the name Doudou Cross Bitume. His DNA was found at the crime scene, and he is suspected of breaking into the museum's Apollo gallery through an unsecured window before escaping on a motorbike. He has a prior criminal record including a 2014 jewelry store robbery conviction, and was due in court for a separate case. The stolen jewels have not yet been recovered.

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Eight pieces of the French Crown Jewels were stolen from the Louvre Museum on October 19, including a pearl-and-diamond tiara and a bow-shaped brooch that once belonged to Empress Eugénie, as well as a sapphire parure and diadem owned by Queen Maria Amalia. The theft has drawn attention to the jewels' complex history: most of the Crown Jewels were auctioned off in 1887 by the French government to eliminate monarchical symbols, and the stolen pieces were among the few remaining in the Louvre's collection, some repurchased at great expense in the 1990s and 2000s with help from the Société des Amis du Louvre.

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A family-run German company, Böcker, launched a viral advertising campaign on Facebook and Instagram featuring the furniture lift used in a recent Louvre jewel heist. The ad, with the tagline "When you need to move fast," depicts the Agilo furniture elevator that thieves used to enter the Louvre's Apollo Gallery, stealing approximately $102 million worth of Napoleonic jewelry in seven minutes. The company's marketing chief, Julia Scharwatz, said the campaign was inspired by the widespread circulation of a photo showing the lift at the scene, and that the response has been overwhelmingly positive, reaching 1.7 million views compared to their usual 15-20,000.

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Kim Sajet has been appointed as the new director of the Milwaukee Art Museum (MAM), starting September 22. The announcement comes shortly after Sajet was ousted as director of the Smithsonian National Portrait Gallery for supporting diversity, equity, and inclusion initiatives. During her 12-year tenure there, she doubled attendance, raised over $85 million, and oversaw major capital improvements. Sajet previously held leadership roles at the Historical Society of Pennsylvania, the Pennsylvania Academy of the Fine Arts, and the Philadelphia Museum of Art.

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An intricately carved ivory and wood grasshopper from the Age of Tutankhamun, known as the 'Guennol Grasshopper,' is set to be auctioned by Apollo Art Auctions in July with an estimate of £300,000–£500,000. Egyptian art historians, including German Egyptologist Christian Loeben, have raised concerns that the cosmetic vessel may have been stolen by British archaeologist Howard Carter, who discovered King Tutankhamen’s tomb and allegedly kept some items for his own collection. The auction house states there is no documented evidence linking the object to the tomb, and it has been cleared against the Art Loss Register, but experts like former Met director Thomas Hoving have long connected it to the pharaoh’s burial.

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Yaniv Cohen, a Bucharest-based Israeli businessman, is threatening to sue the art publication e-flux and Ukrainian American art historian Konstantin Akinsha for defamation over an article questioning the authenticity of three paintings attributed to Kazimir Malevich. The works—'Suprematist Composition in Color' (ca. 1915), 'Cubo-Futurist Composition' (ca. 1912–13), and 'Linear Suprematism' (ca. 1916)—are currently on view at the National Museum of Contemporary Art (MNAC) in Bucharest as part of the exhibition 'Kazimir Malevich: Outliving History.' Akinsha accused MNAC of lacking expertise and challenged the provenance of the previously unseen works, prompting Cohen to demand the article's removal and an apology via a letter from the Tel Aviv–based law firm Rosen-Ben Gal.

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The Zayed National Museum, a new mega museum designed by Foster + Partners, will open on Abu Dhabi's Saadiyat Island in December. Named after the UAE's first president, Sheikh Zayed bin Sultan Al Nahyan, the museum will feature six permanent galleries spanning 300,000 years of history, displaying artifacts including a 1,000-year-old Qur'an, the world's oldest natural pearl (the 8,000-year-old Abu Dhabi Pearl), and objects from the Palaeolithic to Iron Age. It will also host loans from international institutions like the British Museum.

How did a 16th-century European basin end up as a sacred object in West Africa?

The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.

Mystery 17th-Century Portrait Sparks Search for Identity of Black Sitter

Researchers at the National Portrait Gallery in London have launched a landmark investigation into a rare 17th-century double portrait featuring a Black boy and a white boy standing side-by-side. The painting, which has hung at the historic Penshurst Place in Kent for centuries, is undergoing extensive restoration and technical analysis to identify the sitters. Experts are particularly struck by the composition, which depicts the Black figure at the same scale and status as the white figure, a significant departure from the era's typical portrayal of Black individuals as marginal attendants.

Large Roman Villa Uncovered in the U.K. During Wind Farm Survey

Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.

At 250, America Must Reframe Its Founding Icons

The Princeton University Art Museum has reopened after a five-year construction hiatus, returning Charles Willson Peale's iconic 1783 painting, *George Washington at the Battle of Princeton*, to public view. The painting, which had been on continuous display for 236 years prior to the closure, is being presented with a new interpretive framework that highlights the complex history of its ornate frame—originally made for a portrait of King George II, with its crown physically removed—and the painting's timing for the nation's 250th anniversary.

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The British Museum has opened a major exhibition titled "Samurai" that challenges popular perceptions of the warrior class. It reveals that after 1615, half of all samurai were women, though they did not engage in combat, and explores the evolution of samurai from medieval fighters to Edo-period bureaucrats and cultural figures. The show features over 280 objects, from armor and weapons to everyday items like a woman's dressing set, and examines the contrast between historical reality and modern pop culture portrayals.

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The Louvre Museum in Paris will restore Empress Eugénie's crown, which was severely damaged during a $102 million heist on October 19, 2025. Thieves broke into the museum, used an angle grinder to cut through a display case, and stole crown jewels, but dropped the crown in their escape. The lightweight, diamond-and-emerald crown was deformed, with four of its eight decorative palmettes broken off and one gold eagle missing. However, all 65 emeralds and most of the 1,354 diamonds remain intact. The museum has opened a bidding process for an accredited restorer, overseen by an expert committee chaired by Louvre director Laurence des Cars, to reshape and fully restore the piece for display in the Galerie d'Apollon.

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The Smithsonian Institution faces a deadline to submit internal communications and exhibition materials to the White House as part of President Donald Trump's review aimed at eliminating so-called 'woke' ideology. Smithsonian Secretary Lonnie G. Bunch III has begun turning over documents from several galleries on a rolling basis, and the National Portrait Gallery has already complied by replacing Trump's portrait with a new photograph and removing mentions of his two impeachment trials from the wall text. The review, launched in August 2025, targets eight museums including the National Museum of African American History and Culture and the Hirshhorn Museum, following an April executive order titled 'Restoring Truth and Sanity to American History.'

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A late 18th- or early 19th-century Quran from Ottoman Syria, held by the New York Public Library's Schomburg Center for Research in Black Culture, was used to swear in Zohran Mamdani as New York City's first mayor to take the oath on the Muslim holy book. The ceremony took place just after midnight on New Year's Day 2026 at the decommissioned City Hall station, administered by New York Attorney General Letitia James. The Quran is now on display at the library's main branch in an exhibition titled "The People's Quran: Making History at City Hall."

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A new biography by art historian Elizabeth Goldring, titled "Holbein: Renaissance Master," traces the journey of German painter Hans Holbein the Younger from his humble beginnings in Augsburg to becoming the official painter of King Henry VIII in Tudor England. The book, already released in the U.K. and hitting U.S. bookshops on January 6, examines how Holbein's portraits—including the iconic image of Henry VIII and rival courtiers Thomas More and Thomas Cromwell—defined the visual legacy of the Tudor dynasty. Goldring highlights Holbein's ability to confer power through paint, with his works still shaping global perceptions of the Tudors centuries later.

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Jane Austen's older sister Cassandra, a skilled but historically overshadowed artist, is the subject of a new exhibition titled "The Art of Cassandra" at Jane Austen's House in Chawton, England. The show features 10 of her surviving works, including six never before publicly displayed and four newly discovered pieces, such as family portraits, a winter landscape, and copies of existing artworks. The display marks the largest-ever gathering of confirmed works by Cassandra, coinciding with the 250th anniversary of Jane Austen's birth.