Artist Zenia Olesnyckyj is presenting her exhibition "Impressions of Alaska" at the Gallery at the Summit Free Public Library from May 1 to June 30, 2026. The show features twenty mixed-media works inspired by the Alaskan landscape and the art of the Tlingit people, aiming to capture the grandeur and intimacy of the region through texture and color.
ArtRage Gallery in Syracuse is hosting a new exhibition titled 'A Rising Tide of Plastic in Art,' featuring works by members of the international collective Project Vortex. The show includes sculptures, photographs, and installations created from reclaimed plastic waste, with artists like Alejandro Durán, Nicole Hixon, Anne Percoco, and Blue McRight transforming debris into commentary on pollution.
The Danish Arts Foundation has opened 'Things To Come', an exhibition by Danish artist Maja Malou Lyse at the Danish Pavilion in the Giardini, Venice, as part of the 61st International Art Exhibition – La Biennale di Venezia. Curated by Chus Martínez, the show runs until November 22, 2026, and features a film developed with the collective DIS, shot in a real sperm bank and special effects studio, alongside an installation titled 'Stars in My Pocket' that incorporates cryogenic fertility bank boxes and online 'sperm races' clips. The exhibition title references H.G. Wells' 'The Shape of Things to Come' and draws on scientific studies linking virtual sexual stimuli to increased sperm motility.
Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.
Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.
Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.
Saudi Arabia's national pavilion at the 61st Venice Biennale features a new installation by Saudi-Palestinian artist Dana Awartani titled "May your tears never dry, you who weep over stones." Curated by Art Jameel's director Antonia Carver and assistant curator Hafsa Alkhudairi, the work comprises over 29,000 handmade clay bricks arranged in intricate mosaics referencing 23 threatened cultural heritage sites across the Arab world, including Syria, Lebanon, and Palestine. The installation, which took more than 30,000 labor hours with 32 artisans, has become a crowd favorite since the biennale opened on May 9.
Casa Romantica Cultural Center and Gardens in San Clemente, California, will present an exhibition titled "Through the Decades: Artists That Shaped the Festival of Arts." The show highlights the work of artists who have participated in the Festival of Arts, a longstanding local art event, tracing its evolution across different decades. The exhibition aims to showcase the diverse artistic styles and contributions that have defined the festival over time.
The Rahr-West Art Museum in Manitowoc, Wisconsin, is offering free, monthly drop-in gallery tours throughout summer 2026, led by museum staff and guest experts. Tours include sessions on the art of David Roberts, recent acquisitions, salon-style installations, and a local artists exhibition, with no registration required. Additionally, docent-led tours of the historic Vilas-Rahr Mansion will be available on Thursdays from June through September.
The article is a photo gallery showcasing the senior art exhibition 'sonder' at the University of Texas Rio Grande Valley (UTRGV). It features the work of graduating art students, highlighting their individual projects and creative processes as part of their final academic showcase.
Artistree Gallery in South Pomfret, Vermont, is hosting "Unbound Vol. XIV," an annual exhibition of book art coinciding with the Bookstock literary festival. The show features works by artists including Andre Lee Bassuet, Carole McNamee, Larry Clifford, and Dorsey Hogg, who transform discarded books into sculptures, quilts, and wearable pieces. Notable works include Bassuet's "A Thin Veil," a shawl made from pages of Soviet writer Ilia Ehrenburg's collected works, and "Women in the Field," a cyanotype cloak honoring pioneering women naturalists.
The Santa Monica College (SMC) Emeritus Art Gallery will host the SMC Emeritus Annual Student Art Exhibition 2026 – Part 1 from May 14 to June 19, with a free opening reception on May 14 from 5 p.m. to 6:30 p.m. The exhibition features works by 47 student artists from SMC's noncredit Emeritus program for older adults, which was founded in 1975 and serves over 3,000 students annually. Due to high participation, the exhibition is split into two parts, with Part 1 displayed in the gallery and Part 2 opening online on June 11.
The Norman Firehouse Art Center in Norman, Oklahoma, will present "Sohail & Co.," a summer exhibition focused on figure drawing and sculpture, on view from May 13 to August 7, 2026. The show brings together artists connected to the University of Oklahoma School of Visual Arts, exploring how the human figure evolves from observation to finished form across drawing, ceramics, and sculpture. An opening reception on May 13 will also feature the unveiling of "Rooted," a new public sculpture by undergraduate student Isabella Clark, installed in the Firehouse park as part of the Lions Park Sculpture Garden initiative.
Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.
The Sonoma Valley Museum of Art has opened two new exhibitions celebrating queer identity, memory, and community. "John Paul Morabito: Dancing in the Night" features large-scale woven works by transdisciplinary artist John Paul Morabito, using linen, cotton, gold-leaf threads, and beadwork inspired by queer history, resistance, and celebration. The second exhibition, "Norma I. Quintana: Paradise of Memory / Paraíso de la Memoria," presents a portrait series by photographer Norma I. Quintana that examines memory, identity, and cultural heritage, recreating hand-painted backdrops from her family's photographs to honor her community. Both exhibitions run through September 6.
The article highlights three cultural destinations in Palm Beach County, Florida, as part of the MOSAIC (Month of Shows, Art, Ideas and Culture) celebration in May. Visitors can enjoy discounted admission to Morikami Museum and Japanese Gardens in Delray Beach, free admission to the Schmidt Boca Raton History Museum, and reduced entry to the Schoolhouse Children’s Museum in Boynton Beach, which hosts a weekly "Artist of the Week" series with hands-on art activities for families.
The National Geographic Society has announced an extended tour of its exhibition "The Greatest Wildlife Photographs," following its run at The Momentary in Arkansas, USA. The show features a curated selection of iconic wildlife images from National Geographic magazine, chosen by picture editor Kathy Moran, and includes works by renowned photographers such as Michael “Nick” Nichols, Steve Winter, Paul Nicklen, Beverly Joubert, and David Doubilet. The exhibition will be available for booking in the US and globally as a digital delivery, and is currently on view at The Momentary from November 22, 2025, to June 7, 2026.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.
A new exhibit has opened at the Macon Museum of Arts & Science in Georgia, featuring a collection of spectacular paintings that the reviewer found visually impressive but thematically puzzling. The exhibit departs from the museum's previous shows, which have ranged from solo artist presentations and local Macon artists to Georgia-wide showcases and even more unconventional, psychedelic-themed works.
Every first Friday of the month, around 20 galleries and art spaces in Ithaca, New York, open their doors for free evening exhibitions from 5 to 8 p.m. as part of the First Fridays tradition, also known as Ithaca Gallery Nights. The event, now facilitated by artist and curator Michael Sampson since 2023, features both traditional venues like State of the Art Gallery and non-traditional spaces such as Greenstar Co-op and St. Luke Lutheran Church, aiming to expand participation and include newer artists. Featured shows include "Black and White and …" by Ileen Kaplan and David Watkins at SOAG, and "Geometric Abstraction" by Mauro Marinelli, Michael George, and Laura Dale George at The Gallery at South Hill.
Katara Cultural Village Foundation has opened a Contemporary Graphic Art Exhibition featuring 29 artists from Qatar and abroad, displaying over 170 works that explore modern printmaking techniques. The exhibition runs until May 18 at Hall 18 in Katara, bringing together diverse generations and styles, with participating artists including Abdulrahman al-Muttawa, Haifa al-Khuzai, and Lina al-Ali, whose works draw on Qatari women's identity and heritage.
Katara Cultural Village Foundation in Doha has opened a Contemporary Graphic Art Exhibition featuring 29 artists from Qatar and abroad, displaying over 170 works that explore modern printmaking techniques. The exhibition runs until May 18 at Hall 18 in Katara Cultural Village, bringing together artists from different generations to showcase diverse styles and schools within printmaking. Exhibition coordinator Abdulrahman Al Muttawa, along with artists Haifa Al Khuzai and Lina Al Ali, highlighted the exhibition's role in strengthening printmaking's presence in the art scene and celebrating Qatari cultural heritage.
An exhibition at POD! community art gallery in Dundee, Scotland, features works by three Palestinian artists: Maysa Yousef, who is alive and exhibiting, and two others—Dorgham Qreaiqea and Heba Zaqout—who were killed in Israel's military campaign in Gaza. The display also includes artwork by children in Gaza who participated in art therapy workshops led by Yousef, who describes art as a means of survival and resistance amid ongoing violence and trauma.
Manila Calling, a traveling art exhibition organized by Manila Collective Inc., launches this May, connecting Manila, Barcelona, Madrid, and Tokyo. The project transforms traditional exhibition spaces into a hybrid of gallery, curated gift shop, and street-level art party, featuring 70 creatives from the Philippines, Spain, France, Italy, and Japan. Participating artists submitted original artworks translated into a unified silk textile installation, alongside limited-edition prints, zines, apparel, and collectible objects. The tour includes stops in Barcelona (May 15-16), Madrid (May 19-20), a month-long exhibit at Centro de Turismo Intramuros in Manila (June 6-27), and a Tokyo stop with a closing celebration in Barcelona in July. A pop-up gift shop in Comuna, Makati precedes the tour on May 8-10.
Gunnedah Shire Council is calling for submissions for its annual NAIDOC Week Art Exhibition, which will celebrate 50 years of the 'Deadly' theme. Artists, hobbyists, schools, and community members are invited to submit works in any medium, including weaving, wood etching, metal work, dot painting, and decorated didgeridoos. A free workshop for First Nations women, led by emerging artist Hollie Crawford, will be held on 9 May to help participants create pieces for the exhibition. Entries are due from 22 to 28 June at the Gunnedah Bicentennial Creative Arts Gallery, with the exhibition running from 3 July to 7 August.
Tom Vattakuzhy's new exhibition "Where Words End" opens in Mumbai from May 3–17, 2026, at ICIA Gallery in Kalaghoda. The show presents a series of "story paintings" that explore the emotional residue left behind after reading a narrative, focusing on moods and sensations rather than plot or illustration. Vattakuzhy, who began his career as an illustrator, shifts here toward open-ended scenes where figures appear mid-gesture and rooms feel charged with unspoken meaning, drawing from literary sources as points of departure rather than literal subjects.
Two Indian artists, Manveer Singh (aka Plasticvalla) and Smriti Dixit, are creating artworks from discarded materials to address environmental degradation. Singh transforms multi-layered plastic waste into sculptures inspired by local landscapes and folk traditions, such as a snow leopard for Spiti Valley and a landfill-inspired piece for Delhi. Dixit finds her practice meditative, while other young artists like Anuja Dasgupta and Mrugen Rathod recently exhibited at the 'Sustaina' exhibition using recycled materials like agricultural waste and discarded hotel textiles. Additionally, Tara Lal's Aranyani Pavilion, made from invasive Lantana Camara wood, was displayed at Sunder Nursery to promote forest restoration.
Teresa Tyszkiewicz's exhibition "Stories That Tell Themselves" at Profile Foundation in Warsaw showcases the Polish artist's process-driven practice spanning video, performance, and relief-like paintings made with pins, nails, metal plates, ropes, and fabrics. Curated by Bożena Czubak, the show highlights Tyszkiewicz's use of the body as a medium—often naked and immersed in organic materials—to explore emotions, intuition, and unconscious desires, as seen in works like the 1980 film "Grain." The artist, who began her career in the late 1970s alongside Polish neo-avantgarde filmmakers but rejected their conceptual tendencies, developed a tactile, laborious approach that invites sensory engagement.
Public Images Gallery, a new art space owned by Larry White, opens on Route 66 in Tulsa at 1507 E. 11th Street, next to Ike’s Chili. Its inaugural exhibition, “Roots, Rock, and Rebels ... The Photography of Henry Diltz,” features the work of renowned rock photographer Henry Diltz. An abridged version of this show was previously held at the Woody Guthrie Center in Tulsa in 2019 but was cut short due to the COVID-19 pandemic. The grand opening takes place on May 1 from 4 to 10 p.m., with Diltz appearing in person during First Friday festivities.