Mondialisation and Mondialité: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.

Art shows how Shirley Cards and race shaped photography | Opinion

Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.

New hospital gallery brings art and wellbeing together

Guernsey Museums and the Health and Social Care Arts and Health Programme have launched the Corridor Gallery at the Princess Elizabeth Hospital. This new initiative converts a hospital corridor into a rotating exhibition space featuring high-quality reproductions from the museum's permanent collection. The inaugural exhibition, "Blue Spaces," focuses on the therapeutic relationship between aquatic environments and mental wellbeing, showcasing blue-toned landscapes ranging from abstract to impressionistic styles.

Choe Vio's solo exhibit at Seoul's Page Gallery explores time as an interactive experience

Seoul-based painter Choe Vio has launched a new solo exhibition titled “Time Interface” at Page Gallery in Seongsu-dong. The show, which marks the artist's first solo presentation in four years, features new paintings and a central interactive installation titled “137 Silent Observers.” This centerpiece invites visitors to move stones on an aluminum plate, triggering a process where the changes are recorded at specific intervals and eventually translated into video and painting.

Governor’s Art Show, one of Colorado’s largest fine art exhibitions, returns to Loveland

The 35th annual Governor’s Art Show has returned to the Loveland Museum, showcasing a juried selection of fine art from across Colorado. This year’s exhibition features approximately 60 artists, including 10 first-time participants, selected through a competitive blind jury process. The show includes a diverse range of media, from Lorri Acott’s life-size bronze animal sculptures to Jane DeDecker’s new works blending bronze with fused glass, and Faye Crowe’s Western-influenced abstract paintings.

How to See Rare Books in London

The New York Times Art section has published a guide to viewing rare books in London, covering illuminated manuscripts, antique tomes, and first editions available at various venues across the British capital. The article provides practical advice for accessing these collections, including details on public viewing hours, special exhibitions, and notable institutions that house rare book holdings.

On the Hunt for a Memphis Group-Style Lamp

The article follows a search for a lamp that visually mimics the distinctive style of the Memphis Group, the influential 1980s Italian design collective known for its bold, postmodern aesthetic. The hunt focuses on finding an affordable, Memphis-style light fixture rather than an authentic vintage piece from the group itself.

Why Is Everyone Obsessed With Bogs?

The New York Times Art section published an explainer titled "Why Is Everyone Obsessed With Bogs?" examining the cultural fascination with wetlands, particularly bogs, across fashion and art. The article explores how bogs have become a recurring motif in contemporary visual culture, from runway collections to gallery installations, reflecting a broader societal interest in these unique ecosystems.

Venice Biennale: In Photos and Video

The Venice Biennale, one of the most anticipated events in the art world, is showcased through a collection of photos and video. The article presents visual scenes from the prestigious international art exhibition, capturing the atmosphere and installations on display.

The Audacity of Art at the Obama Presidential Center

Barack and Michelle Obama commissioned 30 artists to create site-specific works for the Obama Presidential Center on Chicago's South Side, which begins visitor previews next week. The commissioned artworks span multiple media and will be integrated throughout the campus, reflecting the Obamas' commitment to public art and community engagement.

An Installation in Nature has Climate Lessons for Humans

An outdoor installation titled "Climate Clock" has opened along a forest trail outside Oulu, Finland, featuring lichen, mechanical artwork, and a barrel of snowflakes. The project uses natural and artificial elements to visualize the passage of time and environmental change.

Pittsburgh’s Children’s Museum Satisfies a Hunger for Eric Carle

The Children’s Museum of Pittsburgh has launched a major interactive exhibition dedicated to the work of the late author and illustrator Eric Carle. The showcase features immersive environments based on five of Carle's most famous collage-based books, including "The Very Hungry Caterpillar," designed to engage young visitors through tactile and visual storytelling.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

Met gala guests deliver works of art on the human form

The article reports on the 2025 Met Gala, where celebrity guests showcased elaborate, art-inspired fashion on the red carpet. The event, held at the Metropolitan Museum of Art in New York, featured designs that transformed the human body into living canvases, with many looks referencing the evening's exhibition theme.

A GLIMPSE INTO FERNANDO MAZA S SURREAL WORLD AT THE MAR MUSEUM

The exhibition "The Construction of Painting," organized by the National Museum of Fine Arts, opened at the MAR Provincial Museum of Contemporary Art in Mar del Plata, Argentina. It traces the career of Argentine visual artist Fernando Maza (1936–2017) through more than 50 paintings and watercolors, curated by Pablo De Monte. Maza, who studied under Raúl Podestá and was part of the Informalist Movement alongside Alberto Greco and Kenneth Kemble, lived in New York, London, and Paris. The show features works that blend metaphysical painting with surreal atmospheres, using objects like staircases, arches, and linguistic signs to create enigmatic landscapes.

REINTERPRETATIONS BY DEMIAN FLORES OF VIOLENCE MYTH AND REPRESENTATION

Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.

Carlos Runcie Tanaka's Ceramics in Pinta Lima's Special Project

CARLOS RUNCIE TANAKA S CERAMICS IN PINTA LIMA S SPECIAL PROJECT

The art fair Pinta Lima is presenting a Special Project dedicated to the late Peruvian ceramic artist Carlos Runcie Tanaka. Organized by Fundación Pinta, Henrique Faría Gallery, and the artist's estate, the exhibition brings together a selection of works from 2001 to 2007, focusing on his mastery of the clay sphere and his unique visual language.

Torna TAILOR. Ecco come abbonarsi alla newsletter di Artribune sulla cultura del vestire

TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.

Interview with the artist of the Danish Pavilion at the 2026 Venice Biennale who staged the porn stars

Intervista all’artista del Padiglione Danese della Biennale di Venezia 2026 che ha messo in scena i porno divi

The Danish Pavilion at the 2026 Venice Biennale presents "Things to Come," a project by artist Maja Malou Lyse (b. 1993, Denmark), curated by Chus Martínez. The installation combines a three-channel video developed with DIS, materials from Cryos (the world's largest sperm bank), and performers from the porn industry, embedding them within the pavilion's architecture to explore the convergence of pornography, biotechnology, desire, and visual culture as a single system of imaginary production.

IDF Soldiers Hide From Our Gaze

An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.

A new cultural space that works on the memory of the city (also through postcards) has been born in Rome

A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)

A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.

The exhibition that aims to make you remember the Seventies appears in a former newsstand in Siena

La mostra che punta a farti ricordare gli Anni Settanta spunta in una ex edicola di Siena

The former newsstand in Siena, transformed into an exhibition space by the association Giallo Menta in 2023, opens its seventh artistic intervention. From May 9 to June 20, 2026, artist Luigi Presicce presents a site-specific installation titled "La Mamma," which turns the small architectural space into a scenic device exploring the concept of birth while reappropriating elements of Italian popular culture from the 1970s. The installation simulates an underwater environment, an aquarium where "sea monkeys" live under human gaze, referencing a 1970s pop myth where these fantastic creatures were sold in packets and dissolved in water.

Libri d’arte. 7 novità in libreria tra saggi, racconti e fotografie

This article from Artribune presents seven new art book releases in Italy, all united by a common theme of bringing marginalized subjects back into focus. Featured titles include Johnny L. Bertolio's "L'ha scritto lei, ma…" which examines why female authors are excluded from Italian school curricula, and Carla Rossi's "Oltre i margini," a rigorous study of European female miniaturists from the Middle Ages to the Renaissance. Other works address queer representation in museums, children's voices on Gaza, photographic portraiture by Lorenzo Cicconi Massi, a collective volume on the Bertolucci family, and a theatrical project by Kepler-452 set in the central Mediterranean.

1990s pop icon Jewel is the protagonist in Venice with an exhibition that rewrites the geographies of the feminine

L’icona pop Anni ‘90 Jewel è protagonista a Venezia con una mostra che riscrive le geografie del femminile

Singer-songwriter Jewel, a 1990s pop icon with four Grammy nominations, is presenting her largest exhibition to date in Venice. Titled "Matriclysm: An Archaeology of Connections Lost," the immersive show runs from May 6 to November 22, 2026, at the Salone Verde, coinciding with the 2026 Venice Biennale. Curated by Joe Thompson, the exhibition blends painting, textiles, sculpture, sound, and installation to explore themes of femininity, motherhood, care, and intergenerational knowledge, drawing on forgotten rituals and marginalized mythologies.

Provincia Cosmica. A Foggia per scoprire la fotografia sociologica di Maria Palmieri

Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.

In an exhibition in Naples it is possible to get lost without urgency in an unstable balance. The review

In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione

The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.

16th-Century Rome Through the Eyes of a Foreigner: The Exhibition

La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra

Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.

The first of May starts a new issue of Pax. Previews of the newsletter on cultural tourism (subscribe)

Il primo maggio parte una nuova uscita di Pax. Le anticipazioni della newsletter sul turismo culturale (abbonatevi)

The article previews the upcoming May 1st issue of Pax, a newsletter by Artribune focused on cultural tourism. It highlights a feature on Italy's colorful villages, explaining how bright colors historically aided sailors and fishermen, and how white facades served hygienic purposes. The issue also covers off-the-beaten-path destinations like Bolsena, which recently opened a contemporary art space in Palazzo Cozza Caposavi, and explores slow tourism practices such as barefooting, discussed with its founder Andrea Bianchi. Additional content includes a roundup of cultural initiatives from Berlin to Naples, Budapest's Citadella reopening, and the Sussex forest's Winnie-the-Pooh centenary.

Wagner comes alive in Milan. Not only at the theater but also in these two exhibitions

A Milano rivive Wagner. Non solo a teatro ma anche in queste due mostre

Two exhibitions dedicated to Richard Wagner's Ring cycle have opened at Milan's Teatro alla Scala, coinciding with a new production of the Ring des Nibelungen and the centenary of the first Scala staging of the tetralogy in 1926. The Museo Teatrale alla Scala presents "La rivoluzione del Ring – Visconti Ronconi Chéreau," curated by Giovanni Agosti with design by Studio Margherita Palli, while the Ridotto dei palchi "A. Toscanini" hosts "Risonanze Wagner – Visioni intorno al Ring," curated by Gianluigi Colin and Mattia Palma, featuring contemporary paintings by four women artists—Antonella Benanzato, Flaminia Veronesi, Chiara Calore, and Federica Perazzoli—each reinterpreting one of the four operas.

Story of the designer who transformed MotoGP by designing Valentino Rossi's bikes and suits

Storia del designer che ha trasformato la MotoGP disegnando moto e tute di Valentino Rossi

Aldo Drudi, the influential designer who transformed the visual aesthetics of MotoGP, created a special site-specific livery for the Pertamina Enduro VR46 Racing Team's presentation at The Edge in Hudson Yards, New York. The livery, unveiled on March 24, 2026 for the United States Grand Prix, is a complex graphic composition that references team history, Valentino Rossi, and American culture, elevating motorcycle design to a form of moving art.