Senior Spring Art Exhibits

Asbury University is launching its Senior Spring Art Exhibits on March 2, a semesterly tradition that serves as a capstone for graduating art majors. The exhibitions will be spread across multiple campus venues, including the Blue, Kinlaw, Purple, and Red Galleries, as well as the Reasoner Hallway Gallery. Featured students include Vanessa Fischer, Ella Nelson, Hope Eland, Joshua Owen, and Kaja Jaques, showcasing a diverse range of media such as sculpture, graphic design, photography, and fabric arts installations.

A recovered ‘balsa’ is the center of an art exhibit in Miami’s Design District

Artists Antonia Wright and Rubén Millares have unveiled a poignant installation titled "Exile" at the Piero Atchugarry gallery in Miami’s Design District. The centerpiece is an authentic 'balsa' (raft) recovered from the shores of Key Biscayne, featuring a 1942 Chevrolet engine and metal barrels marked with the logo of Cuba’s state beekeeping company. The artists preserved the vessel's original state, adding only interior lighting to highlight bullet holes and a soundscape of the roaring sea to immerse viewers in the harrowing experience of Cuban migrants.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

Working in Art and Culture: Opportunities from Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi

Lavorare nell’arte e nella cultura: opportunità da Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi

This article from Artribune compiles five current job and grant opportunities in the Italian visual arts and culture sector. It lists open calls for the Premio di Pittura Giuseppe Casciaro (a painting prize with a career award and a solo exhibition prize), a residency program for artists and curators under 36 at Fondazione MUS.E's MAD Murate Art District, an open call for artists on the theme of play by Associazione Circuiti Dinamici, a search by the Comune di Roma for a three-year artistic director for the La Vaccheria cultural space, and a stage (internship) position at Fondazione Culturale Officine Saffi for exhibition programming and project coordination.

What Artists Sign Away

Artist and writer Sarah Hotchkiss recounts two personal experiences where galleries and residency programs used standard contracts to limit artists' rights. In the first, a new gallery refused to shorten a six-month consignment period after an exhibition, leaving her work in "contractual limbo" where she would owe the gallery half of any sale even if she found the buyer herself. In the second, a residency required her to waive moral rights under the Visual Artists Rights Act, protections that allow artists to prevent distortion and control attribution of their work.

Mexican Artist Alleges Plagiarism of Femicide Project

Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.

Wereldmuseum Amsterdam ponders space to ‘respectfully’ house human remains

The Wereldmuseum Amsterdam has announced it will no longer publicly exhibit any human remains from its colonial-era collection, which includes around 4,000 body parts such as skulls and a preserved Surinamese newborn. At the opening of the exhibition "Unfinished past: return, keep, or…?", director of content Wayne Modest suggested the museum may create a dedicated space for "ritual practices" where descendants can respectfully engage with ancestral remains until a permanent repatriation solution is found. The exhibition features contemporary artworks, including Pansee Atta's "To Make One Particle," which reproduces each body part as a small wooden token, and draws on a four-year research program called Pressing Matter.

Last Ivan Wheale exhibition and sale May 16 at Perivale Gallery

Perivale Gallery on Manitoulin Island will host 'Through Ivan’s Eyes: A Northern Vision Lives On' on May 16, a final exhibition and sale of works by the late artist Ivan Wheale. The event includes Wheale’s last painting, completed shortly before his death, and pieces from his personal collection, marking the last chance to acquire his work from his official gallery.

Berlin Museum to Return Almost 600 Skulls

Berliner Museum will fast 600 Schädel zurückgeben

The Prussian Cultural Heritage Foundation in Berlin has announced plans to repatriate hundreds of human skulls to West African nations following a multi-year provenance investigation. The research identified the origins of 574 skulls, with 336 linked to present-day Cameroon, 151 to Togo, 23 to Ghana, and one to Nigeria, while 63 could not be precisely located. The skulls were part of a historical anthropological collection transferred from Berlin's Charité university hospital in 2011.

Historical Museum Returns Painting

Historisches Museum gibt Bild zurück

The German Historical Museum (DHM) in Berlin has restituted a 19th-century portrait of historian Leopold von Ranke to the von der Schulenburg family. The painting by Adolf Jebens, dated 1876, was seized in 1945 during a land reform in the Soviet Occupation Zone from the family's Schloss Lodersleben estate. The museum's director, Raphael Gross, confirmed the return after provenance research identified the work's history.

We had to make difficult decisions

"Wir mussten schwierige Entscheidungen treffen"

Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

La loi-cadre sur les restitutions définitivement adoptée par le Parlement

The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.

Artnet et Artsy amorcent leur intégration

Artnet and Artsy, both acquired in 2025 by British fund Beowolff Capital, are beginning their integration under a shared management structure while maintaining separate brands and websites. The reorganization has already involved job cuts and aims to more closely align market data, online visibility, and transactions amid a fragile online art sales environment.

The Textile Museum: A Frayed Project

Le Musée des tissus, un projet décousu

The renovation and expansion of the Musée des Tissus et des Arts Décoratifs in Lyon has stalled despite being acquired by the Auvergne-Rhône-Alpes Region seven years ago. Although architect Rudy Ricciotti revised his initial designs to satisfy local urban planning requirements and resident concerns, the project faces significant delays, with no building permit filed and a fluctuating budget that recently dropped from 60 million to 32 million euros. Tensions between the regional leadership and the City of Lyon have further complicated the timeline, leaving the museum closed to the public for four years.

The Raphaels, the Italian Gang and the Olive Oil Maker: The Spectacular Theft of 7 Paintings in Budapest During the Cold War

Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide

On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.

Even More Drawings for Versailles

Encore d'autres dessins pour Versailles

The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.

Une souscription pour la Maison-atelier Lurçat

The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.

A reading room for the Epstein files opens in New York

A pop-up exhibition in Tribeca, New York, has transformed Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, displaying over 3,000 bound volumes of printed Epstein files. Organized by the Washington, DC-based Institute for Primary Facts, the room holds 3,437 volumes encompassing 3.5 million pages of released documents, printed over about a month. The free exhibition runs until 21 May and requires advance booking.

Southampton City Art Gallery is getting ready to reopen in March 2026

Southampton City Art Gallery will reopen on Saturday, March 7, 2026, following a successful refurbishment program. The reopening exhibition, 'Levitate Me: Desire, Ecstasy and The Sublime,' is a major solo show by acclaimed British artist Emma Richardson, featuring new oil paintings that explore desire, euphoria, and the natural world through a female lens. Richardson, who was born in Southampton and lived there for much of her life, has also selected works from the city's collection to display alongside her own. Other reopening displays include highlights from the internationally renowned collection (with public input on artwork selection), recently acquired works shown for the first time, rarely seen works on paper digitized during the closure, and photographs of the refurbishment by architectural photographer Joe Low. The project was supported by a £2.23 million grant from the Department for Culture, Media and Sport's Museum Estate and Development Fund (MEND), administered by Arts Council England.

Lambeth Open 2025 will be happening on Saturday 4th and Sunday 5th October

Lambeth Open 2025 will take place on Saturday 4th and Sunday 5th October, from 10 am to 6 pm, transforming the borough into a free, public gallery. Artists and makers across Lambeth will open their studios and homes, inviting visitors to explore paintings, sculptures, design, and craft. The event, started in 2009, requires no tickets and features an interactive map on the Lambeth Open website to help plan routes.

Arts & Science Center hosting artwork by instructor at University of Arkansas at Pine Bluff

The Arts & Science Center for Southeast Arkansas is hosting the exhibition 'Blaque' by University of Arkansas at Pine Bluff art instructor Jonathan Rashad Wright as a highlight of its 2026 Black History Month programming. The exhibition, on display through July 3, explores themes of identity, heritage, grief, and resilience within the African diaspora through Wright's innovative blend of traditional printmaking and modern technology, using black ink on black paper to create layered, introspective works.

BOX 13 ArtSpace in Houston Announces Open Call for Exhibition Proposals

BOX 13 ArtSpace, an artist-run studio and gallery venue in Houston’s East End neighborhood, has announced an open call for exhibition proposals for its 2026 season. The call invites self-directed artists to submit proposals for four gallery spaces within the building: the Front Gallery, Back Gallery, Window BOX Gallery, and Upstairs Gallery. Applicants must be prepared to install their own work or arrange for local assistance, as the space has no staff or budget for shipping, travel, or equipment. The deadline for proposals is September 30, 2025, with notifications by October 28, 2025. Virtual and in-person information sessions are scheduled for September 17 and 20, respectively.

Artist Day at Flanders Nature Center May 9

Flanders Nature Center & Land Trust in Woodbury, Connecticut, will host Artist Day on Saturday, May 9, from 9 a.m. to 1 p.m. at the Van Vleck Sanctuary. Artists, craftspeople, and photographers are invited to create work en plein air on the sanctuary's 200-acre grounds, which include woodlands, meadows, ponds, and historic buildings. The event is free and requires pre-registration. Participants may later be eligible to exhibit their work in Flanders’ 5th Annual Exhibition of Art in October at the Van Vleck Gallery.

Bayeux Tapestry: A Blank Voyage That Tests Nothing

Tapisserie de Bayeux : un voyage à blanc qui ne teste rien

A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.

Deux nouveaux tableaux français du XVIIIème siècle pour le Musée Fabre

The Musée Fabre in Montpellier has acquired two 18th-century French paintings at auctions held by Artcurial in September 2025. The first is an "Allégorie de la Poésie" (1774) by Élisabeth Louise Vigée Le Brun, purchased for €250,000 with support from the museum's corporate foundation and a special grant from the Fonds du patrimoine. The painting, which depicts the early struggles of the future portraitist, was previously owned by Henry and Catherine Robert and had been exhibited in a major retrospective at the Grand Palais a decade ago.

More Drawings Put Up for Sale in Paris

Encore des dessins mis en vente à Paris

An album containing fifty-two drawings by the Van Blarenberghe family of painters and miniaturists is being auctioned in Paris on March 31, 2026, by Wattebled & Portay at Drouot. The collection includes three watercolor studies by Louis-Nicolas Van Blarenberghe directly related to the celebrated Choiseul snuffbox, a major acquisition by the Louvre in 2022.

London's Wellcome Collection returns 2,000 manuscripts to the Jain community

London's Wellcome Collection is returning 2,000 Jain manuscripts to the Jain community, the largest such collection outside South Asia. Acquired in 1919 at a low price from a Jain temple in what is now Pakistan, the manuscripts will be transferred to the UK-based Institute of Jainology and deposited at the University of Birmingham. A Memorandum of Understanding is being signed at the House of Commons. The restitution bypasses the country of origin because the Jain community in Pakistan was displaced after the 1947 partition, leaving no suitable depository there.

Today’s war, tomorrow’s loot: attempts at stemming the illicit trade in art

The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.

UK’s Brighton & Hove Museums to return 45 artefacts to Botswana

Brighton & Hove Museums in southern England will return 45 artefacts to Botswana. The objects, including clothing, accessories and hunting implements, were acquired by English reverend William Charles Willoughby in the 1890s and will be housed at the Khama III Memorial Museum in Serowe, where they will form part of a permanent exhibition opening on 27 May. A team from Brighton & Hove Museums is working with Botswanan curators on the return, which is scheduled for April.